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Pop Idol (series 1)

  • The Globalization of K-Pop: the Interplay of External and Internal Forces

    The Globalization of K-Pop: the Interplay of External and Internal Forces

  • January 2019

    January 2019

  • Rca Records to Release American Idol: Greatest Moments on October 1

    Rca Records to Release American Idol: Greatest Moments on October 1

  • Between Hybridity and Hegemony in K-Pop's Global Popularity

    Between Hybridity and Hegemony in K-Pop's Global Popularity

  • Chartsplus YE2003

    Chartsplus YE2003

  • NLHA Newsletter

    NLHA Newsletter

  • Appropriating South Korean Popular Culture: I-Pop and K-Drama Remakes in Indonesia

    Appropriating South Korean Popular Culture: I-Pop and K-Drama Remakes in Indonesia

  • Body As Evidence

    Body As Evidence

  • Performances 2018 - 2019 2018 - 2019 Season Sponsor Comedy Sponsor

    Performances 2018 - 2019 2018 - 2019 Season Sponsor Comedy Sponsor

  • Authenticity and X Factor: Narratives of Stardom, Background/Aspiration and Performance

    Authenticity and X Factor: Narratives of Stardom, Background/Aspiration and Performance

  • Diversity of K-Pop: a Focus on Race, Language, and Musical Genre

    Diversity of K-Pop: a Focus on Race, Language, and Musical Genre

  • K-Pop Confidential Pages Chicken House 26/06/2020 10:59 Page Iii

    K-Pop Confidential Pages Chicken House 26/06/2020 10:59 Page Iii

  • "Ersatz As the Day Is Long": Japanese Popular

  • Adapting Idols Joost De Bruin and Koos Zwaan

    Adapting Idols Joost De Bruin and Koos Zwaan

  • How American Idol Constructs Celebrity, Collective Identity, and American Discourses

    How American Idol Constructs Celebrity, Collective Identity, and American Discourses

  • The Thai Popular Music Industry

    The Thai Popular Music Industry

  • Gender Performance in American Idol, Pop Idol and the X Factor DELLER, Ruth A

    Gender Performance in American Idol, Pop Idol and the X Factor DELLER, Ruth A

  • Purchasing Behavior of K-Pop Idol Goods Consumers in Korea 3 Tunes, Family-Friendly Lyrics and Fiendishly Catchy Hooks” 1996)

    Purchasing Behavior of K-Pop Idol Goods Consumers in Korea 3 Tunes, Family-Friendly Lyrics and Fiendishly Catchy Hooks” 1996)

Top View
  • American Idol
  • Pete Waterman Official Press Biography
  • Art of Reinvention
  • Still Kissing Their Posters Goodnight: Female Fandom and the Politics of Popular Music
  • A Biography Simon Cowell Is a Record Company Executive, a Television
  • Pop Cultures: a Comparative Analysis of the American and South Korean Record Industries
  • Funk-Triphop Band Who Have Been Swinging Their Sounds Around Nottingham Bars for the Last Three Years
  • Disastrously Creative K-Pop, Virtual Nation, and the Rebirth of Culture Technology Suk-Young Kim
  • Visitliverpool Trivia Quiz 2.0 Liverpool Music Questions Correct Answers Start on Page 3
  • Who Will Be Idol? the Connection Between Social Networks and Winning on Reality Shows by Odelia Heizler [email protected] and Ayal Kimhi
  • The Case of Canadian Idol
  • I Want to Change My Life
  • A Comparative Analysis of Successful Boy Band Management Teams By
  • St Nicholas News! Newsletter for May 2018
  • Ariana the Biography Danny White
  • The Cult of Shinhwa, an Original K-Pop Band: South Korea's Prime
  • Trade Mark Inter-Partes Decision O/106/07
  • Young, Will (B


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