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Jing Hao
A Brief Analysis of the Visual Language Features of Chinese Ink and Wash Landscape Paintings
[Re]Viewing the Chinese Landscape: Imaging the Body [In]Visible in Shanshuihua 山水畫
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The Donkey Rider As Icon: Li Cheng and Early Chinese Landscape Painting Author(S): Peter C
F1909.168 Documentation
The Creations and Research in the Regional Landscape Spirit of Heilongjiang Province
Lecture Notes, by James Cahill Note: the Image Numbers in These Lecture
Wu Zhen's Poetic Inscriptions on Paintings1 - School of Oriental and African Studies
Cleveland Museum of Art Photograph Library National Palace Museum
Chinese Brush Painting Pdf Free Download
5 the Suspension of Dynastic Time
Semiotics for Art History
Title <研究論文(原著論文)>Bifa Ji and Qizhi: Interpretations for Muqi And
Landscape, Word, and Self-Image in Song-Dynasty Literati Painting
Comparing Bifa Ji and Linquan Gaozhi: Shifts in Art Writings About Landscape in the Five Dynasties and Northern Song Periods
Debating Wang Meng's (1308-1385) Undated Handscroll
Landscape Painting As a Critical Cross-Cultural Art Practice
The Characteristics of Wang
Top View
The Image Numbers in These Lecture Notes Do Not Exactly Coincide with the Images Onscreen but Are Meant to Be Reference Points in the Lectures’ Progression
Introduction 1 I Conceive of the Inner Court As a Group of People
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