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Trick film

  • The Coming of Sound Film and the Origins of the Horror Genre

    The Coming of Sound Film and the Origins of the Horror Genre

  • Dystopian Science Fiction Cinema In

    Dystopian Science Fiction Cinema In

  • Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer’S Kipho Film

    Advertising, Rhythm, and the Filmic Avant-Garde in Weimar: Guido Seeber and Julius Pinschewer’S Kipho Film

  • Trick Film: Neil Brand's Radio Dramas and the Silent Film Experience

    Trick Film: Neil Brand's Radio Dramas and the Silent Film Experience

  • Film, Relay, and System: a Systems Theory Approach to Cinema Thomas Schur University of Wisconsin-Milwaukee

    Film, Relay, and System: a Systems Theory Approach to Cinema Thomas Schur University of Wisconsin-Milwaukee

  • Georges Méliès's Trip to the Moon

    Georges Méliès's Trip to the Moon

  • Reality & Effect: a Cultural History of Visual Effects

    Reality & Effect: a Cultural History of Visual Effects

  • Abstract Animation Played a Central Role in the Early History Of

    Abstract Animation Played a Central Role in the Early History Of

  • Gramophone, Film, Typewriter

    Gramophone, Film, Typewriter

  • TREASURES Back by Popular Demand from AMERICAN FILM ARCHIVES Available May 10, 2005 Preserved Films $69.95 50 ENCORE EDITION

    TREASURES Back by Popular Demand from AMERICAN FILM ARCHIVES Available May 10, 2005 Preserved Films $69.95 50 ENCORE EDITION

  • Exploring Culture and Gender Through Film an OER Textbook

    Exploring Culture and Gender Through Film an OER Textbook

  • Georges Mélièswas One of the Most Important Pioneers of Early Cinema

    Georges Mélièswas One of the Most Important Pioneers of Early Cinema

  • Impression and Expression : Rethinking the Animated Image Through Winsor Mccay by Daniel Mckenna

    Impression and Expression : Rethinking the Animated Image Through Winsor Mccay by Daniel Mckenna

  • Stop Motion Animation, Visual Effects and Metalepsis

    Stop Motion Animation, Visual Effects and Metalepsis

  • The Toy Like Nature: on the History and Theory of Animated Motion

    The Toy Like Nature: on the History and Theory of Animated Motion

  • Screen, Simulation, Situation: an Archaeology of Early Film Animation, 1908-1921

    Screen, Simulation, Situation: an Archaeology of Early Film Animation, 1908-1921

  • Dynamic of the Metropolis: the City Film and the Spaces of Modernity

    Dynamic of the Metropolis: the City Film and the Spaces of Modernity

  • Films Made Between 1895 and the CINEMA of ATTRACTIONS RELOADED WANDA STRAUVEN [ED.] 1906

    Films Made Between 1895 and the CINEMA of ATTRACTIONS RELOADED WANDA STRAUVEN [ED.] 1906

Top View
  • A Visual/Analytical History of the Silent Cinema (1895-1930)
  • Materializing Modernity
  • Kino-Eye, Kino-Bayonet: the Avant-Garde Documentary in Japan, France, and the USSR
  • Silent Magic: Trick Films and Special Effects, 1895-1912
  • Kaiki Eiga and the Dawn of Japanese Horror Cinema
  • Fears in 21St Century Through Sci-Fi Movies Qingyue Peng, Ajou
  • The Cinema of Attractions Reloaded Wanda Strauven [Ed.] 1906
  • How the Essay Film Thinks Ii Iii
  • Bartlomiej Dziadosz on the Meaning of a Cut 26 October 2018
  • Aguinc, John Science Fiction As Literature. National Education
  • Zoom Melies Va
  • Cinema, Trance and Cybernetics Discusses the Cinematic Apparatus As an Interface Between Mind and Machine
  • WILL the REAL ANIMATION PLEASE STAND UP: the TRANSITION from STOP MOTION and ANIMATRONICS to CGI in HOLLYWOOD FILMS Society
  • Three Horror Film Case Studies in the Exorcism Subgenre
  • American Transcendental Vision: Emerson to Chaplin Bill R
  • Cross-Cultural Filmmaking "0"
  • Quicker Than the Eye?
  • Complete Nov 2013


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