Presentation of Italia Ante Romanum Imperium an Etruscan Herbal?

Total Page:16

File Type:pdf, Size:1020Kb

Presentation of Italia Ante Romanum Imperium an Etruscan Herbal? VOLUME: 5WINTER, 2006 An Etruscan Herbal? Presentation of Italia ante by Kyle P. Johnson New York University Romanum imperium Among the approximately 200 Etruscan words which have come down to us are over fifty glosses, synonyms of Greek and Latin words from ancient authors found in the margins of medieval man- uscripts and preserved in the manuscript tradition. 1 Among these glosses, thirteen plant names are of particular inter- est. They are preserved in two codices (R and V) of Dioscorides of Anazarbus’ de Materia Medica, a first-century compendium of pharmacologi- cal uses of plants, minerals, and animal products.2 These glosses have a fascinating history and are of value not only to philolo- gists of the Etruscan lan- The Bay of Pyrgi seen from the Castle of Santa Severa, with a storm at sea. The arrows guage, but also to scholars of indicate the site of the monumental sanctuary (left) and the Area Sud (right). In the Roman religious practice. background, the Monti Ceriti. (Photo G. Colonna 1993). The source of the glosses in the de Materia Medica is a matter for speculation. The likeli- Italia ante Romanum imperium. Scritti di sion by reading a letter by Giovanni Pugliese est candidate is the first-century CE lexicog- Henbane (Hyoscyamus niger L. © 1995- antichità etrusche, italiche e romane (1958- Carratelli, who could not be present. rapher Pamphilus of Alexandria, who com- 2005 Missouri Botanical Garden 1998) , 6 vols., by Giovanni Colonna. Roma, Giovanni Colonna, Professor of Etruscan http://www.illustratedgarden.org/) piled a now-lost lexicon in ninety-five Pisa, Istituti Editoriali e Poligrafici Studies at the Sapienza University in Rome, is 3 books. Around the end of the third century Internazionali, 2005. known for his many publications, and for his or perhaps as early as the end of the second, a The glosses add little to our knowledge of June 8th, 2005 saw the presentation, at the excavations in Pyrgi, the harbor town of group of glosses (presumably taken from the Etruscan language, for only a handful of University of Bologna, of the collected writ- Cerveteri. The wider scholarly world proba- Pamphilus) became associated with one par- those in Dioscorides appear to be authentical- ings of Giovanni Colonna, Italy’s leading bly knows him best for the spectacular dis- ticular recension of the de Materia Medica. 4 ly Etruscan. The others, though labeled as Etruscan scholar. Giuseppe Sassatelli, a for- covery of the three gold tablets with bilingual, Along with the translations of Etruscan Etruscan, are clearly of Greek or Latin ori- mer pupil of Colonna, Professor of Etruscan Etruscan and Phoenician, inscriptions found 5 Studies and currently also Preside of the at Pyrgi in 1964. He studied in Rome with words, the glosses claim to provide synonyms gin. These mistaken attributions could be Facoltà di Lettere at Bologna, opened the ses- Massimo Pallottino, and in turn has taught from a variety of languages, such as Egyptian, due to either the original lexicographer or many of the leading Etruscan archaeologists [See “Herbal ” on page 8] Gaulish, Latin, and Dacian. in Italy today. The astonishing amount of Colonna’s scholarly output is only partially reflected in the 2694 pages of the six volumes, which nev- ertheless give a good idea of the vast range of his interests. Moreover, his complete bibliog- raphy, in the first volume, makes it possible to find easily articles not included in this collec- tion. The first section offers articles on the archaeology and the history of the Etruscans and other peoples of ancient Italy. The second deals with Etruscan art and architecture. The third is devoted to the language, epigraphy and religion of the Etruscans. The last concen- trates on the excavation of Pyrgi. Those readers who know Colonna will be surprised and delighted to find a portrait of Gildo D'Annunzio, “Nanni” (1949). Oil him as a serious and bespectacled teenager in painting. (Collection of Giovanni 1949. Colonna, Rome.) Letterto the Editors We’re glad we’re on this trip. CHORUS: Etruria’s the place for me There is so much here to see I am sure you all agree We’re glad we’re on this trip. Charlene Krinitz New York To the Editors: About the centrality of Etruscan studies: do not forget the “Dodecapolis.” This is the first example of a confederation in Italy and Jeff Hill Europe, and this programme started 2500 Editors’ note: Although Jeff Hill found the years ago in Tuscany and Lazio and was fatal flaw, he did not propose a solution to fix enlarged to Northern and to Southern Italy it. The contest remains open!! with the chief towns Mantua and Capua! This means that they already had an exact concern To the Editors: of Confederation, which in Latin is “united I thought you would find this menu inter- pacts.” (The most important pacts and rules esting. Chef Walter Potenza has an Etruscan were religious.) restaurant here [in Providence], has his own Etruscan tour group, Archeological Tours, June 2005 Best personal regards, TVshow and is very creative. Guido Belfiore Below is the menu [of a Roman dinner he To the Editors: too rosy Prato, Italy prepared]: Here is the group song for our We’re glad we’re on this trip. Archaeological Tours trip through Etruscan To the Editors: Foods of Ancient Rome CHORUS: places: As for your devilishly clever crossword, I Hors d’oeuvres Etruria’s the place for me THE BATTLE HYMN OF ETRURIA believe that the fatal flaw may consist in 5 Assorted pork salami prepared in the style of There is so much here to see Etruscan art is very old I’m sure you’ll all agree down – the clue obviously demands as an the Romans, served with breads of the I am sure you all agree The Vatican Museum is where we saw all we could see answer the famous PhERSNA, “Brad Pitt” times We’re glad we’re on this trip. CENSORED (whom I would bet an Etruscan AS, if I had Nasti Panes (sweet bread) Panis Plebeius (bread of the poor) We’re glad we’re on this trip. Laura’s not imposing yet she’s always near the scene one, that a certain female author and most Confusaneus (bread of the rich) Lets you sit in front if she sees that you’re turning green female readers of this fourth issue had a men- Funerary ashes were placed in a house shaped urn Pecorino Romano stagionato con melocotog- She is good at counting if it’s only to 19 tal picture of), but ACHLE seems to fit Everybody knows that some day they will get their turn no: Roman sheep milk cheese, aged in We’re glad we’re on this trip. instead, except that a good Etruscan scribe First you die, they light a match and then they watch you such as yourself should have used the single caves, served with quince paste) burn Went to Marzabotto, it’s a place that’s very grave Etruscan letter (Greek Chi) for “CH”. Banchetto Romano We’re glad we’re on this trip. They put stones down on the streets in order not to pave I hope my joke about Brad Pitt wasn’t too Minutal Marinum: rich seafood soup made Talking on the mike Larissa first would do a test Then we had a picnic lunch we all thought was a rave dense – he was the star who played Achilles in with perch and oysters Speaking at the right length wasn’t easy she confessed We’re glad we’re on this trip. the recent movie “Troy,” and slew Eric Bana, Patina de piris imperiale: savory pear and asparagus tart with hard cooked eggs and After a few tries she found 6 inches was her best Walking down the streets of Florence, we saw on the Hector, Achilles being the answer to the clue ricotta. Served with grape sauce. We’re glad we’re on this trip. walls in your crossword, in Etruscan, spelled as AChLE… Pullum Numidicum: guinea hen with sweet Talking of Apollo there was quite a lot to say Family crests of Medici they put in all their halls As we were discussing him Larissa led the way Our guide said you see much better if you’ve fewer balls When we asked where he came from Larissa said, “Oy We’re glad we’re on this trip. ETRUSCAN NEWS Veii!” Through the archeological museum Elena made us march Editorial Board, Issue #5, December2005 We’re glad we’re on this trip. We got very thirsty and our throats were dry as starch President of the U.S. Larissa Bonfante [email protected] On to Ceveteri where we went from tomb to tomb But we learned that Dr. Scholl invented the first arch Section of the Istituto di Classics Department When we went down into them around us all was gloom We’re glad we’re on this trip. Studi Etruschi ed Italici, New York University Even when you died you still could not have your own CHORUS: ex officio 25 Waverly Place room Etruria’s the place for me New York, NY10003 We’re glad we’re on this trip. There is so much here to see I am sure you all agree CHORUS: Editor-in-Chief Jane Whitehead [email protected] We’re glad we’re on this trip. Etruria’s the place for me Modern and Classical Languages There is so much here to see Stayed in Torgiano in a place fit for a nun Valdosta State University I am sure you all agree It was a great place to rest from being on the run Valdosta, GA 31698 We’re glad we’re on this trip.
Recommended publications
  • Presentation Layout-August 19-Max.Indd
    INTRODUCTION CARSULAE BATHS RESEARCH PROJECT - SAN GEMINI PRESERVATION STUDIES Carsulae is undoubtedly one of the most fascinating archaeological sites associated with Roman antiquity in the region of Umbria. It has the advantage (if also the tragedy) of having been abandoned during antiquity and not built upon subsequently, offering a site relatively undisturbed by later building. Initially, Carsulae appeared to be a small, provincial town that reached the height of its prosperity in the fi rst and second centuries but had been reduced to fragmentary remains in a scenic rural landscape. Upon further investigation, the site appears to be a more elaborate and more interesting urban center, complete with a Forum, basilicas, temples, baths, funerary monuments, a theater and amphitheater, and private houses. Impressive works of sculpture and mosaic fl oor treatments have emerged, and there is evidence of an extensive and complex infrastructure for the collection, storage, and distribution of water. It was an important stop along the ancient Via Flaminia linking Rome and Fano on the Adriatic coast. Because only a small part of the central area of the town has been excavated, the site holds notable promise for greater discoveries in the future. Despite the inherent interest and the visual beauty of the landscape, the site is not highly visited. Attracting more visitors and appealing to diverse audiences is a priority of the heritage authorities and the surrounding town jurisdictions. This Master Plan, building upon earlier efforts, proposes developing Carsulae in a larger context, linking it more closely to the geographical and historical setting of southern Umbria and, especially, the role of the ancient Via Flaminia linking many of the region’s main urban centers.
    [Show full text]
  • Etruscans in the Context of European Identity
    Phasis 15-16, 2012-2013 Ekaterine Kobakhidze (Tbilisi) Etruscans in the Context of European Identity The so-called cultural factor has a decisive role in European identity. It is common knowledge that the legacy of Antiquity made a significant contribution to shape it. Numerous fundamental studies have been devoted to the role of the ancient civilisation in the formation of European culture. However, the importance of the cultures, which made their contributions to the process of shaping European identity by making an impact on the ancient Greek and Roman world directly or via Graeca or via Roma, have not been given sufficient attention. In this regard, the Etruscan legacy is one of the most noteworthy. Pierre Grimal wrote in this connection that the Etruscan civilisation “played the same role ... in the history of Italy as the Cretan civilisation played in shaping the Greek world.“1 At the same time, the Etruscan civilisation proper emerged based on the archaic roots of Mediterranean cultures and, becoming, like the Greek civilisation, the direct heritor of the so-called Mediterranean substratum, which it elevated to new heights thanks to its own innovations and interpretations, it fulfilled an important function of a cultural mediator in the history of the nations of the new world. This is precisely what Franz Altheim meant, noting that “the importance of the Etruscan civilisation lies first and foremost in its cultural mediation.”2 As noted above, in addition, Etruscans introduced a lot of innovations and it is noteworthy that they were made in numerous important spheres, which we are going to discuss in detail below.
    [Show full text]
  • The Mysteries of the Baratti Amphora
    ISSN: 2687-8402 DOI: 10.33552/OAJAA.2019.01.000512 Open Access Journal of Archaeology and Anthropology Research Article Copyright © All rights are reserved by Vincenzo Palleschi The Mysteries of the Baratti Amphora Claudio Arias1, Stefano Pagnotta2, Beatrice Campanella2, Francesco Poggialini2, Stefano Legnaioli2, Vincenzo Palleschi2* and Cinzia Murolo3 1Retired Professor of Archaeometry, University of Pisa, Italy 2Institute of Chemistry of Organometallic Compounds, CNR Research Area, Pisa, Italy 3Curator at Museo Archeologico del Territorio di Populonia, Piazza Cittadella, Piombino, Italy *Corresponding author: Vincenzo Palleschi, Institute of Chemistry of Organometallic Received Date: April 22, 2019 Compounds, CNR Research Area, Pisa, Italy. Published Date: May 08, 2019 Abstract Since its discovery, very few certain information has been drawn about its history, provenience and destination. Previous archaeometric studies and the iconographyThe Baratti ofAmphora the vase is might a magnificent suggest asilver late antique vase, casually realization, recovered possibly in 1968 in an from Oriental the seaworkshop in front (Antioch). of the Baratti A recent harbor, study, in Southern performed Tuscany. by the National Research Council of Pisa in collaboration with the Populonia Territory Archaeological Museum, in Piombino, has led to a detailed study of the Amphora, both from a morphological point of view through the photogrammetric reconstruction of a high-resolution 3D model, and from the point of view of the analysis of the constituent
    [Show full text]
  • Umbria from the Iron Age to the Augustan Era
    UMBRIA FROM THE IRON AGE TO THE AUGUSTAN ERA PhD Guy Jolyon Bradley University College London BieC ILONOIK.] ProQuest Number: 10055445 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10055445 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract This thesis compares Umbria before and after the Roman conquest in order to assess the impact of the imposition of Roman control over this area of central Italy. There are four sections specifically on Umbria and two more general chapters of introduction and conclusion. The introductory chapter examines the most important issues for the history of the Italian regions in this period and the extent to which they are relevant to Umbria, given the type of evidence that survives. The chapter focuses on the concept of state formation, and the information about it provided by evidence for urbanisation, coinage, and the creation of treaties. The second chapter looks at the archaeological and other available evidence for the history of Umbria before the Roman conquest, and maps the beginnings of the formation of the state through the growth in social complexity, urbanisation and the emergence of cult places.
    [Show full text]
  • The Cities and Cemeteries of Etruria
    Universitäts- und Landesbibliothek Tirol The cities and cemeteries of Etruria Dennis, George 1883 Chapter XV Bombarzo urn:nbn:at:at-ubi:2-12107 CHAPTER XV. BOHABZO. Miremur periisse homines ?—monnmenta fatiscunt, Mors etiam saxis nominibusque venit .—Ausonius. Ecce libet-pisces Tyrrhenaque monstra Dicere. Ovid. About twelve miles east of Viterbo, on the same slope of the Ciminian, is the village of Bomarzo, in the immediate neighbour¬ hood of an Etruscan town where extensive excavations have been made. The direct road to it runs along the base of the mountain, but the excursion may be made more interesting by a detour to Fdrento, which must be donfe in the saddle, the road being quite impracticable for vehicles. From Ferento the path leads across a deep ravine, past the village of Le Grotte di Santo Stefano, whose name marks the existence of caves in its neighbourhood,1 and over the open heath towards Bomarzo. But before reaching that place, a wooded ravine, Fosso della Vezza, which forms a natural fosse to the Ciminian, has to be crossed, and here the proverb —Chi va piano va sano —must be borne in mind. A more steep, slippery, and dangerous tract I do not remember to have traversed in Italy. Stiff miry clay, in which the steeds will anchor fast ; rocks shelving and smooth-faced, like inclined planes of ice, are the alternatives. Let the traveller take warning, and not pursue this track after heavy rains. It would be advisable, especially if ladies are of the party, to return from Ferento to Viterbo, and to take the direct road thence to Bomarzo.
    [Show full text]
  • Falda's Map As a Work Of
    The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676.
    [Show full text]
  • The Chronological Implications of Relief Ware Bucchero at Poggio Civitate
    Etruscan Studies Journal of the Etruscan Foundation Volume 11 Article 3 2008 The hrC onological Implications of Relief Ware Bucchero at Poggio Civitate Anthony Tuck University of Massachusetts Amherst Erik O. Nielsen Franklin College Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Tuck, Anthony and Nielsen, Erik O. (2008) "The hrC onological Implications of Relief Ware Bucchero at Poggio Civitate," Etruscan Studies: Vol. 11 , Article 3. Available at: https://scholarworks.umass.edu/etruscan_studies/vol11/iss1/3 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. The Chronological Implications of Relief Ware Bucchero at Poggio Civitate by Anthony Tuck and Erik Nielsen iano del Tesoro at Poggio Civitate Preserves evidence of the only 7th century BCE architectural comPlex known to date in Central Italy. 1 Thus far, three buildings of Pthis comPlex have been identified. These consist of OC1/Residence, an aPParent - ly aristocratic household, the furnishings of which attest to the wealth of its inhabitants, OC2/WorkshoP, a large and ornately decorated multifunctional workshoP, and OC3/TriPartite, a building whose triPartite interior division conforms to what we might exPect of a religious structure of the Etruscan seventh century. All stood together on the Plateau by the last quarter of the seventh century BCE. 2 StratigraPhic evidence suggests that the three buildings were destroyed in a sin - gle conflagration. 3 Although the sPecific causes of the fire can not be determined, evi - dence from OC2/WorkshoP suggests a sudden catastroPhe.
    [Show full text]
  • Social Mobility in Etruria Gérard Capdeville
    Etruscan Studies Journal of the Etruscan Foundation Volume 9 Article 15 2002 Social Mobility in Etruria Gérard Capdeville Follow this and additional works at: https://scholarworks.umass.edu/etruscan_studies Recommended Citation Capdeville, Gérard (2002) "Social Mobility in Etruria," Etruscan Studies: Vol. 9 , Article 15. Available at: https://scholarworks.umass.edu/etruscan_studies/vol9/iss1/15 This Article is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Etruscan Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SociaL MobiLity iN Etruria by Gérard Capdeville H(astia) . Ecnatnei . Atiuce . lautnic ([ CIE , 3088 =] TLE , 550 = Cl 1.1568) y “social Mobility” I MeaN here a chaNge of social class, which is Not easy to dis - cerN iN Etruria because we do Not have Much geNeral iNforMatioN oN the struc - Bture of EtruscaN society. The Most iMportaNt chaNge, aNd the Most obvious, is the traNsitioN froM servile to free status, heNce the iMportaNce of freedMeN for our subject. The word for “freedMaN” is well kNowN, as we have circa 175 iNscriptioNs: it is lautuni, lautni (rec. lavtni ), feM. lautni ␪a, lautnita (rec. lavtnita ). Its MeaNiNg is attested by two biliNgual Etrusco-LatiN iNscriptioNs ( CIE , 1288 ClusiuM; 3692 Perugia), which testify to the equivaleNce of lautNi to the LatiN libertus. EquivaleNce does Not MeaN ideNtity of status, especially duriNg the iNdepeNdeNt cities period. At least two questioNs arise. What is the relatioNship betweeN the lautni aNd his forMer Master? What is the positioN of the lautni as regards citizeNship? The oNoMastic, for which we have a very rich corpus of epitaphs, provides us with part of the aNswer.
    [Show full text]
  • A Bucchero Pesante Column Krater in Iowa
    A BUCCHERO PESANTE COLUMN KRATER IN IOWA (Con le tavv. II-VII f. t.) In 1970 the University of Iowa Museum of Art acquired a large column krater said to have come from Vulci (1). It was presented as part of an exhi- bition of ancient Italian pottery from Midwestern collections in 1971 (2). This article describes the krater and then relates it to other vases of similar type attempting to establish a secure date and provenance. The investigation of parallel examples enables us to determine more specifically the nature of « bucchero pesante » production in the Vulci area and its relationship to Etru- scan pottery manufacture at other sites. Plate II illustrates the vase in its present state (3). Minor breaks along (1) I wish to thank Mr. Ulfert Wilke, Director of the Museum of Art, for per- mission to publish the vase. Special thanks are due Prof. Kyle Μ. Phillips, Jr. of Bryn Mawr College, for reading the manuscript and offering helpful suggestions. Photographs of the Iowa krater are by B. Yarborough; drawings in the text are by the author. Sections of this article appeared in a paper entitled, A Sixth Century Bucchero Pesante Column Krater in Iowa presented by the author at the 73rd Conference of the Archaeolo- gical Institute of America at Cincinnati, 1971. An abstract appears in AJA LXXVI, 1972, p. 208. The manuscript was completed in November, 1972. Funds for photographs were supplied by a stipend from the Graduate College of the University of Iowa. In addition to the St. Etr. standard abbreviations, the following appear in the footnotes: Bartoloni - G.
    [Show full text]
  • Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria
    Cultural Transmission and Semantic Change of Ceramic Forms in Grave Goods of Hellenistic Etruria Raffaella Da Vela Abstract: This contribution addresses semantic change in ceramics as connected to identity con- struction. With three case studies from Hellenistic Etruria, beaked situlae, lagynoi and amphorae, I aim to answer the following research question: How can a change of vessel functions in funerary contexts express the changing cultural identities of the deceased and their family? The choice of fu- nerary contexts allows an approximation of the change of meaning through the analysis of the dis- tance between daily life and ritual function of the objects. Each case study presents a different rela- tionship between changing meaning and identity construction: the beaked situlae, related to the so- cial identity of new social layers; the amphorae, related to local cultural identities during the process of Romanisation; and the lagynoi, related to the construction of multicultural identities in new- founded agricultural settlements. The distinct patterns of the three forms suggest the possibility of analysing stratified and complex societies by the study of changing meaning. This article approaches the semantic change terranean represent a breaking point in the of some grave goods in funerary contexts of social structure of many Etruscan communi- Hellenistic Etruria as a consequence of a ties. This break effected a change which global process of cultural transmission involved many aspects of the material cul- which affected Etruscan and Italic cultures1 ture. Three case studies are selected and during the Hellenistic period. The process of isolated to analyse specific research ques- adopting the Latin language and roman insti- tions which are stated at the beginning of tutions in Etruria, especially in the inland each paragraph and relate to the construction and northern part of the region, engaged a of local identities and their transformation complexity of layers.
    [Show full text]
  • ANCIENT TERRACOTTAS from SOUTH ITALY and SICILY in the J
    ANCIENT TERRACOTTAS FROM SOUTH ITALY AND SICILY in the j. paul getty museum The free, online edition of this catalogue, available at http://www.getty.edu/publications/terracottas, includes zoomable high-resolution photography and a select number of 360° rotations; the ability to filter the catalogue by location, typology, and date; and an interactive map drawn from the Ancient World Mapping Center and linked to the Getty’s Thesaurus of Geographic Names and Pleiades. Also available are free PDF, EPUB, and MOBI downloads of the book; CSV and JSON downloads of the object data from the catalogue and the accompanying Guide to the Collection; and JPG and PPT downloads of the main catalogue images. © 2016 J. Paul Getty Trust This work is licensed under the Creative Commons Attribution 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042. First edition, 2016 Last updated, December 19, 2017 https://www.github.com/gettypubs/terracottas Published by the J. Paul Getty Museum, Los Angeles Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.getty.edu/publications Ruth Evans Lane, Benedicte Gilman, and Marina Belozerskaya, Project Editors Robin H. Ray and Mary Christian, Copy Editors Antony Shugaar, Translator Elizabeth Chapin Kahn, Production Stephanie Grimes, Digital Researcher Eric Gardner, Designer & Developer Greg Albers, Project Manager Distributed in the United States and Canada by the University of Chicago Press Distributed outside the United States and Canada by Yale University Press, London Printed in the United States of America Library of Congress Cataloging-in-Publication Data Names: J.
    [Show full text]
  • Pottery from Roman Malta
    Cover Much of what is known about Malta’s ancient material culture has come to light as a result of antiquarian research or early archaeological work – a time where little attention Anastasi MALTA ARCHAEOLOGICAL REVIEW SUPPLEMENT 1 was paid to stratigraphic context. This situation has in part contributed to the problem of reliably sourcing and dating Maltese Roman-period pottery, particularly locally produced forms common on nearly all ancient Maltese sites. Pottery from Roman Malta presents a comprehensive study of Maltese pottery forms from key stratified deposits spanning the first century BC to mid-fourth century AD. Ceramic material from three Maltese sites was analysed and quantified in a bid to understand Maltese pottery production during the Roman period, and trace the type and volume of ceramic-borne goods that were circulating the central Mediterranean during the period. A short review of the islands’ recent literature on Roman pottery is discussed, followed by a detailed Pottery from Roman Malta contextual summary of the archaeological contexts presented in this study. The work is supplemented by a detailed illustrated catalogue of all the forms identified within the assemblages, presenting the wide range of locally produced and imported pottery types typical of the Maltese Roman period. Maxine Anastasi is a Lecturer at the Department of Classics and Archaeology, University of Malta. She was awarded a DPhil in Archaeology from the University of Oxford for her dissertation on small-island economies in the Central Mediterranean. Her research primarily focuses on Roman pottery in the central Mediterranean, with a particular Malta from Roman Pottery emphasis on Maltese assemblages.
    [Show full text]