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Wu Shanzhuan
DECEMBER 2005 WINTER ISSUE Special Feature on Hong Kong By
Big Business, Selling Shrimps: the Market As Imaginary in Post-Mao
Inside Special Issue on the Chinese Contemporary Art Market Interviews with Liu Jianhua and Shan Shan Sheng Dialogue on Documenta 12
Big-Character Posters, Red Logorrhoea and the Art of Words
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Art and China After 1989: Theater of the World Art and China After 1989: Theater of the World
Major Trends in the Development of Contemporary Chinese Art
1985: Absence As Contemporaneity (IFA Lecture 3)
“Everyone Has the Right to Refuse to Be an Artist”: a Dialogue with Wu Shanzhuan
2018 Two Houses.Pdf
Installation, Video, and Performance Art in Reform Era China
An Antithesis to Conceptualism: on Zhang Peili
Contemporary Chinese Calligraphy Between Tradition and Innovation
Top View
Wu Shanzuan Institutional Critique and the Efficacy of Relational, Political Art Practices I
The Political Pop Art of Wang Guangyi: Metonymic for an Alternative Modernity
Mobile Library Is a Travelling Archive of Contemporary Art
2002 V01 02 Yang M P066.Pdf
The Making of Unofficial Space: 1989 and The
Wu Shanzhuan: Red Humour International Review by Joni Low
Title an Account of Development of Performance Art in China from 1979
Art Basel in Basel 2018 Date | 2018.6.14