Volume One: the End Where It Begins
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ADVANCED DUNGEONS & DRAGONS® the Complete Ninja's
ADVANCED DUNGEONS & DRAGONS® 2nd Edition Player's Handbook Rules Supplement The Complete Ninja's Handbook By Aaron Allston CREDITS Design: Aaron Allston Editing: Barbara G. Young Black and White Art: Jim Holloway Color Art: Clyde Caldwell, Fred Fields, Les Dorscheid Typography: Tracey Isler Production: Paul Hanchette Acknowledgements: Many elements of The Complete Ninja's Handbook were derived from parts of Oriental Adventures designed by David "Zeb" Cook. In particular, portions of the optional Advanced Martial Arts rules are drawn from Oriental Adventures. TSR, Inc. TSR Ltd. 201 Sheridan Springs Rd. 120 Church End, Lake Geneva Cherry Hinton WI 53147 Cambridge CB1 3LB USA United Kingdom ADVANCED DUNGEONS & DRAGONS, AD&D, DRAGON, and DUNGEON MASTER are registered trademarks owned by TSR, Inc. The TSR logo is a trademark owned by TSR, Inc. This book is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the express written permission of TSR, Inc. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. ©1995 TSR, Inc. All rights reserved. Printed in the U.S.A. Table of Contents Introduction Chapter 1: The Ninja Class Ninja and Rogue Ninja Experience Levels Ninja Class Requirements Alignment Weapons and Armor -
Illustration and the Visual Imagination in Modern Japanese Literature By
Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. As authors endeavored to produce a purely text-based form of fiction, modeled in part on the European novel, they began to reject the inclusion of images in their own work. -
Yoshida Shoin and Shoka Sonjuku the True Spirit of Education By
Yoshida Shoin and Shoka Sonjuku The True Spirit of Education by Umihara Toru Kyoto University TRANSLATION SERIES CENTER FOR RESEARCH ON JAPANESE EDUCATIONAL HISTORY & EAST ASIAN STUDIES CENTER INDIANA UNIVERSITY Yoshida Shoin and Shoka Sonjuku The True Spirit of Education by Umihara Toru Kyoto University The goal of this translation series is to distribute recent scholarly articles on the history of Japanese education to an international readership. The series is jointly sponsored by the Center for Research on Japanese Educational History and the East Asian Studies Center at Indiana University. For information on ordering titles in the translation series, please contact: East Asian Studies Center Memorial Hall West 207 Indiana University 1021 E. 3rd. Street Bloomington, IN 47405 email: [email protected] (tel) 812-855-3765 FAX 812-855-7762 EDITOR'S INTRODUCTION This essay by Professor Umihara Toru of Kyoto University is the inaugural piece in a translation series edited by the Center for Research on Japanese Educational History at Indiana University. The purpose of the series is to make recent work by outstanding Japanese scholars of the history of Japanese education available in English. We plan to translate journal articles as well as original essays like the contribution by Professor Umihara. Professor Umihara's essay was translated by Charles Andrews, a Ph.D. student in the Department of East Asian Languages and Cultures at Indiana University. It was edited and revised by Professor Jurgis Elisonas and Professor Umihara. Professor Umihara Toru was born on March 26, 1936 in Yamaguchi prefecture and graduated from the Faculty of Education at Kyoto University in 1961. -
Fine Japanese and Korean Art New York I September 12, 2018 Fine Japanese and Korean Art Wednesday 12 September 2018, at 1Pm New York
Fine Japanese and Korean Art New York I September 12, 2018 Fine Japanese and Korean Art Wednesday 12 September 2018, at 1pm New York BONHAMS BIDS INQUIRIES CLIENT SERVICES 580 Madison Avenue +1 (212) 644 9001 Japanese Art Department Monday – Friday 9am-5pm New York, New York 10022 +1 (212) 644 9009 fax Jeffrey Olson, Director +1 (212) 644 9001 www.bonhams.com [email protected] +1 (212) 461 6516 +1 (212) 644 9009 fax [email protected] PREVIEW To bid via the internet please visit ILLUSTRATIONS Thursday September 6 www.bonhams.com/24862 Takako O’Grady, Front cover: Lot 1082 10am to 5pm Administrator Back cover: Lot 1005 Friday September 7 Please note that bids should be +1 (212) 461 6523 summited no later than 24hrs [email protected] 10am to 5pm REGISTRATION prior to the sale. New bidders Saturday September 8 IMPORTANT NOTICE 10am to 5pm must also provide proof of identity when submitting bids. Please note that all customers, Sunday September 9 irrespective of any previous activity 10am to 5pm Failure to do this may result in your bid not being processed. with Bonhams, are required to Monday September 10 complete the Bidder Registration 10am to 5pm Form in advance of the sale. The form LIVE ONLINE BIDDING IS Tuesday September 11 can be found at the back of every AVAILABLE FOR THIS SALE 10am to 3pm catalogue and on our website at Please email bids.us@bonhams. www.bonhams.com and should SALE NUMBER: 24862 com with “Live bidding” in the be returned by email or post to the subject line 48hrs before the specialist department or to the bids auction to register for this service. -
Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854)
Artifacts of Diplomacy: Smithsonian Collections from Commodore Matthew Perry's Japan Expedition (1853-1854) CHANG-SU HOUCHINS SMITHSONIAN CONTRIBUTIONS TO ANTHROPOLOGY • NUMBER 37 SERIES PUBLICATIONS OF THE SMITHSONIAN INSTITUTION Emphasis upon publication as a means of "diffusing knowledge" was expressed by the first Secretary of the Smithsonian. In his formal plan for the institution, Joseph Henry outlined a program that included the following statement: "It is proposed to publish a series of reports, giving an account of the new discoveries in science, and of the changes made from year to year in all branches of knowledge." This theme of basic research has been adhered to through trie years by thousands of titles issued in series publications under the Smithsonian imprint, commencing with Smithsonian Contributions to Knowledge in 1848 and continuing with the following active series: Smithsonian Contributions to Anthropology Smithsonian Contributions to Botany Smithsonian Contributions to the Earth Sciences Smithsonian Contributions to the Marine Sciences Smithsonian Contributions to Paleobiology Smithsonian Contributions to Zoology Smithsonian Folklife Studies Smithsonian Studies in Air and Space Smithsonian Studies in History and Technology In these series, the Institution publishes small papers and full-scale monographs that report the research and collections of its various museums and bureaux or of professional colleagues in the world of science and scholarship. The publications are distributed by mailing lists to libraries, universities, and similar institutions throughout the world. Papers or monographs submitted for series publication are received by the Smithsonian Institution Press, subject to its own review for format and style, only through departments of the various Smithsonian museums or bureaux, where the manuscripts are given substantive review. -
Fine Netsuke, Sagemono & Okimono
Fine Netsuke, Sagemono & Okimono AUCTION APRIL, 27TH 2019 AUCTION Fine Netsuke, Sagemono & Okimono April, 27th 2019 at 2.00pm CET CATALOG NE0419 VIEWING www.zacke.at IN OUR GALLERY Preview: 15.04. - 27.04.2019 Monday - Friday 10am - 6pm Day of the sale: 10am - 2pm and by appointment GALERIE ZACKE MARIAHILFERSTRASSE 112 1070 VIENNA AUSTRIA Tel +43 1 532 04 52 Fax +20 E-mail offi[email protected] 1 IMPORTANT INFORMATION ABSENTEE BIDDING FORM FOR THE AUCTION Fine Netsuke, Sagemono & Okimono NE0419 /.$!4%APRIL 27TH, 2019 According to the general terms and conditions of business of Galerie Zacke Vienna, Founded 1968, SZA Versteigerungs & Vertriebs GmbH, 1070 Wien, online at www.zacke.at ,/4 ,/44)4,% ")$).%52/ ABSENTEE BIDDING Absentee bids are carried out under the regulations of the terms of 350,- the transport insurance will be automatically arranged by the business of Galerie Zacke, SZA Versteigerungs & Vertriebs GmbH, company if it does not expressively receive the purchaser´s written which requires written submission of your purchase limit. denial of this service. Payments due to the company under the Orders without purchase limits cannot be processed. insurance contract will be charged to the customer. The company Only the submitted lot number of the purchase object is binding for is also entitled to assign claims under the insurance contract to the processing of the absentee bid. The place of jurisdiction is Vienna, the customer providing the terms of the insurance contract do not Austrian Law and Austrian jurisdiction are exclusively applicable for prevent this. all legal questions arising from the business relationship. -
Kisaburo-, Kuniyoshi and the “Living Doll”
100 Kisaburo-, Kuniyoshi and the “Living Doll” Kinoshita Naoyuki or many years now, I have been researching different aspects of nineteenth-century Japanese culture, making a conscious decision Fnot to distinguish between “fine art” and “popular culture.” I clearly remember the occasion some twenty years ago that prompted me to adopt this approach. It was my first encounter with the termiki-ningyo - (“liv- ing dolls”), as coined in Japanese. I had absolutely no idea what the phrase meant, nor even how to pronounce the Chinese characters. The majority of modern Japanese, unfamiliar with the term, end up pronouncing it nama- ningyo-. The impulse to pronounce the first character asnama derives from its meaning of something “vivid” or “fresh” (namanamashii). In the culinary idiom, the adjective brings to mind not grilled or boiled fish, but raw fish (sashimi) at the instant the dish is set down, or even the moments before- hand, as one’s mouth begins to water watching the fish being prepared. Now I have a little better understanding of what “living dolls” means. In the city of Edo (now Tokyo), a popular form of street entertainment was the re-creation of themes from legends or history with life-size, lifelike < Fig. 2. Matsumoto Kisaburo-. Tani- dolls––an inanimate counterpart to the European tableau vivant of the gumi Kannon. 1871/1898. Wood, with same period. It is difficult to prove exactly whatiki meant to Japanese peo- pigment, textile, glass, horsehair. 160 cm. ple in the nineteenth century, but the term iki-ningyo- was a neologism that Jo-kokuji, Kumamoto City, Kumamoto first appeared in connection with a public spectacle, known as amisemono , Prefecture mounted in Osaka in 1854. -
TETSUBO Is Copyright © D J Morris & R J Thomson 2010 All Rights Reserved
T E T S U B O TETSUBO is copyright © D J Morris & R J Thomson 2010 all rights reserved Entire contents copyright © Dave Morris & Jamie Thomson 2010 The authors have asserted their moral rights Not for unauthorized distribution TETSUBO is copyright © D J Morris & R J Thomson 2010 all rights reserved TETSUBO by DAVE MORRIS and JAMIE THOMSON With illustrations by Russ Nicholson & Utagawa Kuniyoshi TETSUBO is copyright © D J Morris & R J Thomson 2010 all rights reserved This is a work in progress and therefore incomplete, based on an Oriental supplement that we originally wrote using the Warhammer Fantasy Roleplay rules. Our intention with Tetsubo now is to convert it to the Fabled Lands RPG (itself a work in progress) and modify the setting to Akatsurai, the easternmost country of the Fabled Lands. As well as fully revising the background, we will reinstate the missing sections (marked here in red) and add a scenario section. The new work will then be released as the FL RPG and the first of twelve planned sourcebooks. And yes, we are hoping to do that this lifetime. Other Tetsubo material can be ordered from Robert Rees here. Dave Morris Jamie Thomson TETSUBO is copyright © D J Morris & R J Thomson 2010 all rights reserved Players’ section TETSUBO is copyright © D J Morris & R J Thomson 2010 all rights reserved * CHARACTER RACES * Like the Old World, Yamato has four potential races to which player-characters could belong. However, Yamatese society is not the multi-racial amalgam found in the West. Most Yamatese people have never laid eyes on a nonhuman, and would not want to. -
1 This Is a Quick Tweaking of Minisix to Emulate the Old Fantasy Games Unlimited RPG, Bushido. Like Many an Old-School RPG, Bush
1 This is a quick tweaking of MiniSix to emulate the old Fantasy Games Unlimited RPG, Bushido. Like many an old-school RPG, Bushido is class-based, and to a certain extent these classes have been preserved by way of Perks & Complications. With that being said, the strength of MiniSix (and other non- class-based games, old and new) is that it doesn’t pigeonhole you. So if you want to play a courtly Samurai who doesn’t fight well, or a Yakuza who dabbles in magic (this may be a bit dangerous, but that's because of the place that d6 Bushido happens in, not because of class-based mechanics), or any other “non-standard” character type, go for it. This is the perfect system to try. Note that this system is not necessarily useful only in historical Japan. It is intended to be used in a mythical Japan, and as such is quite useful for playing other settings like Rokugan from Legend of the Five Rings. Typically used Special/Optional Rules from Md6 > Attributes may be purchased up to 5D, but all pips/dice over 4D cost double. More to keep the feel of what it is to be human in an inherently inhuman world with monsters and other magical creatures, though it is easily discarded—or the attribute cap changed—if a group wants more outright heroic- feeling character-building options. > A modified version of Traditional Open d6 Might Damage (½ Might or Lifting—whichever is higher— after ignoring pips; even-numbered Might/Lifting scores result in half-die plus one pip; no lower than 1D Might Damage). -
Genin Has No Prime Requisite and Cannot Gain Experience-Point Bonuses
character must have at least a 14 dexterity and charisma, at least a 15 intelligence, and must be of any non-good alignment. The genin has no prime requisite and cannot gain experience-point bonuses. Only humans can be genin. Genin have the same honor and family requirements as The Genin ninja. Table 1 at the end of this article gives the experience points and hit points figures for the genin (this table should be used A single-class ninja for instead of Table 22 on p. 19 of Oriental Adventures). Genin use the same combat Oriental Adventures campaigns and saving throw tables as thieves. Abilities Genin have all the abilities of a ninja of equal level, including the skills in Table 24 (p. 21, Oriental Adventures), ki powers (also on p. 21), and multiple attacks as in Table 36 (p. 28). Genin also use the dexter- ity adjustments in Table 23 (p. 19, Oriental Adventures). Genin have been trained in their ways since childhood. Therefore, the genin has more skills open to him than the dual-class ninja. The genin have the following extra abilities: Hear noise. This action is performed as a monk of equal level. In addition, the genin can gain information from the noise (i.e., the dimensions of an opened door or gate, how many people are in a room, whether a sleeping person is faking it or not, etc.). Disguise. In most respects, this is the same as the normal ninja ability. The dif- ference is that the genin is able to quickly change out of his disguise an action which takes one full round. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature Permalink https://escholarship.org/uc/item/0777d5sv Author Bassoe, Pedro Thiago Ramos Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature By Pedro Thiago Ramos Bassoe A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor in Philosophy in Japanese Literature in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Daniel O’Neill, Chair Professor Alan Tansman Professor Beate Fricke Summer 2018 © 2018 Pedro Thiago Ramos Bassoe All Rights Reserved Abstract Eyes of the Heart: Illustration and the Visual Imagination in Modern Japanese Literature by Pedro Thiago Ramos Bassoe Doctor of Philosophy in Japanese Literature University of California, Berkeley Professor Daniel O’Neill, Chair My dissertation investigates the role of images in shaping literary production in Japan from the 1880’s to the 1930’s as writers negotiated shifting relationships of text and image in the literary and visual arts. Throughout the Edo period (1603-1868), works of fiction were liberally illustrated with woodblock printed images, which, especially towards the mid-19th century, had become an essential component of most popular literature in Japan. With the opening of Japan’s borders in the Meiji period (1868-1912), writers who had grown up reading illustrated fiction were exposed to foreign works of literature that largely eschewed the use of illustration as a medium for storytelling, in turn leading them to reevaluate the role of image in their own literary tradition. -
Appended Table1 (Re: Article 7) Classification of Articles 1. Manufactured Foods and Nonessential Goods Manufactured Foods Sausa
Appended Table1 (Re: Article 7) Classification of Articles 1. Manufactured Foods Manufactured Sausage and Nonessential Goods Foods Ice cream Kamaboko *Kamaboko: steamed fish paste Kamaboko board *Kamaboko: steamed fish paste Nori *Nori: seaweed Sugar cube Udon *Udon: noodle Pastry Biscuit Cracker Senbei *Senbei: flat rice cracker Arare *Arare: small cubic rice cracker Bun with red bean paste filling Wafer with red bean paste filling Pie Cake Doughnut Caramel candy Candy Chocolate Confectionery stick Solid curry Sushi Nonessential Cigarette Goods Cigarette paper 2. Clothing Underwear Undershirt Short underpants Long underpants Panty Bloomers Tights Panty hose Chemise Slip Petticoat Brassiere Girdle Garter Diaper Diaper cover Sanitary shorts Nightwear Pajamas Negligee Dressing gown Nightwear Swaddling blanket Western-Style Sweater Clothes Cardigan Polo shirt T-shirt Jacket Wind jacket Vest Overcoat Raincoat Sports clothes Sports top Sports bottom Working clothes Workmen's top Overalls Business suit Suit jacket Trousers Shirt Swimming trunks One-piece dress Two-piece suit Skirt Culotte skirt Cloak Blouse Swimsuit Japanese-Style Kimono Clothes Tanzen *Tanzen: padded large-size kimono Haori *Haori: kimono jacket Hanten *Hanten: kimono short coat Hadajuban *Hadajuban: kimono underwear Hanjuban *Hanjuban: short kimono undergarment Nagajuban *Nagajuban: long kimono undergarment Japanese coat Aprons, etc. Apron Japanese-style coverall apron Makeup cape Bib 3. Clothing Accessories Socks, etc. Sock Sock cover Tabi *Tabi: Japanese sock Tabi cover