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- THE ART of MESOAMERICA Spring 199?
- Political Strategies in Pre-Columbian Mesoamerica
- THE SIGNIFICANCE of the TOAD, Rhinella Marina, in OLMEC ART A
- UNIVERSITY of CALIFORNIA RIVERSIDE a Study of Classic
- The Sacred Tree of the Ancient Maya
- “OLMEC FRAME”: Sacred Surveying of Mesoamerican Volcanos, Pyramid
- Maya Art As Narrative of Myth and Kingship
- Itzam Kab Ain: Caimans, Cosmology, and Calendrics in Postclassic
- Curriculum Vitae Clemency Chase Coggins Professor of Archaeology
- In the Olmec World of La Venta: the Analysis of La Venta
- The Low-Density Urban Systems of the Classic Period Maya and Izapa: Insights from Settlement Scaling Theory
- The Wahyoob Stucco Panel at Toniná: Dark Forces, Liminal Frames, and Ritual-Political Remembrance
- New Perspectives on the Quatrefoil in Classic Maya Iconography: the Center and the Portal
- Cacao in Ancient Maya Religion: First Fruit of the Maize Tree
- Beyond the Temples Turning Their Backs on Spectacular Monuments, Archaeologists Are Studying Ordinary Households to Uncover the Daily Rhythms of Long-Lost Cities
- By BRITTANY KNOTT LUTHER BA Archaeology, Baylor University
- Introducing Izapa
- Educator Guide Educational Framework
- Masks and Iconography Karl Taube Stephen Houston
- The Cultural Tapestry of Mesoamerica
- Izapa Group B: Excavations, Burials, and Offerings
- Principalbirddeity-OCR.Pdf
- The Site of Noh K'uh, Chiapas, Mexico
- Plaza Plans and Settlement Patterns: Regional and Temporal Distributions As Indicators of Cultural Interactions in the Maya Lowlands
- New Light on the Most Ancient Maya*
- Copyright by Cristin Loren Cash 2005
- Developing Cultural Tourism in Izapa
- The Scene on Stela 5 from Izapa, Mexico, As a Representation of Lehi's Vision of the Tree of Life
- 7 Cauac Monster.Qk
- Classic Maya Bloodletting Iconography in Yaxchilan Lintels 24, 25, and 26
- THE PLACE of STONE MONUMENTS Dumbarton Oaks Pre-Columbian Symposia and Colloquia
- Actualizando La Controversia: El Clásico Temprano En Petén, Guatemala1
- The Mission Izapa Tour, June 19 – 26, Was an Extraordinary Experience