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Ring shout
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
Cross‐Cultural Perspectives on the Creation of American Dance 1619 – 1950
Africana Studies Review
Chorus Responding Unit, Advanced Level
How They Got Over: a Brief Overview of Black Gospel Quartet Music
Reaching Back While
Rubber Souls: Rock and Roll and the Racial Imagination
Ring Shout, Wheel About' (X-H- Florida)
Design Doc by Topher Maraffi 2020
Hoodoo Religion and American Dance Traditions: Rethinking the Ring Shout
The Impact of Skin Color on Atlantic Ethnic Africans in the Eighteenth Century
Gullah Customs and Traditions Gullah Culture Seems to Emphasize Elements Shared by Africans from Different Areas
African Music and the Pre-Jazz Era from History and Tradition of Jazz by Thomas Larson | 5Th Edition | 9781465278647 Property of Kendall Hunt Publishing
Alvin Ailey® American Dance Theater
The Crescent and the Cross: Islamic Influence in Southern Culture
The Continuity of the Ring Shout Tradition As a Site of Music and Dance in Black American Worship
Folklife Today January 201 : Kumbaya: Stories of an African American Spiritual
Nat Turner and the Fear of African Spirituality
Top View
Conjuring Moments and Other Such Hoodoo: African American Women & Spirit Work Kameelah L
A History of the African American Spiritual Thomas Reid Dr
Folklife Center News, Volume 32, #3&4
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Gullah History Gullah Culture
Gullah Voices: Traditions and Transformations
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Theory A: Preliminary Perspectives on an African Model of Leadership
Slave Religion and Conjure in the Antebellum South by Derek Pace
Place Matters in Mcintosh County
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Anthropologists and the Three Rs of African American Culture: Religion, Resistance, and Recreation
“Ain't Gonna Let Nobody Turn Me Around”
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Word, Shout, Song: Lorenzo Dow Turner Connecting Communities Through Language August 9, 2010 – March 27, 2011
YOU GOT a RIGHT to the TREE of LIFE African American Spirituals and Religions of the Diaspora
Shoutin Final.Pdf (2.132Mb)
Hymn Singing in the Music of Black Americans. Berkeley and Los Angeles: University of California Press; Chicago: Center for Black Music Research, Columbia College