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Popular music in Croatia
Final Version
Turbofolk Reconsidered
Popular Music and Narratives of Identity in Croatia Since 1991
"Klapa Movement" – Multipart Singing As a Popular Tradition
Izvješća – Reports, Armud6 49/1 (2018) 209-247 209
Theorising Return Migration
Sounds of Attraction
Dalmatian Pop Songs in the Folklore Practice of the Inhabitants of the Island of Murter
Suud Ij! JAARVERSLAG 2003 “ Stichting Prins Bernhard Cultuurfonds Ir^Ter En Regent Zijne Koninklijke Hoogheid Prins Bernhard Der Nederlanden
Lorentz, Korinna
Symposium Booklet.Pdf
South East Europe Jim Samson Published Online: 13 January 2015
Pozicioniranje Turbofolka V Sodobni Hrvaški Popularni Kulturi
A Narrative Analysis of Country Music's
An Investigation Into the Irregular Military Dynamics in Yugoslavia, 1992-1995
Turbo-Folk Music and Cultural Representations of National Identity In
Byzantine Music - Wikipedia, the Free Encyclopedia 4/17/15 11:43 AM
The Concept of Turbofolk in Croatia
Top View
Program Skupa
Călin Dan Emotional Architecture 3 Isnb 1234-5678-234-5
Jahrgangsverzeichnis / Index of Volumes Fabula 1
“Paint Me Black and Gold and Put Me in a Frame”: Turbofolk and Balkanist Discourse in (Post) Yugoslav Cultural Space
Prevailing Ideology in the Music Curricula in Croatia Before and After Its Independence
Miami Bass Riot Grrrl Deep Ambient Abstractro Death Metal Halloween
When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity
The Concept of Turbofolk in Croatia
Uloga Popularne Muzike U Konstruisanju Rodnih Identiteta U Postsocijalističkoj Srbiji
Jordanoska 2019.Pdf
82220947012.Pdf