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- “Where Nothing Is Off Limits”: Genre, Commercial Revitalization, and the Teen Slasher Film Posters of 1982-1984
- Female Transcendence: Approaching the “Expérience Extrême” in Contemporary French Horror Cinema
- Genre, Gender, Giallo: the Disturbed Dreams of Dario Argento
- The Archetypes of "Bogeyman" and "Final Girl" Within the Slasher Horror Sub-Genre: an Enquiry Into Socio-Cultural Values
- Slasher Films and Self-Harm: a Relationship of Self-Hatred and Trauma
- The Terror Tale: Urban Legends and the Slasher Film Mikel J
- The Monstrous Years: Teens, Slasher Films, and the Family Author(S): PAT GILL Reviewed Work(S): Source: Journal of Film and Video, Vol
- Official 3D Provider of Fantastic Fest
- SUMMER 2017 Session I 5/23/17—6/29/17
- Horror Film: a Critical Introduction by Murray Leeder
- Film Terms Glossary Cinematic Terms Definition and Explanation Example (If Applicable) 180 Degree Rule a Screen Direction Rule T
- A Blade in the Dark: Translating the Giallo Killer Into the Slasher
- Historic Programm Focus FEMALE TERROR Line-Up
- Queer Representations in American Slasher Film of the 1
- From Jane Austen to Hollywood to Bollywood
- 1 Introduction – Feminism, Governmentality and 'Male' Rape
- Official Program
- That Blood Is Real Because I Just Can't Fake It": Conceptualizing, Contextualizing, Marketing, and Delivering Gore in Herschell Gordon Lewis's Blood Feast
- Cultural Transgression and Subversion: the Abject Slasher Subgenre
- A Review of Research on Sexual Violence in Audio-Visual Media
- RIGHTS CATALOG 2021 Table of Contents Table of Contents
- The American Giallo
- Observing Changes in Gender and Sexuality in Slasher
- PRODUCING the AMERICAN ZOMBIE FILM: a SOCIOLOGICAL UNDERSTANDING of the GENESIS and EVOLUTION of a GENRE a Dissertation Presente
- Bearing Witness to a Whole Bunch of Murders the Aesthetics of Perspective in the Friday the 13Th Films
- Program Contents
- Horror Movies Throughout History
- The South in American Horror Film
- The Influence of Traditional Japanese Theater, Culture, and Aesthetics On
- Ritgerð Til Extreme Horror and the Extremely Horrifying
- The Stereotypic Portrayal of Women in Slasher Films: Then Versus Now
- The Horror Film
- The Roles of Violence in Recent Biblical Cinema: the Ap Ssion, Noah, and Exodus: Gods and Kings Kevin M
- Evaluating Violence in Slasher Films: Similarity and Social Identification with the Final Girl
- Her Body, Himself: Gender in the Slasher Film Author(S): Carol J
- The Disruption of Hegemonic Discourses Through 70S Horror Films
- Film Guide June 2016
- The Editing Structure of Slasher Films
- A Telltale Narrative: American Horror Film And
- Evolution of the Final Girl: Exploring Feminism and Femininity in Halloween (1978-2018) Maya Zhou Scripps College
- Spectatorship, Affect, and Gender in the Slasher Cycle Snow Marti
- J-Horror” Craze, the Circumstances of Its Production and Its Cultural and Formal Representations of Shared National Fear
- Genres and Generic Conventions
- Gender in the Slasher Film Genre Brandon Bosch University of Nebraska-Lincoln, [email protected]