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Mikhail Kalatozov
The University of Chicago Looking at Cartoons
Monumental Melodrama: Mikhail Kalatozov’S Retrospective Return to 1920S Agitprop Cinema in I Am Cuba Tim Harte Bryn Mawr College,
[email protected]
Salt for Svanetia (Jim Shvante)
The Russian Cinematic Culture
Frame by Frame
Ernst Lubitsch
Mikhail Kalatozov's Retrospective Return To
Cultural Neighbourhoods and Coproductions in South East Europe and Beyond 4Th Conference on Contemporary Greek Film Cultures
Dear Friends! on Behalf of Ministry of Culture of the Russian Federation I
Forging the Enemy in Soviet Fiction and Press
Soviet Film Show at Museum of Modern Art
The Cranes Are Flying Is a 1957 Drama About the Soviet Union's
National Gallery of Art Winter 2015 Film Program
Articles Illusionary Spoils
Dottorato Di Ricerca in Arti Visive, Performative E Mediali Soviet Cinema in Italy in the Post-War Period
Cinefiles Document #583
Mountains of Discontent: Georgian Alpinism and the Limits of Soviet Equality, 1923-1955
Wild Field Directed by Mikhail Kalatozishvili 104 Min., DOLBY DT, 35 Mm, 2,981 M, 1:1.85, Color, Drama, Russia, 2008
Top View
Special Archival Award from the National Society of Film Critics A
Jean Eustache: Film As Life, Life As Film
Gendering the American Enemy in Early Cold War Soviet Films (1946–1953)
Familiar Strangers: the Georgian Diaspora in the Soviet Union
UCLA Electronic Theses and Dissertations
Depictions of Rape in Soviet Cinema and Literature
@Copyright 2012 Mary Evelynne Childs Classical Allusions and Imperial Desire: Problems of Identity in Georgian and Russian Literature
THE LAWRENCIAN CHRONICLE Vol
Daniel Humphrey - Saving the Other/Rescuing the Self: Promethean Aspirations in Mikhail Kalatozov's Sol Svanetii
A World to Win: a Century of Revolution on Screen
Soy Cuba (I Am Cuba) 1968 September 3 - September 9, 2010
Views of the War from Hollywood and Mosfilm The
The Petersburg Text of Russian Cinema in Perestroika and Post-Perestroika Eras
National Gallery of Art Summer 2008 Film Series Goes from Kabul to Kubrick
I Am Cuba, for Sale (1964)
Screening 1960S Moscow: Marlen Khutsiev's
Reentry Shock: Historical Transition and Temporal Longing In
Multimedia Library Feature Films: Russian, Ukrainian, Or Central Asian