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Yueqin
AGARIE, HIDEO, Part-Time Lecturer, University of Nagoya for Foreign Studies, JAPAN, Ahideo1969@Yahoo
A Review of the Origin and Evolution of Uygur Musical Instruments
Voices of Eternal Spring
Chinese Zheng and Identity Politics in Taiwan A
The Taiwan Yueqin Folk Music Festival
Worksheet 1.1A Classification of String Instruments
Music & Entertainment Life & People in East Asia
Musical Taiwan Under Japanese Colonial Rule: a Historical and Ethnomusicological Interpretation
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JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary
Medium of Performance Thesaurus for Music
Norway China World Music Concert Tour
Detailed Instrument List & Descriptions
China and the West: Music, Representation, and Reception
An Acoustical Comparison of East Asian and Western String Instruments C
The Far East
Prediction of Yueqin Acoustic Quality Based on Soundboard Vibration Performance Using Support Vector Machine
Noll Collection of Musical Instruments
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View with the Composer Discussing Her Musical Background, Education, Relationship with Ju Percussion
The Double Bass in the Chinese Symphony Orchestra and the National Orchestra
Vibroacoustics of the Guqin C
MIMO Digitisation Standard
A Case Study of Shanren, a Multi-Ethnic Indie Band
Modernization and Music in Contemporary China: Crisis, Identity, and the Politics of Style
Chaozhou Xianshiyue in Hong Kong: a Case Study of the Music Division of the Hong Kong Chiu Chow Merchants Mutual Assistance Society, Ltd
A Study of Two Selected Chamber Works for Piano and Violin by Bright Sheng
The Emergence of the Chinese Zheng: Traditional Context, Contemporary Evolution, and Cultural Identity
Analysis on the Development and Revolution of Modern Sichuan
Comparison of Solo Music for the Western Lute and Chinese Pipa By
The Modern Chinese Orchestra Author(S): Han Kuo-Huang and Judith Gray Source: Asian Music, Vol