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16/10/2017 LIBRARY Rds 701-800 1 Call Number RD-701 KHEIFITS
16/10/2017 LIBRARY RDs 701-800 1 Call number RD-701 KHEIFITS, Iosif Edinstvennaia [The Only One] Lenfil´m, Pervoe tvorcheskoe ob´´edinenie, 1975; released 17 March 1976 Screenplay: Pavel Nilin, Iosif Kheifits, from Nilin’s story ‘Dur´’ Photography: Genrikh Marandzhian Production design: Vladimir Svetozarov Music: Nadezhda Simonian Song written by: Vladimir Vysotskii Nikolai Kasatkin Valerii Zolotukhin Taniusha Fesheva Elena Proklova Natasha Liudmila Gladunko Boris Il´ich Vladimir Vysotskii Maniunia Larisa Malevannaia Iura Zhurchenko Viacheslav Nevinnyi Anna Prokof´evna, Nikolai’s mother Liubov´ Sokolova Grigorii Tatarintsev Vladimir Zamanskii Judge Valentina Vladimirova Ivan Gavrilovich Nikolai Dupak Scientist Aleksandr Dem´ianenko Train passenger Svetlana Zhgun Tachkin Mikhail Kokshenov Train passenger Efim Lobanov Wedding guest Petr Lobanov Black marketer Liubov´ Malinovskaia Anna Vil´gel´movna Tat´iana Pel´ttser Member of druzhina Boris Pavlov-Sil´vanskii Tania’s friend Liudmila Staritsyna Serega Gelii Sysoev Lekha Aleksandr Susnin Head Chef of the Uiut restaurant Arkadii Trusov 90 minutes In Russian Source: RTR Planeta, 13 March 2015 System: Pal 16/10/2017 LIBRARY RDs 701-800 2 Call number RD-702 SAKHAROV, Aleksei Chelovek na svoem meste [A Man in His Place] Mosfil´m, Tvorcheskoe ob´´edinenie Iunost´, 1972; released 28 May 1973 Screenplay: Valentin Chernykh Photography: Mikhail Suslov Production design: Boris Blank Music: Iurii Levitin Song lyrics: M. Grigor´ev Semen Bobrov, Chairman of the Bol´shie bobry kolkhoz Vladimir Men´shov -
Queer As Alla: Subversion And/Or Re-Affirmation of the Homophobic Nationalist Discourse of Normality in Post-Soviet Vilnius
RASA NAVICKAITE Queer as Alla: Subversion and/or re-affirmation of the homophobic nationalist discourse of normality in post-Soviet Vilnius IF YOU ARE non-heterosexual and you live in Vilnius, then gay- friendly options for going out are pretty limited for you. You would probably end up in the same place each weekend – a little under- ground gay club, called Soho. While for the gay community it is a well-known place to have drinks, to dance and to flirt, those who do not clearly identify as lesbian, gay, bi or trans usually have never even heard about this place. And those who do hear about it tend to imagine it as a place ”outside” the boundaries of normality and mo- rality, a place for those who live on the margins of society, delimited according to the axis of sexuality, or, to put it in a coarse language – a ”nest of whores” (Tereškinas 2004, 32). Although the times of the totalitarian Communist regime are gone since more than twenty years, the strict boundaries between what is normal and what is not, persist and in some cases have be- come even more rigid (Stukuls 1999, 537). The high level of soci- etal homophobia,1 encouraged by nationalist discourse is a perfect example of this boundary control. Although LGBT organisations present visibility and openness of non-heteronormative sexualities lambda nordica 4/2012 127 © Föreningen Lambda Nordica 2012 Queer as Alla as their main goal, it does not change the situation, where the ma- jority of gays are ”in the closet” (Atviri.lt 2012a). -
Zhuk Outcover.Indd
The Carl Beck Papers in Russian & East European Studies Sergei I. Zhuk Number 1906 Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 The Carl Beck Papers in Russian & East European Studies Number 1906 Sergei I. Zhuk Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 Sergei I. Zhuk is Associate Professor of Russian and East European History at Ball State University. His paper is part of a new research project, “The West in the ‘Closed City’: Cultural Consumption, Identities, and Ideology of Late Socialism in Soviet Ukraine, 1964–84.” Formerly a Professor of American History at Dniepropetrovsk University in Ukraine, he completed his doctorate degree in Russian History at the Johns Hopkins University in 2002 and recently published Russia’s Lost Reformation: Peasants, Millennialism, and Radical Sects in Southern Russia and Ukraine, 1830–1917 (2004). No. 1906, June 2008 © 2008 by The Center for Russian and East European Studies, a program of the University Center for International Studies, University of Pittsburgh ISSN 0889-275X Image from cover: Rock performance by Dniepriane near the main building of Dniepropetrovsk University, August 31, 1980. Photograph taken by author. The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Eileen O’Malley Editorial Assistant: Vera Dorosh Sebulsky Submissions to The Carl Beck Papers are welcome. Manuscripts must be in English, double-spaced throughout, and between 40 and 90 pages in length. Acceptance is based on anonymous review. Mail submissions to: Editor, The Carl Beck Papers, Center for Russian and East European Studies, 4400 Wesley W. Posvar Hall, University of Pittsburgh, Pittsburgh, PA 15260. -
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN the LINES by Olga Klimova Specialist Degree, Belarusian State University
SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES by Olga Klimova Specialist degree, Belarusian State University, 2001 Master of Arts, Brock University, 2005 Master of Arts, University of Pittsburgh, 2007 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH THE KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Olga Klimova It was defended on May 06, 2013 and approved by David J. Birnbaum, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Lucy Fischer, Distinguished Professor, Department of English, University of Pittsburgh Vladimir Padunov, Associate Professor, Department of Slavic Languages and Literatures, University of Pittsburgh Aleksandr Prokhorov, Associate Professor, Department of Modern Languages and Literatures, College of William and Mary, Virginia Dissertation Advisor: Nancy Condee, Professor, Department of Slavic Languages and Literatures, University of Pittsburgh ii Copyright © by Olga Klimova 2013 iii SOVIET YOUTH FILMS UNDER BREZHNEV: WATCHING BETWEEN THE LINES Olga Klimova, PhD University of Pittsburgh, 2013 The central argument of my dissertation emerges from the idea that genre cinema, exemplified by youth films, became a safe outlet for Soviet filmmakers’ creative energy during the period of so-called “developed socialism.” A growing interest in youth culture and cinema at the time was ignited by a need to express dissatisfaction with the political and social order in the country under the condition of intensified censorship. I analyze different visual and narrative strategies developed by the directors of youth cinema during the Brezhnev period as mechanisms for circumventing ideological control over cultural production. -
July-Dec 2020 Bibliography
Readers are encouraged to forward items which have thus far escaped listing to: Christine Worobec Distinguished Research Professor Emerita Department of History Northern Illinois University [email protected] Please note that this issue has a separate category for the "Ancient, Medieval, and Early Modern Periods." It follows the heading "General." All categories listed by Country or Region include items from the modern and contemporary periods (from approximately 1700 to the present). GENERAL Agapkina, Tatiana, and Andrei Toporkov. "The Structure and Genesis of One Type of Magic Spell against Children's Insomnia among Slavic Peoples." In: Folklore 80 (2020): 35-46. Anderson, Elinor. "Women, Power and Enlightenment in Eighteenth-Century Europe." In: Central Europe Yearbook 2 (2020): 3-18. Araz, Yahya, and Irfan Kokdaş. "In Between Market and Charity: Child Domestic Work and Changing Labor Relations in Nineteenth-Century Ottoman Istanbul." In: International Labor and Working Class History 97 (Spring 2020): 81-108. Bento, Regina F. "The Rose and the Cactus: The Lived and Unanswered Callings of Manya Sklodowska (Marie Curie) and Mileva Marić (Einstein)." In: Cultural Studies/Critical Methodologies 20, 6 (2020): 549-64. [About the Polish Marie Curie (1867-1934) and the Serbian Mileva Marić (1875-1948)] Bertogg, Ariane [et al.]. "Gender Discrimination in the Hiring of Skilled Professionals in Two Male-Dominated Occupational Fields: A Factorial Survey." In: Kölner Zeitschrift für Soziologie und Sozialpsychologie 72, supp. 1 (2020): 261-89. [Regarding Bulgaria, Greece, Norway, and Switzerland] Bucur, Maria, Krassimira Daskalova, and Sally R. Munt. "East European Feminisms." Special Issue of Feminist Encounters: A Journal of Critical Studies in Culture and Politics 4, 2 (2020). -
Puthisen Neang Kongrey 12 Sisters
Puthisen Neang Kongrey 12 Sisters Ly Bun Yim After barely escaping the clutches of a man-eating witch, twelve Mit knapper Not einer garstigen Menschenfresserin entronnen, gelangen beautiful sisters arrive at the court of the king, who promptly zwölf schöne Schwestern an den Hof des Königs, der sie alle auf einmal marries all twelve of them. But their monstrous adversary heiratet. Doch das Ungeheuer nimmt die Gestalt einer attraktiven Frau an, takes the form of an attractive woman, bewitches the king and becirct den König und redet ihm ein, dass die Schwestern Hexen seien. Ih- persuades him that the sisters are witches. Their eyes are put res Augenlichts beraubt, werden sie in eine Höhle verbannt, wo sie überle- out and they are banished to a cave, where they only survive by ben, indem sie die eigenen Kinder verspeisen. eating their own offspring. Lediglich Puthisen bleibt verschont und erweist sich als geschicktes Kind, Only Puthisen remains unharmed and turns out to be a most dem es gelingt, seine blinde Mutter und elf Tanten zu versorgen. Zu einem shrewd child, quite capable of looking after his blind mother stattlichen jungen Mann herangewachsen, gewinnt er das Vertrauen des and eleven aunts. Having grown up into a handsome young man, Königs und entrinnt einer List der bösen Stiefmutter, deren hübsche Toch- he wins the king’s trust and eludes his wicked stepmother’s ter Kongrey nun seine Frau wird. Die Rettung der zwölf Schwestern erfor- ploys, whose pretty daughter Kongrey is now to become his dert jedoch tragische Opfer. wife. Tragically however, rescuing the twelve sisters will not be Grausames Märchen, bukolische Folklore, naive Fantasy, höfisches Ränke- without casualties. -
Contemporary Ukrainian Cinema Into the European Context (2014-2019)
How to Cite: Alforova, Z., Marchenko, S., Shevchuk, Y., Kotlyar, S., & Honcharuk, S. (2021). Contemporary Ukrainian cinema into the European context (2014-2019). Linguistics and Culture Review, 5(S2), 274-283. https://doi.org/10.37028/lingcure.v5nS2.1345 Contemporary Ukrainian Cinema into the European Context (2014-2019) Zoya Alforova Kharkiv State Academy of Culture, Kharkiv, Ukraine Serhii Marchenko Kyiv National I.K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv, Ukraine Yuliia Shevchuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Svitlana Kotlyar Kyiv National University of Culture and Arts, Kyiv, Ukraine Serhii Honcharuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Abstract---The relevance of the study is conditioned by the fact that the development of Ukrainian art, including cinema, is becoming more popular every year. Since 2014, the Ukrainian film industry has been rapidly developing, and has also shown good results at European and other international film festivals. The purpose of the study is to analyses the position of Ukrainian cinema in the recent historical period, as well as to analyses the preconditions that were created for its development and introduction to the European cinema market. The methodological basis of this study is the combination of theoretical methods of cognition. Methods of data analysis and synthesis, dialectical method, historical and periodization method are used. In the course of writing this paper, the studies of Ukrainian and foreign researchers regarding the subject were studied and analyzed. The establishment and current state of the film industry are investigated. The preconditions for the development of Ukrainian cinema as well as factors that influenced its entrance to the European market are considered. -
No List of Political Assets
Slavistische Beiträge ∙ Band 248 (eBook - Digi20-Retro) Jerry T.Heil No List of Political Assets The Collaboration of Iurii Olesha and Abram Room on "Strogii Iunosha" [A Strict Youth (1936)] Verlag Otto Sagner München ∙ Berlin ∙ Washington D.C. Digitalisiert im Rahmen der Kooperation mit dem DFG-Projekt „Digi20“ der Bayerischen Staatsbibliothek, München. OCR-Bearbeitung und Erstellung des eBooks durch den Verlag Otto Sagner: http://verlag.kubon-sagner.de © bei Verlag Otto Sagner. Eine Verwertung oder Weitergabe der Texte und Abbildungen, insbesondere durch Vervielfältigung, ist ohne vorherige schriftliche Genehmigung des Verlages unzulässig. «Verlag Otto Sagner» ist ein Imprint der Kubon & Sagner GmbH. Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access 00050392 Sl a v is t ic h e B eiträge BEGRÜNDET VON ALOIS SCHMAUS HERAUSGEGEBEN VON HEINRICH KUNSTMANN PETER REHDER JOSEF SCHRENK REDAKTION PETER REHDER Band 248 VERLAG OTTO SAGNER MÜNCHEN Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access 00050392 JERRY T. HEIL NO LIST OF POLITICAL ASSETS: The Collaboration of lurii Olesha and Abram Room “ Strogii lunosha” [A Strict Youth (1936)] VERLAG OTTO SAGNER • MÜNCHEN 1989 Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access ISBN 3-87690-449-8 © Verlag Otto Sagner, München 1989 Abteilung der Firma Kubon & Sagner, München Jerry T. Heil - 9783954791941 Downloaded from PubFactory at 01/10/2019 03:46:41AM via free access Acknowledgments The research that led to this essay (and others) was made possible by a grmt from the International Research and Exchanges Board (IREX)f Princeton, New Jersey, an agency partially funded by the United States' N a tia ia l Endowment fo r the H um anities, W ashington, D.C. -
Reorer- Muusiko »Km Ю 12
ISSN 0207 — 6535 reorer- muusiko »kmЮ EESTI KULTUURI- JA HARIDUSMINISTEERIUMI. EESTI HELILOOJATE LIIDU. EESTI KINOLIIDU. EESTI TEATRILIIDU AJAKIRI 1Л 12 Üks aasta persoone, parlamendisaadik Tõnu Tepandi taas teatrilaval. George "Ugala" lavastuses "Hiirtest ja inimestest". H. Rospu foto DETSEMBER XII AASTAKÄIK PEATOIMETAJA MART KUBO, tel 44 04 72 TOIMETUS: Tallinn, Narva mntS postiaadress ЕЕ009Ф, postkast 3200 Vastutav sekretär Helju Tüksammel, tel 44 54 68 Teatri osakond Reet Neimar ja Margot Visraap, tel 44 40 80 Muusikaosakond Immo Mihkelson, tel 44 31 09 .^NL Filmiosakond Sulev Teinemaa ja Jaan Ruus, tel 43 77 56 Keeletc imetaja JV. Kulla Sisask, tel 44 54 68 Fotoko rrespondent Harri Rospu, tel 44 47 87 J. Steinbecki "Hiirtest jj inimestest" "Ugalas" KUJUNDUS: MAI EINER; tel 66 61 62 ^lavastaja V. CvozJkov). Lennv - AlLin Noor mets, Curlev naine - Haide Mannamäe. Kaader Riho Undi nukufilmist "Kapsapea" 6 "Teater. Muusika. Kino ,1993 ("Tallinn film". 1WV * t> -€ $ 5-W~ reorer- muusiko • kino SISUKORD TEATER Mati Unt MEMUAARE TEATRIGLOOBUS Lilian Vellerana KAS HIIRTEST VÕI INIMESTEST? ("Harfest ja inimestest" ja "Peame elama, mutikesed ehk Ellujäamisjuhiseid vanale daamile" "Ugalas") TEATRIANKEET (Teatrihooaeg 1992/93) Madis Kalmet LÕPETAMATA "LÕPPMÄNG" (Madis Kalmet, Marko Matvere, Joan Tätte, Jaanus Rohumaa) PERSONA GRATA. EPP EESPÄEV MUUSIKA SUURSÜNDMUS: MAESTRO ROSTROPOVITS TALLINNAS EDVARD GRIEG - 150 AASTAT SÜNNIST GRIEG VERDIST EDVARD GRIEG EILE, TÄNA, ALATI Wilmon Menard SOMERSET MAUGHAMI KÄTTEMAKS VASTB ALEKSEI PETRENKO Jerzy Toeplitz IDA JA LAANE KINO ERINEVUS JA SAMASUS Saulius Macaitis LEEDU KINO EI TAHA SURRA Dace Andzane IGAÜKS OTSIB ENNAST ISE (Utti kinost) Rainer Sarnet, Marko ARMASTUS JA ANARHIA (Helsingi festivali fümid Raat, Jaak Kilmi Tallinnas) Aare Ermel 1993. -
Iuliia Kysla
Rethinking the Postwar Era: Soviet Ukrainian Writers Under Late Stalinism, 1945-1949 by Iuliia Kysla A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History Department of History and Classics University of Alberta © Iuliia Kysla, 2018 Abstract This dissertation advances the study of late Stalinism, which has until recently been regarded as a bizarre appendage to Stalin’s rule, and aims to answer the question of whether late Stalinism was a rupture with or continuation of its prewar precursor. I analyze the reintegration of Ukrainian writers into the postwar Soviet polity and their adaptation to the new realities following the dramatic upheavals of war. Focusing on two parallel case studies, Lviv and Kyiv, this study explores how the Soviet regime worked with members of the intelligentsia in these two cities after 1945, at a time when both sides were engaged in “identification games.” This dissertation demonstrates that, despite the regime’s obsession with control, there was some room for independent action on the part of Ukrainian writers and other intellectuals. Authors exploited gaps in Soviet discourse to reclaim agency, which they used as a vehicle to promote their own cultural agendas. Unlike the 1930s, when all official writers had to internalize the tropes of Soviet culture, in the postwar years there was some flexibility in an author’s ability to accept or reject the Soviet system. Moreover, this dissertation suggests that Stalin’s postwar cultural policy—unlike the strategies of the 1930s, which relied predominantly on coercive tactics—was defined mainly by discipline by humiliation, which often involved bullying and threatening members of the creative intelligentsia. -
Soviet Cinema
Soviet Cinema: Film Periodicals, 1918-1942 Where to Order BRILL AND P.O. Box 9000 2300 PA Leiden The Netherlands RUSSIA T +31 (0)71-53 53 500 F +31 (0)71-53 17 532 BRILL IN 153 Milk Street, Sixth Floor Boston, MA 02109 USA T 1-617-263-2323 CULTURE F 1-617-263-2324 For pricing information, please contact [email protected] MASS www.brill.nl www.idc.nl “SOVIET CINemA: Film Periodicals, 1918-1942” collections of unique material about various continues the new IDC series Mass Culture and forms of popular culture and entertainment ENTERTAINMENT Entertainment in Russia. This series comprises industry in Tsarist and Soviet Russia. The IDC series Mass Culture & Entertainment in Russia The IDC series Mass Culture & Entertainment diachronic dimension. It includes the highly in Russia comprises collections of extremely successful collection Gazety-Kopeiki, as well rare, and often unique, materials that as lifestyle magazines and children’s journals offer a stunning insight into the dynamics from various periods. The fifth sub-series of cultural and daily life in Imperial and – “Everyday Life” – focuses on the hardship Soviet Russia. The series is organized along of life under Stalin and his somewhat more six thematic lines that together cover the liberal successors. Finally, the sixth – “High full spectrum of nineteenth- and twentieth Culture/Art” – provides an exhaustive century Russian culture, ranging from the overview of the historic avant-garde in Russia, penny press and high-brow art journals Ukraine, and Central Europe, which despite in pre-Revolutionary Russia, to children’s its elitist nature pretended to cater to a mass magazines and publications on constructivist audience. -
Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions
Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of