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- Footnotes to Sappho: an Examination of the Female Poets of Greece
- Eloquent Alogia: Animal Narrators in Ancient Greek Literature
- Pindar's Nemean 11 and the Skolion Tradition
- Portico Semanal
- P. COLON. Inv. 21351+21376 and P. OXY. 1787 Fr. 1: MUSIC, CULTURAL POLITICS, and HELLENISTIC ANTHOLOGIES
- 'Archilochus and Lycambes, Alcman's 5 PMGF and Pindar's Fr. 122 SM
- Servants of Peitho: Pindar Fr.122 S. Anne Pippin Burnett
- Music in Ancient Greece and Rome
- Systematic Thesaurus
- The Cambridge History of Greek and Roman Warfare
- Greek Music, See Music of Ancient Greece
- Classical Review Generic Composition in Greek and Roman
- TYRANNICIDES, SYMPOSIUM and HISTORY: a Consideration of the Tyrannicide Law in Hyperides 2.3
- Contest and Contradiction in Early Greek Poetry
- Beyond Pederasty: Finding Models for Adult Male Homosexuality in Classical Athens
- Biographical Representations of Euripides. Some Examples of Their Development from Classical Antiquity to Byzantium
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- Satyricon* Nicholas Horsfall
- Instrumental Music in the Worship Or the Greek Verb Psallo
- “Minoan” Archaeology 87
- Greek Hymns. Volume I. the Texts in Translation
- Pindar the Pious Poet: Prayer and Its Significance in Pindar’S Epinician Odes
- Inner Nature and Outward Appearance in Euripides’ Electra
- Transmission and Textual Variants: Divergent Fragments of Sappho's
- The Aeschylean Chorus
- Contest and Contradiction in Early Greek Poetry
- Did Sappho and Alcaeus Ever Meet? Symmetries of Myth and Ritual in Performing the Songs of Ancient Lesbos
- Academic History
- The Oxyrhynchus Papyri
- Lyric Cities: Poet, Performance, and Community
- Greek Tragedy and Sacrificial Ritual Burkert, Walter Greek, Roman and Byzantine Studies; Summer 1966; 7, 2; Proquest Pg
- Oligarchic Hestia: Bacchylides 14B and Pindar, Nemean 11