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Program Skupa Pod pokroviteljstvom Hrvatske akademije znanosti i umjetnosti 13. Međunarodni znanstveni skup Prvi svjetski Under the Auspices of the Croatian rat /1914.-1918./ Academy of Sciences and Arts 13th International i glazba Musicological Conference Skladateljske strategije, izvedbene prakse i THE GREAT društveni utjecaji WAR /1914-1918/ Zagreb, 24-27. listopada 2017. AND MUSIC Hrvatski institut za povijest, Zlatna dvorana, Opatička 10, Compositional Strategies, 10000 Zagreb Performing Practices, and Organizatori Social Impacts Hrvatsko muzikološko društvo, Hrvatski institut za povijest, Odsjek za povijest hrvatske glazbe HAZU Zagreb, 24-27 October 2017 Croatian Institute for History, Golden Hall, Opatička 10, 10000 Zagreb Organizers Croatian Musicological Society, Croatian Institute for History, Department for History of Croatian Music of the Croatian Academy of Sciences and Arts Utorak / Tuesday, 24. 10. 2017. 10:00 – 10:45 POZDRAVNI GOVORI / WELCOME SPEECHES PLENARNO IZLAGANJE / KEYNOTE PAPER PAUZA ZA RUČAK / LUNCH BREAK (Catering) PAUZA ZA RUČAK / LUNCH BREAK (Catering) Zdravka Jelaska Marijan (Split, Hrvatska/Croatia) PLENARNO IZLAGANJE / KEYNOTE PAPER Gabriela Petrović (Beč/Vienna, Austrija/Austria) Glazba u javnom životu Splita i okolice uoči sloma Bečka filharmonija u Prvom svjetskom ratu Zvonko Kusić Koraljka Kos (Zagreb, Hrvatska/Croatia) Austro-Ugarske Monarhije Harry White (Dublin, Irska/Ireland) The Vienna Philharmonic in World War I Music in the Public Life of Split and Its Surroundings on the Eve of the Predsjednik Hrvatske akademije znanosti i umjetnosti / Shane McMahon (Dublin, Irska/Ireland) Tradicija i novo u hrvatskoj glazbi početkom 20. stoljeća Stefanka Georgieva (Stara Zagora, Bugarska/Bulgaria) Tonality, Genre and the Great War: Musical Narrative President of the Croatian Academy of Sciences and Arts Collapse of the Austro-Hungarian Empire Black Tides of Mud: Music and the Occult at Century's End Tradition and Innovation in Croatian Music at the Beginning Between Sofia and Berlin: Some Cross References to the Early Creative and the Impact of Modernism Antonija Bogner Šaban (Zagreb, Hrvatska/Croatia) Kristina Lučić Andrijanić (Zagreb, Hrvatska/Croatia) of the 20th Century Tonalitet, žanr i Veliki rat: glazbena naracija i utjecaj modernizma Glazbene režije Ive Raića 1916. Crne plime blata: glazba i okultizam na kraju stoljeća Zdenka Weber (Zagreb, Hrvatska/Croatia) Years of the Bulgarian Composer Pancho Vladigerov Marko Vukičević (Zagreb, Hrvatska/Croatia) Popularna glazba u Hrvatskoj nakon Prvog svjetskog rata Koraljka Kos Hrvatska glazba nakon 1918. godine – jedan od mogućih drukčijih Između Sofije i Berlina: unakrsne reference o ranim stvaralačkim godinama Glazba na zagrebačkim otvorenim prostorima u službi Rasprava / Discussion The Stage Productions of Ivo Raić in 1916 Popular Music in Croatia after the Great War Akademkinja / Member of the Academy (Ljubljana, Slovenija/Slovenia) pogleda na pojavu neonacionalnog glazbenog smjera bugarskog skladatelja Panča Vladigerova propagande tijekom Prvog svjetskog rata Voditeljica Odsjeka za povijest hrvatske glazbe HAZU / Director of the Department for Leon Stefanija History of Croatian Music of the Croatian Academy of Sciences and Arts The Slovenian Music Culture during the Great War Croatian Music after 1918 – One of the Possible Dierent Views on the Music in the Service of Propaganda in the Public Spaces PREDAH / REFRESHMENT Rasprava / Discussion Aldo Foško (Zagreb, Hrvatska/Croatia) Slovenska glazbena kultura tijekom Velikoga rata Appearance of the Neo-National Musical Orientation Tomáš Slavický (Prag/Prague, Češka/Czech Republic) of Zagreb during World War I Jazz u Zagrebu 1920-ih: početak novoga doba u zabavnoj glazbi grada? Češki glazbenici na obali Jadrana prije Prvog svjetskog rata Jasna Turkalj Péter Bozó (Budimpešta/Budapest, Mađarska/Hungary) Vjera Katalinić (Zagreb, Hrvatska/Croatia) PAUZA ZA RUČAK / LUNCH BREAK (Catering) Jazz in Zagreb in the 1920s: The Beginning of a New Age Ravnateljica Hrvatskog instituta za povijest / Lynda Payne (Kansas City, SAD/USA) Wagner’s Influence on Bartók Reconsidered: Rozina Palić Jelavić (Zagreb, Hrvatska/Croatia) Czech Musicians on the Adriatic Coast before World War I Marijana Dujović (Beograd/Belgrade, Srbija/Serbia) Zagreb na karti glazbenih gostovanja u prvim dvama in Popular Music in the City? Director of the Croatian Institute for History Medicine and Composers in the Great War The Case of The Wooden Prince Između Ivana Zajca i Blagoja Berse – zagrebačko operno kazalište na The Activities of Serbian Musicians in Military Theatres and desetljećima 20. stoljeća Medicina i skladatelji u Velikom ratu Ponovno razmotren Wagnerov utjecaj na Bartóka: slučaj Drvenog princa prijelomu stoljeća: opera Maričon Srećka Albinija Lucija Konfic (Zagreb, Hrvatska/Croatia) Hospitals during the First World War Zagreb on the Map of Music Tours during the first William A. Everett (Kansas City, SAD/USA) Between Ivan Zajc and Blagoje Bersa – the Zagreb Opera Theatre at the Hrvatska primadona Milena Šugh Štefanac u Pragu (1915-18) Delatnost srpskih muzičara u vojnim pozorištima i vojnim Two Decades of the 20th Century Stanislav Tuksar Tomislav Bužić (Zagreb, Hrvatska/Croatia) Over the Top (1917): The Great War on Broadway Akademik / Member of the Academy Rasprava / Discussion Filip Hameršak – Marijana Pintar (Zagreb, Hrvatska/Croatia) Turn of the Century: The Opera Maričon by Srećko Albini The Croatian Primadonna Milena Šugh Štefanac in Prague (1915-18) bolnicama tokom Prvog svetskog rata Prvi i drugi povijesni koncert u Zagrebu: 1916–2016. Preko vrha (1917): Veliki rat na Broadwayju Predsjednik Hrvatskog muzikološkog društva / Časnik-skladatelj Lujo Šafranek-Kavić i njegova simfonijska pjesma The First and the Second Historic Concerts in Zagreb: 1916-2016 Biljana Milanović (Beograd/Belgrade, Srbija/Serbia) President of the Croatian Musicological Society Stanislav Tuksar (Zagreb, Hrvatska/Croatia) PREDAH / REFRESHMENT Soča (1917) u kontekstu Prvoga svjetskog rata Rasprava / Discussion Rasprava / Discussion Ivana Šubic Kovačević (Zagreb, Hrvatska/Croatia) Muzika u srpskim izbegličkim pozorištima (1916–18) In the Whirlpool of Idealism, Naivety, Escapism and Charity: Music, Mass Rasprava / Discussion Ocer and Composer Lujo Šafranek-Kavić and His Symphonic Poem Djelovanje podružnice Zagreb u Savezu muzičara Kraljevine SHS Music in Serbian Refugee Theatres (1916-18) 10:45 – 11:00 PREDAH / REFRESHMENT Branka Ban (Osijek, Hrvatska/Croatia) Media and Public Sphere in Zagreb and Croatia during World War I Soča/Isonzo (1917) within the Context of First World War PREDAH / REFRESHMENT PREDAH / REFRESHMENT The Activities of the Zagreb Branch of the Association of Musicians Genealogija osječkog pjevaštva prije i nakon Prvog svjetskog rata U kolopletu idealizma, naivnosti, eskapizma i milosrđa: glazba, masovni ZAVRŠNE NAPOMENE / FINAL REMARKS of the Kingdom of Serbs, Croats and Slovenes The Genealogy of the Osijek Singing Movement before and Ivana Tomić Ferić (Split, Hrvatska/Croatia) mediji i javnost u Zagrebu i Hrvatskoj tijekom Prvoga svjetskog rata 11:00 – 11:30 PLENARNO IZLAGANJE / KEYNOTE PAPER Steven Young (Bridgewater, SAD/USA) after World War I Skica za glazbenu sliku Splita u jeku Velikoga rata (1914-18) Završna svečana večera za sudionike / Louis Vierne’s terrible battle: The Piano Compositions from World War I Rasprava / Discussion A Sketch for the Musical Picture of Split during World War I (1914-18) Michael Turabian (Montreal, Kanada/Canada) Inja Stanović (Sheffield, U.K.) Farewell Dinner for the Participants 11:00 Richard Taruskin (Berkeley, SAD/USA) Strašna bitka Louisa Viernea: glasovirske skladbe iz Prvog svjetskog rata Exilic Soundscapes: Musical Imaginings of a Displaced Homeland Rasprava / Discussion The Early Classical Recordings of First World War England: Process, "Pathos Is Banned" PREDAH / REFRESHMENT Prognanički zvukolici: glazbeni zamišljaji raseljene domovine Adèle Commins (Dundalk, Irska/Ireland) Rasprava / Discussion Preoccupation and Performance “Patos je zabranjen” Rasprava / Discussion Rane snimke klasične glazbe u Engleskoj tijekom Prvoga svjetskog rata; ‘Double D[amn] those Huns’: The Impact of War on Ivano Cavallini (Palermo, Italija/Italy) PREDAH / REFRESHMENT proces, zaokupljenost i izvedba SJEDNICA / SESSION I: OPĆE TEME / GENERAL THEMES Kristina Milković (Zagreb, Hrvatska/Croatia) Charles Villiers Stanford and his Music Iz dijalekta do jezika. Cesare Caravaglios i napjevi u rovovima PREDAH / REFRESHMENT ‘K vragu i ti Švabi’: utjecaj rata na Charlesa Villiersa Stanforda Predsjedateljica / Chair: Jolanta Guzy-Pasiak Fenomen smrti u građanskome društvu 19. stoljeća: primjer Zagreba Prvog svjetskog rata kao pjesme talijanske nacije The Phenomenon of Death in Bourgeois Society of the 19th Century: i njegovu glazbu From a Dialect to a Language. Cesare Caravaglios and the Melodies Sanja Majer Bobetko (Zagreb, Hrvatska/Croatia) the Case of Zagreb in the World War I Trenches as Songs of the Italian Nation Zagrebački „povijesni koncerti“ iz 1916. godine i onodobna 11:40 hrvatska glazbena kritika Meglena Zhivkova Apostolova (Šumen/Shumen, Bugarska/Bulgaria) Maruša Zupančič (Ljubljana, Slovenija/Slovenia) Nada Bezić (Zagreb, Hrvatska/Croatia) The War that Changed the Musical Picture of the Twentieth Century Zagreb „Historic Concerts“ in 1916 and Croatian Music Criticism Trena Jordanoska (Skopje, Makedonija/Macedonia) The Contribution of the Prague Violinists to Musical Life Petra Babić (Zagreb, Hrvatska/Croatia) Mozaik o Hrvatskom
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