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Canova's George Washington
CANOVA’S GEORGE WASHINGTON EXHIBITION ADDRESSES CANOVA’S ONLY WORK FOR UNITED STATES May 23 through September 23, 2018 In 1816, the General Assembly of North Carolina commissioned a full-length statue of George Washington to stand in the rotunda of the State Capitol, in Raleigh. Thomas Jefferson, believing that no American sculptor was up to the task, recommended Antonio Canova (1757– 1822), then one of Europe’s most celebrated artists. The first and only work Canova created for the United States, the statue depicted the nation’s first president in ancient Roman garb—all’antica armor—per Jefferson’s urging, drafting his farewell address to the states. It was unveiled to great acclaim in 1821. Tragically, a decade later, a fire swept through the State Capitol, reducing the statue to a few charred fragments. On May 23, The Frick Collection presents Canova’s George Washington, an exhibition that examines the history of the artist’s lost masterpiece. The show brings together for the first time all of the objects connected to the creation of the sculpture— including a remarkable life-sized Antonio Canova, Modello for George Washington (detail), 1818, modello that has never before left Italy—and tells the extraordinary plaster, Gypsotheca e Museo Antonio Canova, Possagno, Italy; photo Fabio Zonta, Fondazione Canova onlus, Possagno transatlantic story of this monumental work. The life-size modello, above, provides the closest idea of what the destroyed marble would have looked like. It is shown in the Frick’s Oval Room—alone—to replicate the effect it would have had in the rotunda of North Carolina’s State Capitol. -
Rome: Portrait of a City 2019
Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese. -
Dep MUSEO Di ROMA Dic19
Questo palazzo rappresenta uno degli esempi più belli di architettura civile Palazzo Braschi represents one of the finest examples of civil architecture in a Roma tra Sette e Ottocento. Rome between the 18th and 19th centuries. Fu costruito per il nipote di papa Pio VI, Luigi Braschi Onesti che vi abitò con It was built for the nephew of Pope Pius VI, Luigi Braschi Onesti, who lived here sua moglie Costanza Falconieri fino al 1816, esercitando qui anche le sue with his wife Costanza Falconieri until 1816, exercising also his functions as funzioni di Sindaco di Roma durante il breve governo napoleonico. L’edificio Mayor of Rome during the short-lived Napoleonic government. The building chiude simbolicamente la lunga stagione del nepotismo papale a Roma, di symbolically concludes the long season of papal nepotism in Rome, of which is MUSEO cui è espressione piena nello sfarzo e nell’eleganza dei dettagli e delle a full expression for the splendour and elegance of the details and formal soluzioni formali. Lo scalone monumentale che conduce ai piani nobili è solutions. The monumental staircase that leads to the piano nobile is finely finemente decorato di stucchi con i simboli araldici dei proprietari e decorated with DI ROMA riquadri con storie dell’epica omerica, secondo il gusto antiquariale e la cifra stuccoes, bearing the stilistica del Neoclassicismo. Ciò che l’occhio non può vedere, invece, è coat of arms of the l’ottima acustica di questo invaso, progettato come l’intero edificio da owners and square Cosimo Morelli (1732-1812), ma con la supervisione di Giuseppe Valadier, frames with stories of principe degli architetti del the Homeric epics in the ultimo aggiornamento ottobre 2018 ottobre ultimo aggiornamento 30.000 - 09/10/2018 Srl stampa: Gemmagraf - copie tempo, che molto probabilmente antiquarian taste and ispirò anche la realizzazione Neoclassical style. -
Revised Final MASTERS THESIS
UNIVERSITY OF CALIFORNIA RIVERSIDE Carlo Fontana and the Origins of the Architectural Monograph A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Juliann Rose Walker June 2016 Thesis Committee: Dr. Kristoffer Neville, Chairperson Dr. Jeanette Kohl Dr. Conrad Rudolph Copyright by Juliann Walker 2016 The Thesis of Juliann Rose Walker is approved: Committee Chairperson University of California, Riverside Acknowledgements I would first like to start by thanking my committee members. Thank you to my advisor, Kristoffer Neville, who has worked with me for almost four years now as both an undergrad and graduate student; this project was possible because of you. To Jeanette Kohl, who was integral in helping me to outline and finish my first chapter, which made the rest of my thesis writing much easier in comparison. Your constructive comments were instrumental to the clarity and depth of my research, so thank you. And thank you to Conrad Rudolph, for your stern, yet fair, critiques of my writing, which were an invaluable reminder that you can never proofread enough. A special thank you to Malcolm Baker, who offered so much of his time and energy to me in my undergraduate career, and for being a valuable and vast resource of knowledge on early modern European artwork as I researched possible thesis topics. And the warmest of thanks to Alesha Jeanette, who has always left her door open for me to come and talk about anything that was on my mind. I would also like to thank Leigh Gleason at the California Museum of Photography, for giving me the opportunity to intern in collections. -
Lista De Descontos PASSE CIRCUITO MUSEUS/SÍTIOS
Lista de descontos Preço para Um bilhete / Preço quem possui PASSE CIRCUITO MUSEUS/SÍTIOS Circuito original o Passe Roma ARQUEOLÓGICOS DE ROMA € € Centrale Montemartini Um bilhete 5,50 4,50 Galleria Nazionale d'Arte Antica in Palazzo Barberini Um bilhete 5,00 2,50 Galleria Nazionale d'Arte Antica in Palazzo Corsini Um bilhete 4,00 2,00 Galleria Nazionale d'Arte Moderna e Contemporanea GNAM Um bilhete 8,00 4,00 Galleria Spada Um bilhete 5,00 2,50 MACRO - Museo d'Arte contemporanea + MACRO Testaccio Um bilhete 11,00 9,00 MAXXI - Museo Nazionale delle Arti del XXI secolo Um bilhete 11,00 8,00 Mercati e Fori di Traiano Um bilhete 8,50 6,50 Musei Capitolini Um bilhete 8,50 6,50 Musei di Villa Torlonia - Casina delle Civette Um bilhete 4,00 3,00 Musei di Villa Torlonia Casino Nobile Um bilhete 5,50 4,50 Museo Carlo Bilotti - Aranciera di Villa Borghese Um bilhete 5,50 4,50 Museo Civico di Zoologia Um bilhete 7,00 4,50 Museo della Civiltà Romana Um bilhete 7,50 5,50 Museo dell'Ara Pacis Um bilhete 7,50 5,50 Museo delle Mura Um bilhete 4,00 3,00 Museo di Roma - Palazzo Braschi Um bilhete 7,50 5,50 Museo di Roma in Trastevere Um bilhete 4,00 3,00 Museo di Scultura Antica Giovanni Barracco Um bilhete 5,50 4,50 Museo di Scultura Antica Giovanni Barracco Um bilhete 5,50 4,50 Museo e Galleria Borghese (obligatory booking T. Um bilhete + 6,00 + +39 0632810) taxa de reserva 2,00 3,25 + 2,00 Museo Napoleonico Um bilhete 5,50 4,50 Museo Nazionale d'Arte Orientale Um bilhete 6,00 3,00 Museo Nazionale degli Strumenti Musicali Um bilhete 4,00 2,00 Museo -
Credits Chart with No Captions 7-22-2021
Note: This chart has revised figure numbers for most of the figures, starting after Figure 12. The revised numbers are indicated in red. Figure 1: Nolli Plan of Rome, 1748, Giambattista Nolli, 1748, architect and engraver, engraving on copper; 12 plates or sectors, original copper plates (12 in number) stored in the Palazzo della Calcografia, National Institute for Graphic Design, Rome, reproduction, MAXXI, Public domain Figure 2: Roma Interrotta, 1978, Sponsor: Incontri Internazionali d'Arte; invited participants: Sartogo, Dardi, Grumbach, Stirling, Portoghesi, Giurgola, Venturi, Rowe (w/ DiMaio, Littenberg, Peterson, Carl), Graves, L. Krier, Rossi, R. Krier, MAXXI, Rome, Museo Nazionale delle Arti del XXI Secolo, exhibited, Trajan's Market, Rome, 1978 Figure 3: Nolli Plan of Rome, 1748, Giambattista Nolli, 1748 Figure 4: Roma Interrotta, 1978, based on Colin Rowe's History for Sector 8, ROME: The Lost and Unknown City (Roma Ignota e Perduta), Colin Rowe, Judith DiMaio, Barbara Littenberg, Steven Peterson, Peter Carl, 1978-1978, ink on mylar, sector 8, MAXXI, Rome, Museo Nazionale delle Arti del XXI Secolo, exhibited, Trajan's Market, Rome, 1978 Figure 5: Villa Madama, Rome, Robert Hubert, ca.1760, wash drawing, State Hermitage Museum, Saint Petersburg, Russia, Public domain Figure 6: The Emperor Napoleon in His Study at the Tuileries, Jacques-Louis David, oil on canvas, 1812, National Gallery of Art, Washington DC, Public domain Figure 7: Portrait du Pape Pie VII, Jacques-Louis David, oil on panel, 1805, Musée du Louvre, Paris, Public domain Figure 8: La Girandola di Castel Sant'Angelo, Franz Theodor Aerni, painting, ca. 1874, Museo di Roma, Trastevere, Rome, Public domain Figure 9: The Grand Carousel in Honor of Christina of Sweden, Filippo Gagliardi and Filippo Lauri, oil on canvas, Museo di Roma, Palazzo Braschi, Rome, Public domain Figure 10: Grand Cascade, Peterhof Palace and Gardens, Detail of the Samson and the Lion Fountain, B. -
Sitiaderenticostobiglietti201710
Please note: fees refer to the ordinary price of the museums; during cultural events and exhibitions, the price of tickets m ay vary. Always check, at the time of your visit, the fee of the museum you wish to visit on the official website, in order to verify if there is an extra charge due to a temporary exhibition. These fees include the Tourism Tax, where applicable. single ticket / Full rat e Reduced rate ROMA PASS - MUSEUMS / SITES OF INTEREST combined ticket 2017 2017 Accademia Nazionale di San Luca single ticket free free Musei Capitolini single ticket € 11,50 € 9,50 Centrale Montemartini single ticket € 7,50 € 6,50 Mercati di Traiano - Museo dei Fori single ticket € 11,50 € 9,50 Museo Napoleonico single ticket free free Museo di Roma - Palazzo Braschi single ticket € 9,50 € 7,50 Museo di Roma in Trastevere single ticket € 6,00 € 5,00 MACRO Museo d'Arte Contemporanea single ticket € 7,50 € 5,50 MACRO Testaccio single ticket € 6,00 € 5,00 MACRO Museo d'Arte Contemporanea + Macro Testaccio combined ticket € 10,00 € 9,00 Museo di Casal de’ Pazzi single ticket free free Museo di Scultura Antica Giovanni Barracco single ticket free free Musei di Villa Torlonia - Casina delle Civette single ticket € 6,00 € 5,00 Musei di Villa Torlonia - Casino Nobile single ticket € 7,50 € 6,50 Musei di Villa Torlonia - Casina delle Civette + Casino Nobile combined ticket € 9,50 € 7,50 Museo Pietro Canonica a Villa Borghese single ticket free free Museo della Civiltà Romana (CLOSED) single ticket € 8,50 € 6,50 Planetario e Museo Astronomico (CLOSED) single -
LIVING ITALY PAST and PRESENT Issue 5 Winter-Spring 2018
ISSN 2514-0779 LIVING ITALY PAST AND PRESENT Issue 5 Winter-Spring 2018 The Spanish Steps in Bloom Photo © GGH TABLE OF CONTENTS LETTER FROM THE EDITOR ����������������������������������������������� 3 ARRIVEDERCI ROMA ������������������������������������������������������ 4 By Our Itinerant Reporter �������������������������������������������������������������������������������� 4 VILLA TORLONIA, ONE OF ROME’S ��������������������������������� 6 HISTORICAL HOMES AND PARKS ��������������������������������� 6 By Georgina Gordon-Ham �������������������������������������������������������������������������������� 6 ANCIENT ROME BROUGHT ALIVE ��������������������������������� 8 ALL SAINTS ANGLICAN CHURCH, ROME �������������������������� 9 By Rubina Montebello ������������������������������������������������������������������������������������������ 9 RUGBY ROUND UP 2018 ���������������������������������������������������� 11 By Our Sports Correspondent ��������������������������������������������������������������������� 11 BOOK REVIEWS ������������������������������������������������������������������� 13 WALKING IN TUSCANY ������������������������������������������������������������������������������ 13 WALKING AND TREKKING IN ��������������������������������������������������������������������� 13 GRAN PARADISO ����������������������������������������������������������������������������������������������� 13 VIEWS OF ROME ������������������������������������������������������������ 14 By Georgina Jinks ����������������������������������������������������������������������������������������������� -
J[Xex Abj ROME
j[XeXabj ROME In the City of Night August is a special time of year in the Eternal City: a good chunk of its residents decamp and head to the seaside or the mountains to escape the heat, and tourism slows down as well. The result is the transformation of a frenetic capital into a tranquil N town that you have almost all E to yourself. The usually busy streets are eerily quiet and CHRISTIANS ripe for nocturnal explora- E ASS L tion. When Rome cools down, BY discover a different side of this romantic and mysterious city. PHOTO > Culture after-hours > Music under the stars For a bit of culture-by-night, take advantage of the many museums If live music is your thing, you’ll be spoiled for choice. In many cases, around the city that are open well into the night. On Friday nights, the special Saturday night museum openings will feature live concerts the Vatican Museums reopens its doors from 7pm until 11pm. Res- on site. In addition, bands specializing in all kinds of music, from rock ervations are required! www.vatican.va. Saturday nights, all Roman to classical to traditional Italian folksongs perform in piazzas, parks, city museums, including the Capitoline Museums, Trajan’s Market, courtyards and archeological sites across the city. It’s called quite sim- MACRO and the Museo di Roma in Trastevere, remain open until ply Estate Romana (Roman Summer) and most of the events are free 1am! Every last Tuesday night during summer, take advantage of of charge. Check out www.estateromana.it for a full list of events. -
The Original Documents Are Located in Box 16, Folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R
The original documents are located in Box 16, folder “6/3/75 - Rome” of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald R. Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 16 of the Sheila Weidenfeld Files at the Gerald R. Ford Presidential Library 792 F TO C TATE WA HOC 1233 1 °"'I:::: N ,, I 0 II N ' I . ... ROME 7 480 PA S Ml TE HOUSE l'O, MS • · !? ENFELD E. • lt6~2: AO • E ~4SSIFY 11111~ TA, : ~ IP CFO D, GERALD R~) SJ 1 C I P E 10 NTIA~ VISIT REF& BRU SE 4532 UI INAl.E PAL.ACE U I A PA' ACE, TME FFtCIA~ RESIDENCE OF THE PR!S%D~NT !TA y, T ND 0 1 TH HIGHEST OF THE SEVEN HtL.~S OF ~OME, A CTENT OMA TtM , TH TEMPLES OF QUIRl US AND TME s E E ~oc T 0 ON THIS SITE. I THE CE TER OF THE PR!SENT QU?RINA~ IAZZA OR QUARE A~E ROMAN STATUES OF C~STOR .... -
La Costruzione Di Palazzo Pamphilj
La costruzione di Palazzo Pamphilj Author: Stephanie Leone Persistent link: http://hdl.handle.net/2345/bc-ir:107933 This work is posted on eScholarship@BC, Boston College University Libraries. Published in Palazzo Pamphilj: Ambasciata del Brasile a Roma, pp. 15-67, 2016 These materials are made available for use in research, teaching and private study, pursuant to U.S. Copyright Law. The user must assume full responsibility for any use of the materials, including but not limited to, infringement of copyright and publicat PALAZZO PAMPHILJ Ambasciata del Brasile a Roma UMBERTO ALLEMAND! La costruzione di Palazzo Pamphilj STEPHANIE LEONE alazzo Pamphilj si affaccia su piazza Navona, uno degli spazi pubblici piu grandi e celebri di Roma, nel cuore Pdel suo centrn storico (fig. l). 11 monumentale palazzo si estende per ottantacingue metri sul lato occidentale della piazza, dall' angolo meridionale in direzione di guello settentrionale. La facciata, eccezionalmente lunga, eorganizzata secondo una seguenza simme, trica con una sezione centrale in aggetto ed e contraffortata, all' estremiti settentrionale, da una diversa facciata sulla guale si a pre una grande finestra a serliana (finestra trifora con l' apertura centrale ad area e le due laterali, piu basse, a trabeazione). L' esterno vanta abbondanti decorazioni che vivacizzano la su perficie e sottolineano l' orizzontalita dell' edificio. Con le sue notevoli dimensioni e la sua ricchezza di forme, Palazzo Pamphilj infonde un senso di grandezza e autorita. L'architettura soddisfa le funzioni retoriche di comunicazione e persuasione. Nel Seicento, i palazzi rappresentava, no lo status dei lorn prnprietari. Oggi Palazzo Pamphilj ospita l' ambasciata del Brasile a Roma, ma prima che il Governo brasiliano lo acguistasse apparteneva alla famiglia Pamphilj. -
Elenco Musei Roma
ELENCO MUSEI ROMA: MAXXI Via Guido Reni vai all'evento CASA DI GOETHE Via del Corso 18 vai all'evento PALAZZO DELLE ESPOSIZIONI Via Nazionale vai all'evento SAPIENZA UNIVERSITA' DI ROMA Piazzale Aldo Moro vai all'evento MUSEO PIGORINI Piazzale Guglielmo Marconi vai all'evento CASA DELL'ARCHITETTURA Piazza Manfredo Fanti, 47 SCUDERIE DEL QUIRINALE Via 24 Maggio, 16 ingresso gratuito dalle ore 20.00 alle ore 02.00 (ultimo accesso ore 01.00) MUSEI CAPITOLINI Piazza del Campidoglio, 1 www.museicapitolini.org MACRO Museo d'Arte Contemporanea Roma Via Nizza, angolo via Cagliari www.macro.roma.museum MUSEO NAZIONALE DELLE ARTI E TRADIZIONI POPOLARI Piazza Guglielmo Marconi 8 20.00 - 02.00 ultimo ingresso ore 01.00 vai all'evento CENTRALE MONTEMARTINI Via Ostiense 106 vai all'evento GALLERIA BORGHESE Piazzale del Museo Borghese, 5 PALAZZO BARBERINI Via delle Quattro Fontane, 13 CASTEL SANT'ANGELO Lungotevere Castello, 50 GNAM, GALLERIA D'ARTE MODERNA Viale delle Belle Arti, 131 EVENTI IN PROGRAMMA PERFORMANCE LIVE DI MAX GIUSTI con il suo programma SuperMax Piazza del Campidoglio STAR ISRAELIANA MOSH BEN ARI Casa dell'Architettura DUO PARTENOPE Marco Siniscalco al basso e Antonella De Grossi alla voce Casa del Jazz BLUESMAN ROBERTO CIOTTI Museo dell’Ara Pacis DUO MARIA PIA DE VITO e GUINGA Centrale Montemartini Riccardo Caporossi | Alfredo Pirri. Hic Iacet Corpus. Installazioni, opere, performances Museo Carlo Bilotti – Aranciera di Villa Borghese SERATA CON ANDREA CAMILLERI Aula Magna - SAPIENZA Università di Roma .