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John Beard (tenor)
The Rise of the Tenor Voice in the Late Eighteenth Century: Mozart’S Opera and Concert Arias Joshua M
Handel's Oratorios and the Culture of Sentiment By
The Return of Handel's Giove in Argo
The Baritone Voice in the Seventeenth and Eighteenth Centuries: a Brief Examination of Its Development and Its Use in Handel’S Messiah
Handel 3 March Program
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573914 Itunes Handel
ARIODANTE.Indd 1 2/6/19 9:32 AM
John Beard and the London Theatre
Handel & John Beard
Handel, His Contemporaries and Early English Oratorio Händel, Njegovi Sodobniki in Zgodnji Angleški Oratorij
Ariodante Opera in Three Acts
Chapter 4 : Resumption of Work with Handel
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“Immortal Harps”: Milton and Musical Morality in Handel's Samson
CHAN 3100 BOOK.Qxd 6/4/07 11:53 Am Page 2
NEWSLETTER of the American Handel Society
Händel Arminio George Frideric Handel Arminio
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Alcina: the Young William Savage
Characterizations of Semele in Handel's Dramatic Work
The Tenor Roles in the Oratorios of George
