Jumpchain Compliant CYOA Version 1.0 by SJ-Chan and Blackshadow111 INTRODUCTION Billions Unborn Await the Outcome of This Cataclysmic Battle
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
Introduction to BI-Tagavad-Gita
TEAcI-tER'S GuidE TO INTROduCTioN TO BI-tAGAVAd-GiTA (DAModAR CLASS) INTROduCTioN TO BHAqAVAd-qiTA Compiled by: Tapasvini devi dasi Hare Krishna Sunday School Program is sponsored by: ISKCON Foundation Contents Chapter Page Introduction 1 1. History ofthe Kuru Dynasty 3 2. Birth ofthe Pandavas 10 3. The Pandavas Move to Hastinapura 16 4. Indraprastha 22 5. Life in Exile 29 6. Preparing for Battle 34 7. Quiz 41 Crossword Puzzle Answer Key 45 Worksheets 46 9ntroduction "Introduction to Bhagavad Gita" is a session that deals with the history ofthe Pandavas. It is not meant to be a study ofthe Mahabharat. That could be studied for an entire year or more. This booklet is limited to the important events which led up to the battle ofKurlLkshetra. We speak often in our classes ofKrishna and the Bhagavad Gita and the Battle ofKurukshetra. But for the new student, or student llnfamiliar with the history ofthe Pandavas, these topics don't have much significance ifthey fail to understand the reasons behind the Bhagavad Gita being spoken (on a battlefield, yet!). This session will provide the background needed for children to go on to explore the teachulgs ofBhagavad Gita. You may have a classroonl filled with childrel1 who know these events well. Or you may have a class who has never heard ofthe Pandavas. You will likely have some ofeach. The way you teach your class should be determined from what the children already know. Students familiar with Mahabharat can absorb many more details and adventures. Young children and children new to the subject should learn the basics well. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
S3issue 3.1 March 2021
www.theuniversejournal.com The UNIverse Journal ISSN 2582-6352 An International Quarterly Refereed Open Access e-Journal https://www.theuniversejournal.com/index.php https://www.theuniversejournal.com/edboard.php https://www.theuniversejournal.com/current_issue.php https://www.theuniversejournal.com/join_us.php Issue 3.1 March 2021 1 www.theuniversejournal.com The UNIverse Journal ISSN 2582-6352 An International Quarterly Refereed Open Access e-Journal Shruti Tiwari [email protected] India “ Free to Be You, Free to Be Me ” Disclaimer: This story is a fictionalised account of the epic Mahabharata. Names, characters, businesses, places, events, locales, and incidents are used in a fictitious manner and no offence to any mythological figure is intended. PROLOGUE 3102 BCE, Outskirts of Dwarka “Are you sure about this, brother?”, asked Dushasana yet again as he cradled his eight glass of wine between his fingers. He shouldn’t be drinking while making crucial decisions, after all, the importance of being at his best game in situations like these was drilled into his head since he was ten. But, right now, he wanted- needed- to escape into oblivion even if it were for a few minutes. “Enough with your doubts. We are doing this. In order to beat those sons of bitches, we need Krishna and we need him before those Pandavas get to him.”, snapped Duryodhana as he paced in circles. He stopped to look around the magnificence of the palace. People were right indeed, the city of Dwarka had something about it. Some called it the abode of the divine but Duryodhana knew better. -
Transition Into Kaliyuga: Tossups on Kurukshetra
Transition Into Kaliyuga: Tossups On Kurukshetra 1. On the fifteenth day of the Kurukshetra War, Krishna came up with a plan to kill this character. The previous night, this character retracted his Brahmastra [Bruh-mah-struh] when he was reprimanded for using a divine weapon on ordinary soldiers. After Bharadwaja ejaculated into a vessel when he saw a bathing Apsara, this character was born from the preserved semen. Because he promised that Arjuna would be the greatest archer in the world, this character demanded that (*) Ekalavya give him his right thumb. This character lays down his arms when Yudhishtira [Yoo-dhish-ti-ruh] lied to him that his son is dead, when in fact it was an elephant named Ashwatthama that was dead.. For 10 points, name this character who taught the Pandavas and Kauravas military arts. ANSWER: Dronacharya 2. On the second day of the Kurukshetra war, this character rescues Dhristadyumna [Dhrish-ta-dyoom-nuh] from Drona. After that, the forces of Kalinga attack this character, and they are almost all killed by this character, before Bhishma [Bhee-shmuh] rallies them. This character assumes the identity Vallabha when working as a cook in the Matsya kingdom during his 13th year of exile. During that year, this character ground the general (*) Kichaka’s body into a ball of flesh as revenge for him assaulting Draupadi. When they were kids, Arjuna was inspired to practice archery at night after seeing his brother, this character, eating in the dark. For 10 points, name the second-oldest Pandava. ANSWER: Bhima [Accept Vallabha before mention] 3. -
Rajaji-Mahabharata.Pdf
MAHABHARATA retold by C. Rajagopalachari (Edited by Jay Mazo, International Gita Society) Contents 39. The Wicked Are Never Satisfied 1. Ganapati, the Scribe 40. Duryodhana Disgraced 2. Devavrata 41. Sri Krishna's Hunger 3. Bhishma's Vow 42. The Enchanted Pool 4. Amba And Bhishma 43. Domestic Service 5. Devayani And Kacha 44. Virtue Vindicated 6. The Marriage Of Devayani 45. Matsya Defended 7. Yayati 46. Prince Uttara 8. Vidura 47. Promise Fulfilled 9. Kunti Devi 48. Virata's Delusion 10. Death Of Pandu 49. Taking Counsel 11. Bhima 50. Arjuna's Charioteer 12. Karna 51. Salya Against His Nephews 13. Drona 52. Vritra 14. The Wax Palace 53. Nahusha 15. The Escape Of The Pandavas 54. Sanjaya's Mission 16. The Slaying Of Bakasura 55. Not a Needle-Point Of Territory 17. Draupadi's Swayamvaram 56. Krishna's Mission 18. Indraprastha 57. Attachment and Duty 19. The Saranga Birds 58. The Pandava Generalissimo 20. Jarasandha 59. Balarama 21. The Slaying Of Jarasandha 60. Rukmini 22. The First Honor 61. Non-Cooperation 23. Sakuni Comes In 62. Krishna Teaches 24. The Invitation 63. Yudhishthira Seeks Benediction 25. The Wager 64. The First Day's Battle 26. Draupadi's Grief 65. The Second Day 27. Dhritarashtra's Anxiety 66. The Third Day's Battle 28. Krishna's Vow 67. The Fourth Day 29. Pasupata 68. The Fifth Day 30. Affliction Is Nothing New 69. The Sixth Day 31. Agastya 70. The Seventh Day 32. Rishyasringa 71. The Eighth Day 33. Fruitless Penance 72. The Ninth Day 34. Yavakrida's End 73. -
Sundara Kãnda - Hanuman’S Odyssey by BS Murthy
Sundara Kãnda - Hanuman’s Odyssey By BS Murthy If Mahabharata's Bhagvad-Gita is taken as a philosophical guide, Ramayana's Sundara Kãnda is sought for spiritual solace. What is more, many believe that reading Sundara Kãnda or hearing it recited would remove all hurdles and usher in good tidings! Well miracles apart, it's in the nature of Sundara Kãnda to inculcate fortitude and generate hope in one and all. After all, isn't it a depiction of how Hanuman goes about his errand against all odds! Again, won't it portray how Seetha, on the verge of self-immolation, overcomes despair to see life in a new light? Besides, how Hanuman's Odyssey paves the way for Rama to rescue his kidnapped wife! One is bound to be charmed by the rhythm of the verse and the flow of the narrative in this sloka to sloka transcreation of Valmiki's adi kavya - the foremost poetical composition in the world. After all, it was the saga of Rama that inspired Valmiki the barbarian to spiritualize the same as Ramayana in classical Sanskrit! Canto 1 - Hurdles in Skies Egged on by peers Vayu’s son Enshrined by man as Hanuman Enthused himself to shoulder Search of Seetha, Rama’s spouse Snared whom Ravan to Lanka Sea across that hundred leagues. With his head then held so high Gained he size for task on hand. On that Mahendra mountain then Colossus like he sauntered there. Uprooted were trees all those Brushed as with his chest that strong. Varied hues of elements there Made that mountain resplendent. -
Narayana - Wikipedia
10. 10. 2019 Narayana - Wikipedia Narayana Narayana (Sanskrit: , IAST: Nārāyaṇa) is known as one who is in नारायण Narayana yogic slumber on the celestial waters, referring to Lord Maha Vishnu. He is also known as the "Purusha" and is considered Supreme being in नारायण Vaishnavism. According to the Bhagavat Gita, he is also the "Guru of the Universe". The Bhagavata Purana declares Narayana as the Supreme Personality Godhead who engages in the creation of 14 worlds within the universe as Brahma when he deliberately accepts rajas guna, himself sustains, maintains and preserves the universe as Vishnu by accepting sattva guna. Narayana himself annihilates the universe at the end of maha-kalpa as Kalagni Rudra when he accepts tamas guna. According to the Bhagavata Purana, Narayana Sukta, and Narayana Upanishad from the Vedas, he is the ultimate soul. According to Madhvacharya, Narayana is one of the five Vyuhas of Vishnu, which are cosmic emanations of God in contrast to his incarnate avatars. Bryant, Edwin F., Krishna: a Sourcebook. p.359 "Madhvacharya separates Vishnu’s manifestations into two groups: Vishnu’s vyuhas (emanations) and His avataras (incarnations). The Vyuhas have their basis in the A depiction of Lord Narayana at Pancharatras, a sectarian text that was accepted as authoritative by both Badami cave temples the Vishishtadvaita and Dvaita schools of Vedanta. They are mechanisms Affiliation Adi Narayana by which the universe is ordered, was created, and evolves. According to Abode Vaikuntha Madhvacharya, Vishnu has five vyuhas, named Narayana, Vasudeva, Sankarshana, Pradyumna and Aniruddha, which evolve one after the other Mantra ॐ नमो: नारायण in the development of the universe. -
The Role of Sri Krishna in the Mahabharata
THE ROLE OF SRI KRISHNA IN THE MAHABHARATA SWAMI KRISHNANANDA The Divine Life Society Sivananda Ashram, Rishikesh, India Website: www.swami-krishnananda.org (Spoken on Krishna Janmasthmi in 1972) Krishna Dvaipayana Vyasa is the biographer of Bhagavan Sri Krishna. But for the writings, we would have known nothing of the existence or the deeds of Sri Krishna. Among the many writings of Vyasa on this subject of the life of Sri Krishna, the prominent ones are the Srimad Bhagavata and the Mahabharata. We may write the life of Sri Krishna in three books, three sections or three parts: The early life, the family life and the public life. In the Tenth Skanda, the tenth book of the Srimad Bhagavata, Vyasa describes to us in great detail the early life of Krishna and his home life – the family life, we may say. From the birth of Krishna until the death of Kamsa can be called the early life of Krishna. From his encounter with Virasunda until his marriage to Rukmini and others, and his encounter with certain local kings, may be called his home life or his family life. But the public life of Krishna, which is of a different character altogether, is found only in the Mahabharata. It is not in the Srimad Bhagavata or any other Purana. Vyasa is silent about his public life when he writes the Bhagavata, and he is silent about his early life and family life when he writes the Mahabharata. We have to read the two together. In one sense, we may say the Mahabharata follows the Srimad Bhagavata. -
ITIHASAS ‘IT HAPPENED THUS’ the Two Great Epics of India
ITIHASAS ‘IT HAPPENED THUS’ The two great epics of India RAMAYANA THE ADI KAVYA The significance of the Ramayana The Ramayana is the first of the two great Itihasas of India. It was written by sage Valmiki. It consisted of 24,000 verses. It is considered by some as mythology. But to millions of Indians, it is history and offers a guide to right living. The Ramayana is considered by all Hindus as an embodiment of the Vedas, and that Lord Vishnu himself came upon earth to show people how life is to be lived. The greatness of Dharma shines in the life of Rama. The story of Rama On the banks of the Sarayu river, stood the beautiful city of Ayodhya, the capital of the kingdom of Kosala. The people of Ayodhya were peace loving and happy. No one was ignorant or poor. Everyone had faith in God and read the scriptures daily. But Dasaratha, the king, was unhappy. He was getting old and he didn’t have a son to inherit his throne. One day the king called upon his Chief advisor, Vasishtha. He said. "I am growing old. I long for a son, a son who will take my place on the throne."The priest knew all too well that his king needed to have a son. He replied, "Dasaratha, you will have sons. I shall perform a sacred rite to please the gods." At the same moment, the gods were growing more and angrier with Ravana, the ruler of the rakshasas, or demons. Ravana was no ordinary demon. -
Part 1: the Beginning of Mahabharat
Mahabharat Story Credits: Internet sources, Amar Chitra Katha Part 1: The Beginning of Mahabharat The story of Mahabharata starts with King Dushyant, a powerful ruler of ancient India. Dushyanta married Shakuntala, the foster-daughter of sage Kanva. Shakuntala was born to Menaka, a nymph of Indra's court, from sage Vishwamitra, who secretly fell in love with her. Shakuntala gave birth to a worthy son Bharata, who grew up to be fearless and strong. He ruled for many years and was the founder of the Kuru dynasty. Unfortunately, things did not go well after the death of Bharata and his large empire was reduced to a kingdom of medium size with its capital Hastinapur. Mahabharata means the story of the descendents of Bharata. The regular saga of the epic of the Mahabharata, however, starts with king Shantanu. Shantanu lived in Hastinapur and was known for his valor and wisdom. One day he went out hunting to a nearby forest. Reaching the bank of the river Ganges (Ganga), he was startled to see an indescribably charming damsel appearing out of the water and then walking on its surface. Her grace and divine beauty struck Shantanu at the very first sight and he was completely spellbound. When the king inquired who she was, the maiden curtly asked, "Why are you asking me that?" King Shantanu admitted "Having been captivated by your loveliness, I, Shantanu, king of Hastinapur, have decided to marry you." "I can accept your proposal provided that you are ready to abide by my two conditions" argued the maiden. "What are they?" anxiously asked the king. -
Mahabaratha Tatparya Nirnaya - Introduction by Prof.K.T.Pandurangi
Mahabaratha Tatparya Nirnaya - Introduction by Prof.K.T.Pandurangi Chapter XXVI Drona takes charge as Commander-in-chief On the eleventh day Drona was made the Commander in chief. Karna also joined him. Duryodhana asked Drona to arrest Yudhishtira. Drona initiated a bitter fighting and tried to arrest Yudhishtira. However, Arjuna made a counter attack and failed the effort of Drona arresting Yudhishtira. Bhima also gave a tough fight. On that night Duryodhana expressed his displeasure to Drona for not arresting Yudhishtira. Drona suggested, “If Arjuna was diverted from the main field of the battle Yudhishtira could be arrested”. On the twelfth day Susharma and Samsatakas were asked to take away Arjuna to some other area of the battlefield. Satyaratha, Satyavarma, Satyavrata, Satyeshu and Satyakarma were called Samsaptakas as these had taken an oath to kill Arjuna in the presence of a ritual fire. They took Arjuna in the presence of a ritual fire. They took Arjuna aside and started fighting. In the meanwhile, Duryodhana asked Bhagadatta to confront Bhima. Bhima hit the elephant Supratika of Bhagadatta. Sri Krishna saw this confrontation between Bhima and Bhagadatta. He thought Bhagadatta might employ vaisnavastra which he alone could pacify. Therefore, he started to come to this area with Arjuna. He Samsaptakas tried to prevent Arjuna. He employed Sammohana astra and moved towards Bhagadatta. Arjuna and Bhagadatta started fighting. Bhagadatta employed vaisnavastra. Sri Krishna received it and it became Vaijayanthi mala. Arjuna hit Bhagadatta and his elephant Supratika. Both died, Arjuna killed Achala and Vrishika the two younger brothers of Shakuni. Shakuni employed certain magical weapons.