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Russian opera

  • On Russian Music Might Win It

    On Russian Music Might Win It

  • The Russian Five Austin M

    The Russian Five Austin M

  • Musically Russian: Nationalism in the Nineteenth Century Joshua J

    Musically Russian: Nationalism in the Nineteenth Century Joshua J

  • Download CIEE Newsletter

    Download CIEE Newsletter

  • Boris Godunov

    Boris Godunov

  • «Russian State Policy in the Field of Culture: X-XX Centuries»

    «Russian State Policy in the Field of Culture: X-XX Centuries»

  • RUS/ART/LIT/SOC/HIS/POL/ECO 381 Russian Studies Seminar

    RUS/ART/LIT/SOC/HIS/POL/ECO 381 Russian Studies Seminar

  • Oriental Inspirations in Russian Opera at the Time of Catherine the Great

    Oriental Inspirations in Russian Opera at the Time of Catherine the Great

  • Dramatic Musical Versions of Dostoevsky: Sergei Prokopev's the Gambler

    Dramatic Musical Versions of Dostoevsky: Sergei Prokopev's the Gambler

  • Volume VI 1988 NINETEENTH-CENTUKY ITALIAN

    Volume VI 1988 NINETEENTH-CENTUKY ITALIAN

  • The Impact of Russian Music in England 1893-1929

    The Impact of Russian Music in England 1893-1929

  • The Nineteenth-Century Russian Operatic Roots of Prokofyev’S

    The Nineteenth-Century Russian Operatic Roots of Prokofyev’S

  • 104 Nordic Theatre Studies Vol. 27: No. 1 ABSTRACT Te Transnationalism

    104 Nordic Theatre Studies Vol. 27: No. 1 ABSTRACT Te Transnationalism

  • Role of the Folk Songs in the Russian Opera of the 18Th Century Adriana Pilip-Siroki

    Role of the Folk Songs in the Russian Opera of the 18Th Century Adriana Pilip-Siroki

  • Amherst Center for Russian Culture Aron Pressman

    Amherst Center for Russian Culture Aron Pressman

  • THE VOICE of NATIONALISM in MONIUSZKO's OPERAS by Marlena Niewczas a Thesis Submitted to the Faculty of the Dorothy F. Schmidt

    THE VOICE of NATIONALISM in MONIUSZKO's OPERAS by Marlena Niewczas a Thesis Submitted to the Faculty of the Dorothy F. Schmidt

  • Anton Arensky and the Rise of Musical Nationalism in Late Nineteenth-Century Russia

    Anton Arensky and the Rise of Musical Nationalism in Late Nineteenth-Century Russia

  • University of Oklahoma Graduate College

    University of Oklahoma Graduate College

Top View
  • Music, Drama and Folklore in Nikolai Rimsky-Korsakov's Opera Snegurochka [Snowmaiden]
  • A People Passing Rude: British Responses to Russian Culture
  • 1 RUSS 382: Introduction to Russian Opera Prof. Anna Berman [email protected] Office Hours: Wed 4:00-5:00 Course Objectives
  • Singing the Myths of the Nation: Historical Themes in Russian Nineteenth-Century Opera
  • History of Russia from St
  • Prokofiev's Romeo and Juliet: History of a Compromise
  • Russian Comic Opera in the Age of Catherine the Great1
  • Russian Lyric Diction: a Practical Guide with Introduction and Annotations and a Bibliography with Annotations on Selected Sources
  • Visual Texts, Ceremonial Texts, Texts of Exploration
  • An Outline of Eighteenth-Century Russian Music Gerald Seaman
  • The Heroic Ballads of Russia
  • History on Stage in Imperial Russia by Irina
  • Oriental Elements in Russian Music and the Reception in Western Europe: Nationalism, Orientalism, and Russianness
  • February 2012 Newsletter
  • Romanticism in Nineteenth-Century Russian Nationalistic Music: Case Studies of Glinka’S Ruslan and Lyudmila and Cui’S Mystic Chorus
  • Mushc Abroad
  • Introduction


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