Fine Japanese Art New Bond Street, London | 8 November 2018

Total Page:16

File Type:pdf, Size:1020Kb

Fine Japanese Art New Bond Street, London | 8 November 2018 Fine Japanese Art New Bond Street, London | 8 November 2018 Japanese and Korean Works of Art team London New York Suzannah Yip London, New Bond Street Yoko Chino London, New Bond Street Jeff Olson New York Takako O’Grady New York Global Dessa Goddard Vice President, US Neil Davey, Senior Consultant London, New Bond Street Joe Earle, Senior Consultant London, New Bond Street Fine Japanese Art New Bond Street, London | Thursday 8 November 2018 at 2pm VIEWING ENQUIRIES As a courtesy to intending REGISTRATION Friday 2 November Specialist, Head of Department bidders, Bonhams will provide a IMPORTANT NOTICE 9am to 4.30pm Suzannah Yip written indication of the physical Please note that all customers, condition of lots in this sale if a Sunday 4 November +44 (0) 20 7468 8368 irrespective of any previous request is received up to 24 hours 11am to 5pm [email protected] activity with Bonhams, are Monday 5 November before the auction starts. required to complete the Bidder 9am to 7.30pm Cataloguer This written indication is issued (partially open from Yoko Chino subject to Clause 1.6 of the Registration Form in advance of 4.30pm - 7.30pm) +44 (0) 20 7468 8372 Notice to Bidders. the sale. The form can be found Tuesday 6 November [email protected] at the back of every catalogue 9am to 4.30pm CONDITION REPORTS and on our website at www. Wednesday 7 November Senior Consultants Requests for condition reports bonhams.com and should be 9am to 4.30pm Neil Davey For this sale should be emailed to: returned by email or post to the +44 (0) 20 7468 8288 [email protected] specialist department or to the SALE NUMBER [email protected] bids department at 24681 Please see page 2 for bidder [email protected] Joe Earle information including after-sale CATALOGUE +44 (0) 20 7468 8217 collection and shipment £20.00 [email protected] To bid live online and / or leave internet bids please go to BIDS For the sole purpose of providing +44 (0) 20 7447 7447 Department Fax estimates in three currencies in www.bonhams.com/ +44 (0) 20 7447 7401 fax +44 (0) 20 7495 5840 the catalogue the conversion auctions/24681 and click on the To bid via the internet please has been made at the exchange Register to bid link at the top left visit bonhams.com ACKNOWLEDGEMENTS rate of approx. of the page. We would like to thank £1: ¥148.5884 Please note that bids should Karina Choy and Yoshiko £1: USD1.3200 入札登録に関する重要なお知 Please note that this rate may be submitted no later than Kobayashi for their assistance らせ 4pm on the day prior to the sale. with the preparation of this well have changed at the date catalogue. of the auction. New bidders must also provide 全てのお客様は、弊社との以前 proof of identity when submitting お 品 物 のコン ディション につ いて のいかなるお取り引きに関わら bids. Failure to do this may result CUSTOMER SERVICES in your bid not being processed. Monday to Friday 8.30am to 6pm ず、入札登録用紙をセール開始 本カタログにはお品物の損傷等 Telephone bidding will only be +44 (0) 20 7447 7447 前にご記入頂く必要がございま コン ディション の 記 述 は 記 載 accepted on lots with a lower す。用紙は各カタログの巻末に さ れ て い な い こ と を 、予 め ご 了 承 く estimate in excess of £1,000. 添付されており、又、弊社のウ PHYSICAL CONDITION OF だ さ い 。入 札 を ご 希 望 の LOTS IN THIS AUCTION お客様は、カタログ巻末の ェブサイト(www.bonhams.com)か Live online bidding is PLEASE NOTE THAT THERE 「Notice to Bidders(入札される らも入手が可能です。こちらをE available for this sale IS NO REFERENCE IN THIS 方へのご注意)」第15条をご参照く メールまたはご郵送にて当該部 Please email [email protected] CATALOGUE TO THE PHYSICAL だ さ り ま す よ う 、お 願 い 門のスペシャリストまたは入札 with ‘live bidding’ in the subject CONDITION OF ANY LOT. 申し上げ ます。 管理部門([email protected]) line 48 hours before the auction INTENDING BIDDERS MUST to register for this service. までご提出下さい。 SATISFY THEMSELVES AS TO ご 希 望 の お 客 様 に は 、オ ー ク シ ョ ン THE CONDITION OF ANY LOT 開始の24時間前まで、 ライブオンライン入札またはイ IMPORTANT INFORMATION AS SPECIFIED IN CLAUSE 15 コン ディション•レ ポ ートの 依 頼 ンターネットにて事前入札をさ The United States Government OF THE NOTICE TO BIDDERS を 受 け 付 け て お り ま す 。こ ち ら は 、 has banned the import of ivory CONTAINED AT THE END OF 「Notice to Bidders(入札される れる場合はwww.bonhams.com/ into the USA. Lots containing THIS CATALOGUE. お客様へのご注意)」 auctions/24456 をご覧頂き、左 ivory are indicated by the symbol 1 .6 条 に 基 づき作 成されます。 上に掲載されている「Register Ф printed beside the to bid」をクリック下さい。 lot number in this catalogue. Please note from March 2016 China has imposed a ban on the import of ivory. Bonhams 1793 Limited Bonhams International Board Bonhams UK Ltd Directors Registered No. 4326560 Malcolm Barber Co-Chairman, Colin Sheaf Chairman, Gordon McFarlan, Andrew McKenzie, Registered Office: Montpelier Galleries Colin Sheaf Deputy Chairman, Harvey Cammell Deputy Chairman, Simon Mitchell, Jeff Muse, Mike Neill, Montpelier Street, London SW7 1HH Matthew Girling CEO, Emily Barber, Antony Bennett, Charlie O’Brien, Giles Peppiatt, India Phillips, Patrick Meade Group Vice Chairman, Matthew Bradbury, Lucinda Bredin, Peter Rees, John Sandon, Tim Schofield, +44 (0) 20 7393 3900 Asaph Hyman, Caroline Oliphant, Simon Cottle, Andrew Currie, Veronique Scorer, Robert Smith, James Stratton, +44 (0) 20 7393 3905 fax Edward Wilkinson, Geoffrey Davies, James Knight, Charles Graham-Campbell, Matthew Haley, Ralph Taylor, Charlie Thomas, David Williams, Jon Baddeley, Jonathan Fairhurst, Leslie Wright, Richard Harvey, Robin Hereford, Michael Wynell-Mayow, Suzannah Yip. Rupert Banner, Shahin Virani, Simon Cottle. Charles Lanning, Grant MacDougall, Sale Information STORAGE AND HANDLING VAT Central CHARGES ON SOLD LOTS Will be applied at the current rate Middlesex Acton Ln Hospital RETURNED TO CADOGAN TATE on all above charges Park Royal Acton Ln Storage will be free of charge for The following symbol is used Cadogan Tate the first 14 calendar days from & including the sale date of Thursday to denote that VAT is due on Coronation Road W e d 8 November 2018. Charges will the hammer price and buyer’s s P a te a o r r n R k A premium v e apply from 9am Wednesday 21 e R s A o 40 a y h a November 2018. Park l C Royal iWestern Ave A40 R o 20% on hammer price Station a 0 † VAT d 0 Acton 0 North 4 Cemetery A and buyer’s premium Acton Handling Charges will apply from d Station a o R Wednesday 21 November 2018 a i r on imported items at a o VAT t After the first 14 calendar days from * c i V & including the sale date of Thursday preferential rate of 5% on hammer 8 November 2018, the following price and the prevailing rate on BIDS BUYERS COLLECTION & handling charges will apply per Lot: buyer’s premium +44 (0) 20 7447 7447 STORAGE AFTER SALE Furniture and Large Items: +44 (0) 20 7447 7401 fax SOLD LOTS MARKED TP Y These lots are subject to CITES West Acton Horn Lane £45.00 + VAT To bid via the internetStation please visit All sold lots marked TP will regulations, please read the www.bonhams.com be removed to Cadogan Tate, information in the back of Loss and Damage 241 Acton Lane, London, NW10 7NP Extended Liability cover for the the catalogue. PAYMENTS from 9am Friday 9 November 2018 value of the Hammer Price will be Buyers and will be available for collection charged at 0.6% but will not exceed PAYMENT +44 (0) 20 7447 7447 from 12pm Monday 12 November the total value of all other transfer All charges due to Cadogan Tate +44 (0) 20 7447 7401 fax 2018 and then every working day and storage charges. may be paid to them in advance or between 9am-4.30pm. at the time of collection from Sellers their warehouse. Payment may (Please note: Charges apply Payment of sale proceeds Collections are by appointment be made by cash, cheque with every day including weekends +44 (0) 20 7447 7447 only banker’s card, credit, or debit and Public Holidays) +44 (0) 20 7447 7401 fax A booking email or phone call are card (Please note: American required in advance to ensure lots Express (Amex) is not accepted). VALUATIONS, TAXATION are ready at time of collection, Information on charges due is & HERITAGE photographic ID will be required at available by email at +44 (0) 20 7468 8340 time of collection & if a third party is [email protected] or +44 (0) 20 7468 5860 fax collecting written authorisation from telephone on +44 (0) 800 988 6100. [email protected] the successful buyer is required in advance. Photographic ID of the Payment in Advance CATALOGUE SUBSCRIPTIONS third party will requested at the time (Telephone to ascertain amount To obtain any Bonhams catalogue of collection. due) by: or to take out an annual Cash, cheque with banker’s card, subscription: To arrange a collection time credit, or debit card. Subscriptions Department please send a booking email to: +44 (0) 1666 502200 [email protected] Payment at time of collection +44 (0) 1666 505107 fax or telephone call to +44 (0) 800 988 by: [email protected] 6100 to ensure lots are ready at Cash, cheque with banker’s card, time of collection. credit, or debit card. SHIPPING For information and estimates All other sold lots will remain in the on domestic and international Collections room at Bonhams New shipping as well as export Bond Street without charge until licenses please contact Alban 5.30pm Wednesday 21 November Shipping on +44 (0) 1582 493 099 2018.
Recommended publications
  • S" ; 2 9. '?. 2, Cv? Pengurusan Warisan Dan Budaya Iti1asyarakat Iban: Miring
    '?. 2, cv? s" ;2 9. Fýýý ý ý Ga'r--ov ýg Pengurusan Warisan dan Budaya ýti1asyarakat Iban: Miring Bibiana Motey Anak Bilon(&Senang Sarjana Seni 2019 UNIVERSITI MALAYSIA SARAWAK Grade: Please tick (4) Final Year Project Report F-1 Masters PhD F-1Q DECLARATION OF ORIGINAL WORK IiA. n is day 2019 This declaration made on the .... "/"........ of... ... Student's Declaration: I BIB ANA MOTEY ANAK BILON @ SENANG. MATRIC NO.: 16020039FACULTY OF APPLIED AND CREATIVE ARTS (PLEASE INDICATE STUDENTS NAME, MATRIC NO. AND FACULTY) hereby declare that the work entitled, PENGURUSAN WARISAN DAN BUDAYA MASYARAKAT IRAN: MIRING is my original work. I have not copied from any other students' work or from any other sources except where due reference or acknowledgement is made explicitly in the text, nor has any part been written for me by another person. Bibiana Motey Anak Bilon @ Senang (16020039) q'. ý I i Date submitted Name of the student (Matric No. ) Supervisor's Declaration: I ASSOCIATE PROFESSOR DR NORIA TUGANG (SUPERVISOR'S NAME) hereby certifies that the work entitled, PENGURUSAN WARISAN DAN BUDAYA MASYARAKAT IBAN: MIRING (TITLE) was prepared by the above named student, and was submitted to the "FACULTY" as a * partialfull fulfillment for the conferment of MASTER OF ARTS (PLEASE INDICATE THE DEGREE), and the aforementioned work, to the beat of my knowledge, is the said student's work 12011 N 0 RIW -NbrW4 9 It Received for examination by: Tyy Date: (Na -MNorie Tugang Faculty of Applied and Crertive A UNTVERSTTI rte, MALAYST, SAUAW. ', r I declare
    [Show full text]
  • Lohit District GAZETTEER of INDIA ARUNACHAL PRADESH LOHIT DISTRICT ARUNACHAL PRADESH DISTRICT GAZETTEERS
    Ciazetteer of India ARUNACHAL PRADESH Lohit District GAZETTEER OF INDIA ARUNACHAL PRADESH LOHIT DISTRICT ARUNACHAL PRADESH DISTRICT GAZETTEERS LOHIT DISTRICT By S. DUTTA CHOUDHURY Editor GOVERNMENT OF ARUNACHAL PRADESH 1978 Published by Shri M.P. Hazarika Director of Information and Public Relations Government of Amnachal Pradesh, Shillong Printed by Shri K.K. Ray at Navana Printing Works Private Limited 47 Ganesh Chunder Avenue Calcutta 700 013 ' Government of Arunachal Pradesh FirstEdition: 19781 First Reprint Edition: 2008 ISBN- 978-81-906587-0-6 Price:.Rs. 225/- Reprinted by M/s Himalayan Publishers Legi Shopping Corqplex, BankTinali,Itanagar-791 111. FOREWORD I have much pleasure in introducing the Lohit Distri<^ Gazetteer, the first of a series of District Gazetteers proposed to be brought out by the Government of Arunachal Pradesh. A'Gazetteer is a repository of care­ fully collected and systematically collated information on a wide range of subjects pertaining to a particular area. These information are of con­ siderable importance and interest. Since independence, Arunachal Pra­ desh has been making steady progress in various spheres. This north-east frontier comer of the country has, during these years, witnessed tremen­ dous changes in social, economic, political and cultural spheres. These changes are reflected in die Gazetteers. 1 hope that as a reflex of these changes, the Lohit District Gazetteer would prove to be quite useful not only to the administrators but also to researdi schplars and all those who are keen to know in detail about one of the districts of Arunachal Pradesh. Raj Niwas K. A. A. Raja Itanagar-791 111 Lieutenant Governor, Arunachal Pradesh October 5, i m Vili I should like to take this opportunity of expressing my deep sense of gratitude to Shri K; A.
    [Show full text]
  • A Set of Japanese Word Cohorts Rated for Relative Familiarity
    A SET OF JAPANESE WORD COHORTS RATED FOR RELATIVE FAMILIARITY Takashi Otake and Anne Cutler Dokkyo University and Max-Planck Institute for Psycholinguistics ABSTRACT are asked to guess about the identity of a speech signal which is in some way difficult to perceive; in gating the input is fragmentary, A database is presented of relative familiarity ratings for 24 sets of but other methods involve presentation of filtered or noise-masked Japanese words, each set comprising words overlapping in the or faint signals. In most such studies there is a strong familiarity initial portions. These ratings are useful for the generation of effect: listeners guess words which are familiar to them rather than material sets for research in the recognition of spoken words. words which are unfamiliar. The above list suggests that the same was true in this study. However, in order to establish that this was 1. INTRODUCTION so, it was necessary to compare the relative familiarity of the guessed words and the actually presented words. Unfortunately Spoken-language recognition proceeds in time - the beginnings of we found no existing database available for such a comparison. words arrive before the ends. Research on spoken-language recognition thus often makes use of words which begin similarly It was therefore necessary to collect familiarity ratings for the and diverge at a later point. For instance, Marslen-Wilson and words in question. Studies of subjective familiarity rating 1) 2) Zwitserlood and Zwitserlood examined the associates activated (Gernsbacher8), Kreuz9)) have shown very high inter-rater by the presentation of fragments which could be the beginning of reliability and a better correlation with experimental results in more than one word - in Zwitserlood's experiment, for example, language processing than is found for frequency counts based on the fragment kapit- which could begin the Dutch words kapitein written text.
    [Show full text]
  • Images and Words. an Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes
    DOCUMENT RESUME ED 391 771 SO 026 096 AUTHOR Lyons, Nancy Hai,:te; Ridley, Sarah TITLE Japan: Images and Words. An Interdisciplinary Unit for Sixth-Grade Art and Language Arts Classes. INSTITUTION Smithsonian Institution, Washington, DC. Arthur M. Sackler Gallery. PUB DATE 94 NOTE 66p.; Color slides and prints not included in this document. AVAILABLE FROM Education Department, Arthur M. Sackler Gallery, Smithsonian Institution, Washington, DC 20560 ($24 plus $4.50 shipping and handling; packet includes six color slides and six color prints). PUB TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Area Studies; *Art; Art Activities; Art Appreciation; *Art Education; Foreign Countries; Grade 6; *Interdisciplinary Approach; Intermediate Grades; *Japanese Culture; *Language Arts; Painting (Visual Arts) ;Visual_ Arts IDENTIFIERS Japan; *Japanese Art ABSTRACT This packet, written for teachers of sixth-grade art and language arts courses, is designed to inspire creative expression in words and images through an appreciation for Japanese art. The selection of paintings presented are from the Freer Gallery of Art, Smithsonian Institution. The interdisCiplinary approach, combines art and language arts. Lessons may be presented independently or together as a unit. Six images of art are provided as prints, slides, and in black and white photographic reproductions. Handouts for student use and a teacher's lesson guide also are included. Lessons begin with an anticipatory set designed to help students begin thinking about issues that will be discussed. A motivational activity, a development section, clusure, and follow-up activities are given for each lesson. Background information is provided at the end of each lesson.
    [Show full text]
  • Full Download
    VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS
    [Show full text]
  • Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
    PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings
    [Show full text]
  • 1 Bouilloire À Eau (Tetsubin) De Forme Cylindrique Décorée D’Un Dragon Et De Nuages En Relief
    1 Bouilloire à eau (tetsubin) de forme cylindrique décorée d’un dragon et de nuages en relief. Période Meiji – Taisho. H. : 17 cm; l. : 14 cm. 150 - 180 € Round cylindrical iron water-kettle (tetsubin) decorated with a dragon with clouds relief. Meiji - Taisho Period. 2 Bouilloire à eau en métal de forme plate et arrondie (tetsubin). Avec une anse fixe et un motif en bas-relief figurant des chevaux. Le couvercle arbore une poignée en forme de pomme de pin. Période Meiji. H. : 22,5 cm; D. : 21 cm. 250 - 350 € Round flat iron water-kettle (tetsubin) with a fixed handle and decorated in low relief with horses. The lid has a pine-cone shaped knob. Meiji period. 3 Bouilloire à eau (tetsubin) de forme globulaire. Motifs en relief à picots (arare). Le couvercle de cuivre affiche sur l’intérieur la marque Ryûbundô. Période Meiji. l. : 17,5 cm; D. : 16,5 cm 280 - 320 € Globular iron water-kettle (tetsubin) decorated with hailstone (arare) motive. Copper lid marked at the inside Ryûbundô. Meiji Period. 4 Bouilloire à eau (tetsubin) en métal de forme ronde. Motifs en relief à picots (arare). Période Meiji – Taisho. l. : 20 cm; D. : 14 cm. 200 - 250 € Round iron water-kettle (tetsubin) decorated with hailstone (arare) motive. Meiji - Taisho Period. 5 Bouilloire à eau en métal (tetsubin). L’objet arbore un couvercle et des anses en laiton et des décors en relief figurant des phénix. Période Meiji – Taisho. l. : 19 cm; D. : 15 cm. 350 - 450 € Iron water-kettle (testubin) with brass lid and handle and decorated with a relief of phoenixes.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities.
    [Show full text]
  • No.766 (November Issue)
    NBTHK SWORD JOURNAL ISSUE NUMBER 766 November, 2020 Meito Kansho: Examination of Important Swords Juyo Bijutsuhin, Important Cultural Property Type: Tachi Mei: Unji Length: 2 shaku 4 sun 4 bu 7 rin (74.15 cm) Sori: 9 bu 6 rin (2.9 cm) Motohaba: 9 bu 2 rin (2.8 cm) Sakihaba: 5 bu 9 rin (1.8 cm) Motokasane: 2 bu (0.6 cm) Sakikasane: 1 bu 2 rin (0.35 cm) Kissaki length: 8 bu 9 rin (2.7 cm) Nakago length: 6 sun 7 bu 3 rin (20.4 cm) Nakago sori: 7 rin (0.2 cm) Commentary This is a shinogi-zukuri tachi with an ihorimune. The width is standard, and the widths at the moto and saki are slightly different. There is a standard thickness, a large sori, and a chu-kissaki. The jigane has itame hada mixed with mokume and nagare hada, and the hada is barely visible. There are fine ji-nie, chikei, and jifu utsuri. The hamon is a wide suguha mixed with ko-gunome, ko-choji, and square features. There are frequent ashi and yo, and some places have saka-ashi. There is a tight nioiguchi with abundant ko-nie, and some kinsuji and sunagashi. The boshi on the omote is straight and there is a large round tip. The ura has a round tip, and there is a return. The nakago is suriage, and the nakago jiri is almost kiri, and the newer yasurime are sujichigai, and we cannot determine what style the old yasurime were. There are three mekugi-ana, On the omote, under the third mekugi-ana (the original mekugi-ana) there is a two kanji signature.
    [Show full text]
  • Shigisan Engi Shigisan Engi Overview
    Shigisan engi Shigisan engi Overview I. The Shigisan engi or Legends of the Temple on Mount Shigi consists of three handscrolls. Scroll 1 is commonly called “The Flying Granary,” Scroll 2 “The Exorcism of the Engi Emperor,” and Scroll 3 “The Story of the Nun.” These scrolls are a pictorial presentation of three legends handed down among the common people. These legends appear under the title “Shinano no kuni no hijiri no koto” (The Sage of Shinano Province) in both the Uji sh¯ui monogatari (Tales from Uji) and the Umezawa version of the Kohon setsuwash¯u (Collection of Ancient Legends). Since these two versions of the legends are quite similar, one is assumed to be based on the other. The Kohon setsuwash¯u ver- sion is written largely in kana, the phonetic script, with few Chinese characters and is very close to the text of the Shigisan engi handscrolls. Thus, it seems likely that there is a deep connection between the Shigisan engi and the Kohon setsuwash¯u; one was probably the basis for the other. “The Flying Granary,” Scroll 1 of the Shigisan engi, lacks the textual portion, which has probably been lost. As that suggests, the Shigisan engi have not come down to us in their original form. The Shigisan Ch¯ogosonshiji Temple owns the Shigisan engi, and the lid of the box in which the scrolls were stored lists two other documents, the Taishigun no maki (Army of Prince Sh¯otoku-taishi) and notes to that scroll, in addition to the titles of the three scrolls.
    [Show full text]
  • RIAJ Yearbook 2018 1 Overview of Production of Recordings and Digital Music Sales in 2017
    Statistics RIAJ YEARBOOK Trends 2018 The Recording Industry in Japan 2018 Contents Overview of Production of Recordings and Digital Music Sales in 2017 .................. 1 Statistics by Format (Unit Basis — Value Basis) .............................................................. 4 1. Total Recorded Music — Production on Unit Basis ............................................... 4 2. Total Audio Recordings — Production on Unit Basis ............................................ 4 3. Total CDs — Production on Unit Basis .................................................................... 4 4. Total Recorded Music — Production on Value Basis ............................................. 5 5. Total Audio Recordings — Production on Value Basis .......................................... 5 6. Total CDs — Production on Value Basis ................................................................. 5 7. CD Singles — Production on Unit Basis .................................................................. 6 8. 5" CD Albums — Production on Unit Basis ............................................................ 6 9. Music Videos — Production on Unit Basis ............................................................. 6 10. CD Singles — Production on Value Basis................................................................ 7 11. 5" CD Albums — Production on Value Basis.......................................................... 7 12. Music Videos — Production on Value Basis ........................................................... 7 13. Digital
    [Show full text]
  • ADVANCED DUNGEONS & DRAGONS® the Complete Ninja's
    ADVANCED DUNGEONS & DRAGONS® 2nd Edition Player's Handbook Rules Supplement The Complete Ninja's Handbook By Aaron Allston CREDITS Design: Aaron Allston Editing: Barbara G. Young Black and White Art: Jim Holloway Color Art: Clyde Caldwell, Fred Fields, Les Dorscheid Typography: Tracey Isler Production: Paul Hanchette Acknowledgements: Many elements of The Complete Ninja's Handbook were derived from parts of Oriental Adventures designed by David "Zeb" Cook. In particular, portions of the optional Advanced Martial Arts rules are drawn from Oriental Adventures. TSR, Inc. TSR Ltd. 201 Sheridan Springs Rd. 120 Church End, Lake Geneva Cherry Hinton WI 53147 Cambridge CB1 3LB USA United Kingdom ADVANCED DUNGEONS & DRAGONS, AD&D, DRAGON, and DUNGEON MASTER are registered trademarks owned by TSR, Inc. The TSR logo is a trademark owned by TSR, Inc. This book is protected under the copyright laws of the United States of America. Any reproduction or unauthorized use of the material or artwork contained herein is prohibited without the express written permission of TSR, Inc. Random House and its affiliate companies have worldwide distribution rights in the book trade for English language products of TSR, Inc. Distributed to the book and hobby trade in the United Kingdom by TSR Ltd. Distributed to the toy and hobby trade by regional distributors. ©1995 TSR, Inc. All rights reserved. Printed in the U.S.A. Table of Contents Introduction Chapter 1: The Ninja Class Ninja and Rogue Ninja Experience Levels Ninja Class Requirements Alignment Weapons and Armor
    [Show full text]