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Loudness

  • Psychoacoustics Perception of Normal and Impaired Hearing with Audiology Applications Editor-In-Chief for Audiology Brad A

    Psychoacoustics Perception of Normal and Impaired Hearing with Audiology Applications Editor-In-Chief for Audiology Brad A

  • Loudness Standards in Broadcasting. Case Study of EBU R-128 Implementation at SWR

    Loudness Standards in Broadcasting. Case Study of EBU R-128 Implementation at SWR

  • EBU R 128 – the EBU Loudness Recommendation

    EBU R 128 – the EBU Loudness Recommendation

  • Music Is Made up of Many Different Things Called Elements. They Are the “I Feel Like My Kind Building Bricks of Music

    Music Is Made up of Many Different Things Called Elements. They Are the “I Feel Like My Kind Building Bricks of Music

  • Timbre Perception

    Timbre Perception

  • Lumens and Loudness: Projector Noise in a Nutshell

    Lumens and Loudness: Projector Noise in a Nutshell

  • Psychoacoustics and Its Benefit for the Soundscape

    Psychoacoustics and Its Benefit for the Soundscape

  • 3A Whatissound Part 2

    3A Whatissound Part 2

  • The Human Ear  Hearing, Sound Intensity and Loudness Levels

    The Human Ear  Hearing, Sound Intensity and Loudness Levels

  • Loudness Range: a Measure to Supplement Loudness Normalisation in Accordance with EBU R 128

    Loudness Range: a Measure to Supplement Loudness Normalisation in Accordance with EBU R 128

  • Understanding the Loudness Penalty

    Understanding the Loudness Penalty

  • Do We Need Psychoacoustics Within Soundscape?

    Do We Need Psychoacoustics Within Soundscape?

  • Timbre Preferences in the Context of Mixing Music

    Timbre Preferences in the Context of Mixing Music

  • The Effect of the Thickness of Reeds on the Timbre Produced by Woodwind Instruments

    The Effect of the Thickness of Reeds on the Timbre Produced by Woodwind Instruments

  • Influence of Fundamental Frequency on Duration 1

    Influence of Fundamental Frequency on Duration 1

  • Audio Loudness Monitoring How-To Guide

    Audio Loudness Monitoring How-To Guide

  • Psychoacoustics: a Brief Historical Overview

    Psychoacoustics: a Brief Historical Overview

  • Applying the EBU R128 Loudness Standard in Live- Streaming Sound Sculptures

    Applying the EBU R128 Loudness Standard in Live- Streaming Sound Sculptures

Top View
  • Dynamic Range Compression and the Semantic Descriptor Aggressive
  • Technology Review of Dynamic Range Compression
  • Restoring the Dynamics of Clipped Audio Material by Inversion of Dynamic Range Compression Stanislaw Gorlow, Joshua Reiss, Elodie Duru
  • 1 Influences of Color on the Loudness Judgement
  • Precise and Full-Range Determination of Two-Dimensional Equal Loudness Contours
  • Loudness and Dynamic Range in Broadcast Audio
  • Loudness Level and Frequency Equal Loudness Curves What Equal
  • Loudness Measurement According to EBU R-128
  • Comparison of Equal-Loudness-Level Contours Between Otologically Normal Young and Older Adults
  • Tonal Annoyance Vs. Tonal Loudness and Tonality
  • Paranormal 101
  • 1 Fundamentals of Acoustics
  • Audio Levels and Loudness
  • EBU R128-2020 Audio Loudness Normalisation & Permitted Maximum Level
  • Pitch and Loudness
  • Decibel (Loudness) Comparison Chart
  • 3. Human Response to Sound
  • PHENOMENOLOGICAL THEORY of LOUDNESS by Walton L


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