DOCSLIB.ORG

LIMINAL SINS in QUEVEDO's ENTREMESES by Jason E. Yancey

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LIMINAL SINS in QUEVEDO's ENTREMESES by Jason E. Yancey Dark Laughter: Liminal Sins in Quevedo's Entremeses Item Type text; Electronic Dissertation Authors Yancey, Jason Edward Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 05:36:48 Link to Item http://hdl.handle.net/10150/195236 DARK LAUGHTER: LIMINAL SINS IN QUEVEDO’S ENTREMESES by Jason E. Yancey ______________________ A Dissertation Submitted to the Faculty of the DEPARTMENT OF SPANISH AND PORTUGUESE In partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY WITH A MAJOR IN SPANISH In the Graduate College THE UNIVERSITY OF ARIZONA 2009 2 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Dissertation Committee, we certify that we have read the dissertation prepared by Jason E. Yancey entitled Dark Laughter: Liminal Sins in Quevedo’s Entremeses and recommend that it be accepted as fulfilling the dissertation requirement for the Degree of Doctor of Philosophy ____________________________________________________________ Date: 4/24/09 Dr. Amy R. Williamsen ____________________________________________________________ Date: 4/24/09 Dr. Robert L. Fiore ____________________________________________________________ Date: 4/24/09 Dr. Richard P. Kinkade Final approval and acceptance of this dissertation is contingent upon the candidate’s submission of the final copies of the dissertation to the Graduate College. I hereby certify that I have read this dissertation prepared under my direction and recommend that it be accepted as fulfilling the dissertation requirement. ____________________________________________________________ Date: 4/24/09 Dissertation Director: Dr. Amy R. Williamsen 3 STATEMENT BY AUTHOR This dissertation has been submitted in partial fulfillment of requirements for an advanced degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this dissertation are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department of the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED: Jason E. Yancey 4 ACKNOWLEDGMENTS Praise the bridge that carried you over. (George Colman, The Heir at Law , 64). Like many graduate students, I have overcome innumerable obstacles during my journey to this point in my life and in my career, a feat made possible by the innumerable and well-placed bridges of kindness and support along the way. I express my gratitude in particular to the members of my dissertation committee: to Dr. Amy Williamsen, my teacher, mentor, and friend since the day I met her and who continues to provide me with tremendous opportunities that have helped make me the person I am today; to Dr. Robert Fiore, who taught me to expand my horizons and to ever search for knowledge and never find it; and to Dr. Richard Kinkade, who not only introduced me to Quevedo’s theater but taught me the meaning of excellence in scholarship. In addition to these I have benefited from many other teachers and advisors that have freely shared their knowledge and insight with me, including Dr. Laura Gutierrez, Deborah Dickey, Dr. Valerie Hegstrom and Dr. Dale Pratt. I also express heart-felt gratitude to my graduate student compatriots, including Jonathan Wade, Errol King and Susan Divine, who made the journey with me always with the reassurance that I would eventually arrive at my destination. My family, both immediate and extended, has always been an invaluable source of strength in everything that I do and my greatest source of joy. To my parents and siblings I offer my love and appreciation. I am particularly grateful to my four beautiful 5 and precious children, London, Sonnet, Page and Knight, who have made my life, even in its darkest moments, worth living. I cannot begin to express even the smallest part of my feelings of gratitude to my wife, Aleece. She is my universe, my biggest fan, my best friend and my cherished companion. Ten years later and you’re still my sweetheart, now more so than ever. Thank you. 6 DEDICATION For London, Sonnet, Page and Knight: you are my life’s greatest work. 7 TABLE OF CONTENTS ABSTRACT ........................................................................................................................ 9 CHAPTER 1: FRANCISCO DE QUEVEDO AND THE ENTREMÉS.......................... 10 Lope de Rueda (1510?-1565?) ...................................................................... 20 Miguel de Cervantes (1547-1616) ................................................................. 24 Antonio Hurtado de Mendoza (1586-1644) .................................................. 28 Luis Quiñones de Benavente (1595?-1651) .................................................. 31 Francisco de Quevedo (1580-1645) .............................................................. 36 Interludes positively attributed to Quevedo: ................................................. 40 Lost or fragmentary works positively attributed to Quevedo: ...................... 48 Works falsely attributed to Quevedo: ............................................................ 49 CHAPTER 2: AGENTS OF SIN , THE PURGING POWER OF LIMINALITY ............ 57 CHAPTER 3: DESIRES OF THE EGO (PRIDE, SLOTH AND WRATH) ................... 91 Entremés famoso «El Marión» ...................................................................... 93 Entremés de la ropavejera ........................................................................... 102 Entremés de los enfadosos .......................................................................... 108 Entremés del marido fantasma .................................................................... 116 CHAPTER 4: DESIRES OF OWNERSHIP (GREED AND ENVY) ............................ 125 Entremés de la venta .................................................................................... 128 Entremés de la vieja Muñatones .................................................................. 133 Entremés de la destreza ............................................................................... 141 8 Entremés del niño y Peralvillo de Madrid ................................................... 145 La polilla de Madrid .................................................................................... 153 CHAPTER 5: DESIRES OF THE BODY (LUST AND GLUTTONY) ........................ 162 Entremés de los refranes del viejo celoso ................................................... 164 Entremés de Diego Moreno ......................................................................... 173 Entremés de Barbara ................................................................................... 184 CONCLUSION ............................................................................................................... 192 WORKS CITED ............................................................................................................. 200 9 ABSTRACT This dissertation investigates two areas rarely treated in Early Modern studies. First, it explores the origins, functions and importance of the entremés as a performance genre historically relegated to what Victor Turner has called the “liminal” spaces of social and scholarly discourse. These marginalized places of ambiguity in between one space and another provide the artist with a less restrictive creative setting in which to explore the otherwise difficult and even unmentionable social themes. Literally placed in between acts of the comedia performance experience, as well as chronologically placed in between the medieval pageant theater and the emerging early modern theater houses, the entremés serves as an entertaining breed of performance monster, building upon a thematic foundation “betwixt and between” acceptable and objectionable forms of theater. Second, the dissertation examines in detail the 12 lesser-known entremeses of Francisco de Quevedo as examples of liminality in the development of early modern theater practices. Specifically, the study analyzes these theater pieces as they subscribe to three categories of cardinal sin: desires of the ego (pride, wrath and sloth); desires of ownership (greed and envy); and desires of the body (lust and gluttony). As a result, this work hopes to demonstrate the aesthetic value of the interlude and the ways in which Quevedo’s various manifestations of this liminal genre, based heavily on the construct of sin, both complement and contradict the model of the entremés as established by his predecessors. 10 CHAPTER 1: FRANCISCO DE QUEVEDO AND THE ENTREMÉS De los farsantes que han hecho farsas, loas, bailes, letras, son Antonio de Morales, Grajales, Zorita, Mesa, Sanchez, Rios, Avendaño, Juan de Vergara, Villegas, Pedro de Morales, Castro, y el hijo de la tierra, Caravajal, Claramonte y otros que no se me acuerdan. (Augustin de Rojas. Viaje Entretenido , Libro I) It is a simple fact of life that middle often plays synonym to trouble
Load more

Recommended publications
  • Germany As We Saw It
    DOCUMENT RESUME ED 045 000 FL 002 074 TITLE Germany as We Saw It. INSTITUTION Stanford Univ., Calif. SPONS AGENCY Office of Education (DFFW), Washington, D.C. PUB DATE 18 Aug 61 NOTE 173p.: Report of 1061 NDEA Institute held at Bad Boll, Germany EDRS PRICE EDRS "Price MF-$0.7c HC Not Available from EDRS. DESCRIPTORS Area Studies, Churches, Cross Cultural Training, Cultural Background, Cultural Context, Elementary Education, Employment, Family Life, *Foreign Culture, *German, Housing, Inservice Teacher Education, Institutes (Training Programs), International Education, Religion, Secondary Education, *Secondary School Teachers, *Second Language Learning, Study Abroad, *Summer Institutes IDENTIFIERS *Germany, NDEA Language Institutes ABSTRACT Close-up studies of German life in the Stuttgart area are reported by participants of Stanford University's 1051 National Defense Education Act second-level institute for secondary school teachers of German, held at Bad Boll, Germany. Topics covered include: (1) religious life, (2) political life,(3) problems of settlement, (4) occupational problems and the family,(5) aspects of the German educational system, and (6)general cultural life. 17.or related documents see ED 027 785 and ED 027 786. [Not available in hard copy due to marginal legibility of original document.) (WR) U.S. DEPARTMENT OF HEALTH, EDUCATION & WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCED EXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATING IT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENT OFFICIAL OFFICE OF EDUCATION POSITION OR POLICY. -report presented4the'partic.ipants n--the1961 Stanford -NDEA Institule '. eld...at -Bad. Boll,. Germany.. TABLE OF CONTENTS A. Religious Life in Airttemberg p.
    [Show full text]
  • The Guild and the Swordsman
    Acta Periodica Duellatorum 27 DOI 10.1515/apd-2015-0013 The guild and the swordsman Jean Chandler with translations by Jack Gassman and Christian Trosclair, edited by Willy Rosencrans, and special thanks to Willy Rosencrans, Marjorie Dalton, Olivier Dupuis, Christian Trosclair, Jürg Gassmann, Kel Rekuta, Ariella Elema and Jake Norwood. Abstract – Guilds have a well-established association with the fencing systems of medieval Europe, and the phenomenon of guilds has been the subject of a great deal of new academic research in the last 20 years or so. A thorough summary of the recent scholarship on guilds and their structure and history will help provide context for what may be loosely described as armed guilds. Though armed guilds have not yet been the subject of a proper systematic analysis, it is possible to tentatively identify four types. Combining the summary of ‘civilian’ guilds with the emerging evidence of armed guilds, including the fencing guilds, may help us better understand the social relevance of martial arts in medieval and Early Modern Europe. This may in turn contribute positively to the ongoing efforts to interpret the medieval fightbooks. Keywords – guilds, armed guilds, societates armatae, fencing guilds INTRODUCTION This paper has two purposes. The first is to summarize the recent scholarly work on guilds, in order to help provide an accurate context for fencers and researchers in the historical fencing community who may be interested in the links between fightbooks, fencing masters and guilds. A great deal of work has been done in the academic community on the subject of guilds in the last couple of decades which changes the perception of them to no small degree.
    [Show full text]
  • Monseñor Acacio Chacón Guerra Patriarca De Los Andes
    Monseñor Acacio Chacón Guerra Patriarca de los Andes Dedicatoria A mis amigos Pietro Parolin y Baltazar Porras, príncipes de la Iglesia Católica A mis fraternos hispanos Miguel Angel Solís Martínez - Campos (Marqués de La Motilla), José Gayán Pacheco, Cristian Rojas Solìs, Padre Fernando Campo del Pozo, Consuelo Ordóñez, Juan Francisco Lorenzo y Antonio Salvador Gabaldón. A José Manuel Guerra, Licenciado en Historia de la Universidad de Salamanca 5 I. NACIÓ EN CAMPO TACHIRENSE El Arzobispo Acacio de la Trinidad Chacón Guerra constituye el signo humano más visible e imperecedero en la historia de la provincia eclesiástica emeritense y su gestión episcopal de cuatro décadas se puede resumir en la consolidación de la iglesia particular merideña como la institución de más prestigio en la región montañera. Chacón Guerra nació en Loma Verde, aldea tachirense perteneciente a la Parroquia Constitución (Borotá) del Municipio Lobatera, el 8 de junio de 1884, en la casa de la finca de sus abuelos maternos. Solo habían transcurrido unos días después de la muerte de su abuelo José Acacio Guerra Delgado, hijo de Andrés Guerra y Gregoria Delgado, casado con Juana Chacón. A las exequias y novenario asistió su madre Ana Gregoria Guerra Chacón, nativa de Lobatera, acompañada de su esposo Eleuterio Chacón Quiroz, nacido en Táriba, hijo de Jesús Chacón y Josefa Quiroz, y del pequeño hijo Rufo. Don Acacio Guerra, como se le conocía, fue concejal del Cantón Lobatera, en 1848. Electo como segundo edil suscribió, entre otros documentos, una condena de la Cámara Cantonal al asalto del parlamento nacional cometido por exaltados partidarios del militar y político oriental José Tadeo Monagas, ocurrido el veinticuatro de enero de ese año.
    [Show full text]
  • DOPS/IGPS Y Términos Tradicionales De Vino
    DOPS/IGPS y términos tradicionales de vino LISTADO DE DENOMINACIONES DE ORIGEN PROTEGIDAS E INDICACIONES GEOGRÁFICAS PROTEGIDAS DE VINOS REGISTRADAS EN LA UNIÓN EUROPEA Número de DOPs: 96 Número de IGPs: 42 Término Región Comunidad autónoma Nombre tradicional vitivinícola (1) CATALUÑA, PAÍS VASCO, SUPRA- RIOJA, NAVARRA, ARAGÓN, C. Cava DO AUTONÓMICA VALENCIANA Y EXTREMADURA Monterrei DO Rias Baixas DO Ribeira Sacra DO Ribeiro DO GALICIA GALICIA Valdeorras DO Barbanza e Iria VT Betanzos VT Ribeiras do Morrazo VT Valle del Miño-Ourense/ Val do Miño-Ourense VT ASTURIAS Cangas VC Costa de Cantabria VT CANTABRIA Liébana VT CANTÁBRICA Chacolí de Álava – Arabako Txacolina DO PAÍS VASCO Chacolí de Bizkaia – Bizkaiko Txacolina DO Chacolí de Getaria – Getariako Txacolina DO Rioja DOCa SUPRA-AUTONÓMICAS Ribera del Queiles VT LA RIOJA Valles de Sadacia VT Navarra DO EBRO Pago de Arínzano VP NAVARRA Pago de Otazu VP Prado de Irache VP 3 Riberas VT Arlanza DO Arribes DO Bierzo DO Cigales DO León DO Ribera del Duero DO DUERO CASTILLA Y LEÓN Rueda DO Sierra de Salamanca VC Tierra del Vino de Zamora DO Toro DO Valles de Benavente VC Valtiendas VC VT Castilla y León 1 DOPS/IGPS y términos tradicionales de vino Término Región Comunidad autónoma Nombre tradicional vitivinícola (1) Aylés VP Calatayud DO Campo de Borja DO Cariñena DO Somontano DO ARAGÓN ARAGÓN Bajo Aragón VT Ribera del Gállego-Cinco Villas VT Ribera del Jiloca VT Valdejalón VT Valle del Cinca VT Alella DO Cataluña DO Conca de Barberà DO Costers del Segre DO Empordà DO ARAGÓN CATALUÑA Montsant
    [Show full text]
  • Read an Excerpt
    Copyright 2020 Golden Productions LLC. All Rights Reserved. LASSA ERIKSON was absolutely terrified, completely and utterly terrified because he was standing in the middle of a Danish battlefield surrounded by an ocean of the fiercest, nastiest, toughest, meanest, ugliest Viking warriors the world had ever seen… and technically, for the past seven and a half hours he was supposed to be one of them too. Lassa’s palms were sweating, his heart was pounding and his thirteen year old legs were trembling so much that he had to lean on his shield to stop himself from falling over. Any minute now he knew he’d be dead. Stabbed - slashed - squashed - burned - boiled - or lanced through the heart by an enemy Saxon spear, dead. Lassa didn’t stand a chance. He looked nothing like the real Vikings. He wasn’t taller than a bear, didn’t have scars, muscles or missing limbs, and he still had all of his own teeth. Lassa wasn’t a warrior he was a worrier. And worrying was exactly what Lassa was doing. He kept thinking, hoping, praying that any minute now he’d wake up to another boring day, in his boring little room above the boring and uneventfully safe hay loft on the family farmstead. He scrunched his eyes then opened them, but the army was still there. Leading the Viking army was the hulking great wall of flesh - General Gorn Skarsgood. He was the six foot four embodiment of the Viking name; broken nose, forked beard, iron plated armor and a four foot long broadsword that he wielded as if it were a toothpick.
    [Show full text]
  • El Cabildo De Mallorca Y El Vicario General Sede Vacante Durante El Setecientos: Disputas Y Ámbitos De Poder», Revista De Historia Moderna
    Fecha de recepción: marzo de 2017 Fecha de aceptación: mayo de 2017 Link para este artículo: http://dx.doi.org/10.14198/RHM2017.35.15 Puede citar este artículo como: GARCÍA PÉREZ, Francisco José, «El cabildo de Mallorca y el vicario general sede vacante durante el Setecientos: disputas y ámbitos de poder», Revista de Historia Moderna. Anales de la Universidad de Alicante, n.º 35 (2017), pp. 497-529, DOI: 10.14198/RHM2017.35.15. EL CABILDO DE MALLORCA Y EL VICARIO GENERAL SEDE VACANTE DURANTE EL SETECIENTOS: DISPUTAS Y ÁMBITOS DE PODER FRANCISCO JOSÉ GARCÍA PÉREZ Universitat de les Illes Balears/IEHM [email protected] Resumen En Mallorca, los períodos de sede vacante a menudo se convertían en momentos tensos y complejos. La ausencia de un obispo abría un vacío de poder que era asumido primera por el vicario general sede vacante. Teóricamente él asumía la administración de los poderes diocesanos hasta la llegada del prelado electo. Sin embargo, durante el siglo XVIII esta figura sufrió una transformación vertiginosa. Las condiciones sociales y reli- giosas de Mallorca hicieron que el Cabildo catedralicio controlase al vicario general y lo utilizase para asumir un poder mayor, a veces, a costa de la autoridad de los obispos. Palabras clave: Mallorca, vicario general, obispo, Capítulo catedralicio, Lulismo. Abstract The Cathedral Chapter of Mallorca and the Vicar General during the 18th century: disputes and spheres of power In Majorca, the periods of sede vacante often were turning in tense and complex moments. The absence of a bishop was opening a gap of power that was assumed by the general vicar vacant.
    [Show full text]
  • Tales of the Seven Fingers These Stories Were Originally a Collaborative Effort Between Myself and Another Writer on the RP World Website
    Tales of the Seven Fingers These stories were originally a collaborative effort between myself and another writer on the RP World website. Sadly my writing partner dropped out before the tales were done, and the site has been inactive for quite a while. I have re-compiled the tales, editing out his characters as best I could and adding a few of my own to fill in. It is set in modern times, in an alternate universe where supernatural creatures exist, magic works, and gun powder was never developed. Nominally it would be referred to as 'Steampunk'. The story is incomplete, ending where the project died. Still, I believe that it is an enjoyable tale to read and so I've added it here. The story presented here is purely fictional, and a result of compiling my own archives of the tale. Enjoy! Tales of the Seven Fingers Prolog - Sonny's Tale 1 - Seven Fingers Down 2 - A Dead Run 3 - A Dark and Stormy Night 4 - A Pirates Life For Me 5 - Devil's Play 6 - Liberty 7 - Abduction! 8 - Rouges in the Parlor 9 - Trey of Cups 10 - Love Boat 11 - Smoke on the Water 12 - Right in the Eye 13 - Captain Brassman 14 - Offin' the Score Sonny's Tale It was a cool morning. The humidity of the previous day, along with the night's gentle mist, hung dripping from the branches and clung to each blade of long grass. The moisture steamed off of Sonny's warm skin as he chugged along in search of the mushrooms that Momma so loved.
    [Show full text]
  • Addendum to Proclamation 2019 Editorial Changes
    Proclamation 2019 Addendum to Editorial Changes-Reported April 2019 Pearson Education, Inc., publishing as Scott Foresman Spanish Language Arts and Reading, Kindergarten Texas miVisión Lectura-Print + Online, Grade K (ISBN 9780134920511) and Texas miVisión Lectura- Online, Grade K (ISBN 9780134914947) Class Identified By Change Type Component ISBN Page Number Specific Location Description of Exact Text Being Changed Description of Exact New Text Type Unit 1, page Publisher Editorial Change 9780328992164 Student Center of page, purple lozenge "Ambiente" "Escenario" 28 Unit 1, page Publisher Editorial Change 9780328992164 Student Center of page, green lozenge "Argumento" "Trama" 28 "El ambiente es dónde y cuándo sucede un cuento. El argumento son los sucesos "El escenario es dónde y cuándo sucede un cuento. La trama son los sucesos principales Unit 1, page Publisher Editorial Change 9780328992164 Student Bottom of page, Instrucciones principales del cuento, o lo que sucede en el cuento. Pida a los estudiantes que del cuento, o lo que sucede en el cuento. Pida a los estudiantes que identifiquen y 28 identifiquen y describan a los personajes, el ambiente y el argumento del texto modelo." describan a los personajes, el escenario y la trama del texto modelo." Insert at the end of "Instrucciones:" Unit 1, page Publisher Editorial Change 9780328992164 Student Bottom of page, Instrucciones added text "Explique que el sustantivo en singular debe concordar con un verbo en singular, en este 48 caso lee." Unit 1, page Bottom of page, Instrucciones,
    [Show full text]
  • Dops: 96 Número De Igps: 42
    LISTADO DE DENOMINACIONES DE ORIGEN PROTEGIDAS E INDICACIONES GEOGRÁFICAS PROTEGIDAS DE VINOS REGISTRADAS EN LA UNIÓN EUROPEA Número de DOPs: 96 Número de IGPs: 42 Actualizado a 22/01/2020 Término Nº de Expediente asignado Tipo de Indicación Nombre Tradicional por la Comisión (*) SUPRAAUTONÓMICAS (4) Cava DO PDO-ES-A0735 DOPs (3) Jumilla DO PDO-ES-A0109 Rioja DOCa PDO-ES-A0117 IGP (1) Ribera del Queiles VT PGI-ES-A0083 ANDALUCÍA (24) Condado de Huelva DO PDO-ES-A1485 Granada VC PDO-ES-A1475 Jerez-Xérès-Sherry DO PDO-ES-A1483 Lebrija VC PDO-ES-A1478 DOPs (8) Málaga DO PDO-ES-A1481 Manzanilla Sanlúcar de Barrameda DO PDO-ES-A1482 Montilla-Moriles DO PDO-ES-A1479 Sierras de Málaga DO PDO-ES-A1480 Altiplano de Sierra Nevada VT PDO-ES-A1402 Bailén VT PGI-ES-A1404 Cádiz VT PGI-ES-A1405 Córdoba VT PGI-ES-A1406 Cumbres del Guadalfeo VT PGI-ES-A1407 Desierto de Almería VT PGI-ES-A1408 Laderas del Genil VT PGI-ES-A1409 Laujar-Alpujarra VT PGI-ES-A1410 IGPs (16) Los Palacios VT PGI-ES-A1411 Norte de Almería VT PGI-ES-A1412 Ribera del Andarax VT PGI-ES-A1414 Sierra norte de Sevilla VT PGI-ES-A1415 Sierra sur de Jaén VT PGI-ES-A1416 Sierras de las Estancias y los Filabres VT PGI-ES-A1417 Torreperogil VT PGI-ES-A1418 Villaviciosa de Córdoba VT PGI-ES-A1419 1 Término Nº de Expediente asignado Tipo de Indicación Nombre Tradicional por la Comisión (*) ARAGÓN (10) Aylés VP PDO-ES-A1522 Calatayud DO PDO-ES-A0247 DOPs (5) Campo de Borja DO PDO-ES-A0180 Cariñena DO PDO-ES-A0043 Somontano DO PDO-ES-A0534 Bajo Aragón VT PGI-ES-A1362 Ribera del Gállego-Cinco
    [Show full text]
  • Lucerna ¤ Lucerna
    ¤ LUCERNA ¤ LUCERNA AN UNDERGRADUATE JOURNAL P R E S E N T E D B Y T H E HONORS PROGRAM The University of Missouri-Kansas City ¤ Volume Four Issue One © 2009 ¤ LUCERNA ¤ CONTENTS Note from the Editor 6 Editorial Board 7 Biology Ariel Green: The Role of High Risk HPV E6 Protein in Cervical Cancer Formation 10 Education BethAnn Steinbacher: Are Classrooms Selling our Kids Short? 21 English Karen Anton: The Audible in Joyce’s Texts 29 Michael Devitt: The Rhetoric of Shell Shock 42 History James Comninellis: Reasoned Piety: A Summary and Explication of Discussion of One of al-Ghazālī’s Incoherence of the Philosophers 61 Sadia Aslam: A Handup, Not a Handout 76 Mathematics Cameron Buie: The Bernoulli Brothers and the Brachistochrone 95 Philosophy Magie Hogan: The Great Moral Tragedy 110 Political Science Andrea Ridlen: Closing Pandora’s Box 118 Spanish Maria Iliakova: El sueño de las comedias del Siglo de Oro: 138 El nacionalismo, la religión, y el gobierno Author Biographies 149 Honorable Mentions 151 A Note from the Editor As a child, I remember it being emphatically expressed that hard and gruesome work produces tangible, desired results. I am pleased to say that this year’s edition of Lucerna is the product of such work. This year we changed the look of Lucerna, hopefully without marring the honorable traditions left by the previous editors and staff. None of this would have been possible without the dedication of the editorial staff. Their constant support and commitment made this year’s journal possible. I would also like to thank Dr.
    [Show full text]
  • Lista De Inscripciones Lista De Inscrições Entry List
    LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos,
    [Show full text]
  • Billboard-1997-08-30
    $6.95 (CAN.), £4.95 (U.K.), Y2,500 (JAPAN) $5.95 (U.S.), IN MUSIC NEWS BBXHCCVR *****xX 3 -DIGIT 908 ;90807GEE374EM0021 BLBD 595 001 032898 2 126 1212 MONTY GREENLY 3740 ELM AVE APT A LONG BEACH CA 90807 Hall & Oates Return With New Push Records Set PAGE 1 2 THE INTERNATIONAL NEWSWEEKLY OF MUSIC, VIDEO AND HOME ENTERTAINMENT AUGUST 30, 1997 ADVERTISEMENTS 4th -Qtr. Prospects Bright, WMG Assesses Its Future Though Challenges Remain Despite Setbacks, Daly Sees Turnaround BY CRAIG ROSEN be an up year, and I think we are on Retail, Labels Hopeful Indies See Better Sales, the right roll," he says. LOS ANGELES -Warner Music That sense of guarded optimism About New Releases But Returns Still High Group (WMG) co- chairman Bob Daly was reflected at the annual WEA NOT YOUR BY DON JEFFREY BY CHRIS MORRIS looks at 1997 as a transitional year for marketing managers meeting in late and DOUG REECE the company, July. When WEA TYPICAL LOS ANGELES -The consensus which has endured chairman /CEO NEW YORK- Record labels and among independent labels and distribu- a spate of negative m David Mount retailers are looking forward to this tors is that the worst is over as they look press in the last addressed atten- OPEN AND year's all- important fourth quarter forward to a good holiday season. But few years. Despite WARNER MUSI C GROUP INC. dees, the mood with reactions rang- some express con- a disappointing was not one of SHUT CASE. ing from excited to NEWS ANALYSIS cern about contin- second quarter that saw Warner panic or defeat, but clear -eyed vision cautiously opti- ued high returns Music's earnings drop 24% from last mixed with some frustration.
    [Show full text]