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Ximen Qing
The Water Margin Podcast. This Is Episode 40. Last Time, Wu Song
The Outlaws of the Marsh
The Water Margin Podcast. This Is Episode 39. Last Time, Wu Song
(Rjelal) the Tragic Factors in "The Golden Lotus"
Why Was It the Ming Dynasty That Engendered the Guanxi Motif in Fiction?
Women and Men, Love and Power: Parameters of Chinese Fiction and Drama
READING BODIES: AESTHETICS, GENDER, and FAMILY in the EIGHTEENTH-CENTURY CHINESE NOVEL GUWANGYAN (PREPOSTEROUS WORDS) by QING
A Preliminary Comparison of the Two Recensions of "Jinpingmei" Author(S): Xiaofei Tian Source: Harvard Journal of Asiatic Studies , Dec., 2002, Vol
Ming and Qing Novels Míng-Qīng Xiǎo Shuō 明清小說
Music and Oral Performing Literature in the Jin Ping Mei Cihua”: Appendix 1: Descriptions (6.18.14)
Aesthetics, Gender, and Family in the Eighteenth Century Chinese Novel Guwangyan (Preposterous Words)
The Eye and the Mirror: Visual Subjectivity in Chinese and American Literary Representations
Cut-Out: Music, Profanity, and Subcultural Politics in 1990S China
Commentated Into His Own Image: Jin Shengtan and His Commentary Edition of the Shuihu Zhuan
Modern Transformation of Nianhua in Suzhou-Shanghai
A Drum Tale on “Wu Song Fights the Tiger”
SE Kile Dissertation Final 2 17 2013
Literati Discourse of Justice in Late Qing and Modern Chinese Fiction Yoojin Soh Washington University in St
Top View
Jin Ping Mei 金瓶梅 Plum in the Golden Vase Chapters 1-5 Water Margin January 20, 1981 January 6, 2021 Wanli Emperor (Shenzong, R
NARRATIVE ART in the MING DYNASTY NOVEL, with SPECIAL REFERENCE to SHU1HU ZHUAN. XI YOU JI and JIN PING MEI Amanda Jane Ryder Su
The Water Margin Podcast. This Is Episode 36. Last Time, While Our
Writing Pirates: Vernacular Fiction and Oceans in Late Ming China
Textual Research on Jin Ping Mei