This Book — the Only History of Friendship in Classical Antiquity That Exists in English
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2012.02.01 Jeffrey RUSTEN, the Birth of Comedy
CJ -Online, 2012.02.01 BOOK REVIEW The Birth of Comedy: Texts, Documents, and Art from Athenian Comic Competitions, 486–280 . Edited by Jeffrey RUSTEN . Baltimore and London: Johns Hopkins University Press, 2011. Pp. xx + 794. Hardcover, $110.00/£57.00. ISBN 978-0- 8018-9448-0. The world of Greek comedy has always been a mysterious universe for amateurs. The naive enthusiasm of Renaissance intellectuals, who, immediately after the publication of the editio princeps of the eleven Aristophanic comedies, edited their complete translations (without footnotes!) in Latin (Andreas Divus) and Italian (the Rositini brothers), has decreased as time has passed. In contrast to the fate of Greek tragedies, Aristophanes’ and Menander’s comedies have always been rare- ly performed; even the most recent translations cannot refrain from using ex- planatory notes if they want their readers to understand the nuances of the Greek text. Apart from the two main authors, the other comic poets (Cratinus, Eupolis, Alexis, Diphilus, Philemon) are almost unknown, in spite of the good reputation they had in the ancient world. From this point of view the difference with tragedy is even greater: among the majority of people, the three tragic poets of the fifth century BCE enjoy a much wider popularity than the single representative of ancient Greek comedy; Menander’s popularity (a fairly recent one, based on the papyrological discoveries of the last century) cannot compete with that of his Roman followers, Plautus and Terence. But things are changing: since the end -
The Place of Ethics in Aristotle's Philosophy
Offprint from OXFORDSTUDIES INANCIENT PHILOSOPHY EDITOR:BRADINWOOD VOLUMEXL Essays in Memory of Michael Frede JAMESALLEN EYJÓLFURKJALAREMILSSON WOLFGANG-RAINERMANN BENJAMINMORISON 3 THEPLACEOFETHICSIN ARISTOTLE’SPHILOSOPHY GEORGEKARAMANOLIS . The issue D the wealth of studies on Aristotle’s ethics, there has been almost nothing, as far as I know, dedicated to considering the place that ethics occupies in Aristotle’s philosophy. This issue does not seem to be interesting to modern students of Aristotle. There was, however, a debate and indeed a controversy about this issue in late antiquity, as I shall show in this paper. There are two questions in- volved here, which are interrelated, and the debate was about both of them. The first concerns the order in which ethics or practical philosophy, more generally, must be studied by the student of Aris- totle’s philosophy. The second concerns the relative significance of this part of philosophy within the framework of Aristotle’s philoso- phical work. Both questions arise from remarks that Aristotle himself makes. The second in particular, some might argue, is addressed by Aris- totle in various parts of his work. In Metaphysics Ε –, for instance, he famously discusses the relative value of theoretical, practical, and productive sciences. Aristotle there argues explicitly that the the- oretical sciences are preferable (hairetōterai) to all others, practical © George Karamanolis It is a pleasure to offer this contribution in honour of Michael Frede, who taught me so much. Drafts of this paper were presented at Princeton, Oxford, and the Department of Theory and Philosophy of Science, University of Athens. I have benefited from the comments of all these audiences. -
Teachers' Pay in Ancient Greece
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Papers from the University Studies series (The University of Nebraska) University Studies of the University of Nebraska 5-1942 Teachers' Pay In Ancient Greece Clarence A. Forbes Follow this and additional works at: https://digitalcommons.unl.edu/univstudiespapers Part of the Arts and Humanities Commons This Article is brought to you for free and open access by the University Studies of the University of Nebraska at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Papers from the University Studies series (The University of Nebraska) by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Teachers' Pay In Ancient Greece * * * * * CLARENCE A. FORBES UNIVERSITY OF NEBRASKA STUDIES Ma y 1942 STUDIES IN THE HUMANITIES NO.2 Note to Cataloger UNDER a new plan the volume number as well as the copy number of the University of Nebraska Studies was discontinued and only the numbering of the subseries carried on, distinguished by the month and the year of pu blica tion. Thus the present paper continues the subseries "Studies in the Humanities" begun with "University of Nebraska Studies, Volume 41, Number 2, August 1941." The other subseries of the University of Nebraska Studies, "Studies in Science and Technology," and "Studies in Social Science," are continued according to the above plan. Publications in all three subseries will be supplied to recipients of the "University Studies" series. Corre spondence and orders should be addressed to the Uni versity Editor, University of Nebraska, Lincoln. University of Nebraska Studies May 1942 TEACHERS' PAY IN ANCIENT GREECE * * * CLARENCE A. -
Aspasian Infidelities. on Aspasius' Philosophical Background (EN I)
apeiron 2016; 49(2): 229–259 António Pedro Mesquita* Aspasian Infidelities. On Aspasius’ Philosophical Background (EN I) DOI 10.1515/apeiron-2015-0028 Abstract: The discussion on Aspasius’ philosophical background has benefited in recent years from a wide consensus. According to this consensus, Aspasius should be regarded as a Peripatetic, or even as an “orthodox Peripatetic” (Barnes’ phrase). It is true that Aspasius’ commentary is generally in tune with Aristotle. It is true that he shows an extensive knowledge of Aristotelian research pertinent for the discussions and that he uses Aristotelian concepts, principles, and doctrines with ease as if they were his own, thus denoting an old assimila- tion of those materials and a long accommodation to them. In a word, it is true that Aspasius is an Aristotelian. He is, however, as I will try to show in this paper, an Aristotelian strongly influenced by Stoicism. I will do so by selecting those points from Aspasius’ commentary on book I of the Nicomachean Ethics where the Stoic influence is most flagrantly evident, namely in his interpretation of art (τέχνη), his conception of continence and incontinence and, especially, his interpretation of the relation between happiness, virtue, and external goods in Aristotle. Keywords: Aspasius, Aristotelianism, Stoicism, happiness, virtue, external goods The Consensus The discussion on Aspasius’ philosophical background has benefited in recent years from a wide consensus. A good example of this consensus is the position Barnes sustains on the matter in his excellent “Introduction to Aspasius”, where he states the following1: Next, Aspasius’ philosophical position. Galen calls him a Peripatetic, and it is plain that his pupil taught Galen Peripatetic philosophy. -
Eclectic Antiquity Catalog
Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes © University of Notre Dame, 2010. All Rights Reserved ISBN 978-0-9753984-2-5 Table of Contents Introduction..................................................................................................................................... 1 Geometric Horse Figurine ............................................................................................................. 5 Horse Bit with Sphinx Cheek Plates.............................................................................................. 11 Cup-skyphos with Women Harvesting Fruit.................................................................................. 17 Terracotta Lekythos....................................................................................................................... 23 Marble Lekythos Gravemarker Depicting “Leave Taking” ......................................................... 29 South Daunian Funnel Krater....................................................................................................... 35 Female Figurines.......................................................................................................................... 41 Hooded Male Portrait................................................................................................................... 47 Small Female Head...................................................................................................................... -
1 Achilles and Patroclus in the Trojan War: an Introductory Case Study
Cambridge University Press 978-0-521-89582-8 - Interpreting the Images of Greek Myths: An Introduction Klaus Junker Excerpt More information 1 Achilles and Patroclus in the Trojan War: An introductory case study From early times, the use of the bow and arrow formed a part of Greek military practice, as a dangerous long-range weapon. If the arrow had not struck an immediately fatal blow, it could still be the cause of insidious wounds. If the arrowhead had become completely embedded in the body and perhaps, in the heat of the battle, broken off from the shaft, then the removal of the metal would cause acute pain and, in certain circumstances, cause further damage to the tissues surrounding the wound. In the detailed battle descriptions of the Iliad, wounds caused by arrows are mentioned on various occasions. When the Greek Menelaus has just been struck by an arrow, his initial fear gives way to relief that the binding, which attaches the arrowhead to the shaft, is still visible (4, 150–1): the wound cannot be deep and the damage is therefore slight. So too in the picture that will now be used as a test case for interpretation (Fig. 1), the warrior has been lucky in his misfortune. The arrow portrayed in beautiful detail in the left foreground, so as to put the cause of the wound in his arm beyond all doubt, is still complete and, at the most, slightly bent at the tip, unless the small irregularity in the drawing is unintentional. Yet the abrupt turn away of the head and the open mouth, with the teeth visible and coated in added white, convey something of the pain that the man feels, as his comrade-in-arms applies the bandage to his arm. -
Epigraphic Bulletin for Greek Religion 2015 (EBGR 2015)
Kernos Revue internationale et pluridisciplinaire de religion grecque antique 31 | 2018 Varia Epigraphic Bulletin for Greek Religion 2015 (EBGR 2015) Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/2741 DOI: 10.4000/kernos.2741 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 December 2018 Number of pages: 167-219 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, “Epigraphic Bulletin for Greek Religion 2015 (EBGR 2015)”, Kernos [Online], 31 | 2018, Online since 01 October 2020, connection on 25 January 2021. URL: http:// journals.openedition.org/kernos/2741 ; DOI: https://doi.org/10.4000/kernos.2741 This text was automatically generated on 25 January 2021. Kernos Epigraphic Bulletin for Greek Religion 2015 (EBGR 2015) 1 Epigraphic Bulletin for Greek Religion 2015 (EBGR 2015) Angelos Chaniotis To the memory of David Jordan 1 The 28th issue of the EBGR presents epigraphic corpora and new epigraphic finds published in 2015. I have only included a few contributions to the reading and interpretation of old finds as well as a small selection of publications that adduce inscriptions for the study of religious phenomena. I have also summarizes some publications of earlier years that had not been included in earlier issues of the EBGR (2007–2013). 2 In this issue, I summarize the content of new corpora from Athens (34), Macedonia (56. 109), Termessos (64), and Hadrianopolis (79) that mainly contain dedications, but also records of manumission through dedication to deities (56). The two most important new inscriptions are the incantations from Selinous (?), known as the ‘Getty hexameters’ and a cult regulation from Thessaly. -
THE POLITICAL CHANGES in IONIA AFTER the REVOLT ßß42 And
APPENDIX 11 THE POLITICAL CHANGES IN IONIA AFTER THE REVOLT §§42 and 43.3 throw important light on the Persian attitude to their subject peoples in the west, and certainly on Artaphrenes as a shrewd administrator. The revolt had taken six years and considerable mil- itary effort to suppress. Three political changes are now made, two by the satrap, the third by Mardonius. Another account of it sur- vives, DS 10.25.4, where the third is also ascribed to Artaphrenes: ÑEkata›ow ı MilÆsiow presbeutØw épestalm°now ÍpÚ t«n ÉI≈nvn, ±r≈thse diÉ ∂n afit¤an épiste› aÈto›w ı ÉArtaf°rnhw. toË d¢ efipÒntow, mÆpote Íp¢r œn katapolemhy°ntew kak«w ¶payon mnhsikakÆsvsin, OÈkoËn, ¶fhsen, efi tÚ pepony°nai kak«w tØn épist¤an peripoie›, tÚ paye›n êra eÔ poiÆsei tåw pÒleiw P°rsaiw eÈnooÊsaw. épodejãmenow d¢ tÚ =hy¢n ı ÉArtaf°rnhw ép°dvke toÁw nÒmouw ta›w pÒlesi ka‹ taktoÁw fÒrouw katå dÊnamin §p°tajen.1 Artaphrenes had to reimpose his authority, but also had the practical interest of ensuring stability, particularly economic stability, which in turn meant that tribute could flow in: cf Starr (1975) 82, Briant (1996) 511, and other references cited on êndrew, §19.3. We may accept §42.1, that he summoned representatives from each polis, in view of the arbitration requirement; but we can accept Diodorus to the extent that Hecataeus was the, or one of the, representative(s) from Miletus: he had influence there, and could be presented to the Persians as someone who had not fully supported the revolt (5.36, 125; pp. -
Tensions in the Greek Symposium Julia Burns Submitted in Fulfillment
Conflicting Desires and Unstable Identities: Tensions in the Greek Symposium Julia Burns Submitted in Fulfillment of the Prerequisite for Honors in Classical Studies May 2013 ©2013 Julia Burns I. Introduction The Greek symposium, or private drinking party, was a formal context for the consumption of wine, often accompanied by the enactment of ritual activities or other associated forms of entertainment.1 The tradition of symposia seems to have evolved from group feasts in the Archaic period and from the traditional gathering of hetaireiai in the late Archaic period.2 Generally, men would congregate in the andron of a private home and recline on kline for a night of drinking, singing or poetry composition, discussion, or other games.3 While meals that shared aspects of the Archaic symposium were held in public spaces in Athens by the fifth century, symposia remained the preserve of the elites: the aristocracy had a monopoly on sympotic symbolic capital, despite any popularizing elements of polis-wide feasting.4 The term “symposium” is often used synecdochically for the series of ritual activities that takes place over the course of a single gathering; however, it more accurately relates to the time when wine was consumed during a private party. If food was prepared before the drinking began, this meal, the deipnon, was a distinct and separate ritual element of the party.5 After the consumption of food, a hymn was sung in honor of the gods and libations were poured. At this point, the master of ceremonies, called the symposiarch, would decide the proper ratio at which 1 I would like to thank Kate Gilhuly for her support and invaluable comments on drafts of this paper. -
The Parthenon Frieze: Viewed As the Panathenaic Festival Preceding the Battle of Marathon
The Parthenon Frieze: Viewed as the Panathenaic Festival Preceding the Battle of Marathon By Brian A. Sprague Senior Seminar: HST 499 Professor Bau-Hwa Hsieh Western Oregon University Thursday, June 07, 2007 Readers Professor Benedict Lowe Professor Narasingha Sil Copyright © Brian A. Sprague 2007 The Parthenon frieze has been the subject of many debates and the interpretation of it leads to a number of problems: what was the subject of the frieze? What would the frieze have meant to the Athenian audience? The Parthenon scenes have been identified in many different ways: a representation of the Panathenaic festival, a mythical or historical event, or an assertion of Athenian ideology. This paper will examine the Parthenon Frieze in relation to the metopes, pediments, and statues in order to prove the validity of the suggestion that it depicts the Panathenaic festival just preceding the battle of Marathon in 490 BC. The main problems with this topic are that there are no primary sources that document what the Frieze was supposed to mean. The scenes are not specific to any one type of procession. The argument against a Panathenaic festival is that there are soldiers and chariots represented. Possibly that biggest problem with interpreting the Frieze is that part of it is missing and it could be that the piece that is missing ties everything together. The Parthenon may have been the only ancient Greek temple with an exterior sculpture that depicts any kind of religious ritual or service. Because the theme of the frieze is unique we can not turn towards other relief sculpture to help us understand it. -
Roman Literature from Its Earliest Period to the Augustan Age
The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME. -
Queerness in French Baroque Opera: the Relationship Between Achilles and Patroclus in Jean Baptiste Lully’S Achille Et Polyxène
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Master's Theses Student Research 5-7-2021 Queerness in French Baroque Opera: The Relationship Between Achilles and Patroclus in Jean Baptiste Lully’s Achille et Polyxène Jason Thompson [email protected] Follow this and additional works at: https://digscholarship.unco.edu/theses Recommended Citation Thompson, Jason, "Queerness in French Baroque Opera: The Relationship Between Achilles and Patroclus in Jean Baptiste Lully’s Achille et Polyxène" (2021). Master's Theses. 210. https://digscholarship.unco.edu/theses/210 This Dissertation/Thesis is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Master's Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2021 JASON TRAVIS THOMPSON ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School QUEERNESS IN FRENCH BAROQUE OPERA: THE RELATIONSHIP BETWEEN ACHILLES AND PATROCLUS IN JEAN-BAPTISTE LULLY’S ACHILLE ET POLYXÈNE A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Music Jason Travis Thompson College of Performing and Visual Arts School of Music Music History and Literature May 2021 This Thesis by: Jason Travis Thompson Entitled: Queerness in French Baroque Opera: The Relationship Between Achilles and Patroclus in Jean Baptiste Lully’s Achille et Polyxène has been approved as meeting the requirement for the Degree of Master of Music in the College of Performing and Visual Arts in the School of Music, Program of Music History and Literature.