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2019 Guest Book
16 –17 OCTOBER 2018 OLYMPIA LONDON PRESENTED BY Insurance Brokers 2019 GUEST BOOK YOUR REVIEW OF THE UK’S LARGEST AND MOST ESTABLISHED BUSINESS EVENT FOR THE HOTEL COMMUNITY INDEPENDENT HOTEL SHOW 2019 GUEST DEMOGRAPHICS TOTAL VISITORS 6316 COMPANY ACTIVITY TRAVELLED FROM Hotel 59% London 35% Opening a new hotel 6% South East 29% Guesthouse / B&B 7% South West 8% Pub / Restaurant with rooms 3% Midlands 7% Serviced apartments 6% North 7% Other accommodation 12% East 2% Industry supporters / press 7% Wales 2% Scotland 2% Overseas 8% % % % % 83 80 89 91 intend to do business with one of visitors have direct of visitors said they of visitors will be or more of the exhibitors purchasing authority would recommend the returning in 2020 they met at the show within show to a friend the next 12 months or colleague ACCOMMODATION SIZE COMPANY STATUS 1–10 rooms 20% Independent 80% 11–25 rooms 18% Group owned 13% 26–50 rooms 19% Other 7% 50–100 rooms 18% 100+ rooms 25% 2 INDEPENDENTHOTELSHOW.CO.UK INDEPENDENT HOTEL SHOW 2019 THE SUPPLIER EXPERIENCE TOTAL EXHIBITORS 337 65% OF EXHIBITORS RE- BOOKED ONSITE FOR 2020 “The Independent Hotel Show is one of the “The Independent Hotel Show gave us “The Independent Hotel Show is a most important hotel shows in the country. the opportunity to engage face to face with key event in our calendar. There is no It attracts a very diverse group of people, a targeted audience and showcase our other trade show that offers the same level not just independent hoteliers, but also the products to key decision makers. -
The Lansdowne Athlete
The Lansdowne Athlete THE LANSDOWNE ATHLETE 1st century B.C. to 1st century A.D. Made of Pentelic marble, 25.6 cm.(10 in.) high The striking, just under life-sized, head of a young man, with idealised features, is turned slightly to the left. His head is crowned with closely curled luxurious hair, he has a slightly parted mouth with full lips and dimpled corners, with a rounded cleft chin below and perfect straight nose above. The facial features are finely sculpted, with a hint of musculature, cheek bone, and delicate neck folds. The naturalistically modelled head encapsulates both power, innocence and boldness, displaying the skill and virtuosity of the unknown sculptor to incredible effect. Indeed the workmanship can be likened to the great Greek sculptor, Lysippus, whose many bronze masterpieces exhibited the same finesse Marble head of an athlete, Museo Archeologico and dexterity; characteristics often admired and emulated by others. Nazionale, Palestrina, Inv. no 568 The identification as an athlete can be made by the distinctive facial features of the youth, including the closely cropped hair, challenging gaze and thick muscular neck. Parallels with other known pieces include; the Head of an Athlete, Museo Archeologico Nazionale, Palestrina, Inv. no 568 (cf. illustrations), as well as reflecting such iconic works as the bronze Antikythera Youth, National Museum Athens, Inv. no 13396. Pentelic marble Pentelic marble is from a quarry complex on the slopes of Mount Pentelicus, some 16 km. north of Athens. The stone is characterised by its fine grain and pure colour; the white tinged with a golden hue. -
Rome: Portrait of a City 2019
Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese. -
Nails South Africa Shines
THE NO.1 MAGAZINE FOR SPA AND WELLNESS Issue 58 | June/July 2017 | www.europeanspamagazine.com WORLD OF WELLNESS THE BEST OF BRITISH EXPERT GUIDE: NAILS SOUTH AFRICA SHINES Finding balance at Oman's Look inside London's luxurious Invaluable spa mani-pedi How European brands combine Anantara Al Jabal Al Akhdar Lanesborough Club & Spa advice and product innovations with locally inspired treatments DEVELOPMENTSN APPOINTMENTSews INVESTMENT DIARY DATES EDITED BY SARAH TODD Spa town’s legacy ‘recaptured’ in new £9.5m development Rudding Park Spa in Harrogate features a striking roof-top spa garden and will use natural spring waters from the hotel grounds UK: A new £9.5m (E11.24m) spa has launched at In addition, a rooftop spa and garden includes history using natural waters from Rudding the privately-owned luxury Rudding Park hotel in a hydrotherapy infinity pool, a panoramic sauna, Park itself and features an awe-inspiring Harrogate, Yorkshire. experience showers, a garden sauna cabin and rooftop spa and garden to take our guests to Intending to enhance the town’s considerable sun deck. Speaking about his vision for the new heights of relaxation,” said spa director spa heritage, the 4,180sqm Rudding Park Spa rooftop spa garden design, leading horticulturalist Matthew Mackaness. uses natural waters from the surrounding grounds Matthew Wilson said: “I’ve created a space that The spa’s interior fixtures and fittings were and boasts a range of comprehensive facilities to is very calming with its topiary beech domes supplied by interior design company Horsley ‘enhance the wellness of mind, body and soul’. -
The Zibby Garnett Travel Fellowship Report by Daisy Graham Textile
The Zibby Garnett Travel Fellowship Report by Daisy Graham Textile Conservation Placement at the Palais Galliera: Musée de la mode de Paris. 12th June 2017 – 3rd August 2017. 1 Contents Introduction…………………………………………..……………….……….……..5 Study Trip…………………………………………………………………..……..….5 Budget…………………………………………………………….…..………………6 Paris……………………………………………………………………………..……6 Palais Galliera: Musée de la mode de Paris……………………………………….….7 Arriving in Paris……………………………………………………………...……..11 Beginning the Placement…………………………………………………….……...12 Conserving Costume: the evening jacket…………………………………………...13 Conserving costume: the Eleonora dress……………………………………………14 Working in the Conservation Studio…………………………………………..……17 Opportunities and External Visits…………………………………………….…….19 Visit to Musée de la Vie romantique (Museum of Romantic Life)…………..……..19 Opening of “Costume Espagnols Entre ombre et lumière (Spanish Costume, between light and dark)” at La Maison Victor Hugo……………….………………………...20 Opening of “Christian Dior: Couturier des Rêves.……………….……………...….21 Trip to Angers…………………………...…………………………………………..24 Acknowledgments and thanks………………………...…………………………….26 2 List of Figures Figure 1: Map of France Figure 2: Eiffel Tower Figure3: Palais Galliera, main building Figure 4: Map of Paris. Figure 5: Recent exhibitions curated by the Palais Galliera. Figure 6: Working in the conservation studio Figure 7: Fondation Hellenqiue. Figure 8: The evening jacket on display Figure 9: The Eleonora dress on display Figure 10: Using melinex to shape the support Figure 11: Couching one of the supports in place Figure 12: Taking a pattern of the pocket Figure 13: The "rodeo trick” Figures 14 and 15: Eleonora dress left sleeve lining before and after conservation Figure 16 and 17: The front lining of the Eleonora dress before and after conservation Figure 18: Conserving the pleats Figure 19: Working on the jacket Figure 20: Musée de la Vie Romantique. -
Vase De Fleurs Dans La Fenêtre
SP 5425 MARC CHAGALL Vitebsk, Russia 1887 - 1985 Saint-Paul-de-Vence, France Vase de fleurs dans la fenêtre Signed lower right: Chagall Gouache and pastel on paper laid down on board: 24 3/16 x 19 7/16 in / 61.5 x 49.4 cm Frame size: 34 in / 88.6 x 76.8 cm Painted in 1935-36 Provenance: James Vigeveno Galleries, Los Angeles Joan Fontaine (1917-2013), Los Angeles, acquired from the above circa 1945 and sold to benefit The Society for the Prevention of Cruelty to Animals, Monterey County, California Exhibited: Pasadena Art Museum, Seventieth Anniversary Exhibition, Marc Chagall, 26th May – 28th July 1957, no. 28 (as Flowers, 1938) The Comité Marc Chagall has confirmed the authenticity of this work and is recorded by them as No: 2008086. “Supernatural” declared the French poet and art critic, Guillaume Apollinaire, upon seeing Chagall’s work for the first time. An apt description of this remarkable, luxuriant flower piece whose fantastic, iridescent forms entwine into rich, intricate layers of texture and tone. Rising from a small, central vase, Chagall’s intense and exubrant flowers almost fill the canvas, the vibrant blooms exploding from their verdant, blue/green foliage like fireworks. A delicate balance of painting and drawing, the arrangement defines and densely layers a variety of flora, contrasting luscious passages of brilliant, opaque colour with bright patches of paper, revealing the artist’s sophisticated gouache technique and power as a colourist. A lyrical painter-poet in his own right, Chagall’s vital vision of miraculous bounty is framed, but not bounded by an open window on the left with two ethereal figures delineated beneath in a pale, otherworldly predella. -
Why the Eternal City Could Become the Next Hotspot for Luxury Hotels
FEBRUARY 2015 | PRICE £350 IN FOCUS: ROME WHY THE ETERNAL CITY COULD BECOME THE NEXT HOTSPOT FOR LUXURY HOTELS Christof Bertschi Senior Associate Sophie Perret Director www.hvs.com HVS London | 7-10 Chandos Street, Cavendish Square, London W1G 9DQ, UK ‘Why should luxury travellers pay less for a hotel in Rome than in London, Paris or New York? We have the same guests here...,’ a General Manager of a luxury hotel in Rome asked me recently during an interview. His remark poses an interesting question: why are luxury hotels in Rome not able to charge similar rates as those in London or Paris, when they supposedly attract a similar clientele? A comparison with other European gateway cities illustrates that the business mix of the hotels in Rome is actually slightly different to that of London and Paris. Whilst the latter are not only tourism hot spots but also global business hubs, Rome’s client mix is more leisure and government focused. Although Rome is the political centre of Italy and benefits from demand generated from embassy and government-related events, Italy’s business powerhouse remains in the north in the area around Milan. As a must-see destination for every leisure traveller, Rome enjoys high popularity, but the city does not have the same status and perception as a luxury shopping and lifestyle destination such as London, Paris, Milan, Venice or the French Riviera. Additionally, supply related factors, such as underinvestment and a lower number of international luxury hotel brands, have so far prevented the Rome luxury hotel market from reaching comparable room rates with these other destinations. -
Villa Borghese
Piazza del Campidoglio 5 Centro Storico 6 Gianicolo - Trastevere - Villa Pamphili 19 Villa Borghese - Flaminio Nomentana - San Basilio 21 Polo museale “Sapienza” 26 Testaccio - Ostiense - Garbatella 28 Eur - Ostia - Fiumicino 30 Appia - Casilina 31 Cassia - Flaminia 32 Prenestina - Pigneto 32 Ingresso libero fino Ingresso contingentato ad esaurimento posti Prenotazione consigliata Ingresso a pagamento Dove non espressamente o obbligatoria indicato l’iniziativa è gratuita. Il programma può subire variazioni. Programma aggiornato all’11 maggio 2012 Info 060608 www.museiincomuneroma.it Piazza del Campidoglio sulla piazza Ore 21.00-22.30 “Meno male che c’è Radio 2” Il programma di Radio 2 in diretta, presentato da Simone Cristicchi e Nino Frassica, con vari ospiti e musicisti. Musei Capitolini Orario 20.00-02.00 (ultimo ingresso ore 01.00) Il Museo pubblico più antico del mondo, fondato nel 1471 da Sisto IV con la donazione al popolo romano dei grandi bronzi lateranensi, si articola nei due edifici che insieme al Palazzo Senatorio delimitano la piazza del Campidoglio. Il Gioco del Lotto offrirà mediatori storici dell’arte a disposizione del pubblico per rispondere alle domande sulle opere esposte. MOSTRA Lux in Arcana - L’Archivio Segreto Vaticano si rivela Ore 20.30 Premio Strega. Incontro con l’autore Gianrico Carofiglio Il silenzio dell'onda (Rizzoli) Presenta Franco Scaglia, Presidente del Teatro di Roma. Ore 21.30, 22.45 e 24.15 Le Romane La canzone romana è il luogo d’incontro di questa formazione acustica tutta al femminile, dove la serenata ed il canto della popolana si mescolano ai versi di grandi autori come Pasolini e Strehler e alle musiche di Rota, Umiliani, Carpi, Rustichelli, Trovajoli, Balzani; dal linguaggio prezioso delle parole di Gadda, Giuliani, Fabrizi, Belli, Trilussa, tornano alla mente immagini forti piene di ironia e passione. -
The Independent Magazine September 2003 P. 6-10 Foreign
The Independent Magazine September 2003 p. 6-10 Foreign bodies Think Nineties grunge-chic, and you’re probably thinking of a Juergen Teller Image. But, as the photographer tells Sebastian Smee, while he’s still fascinated with the wilder shores of fashion, his work is moving ever closer to home. Portrait by Gautier Deblonde THIS ONE will take some explaining. The photographer Juergen Teller pauses for a good 10 seconds, then ruffles his hair. I have asked about the circumstances that gave rise to the somewhat surreal image you see above. The sprouting flora, I have already learnt, is not an overgrown hedge: it’s a resplendent version of the artist Jeff Koons’s most famous work. Puppy. Nor is that a discarded Barbie doll straddling one of its ears: it’s the American supermodel Stephanie Seymour. This, as it happens, is Seymour’s place in Connecticut: her freshly mown lawn, her Puppy, and — not far out of shot — her 100 horses, her two swimming pools, her world- class collection of haute couture, her collection of late 20th-century art... “I guess I met Stephanie around ‘94,” begins Teller. We are on the ground floor of his studio and home in London’s Ladbroke Grove. A table in the middle of the room is piled with prints of photographs. There is a scale model of a gallery on the floor, which Teller and his assistants are using to plan the hanging of his September exhibition at Milton Keynes Gallery; at the far end of the room is a doorway and stairs leading up (to his studio) and down (to his living quarters). -
Beyond the Existing Readings of Marc Chagall's Crucifixion Paintings
Resistance, Resurrection, Liberation: Beyond the Existing Readings of Marc Chagall’s Crucifixion Paintings A thesis submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Master of Art in Art History in the Department of the School of Art of the College of Design, Architecture, Art, and Planning (DAAP) by Jennifer Horvath March 10, 2015 B.S. University of Virginia May, 1993 Committee Chair: Kimberly Paice, Ph.D. Abstract This study deals with a small body of crucifixion scenes that were rendered by the well- known Russian and Jewish Expressionist artist Marc Chagall (1887-1985). It closely reads these works, made between 1937 and 1952 when Chagall lived in exile in France and the United States. Extensive scholarship and The Jewish Museum’s exhibition Chagall: Love, War, and Exile (2013-14), have emphasized ways that these paintings speak to the then-current tragedies and suffering of Jews associated with the Holocaust. This study builds on this established research. Yet, it offers a nuanced reading of the iconographical and compositional strategies that Chagall uses. Here, the lyrical-expressionist style and dream-like spatial qualities of his early modernist works infuses his painted crucifixions with the condition of exile. By emphasizing the circulation of the affects of love and hate through a network of signs, Chagall ties the theme of the crucifixion to a life of perpetual exile and to the sense of not belonging that goes with such a life. As explained in the study, Chagall’s crucifixion scenes relate as much to the suffering of humanity and Jews in the Holocaust as to the hoped-for liberation and subsequent failed promises of the Russian Revolution, to Chagall’s childhood in the Pale of Settlement, and to his lifelong experience of exile and desire to find a place in the world. -
Hommage À Chagall Spectacle Musical Teatr Groteska
Service Jeune Public SAISON 2011-2012 Jeu Service Mirum: Vivamus est ipsum, vehicula nec, feugiat ne p rhoncus, accumsan id, nisl. Lorem ipsum dolor sit Jeune Public amet, consectetuer Dossier Dossier Pédagogique Hommage à Chagall Spectacle musical Entre théâtre et peinture, arts du masque et de Directeur : Adolf Weltschek - Scénographie : la marionnette, Adolf Weltschek et le Théâtre Malgorzata Mercredi 14 décembre Groteska de Cracovie rendent à travers leur ZwoliĎska - Musique et enregistrements 19h tournée européenne un hommage inspiré au sonores : Roman peintre Marc Chagall. Réalisé sans paroles, Opuszynski - Système de moteur : Katarzyna Seance scolaire : mais en musique, la performance revèle toute Skawinska - Jeudi 15 décembre la puissance poétique de l’univers artistiques de Directeur II : Lech Walicki - Mise en oeuvre de Chagall à travers ses personnages aériens, ses l'animation par ordinateur : Pawel Weremiuk 14h30 couleurs caractéristiques, ses motifs familiers Avec : Monika Filipowicz, Oliwia Jakubik, Diana comme le coq et le bœuf. Jedrzejewska, Maja Kubacka, Kataryna L’évocation prend la forme d’un véritable hymne Kuzmicz, Iwona Olszewska, Marek Karpowicz, Sommaire à l’amour, celui que porte le peintre à sa femme Bogdan Nowak / Pawel Mroz, Rafal Szumski, Belle. Préservé par l’harmonie de leur couple et Lech Walicki et Bartosz Watemborski Note d’intention 2 le pouvoir de l’union plus forte que la mort, Exposition au Musée des Beaux-Arts Marc et Bella Chagall échappent aux realités 2 sociopolitiques du XXème siècle. Entré dans Biographie 3 l’ordre cosmique et dépassant les contingences du monde réel, leur amour atteint une Quelques citations de Marc Chagall 4 dimension métaphysique. -
Press Kit Shangri-La Hotel, Paris
PRESS KIT SHANGRI-LA HOTEL, PARIS CONTENTS Shangri-La Hotel, Paris – A Princely Retreat………………………………………………..…….2 Remembering Prince Roland Bonaparte’s Historic Palace………………………………………..4 Shangri-La’s Commitment To Preserving French Heritage……………………………………….9 Accommodations………………………………………………………………………………...12 Culinary Experiences…………………………………………………………………………….26 Health and Wellness……………………………………………………………………………..29 Celebrations and Events………………………………………………………………………….31 Corporate Social Responsibility………………………………………………………………….34 Awards and Talent..…………………………………………………………………….…….......35 Paris, France – A City Of Romance………………………………………………………………40 About Shangri-La Hotels and Resorts……………………………………………………………42 Shangri-La Hotel, Paris – A Princely Retreat Shangri-La Hotel, Paris cultivates a warm and authentic ambience, drawing the best from two cultures – the Asian art of hospitality and the French art of living. With 100 rooms and suites, two restaurants including the only Michelin-starred Chinese restaurant in France, one bar and four historic events and reception rooms, guests may look forward to a princely stay in a historic retreat. A Refined Setting in the Heart of Paris’ Most Chic and Discreet Neighbourhood Passing through the original iron gates, guests arrive in a small, protected courtyard under the restored glass porte cochere. Two Ming Dynasty inspired vases flank the entryway and set the tone from the outset for Asia-meets-Paris elegance. To the right, visitors take a step back in time to 1896 as they enter the historic billiard room with a fireplace, fumoir and waiting room. Bathed in natural light, the hotel lobby features high ceilings and refurbished marble. Its thoughtfully placed alcoves offer discreet nooks for guests to consult with Shangri-La personnel. Imperial insignias and ornate monograms of Prince Roland Bonaparte, subtly integrated into the Page 2 architecture, are complemented with Asian influence in the decor and ambience of the hotel and its restaurants, bar and salons.