New Light on the Most Ancient Maya*
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Yucatán, México
1 Uxmal, Kabah, Sayil, and Labná http://academic.reed.edu/uxmal/ return to Annotated Bibliography Architecture, Restoration, and Imaging of the Maya Cities of UXMAL, KABAH, SAYIL, AND LABNÁ The Puuc Region, Yucatán, México Charles Rhyne Reed College Annotated Bibliography Yucatán This is not a general bibliography on the Yucatán. This section includes publications on the Yucatán that deal extensively with the Puuc Region. Because these often give attention to individual sites, some of these publications are listed also in the sections on Uxmal, Kabah, Sayil, or Labná. Most publications on larger topics, such as Maya art or architecture, are listed only in those sections of the subject matter bibliography. A Álvarez, María C. Textos coloniales del Libro de Chilam Balam de Chumayel y textos glificos del Códice Dresden. México: Universidad Nacional Autónoma de México-Centro de Estudios Mayas, Book 10, 1972. Andrews, Anthony P. “El ‘guerrero’ de Loltún: comentario analítico”. Boletín de la Escuela de Ciencias Antropológicas de la Universidad de Yucatán. 48/49: 36-50, 1981. Andrews, Anthony P. “Late Postclassic Lowland Maya Archaeology”, Journal of World Prehistory, 7:1 (1993), 35- 69. 2 Andrews, Anthony P., E. Wyllys Andrews V, and Fernando Robles Castellanos “The Northern Maya Collapse and its Aftermath”. Paper presented at the 65th Annual Meeting of the Society of American Archaeology, Philadelphia, 2000. Andrews, E. Wyllys, IV Archaeological Investigations on the Yucatan Peninsula. New Orleans: Tulane University, Middle American Research Institute (MARI), Pub. 31, 1975. Andrews, E. Wyllys, IV “Archaeology and Prehistory in the Northern Maya Lowlands: An Introduction”. Archaeology of Southern Mesoamerica: Part One, ed. -
Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context. -
THE GREAT MAYAN ECLIPSE: Yucatán México October 14, 2023
Chac Mool, Chichén Itzá Edzna Pyramid, Campeche THE GREAT MAYAN ECLIPSE: Yucatán México October 14, 2023 October 6-16, 2023 Cancún • Chichén-Itzá • Mérida • Campeche On October 14, 2023, a ‘ring of fire’ Annular Solar Eclipse will rip across the western U.S. and parts of the Yucatán in México as well as Central and South America. Offer your members the opportunity to see a spectacular annular eclipse among the ruins of the mighty Maya civilization. Meet in Cancún before heading off to Chichén Itzá, Ek Balam, Uxmal, Mérida, and Campeche. On Eclipse Day transfer to our viewing site outside Campeche in the vicinity of the Maya Site of Edzná to see this spectacular annular solar eclipse. Here passengers can see a smaller-than-usual moon fit across 95% of the sun to leave a ring of fire. The ring of fire will reign for 4 minutes and 31 seconds while very high in the darkened sky. Highlights • Swim in a cenote or sinkhole formed million years ago from a colossal asteroid impact to the region. • Enjoy a stay at a luxury and historic hacienda. • Investigate the UNESCO Heritage Sites of Chichén Itzá one of the “New 7 Wonders of the World.” • Witness the ring of fire of an Annular clipseE near the Maya ruins. Itinerary 2023 Oct 06: U.S. / Cancún Oct 08: Chichén Itzá Fly to Cancún. Transfer to hotel near the airport. Meet in the Private sunrise tour of Chichén Itzá before it opens to the public. early evening at the reception area for a briefing of tomorrow’s The site contains massive structures including the immense El departure. -
Introducing Izapa
Ancient Mesoamerica, 29 (2018), 255–264 Copyright © Cambridge University Press, 2018 doi:10.1017/S0956536118000494 INTRODUCING IZAPA Robert M. Rosenswiga and Julia Guernseyb aDepartment of Anthropology, State University of New York at Albany, Albany, New York 12222 bDepartment of Art and Art History, University of Texas, Austin, Texas 78705 Abstract This paper introduces the articles that comprise this Special Issue on Izapa. First, we review early reporting and assessments of Izapa’s monuments as well as archaeological investigations undertaken at the site during the twentieth century. Next, we describe more recent developments in interpretation and new archeological excavations and survey data collected during the past two decades. The papers in this Special Issue present new information that contribute to our evolving understanding of Izapa during the millennium that stretches from the Middle Formative period through the Middle Classic period (700 b.c.–a.d. 600). They serve as a status report on our understanding of the still largely enigmatic ancient kingdom, its regional structure, and connections to contemporaneous Isthmian sites. INTRODUCTION Blanca collapsed after a few centuries, and population declined in the immediate region. Its demise was a continuation of a millennium Izapa followed a trajectory of settled life that began at the beginning of political volatility characterized by a succession of polities coa- of the second millennium b.c. in the Soconusco region of Chiapas lescing and collapsing on the coastal plain (Love 2002b, 2007, and neighboring Guatemala (Figure 1). A series of Early Formative 2011). This rise-and-fall sequence provided the context in which (1900–1000 b.c., all dates calibrated) centers characterize the mounded architecture was adopted at Izapa sometime around 800 Mazatán zone of the Soconusco region (Clark and Pye 2000; b.c. -
1 May Mo' Chahk, 181 Acanceh, 78 Accession, 92, 133, 140, 142–144
Cambridge University Press 978-0-521-66972-6 - The Classic Maya Stephen D. Houston and Takeshi Inomata Index More information INDEX 1 May Mo’ Chahk, 181 Altun Ha, 107, 286, 310 Andrews, Anthony, 317 Acanceh, 78 Andrews, Wyllys, 75, 84 accession, 92, 133, 140, 142–144, 174, 198, 203, Aoyama, Kazuo, 122, 260, 262, 281 262, 303, 307 Arroyo de Piedra, 41 Adams, R. E. W., 107, 243 artist, 154, 257, 260, 263–266, 268–270, 276, agriculture, xiii, 3, 10, 15, 71, 74, 99, 103, 104, 278, 283. See also scribe 230, 233–239, 248, 288 atol, 219, 241 aguada, 245 axis mundi, 22 Aguateca, 3, 24, 25, 111, 114, 115, 123, 134, 137, 141, 143, 145, 158, 159, 178, 200, Bahlaj Chan K’awiil, 110, 137 204–206, 225, 231, 236, 239, 246, 247, bajos, 10, 74, 94, 96, 233, 235, 236, 243 260–263, 265, 266, 268, 275, 277, 283, bak’tun, 289, 300, 304 285, 295, 299–302, 306 bakab, 134, 141 abandonment of, 115, 295, 296, 298, 300–302, Balakbal, 106 305, 309 Balberta, 251 defensive walls at, 24, 25 balche, 222 floor assemblages at, 143, 204, 262, 266, 270, Ball, Joseph, 276 272, 285 ballcourt, 70, 94, 116, 134, 189, 214, 259 palace of, 256 ballgame, 72, 259 rulers of, 137, 261, 296 Barton Ramie, 68, 76, 310 scribe-artists at, 265 bean, 219, 229, 242, 248 Structure L8–8 at, 114, 115 Becan, 24, 96, 102, 114, 287 ajaw, 91, 102, 132, 135, 136, 140, 144, 146, 161, Bilbao, 100 169, 172, 174, 188 Bird Jaguar, 111. -
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Foias, Antonia E. y Ronald L. Bishop 1994 El colapso Clásico Maya y las vajillas de Pasta Fina en la región de Petexbatun. En VII Simposio de Investigaciones Arqueológicas en Guatemala, 1993 (editado por J.P. Laporte y H. Escobedo), pp.469-489. Museo Nacional de Arqueología y Etnología, Guatemala. 42 EL COLAPSO CLÁSICO MAYA Y LAS VAJILLAS DE PASTA FINA EN LA REGIÓN DE PETEXBATUN Antonia E. Foias Ronald L. Bishop Una teoría prominente sobre el Colapso Clásico Maya de las Tierras Bajas Centrales se refiere a invasiones extranjeras de la región del río Pasión. Clave a esta hipótesis de invasiones extranjeras es un grupo de cerámica llamado vajillas de pasta fina: Gris Fino y Naranja Fino. Se propuso que estas vajillas fueron traídas del área de la Chontalpa por los invasores Putunes (Thompson 1970; Adams 1971, 1973; Sabloff 1973, 1975; Kowalski 1989; Ball y Taschek 1989; Schele y Freidel 1990). Este grupo viajó por el Usumacinta y después por el Pasión donde conquistaron los dos sitios de Ceibal y Altar de Sacrificios. La importancia de estas pastas finas queda entonces como marcador de esta invasión extranjera en las Tierras Bajas Mayas del Oeste. Seguidamente, presentamos nuevos datos sobre estas vajillas (Naranja Fino y Gris Fino) en la región de Petexbatun y discutiremos su significado dentro del problema del colapso en el drenaje del río Pasión. La región Petexbatun se localiza en el suroeste de Petén, Guatemala, entre el río Petexbatun al este, el río Pasión al norte y el río Chixoy-Salinas al oeste (Figura 1). Esta región ha sido el enfoque del Proyecto Arqueológico Regional Petexbatun de la Universidad de Vanderbilt y de la Fundación Mario Dary, bajo la dirección general de Dr. -
Ancient Maya: the Rise and Fall of a Rainforest Civilization Arthur Demarest Index More Information
Cambridge University Press 0521592240 - Ancient Maya: The Rise and Fall of a Rainforest Civilization Arthur Demarest Index More information Index Abaj Takalik (Guatemala) 64, 67, 69, 72, animals 76, 78, 84, 102 association with kings and priests 184, aboriculture 144–145 185 acropoli see epicenters and bird life, rain forests 123–126 agriculture 117–118 and rulers 229 animal husbandry 145 apiculture 145 Classic period 90, 146–147 archaeology effects of the collapse, Petexbatun 254 and chronology 17, 26 operations in relation to the role of elites and cultural evolution 22–23, 26, 27 and rulers 213 history 31 post-Spanish Conquest 290 genesis of scientific archaeology 37–41 Postclassic period, Yucatan 278 multidisciplinary archaeology 41–43 in relation to kingship 206 nineteenth century 34–37 specialization 166 Spanish Conquest 31–33 and trade 150 processual archaeology 23, 26 see also farming practices; gardens; rain settlement pattern archaeology 50, 52 forests architecture 99 Aguateca 230, 251, 252, 259, 261 corbeled vault architecture 90, 94, 95 craft production 164 northern lowlands, Late Classic period destruction 253 235–236 specialist craft production 168 Puuc area, Late Classic period 236 Ajaw complex 16 roof combs 95 ajaws, cult 103 talud-tablero architectural facades alliances, and vassalages 209 (Teotihuacan) 105, 108 Alm´endariz, Ricardo 33 Arroyo de Piedras (western Pet´en)259 alphabet 46, 48 astronomy 201 Alta Vista 79 and astrology 192–193 Altar de Sacrificios (Petexbatun) 38, 49, Atlantis (lost continent) 33, 35 81, 256, -
1 May Mo' Chahk, 181 Acanceh, 78 Accession, 92, 133, 140, 142–144
Cambridge University Press 978-0-521-66006-8 — The Classic Maya Stephen D. Houston , Takeshi Inomata Index More Information INDEX 1 May Mo’ Chahk, 181 Altun Ha, 107, 286, 310 Andrews, Anthony, 317 Acanceh, 78 Andrews, Wyllys, 75, 84 accession, 92, 133, 140, 142–144, 174, 198, 203, Aoyama, Kazuo, 122, 260, 262, 281 262, 303, 307 Arroyo de Piedra, 41 Adams, R. E. W., 107, 243 artist, 154, 257, 260, 263–266, 268–270, 276, agriculture, xiii, 3, 10, 15, 71, 74, 99, 103, 104, 278, 283. See also scribe 230, 233–239, 248, 288 atol, 219, 241 aguada, 245 axis mundi, 22 Aguateca, 3, 24, 25, 111, 114, 115, 123, 134, 137, 141, 143, 145, 158, 159, 178, 200, Bahlaj Chan K’awiil, 110, 137 204–206, 225, 231, 236, 239, 246, 247, bajos, 10, 74, 94, 96, 233, 235, 236, 243 260–263, 265, 266, 268, 275, 277, 283, bak’tun, 289, 300, 304 285, 295, 299–302, 306 bakab, 134, 141 abandonment of, 115, 295, 296, 298, 300–302, Balakbal, 106 305, 309 Balberta, 251 defensive walls at, 24, 25 balche, 222 floor assemblages at, 143, 204, 262, 266, 270, Ball, Joseph, 276 272, 285 ballcourt, 70, 94, 116, 134, 189, 214, 259 palace of, 256 ballgame, 72, 259 rulers of, 137, 261, 296 Barton Ramie, 68, 76, 310 scribe-artists at, 265 bean, 219, 229, 242, 248 Structure L8–8 at, 114, 115 Becan, 24, 96, 102, 114, 287 ajaw, 91, 102, 132, 135, 136, 140, 144, 146, 161, Bilbao, 100 169, 172, 174, 188 Bird Jaguar, 111. -
“Charlie Chaplin” Figures of the Maya Lowlands
RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable. -
The Rulers of Palenque a Beginner’S Guide
The Rulers of Palenque A Beginner’s Guide By Joel Skidmore With illustrations by Merle Greene Robertson Citation: 2008 The Rulers of Palenque: A Beginner’s Guide. Third edition. Mesoweb: www. mesoweb.com/palenque/resources/rulers/PalenqueRulers-03.pdf. Publication history: The first edition of this work, in html format, was published in 2000. The second was published in 2007, when the revised edition of Martin and Grube’s Chronicle of the Maya Kings and Queens was still in press, and this third conforms to the final publica- tion (Martin and Grube 2008). To check for a more recent edition, see: www.mesoweb.com/palenque/resources/rulers/rulers.html. Copyright notice: All drawings by Merle Greene Robertson unless otherwise noted. Mesoweb Publications The Rulers of Palenque INTRODUCTION The unsung pioneer in the study of Palenque’s dynastic history is Heinrich Berlin, who in three seminal studies (Berlin 1959, 1965, 1968) provided the essential outline of the dynasty and explicitly identified the name glyphs and likely accession dates of the major Early and Late Classic rulers (Stuart 2005:148-149). More prominent and well deserved credit has gone to Linda Schele and Peter Mathews (1974), who summarized the rulers of Palenque’s Late Classic and gave them working names in Ch’ol Mayan (Stuart 2005:149). The present work is partly based on the transcript by Phil Wanyerka of a hieroglyphic workshop presented by Schele and Mathews at the 1993 Maya Meet- ings at Texas (Schele and Mathews 1993). Essential recourse has also been made to the insights and decipherments of David Stuart, who made his first Palenque Round Table presentation in 1978 at the age of twelve (Stuart 1979) and has recently advanced our understanding of Palenque and its rulers immeasurably (Stuart 2005). -
Chichen Itza 6 Tourism YUCATAN | 7 Location Yucatan Is Located in Southeastern Mexico, in the GEOGRAPHY Northern Part of the Yucatan Peninsula
SALES CATALOGUE Y U C ATA N THE BEGINNING OF A NEW BAKTUN WELCOME TO YUCATaN The beginnings and origin of who we are today was born in the land of the Maya, the Mayab, with the ancient Maya civilization to which we belong and whose ancient heritage fills us with pride. Humanity in the 21st century searches to reconnect with ourselves, to become reconciled with nature and learn from their peers. We are on a quest to encounter ancient civilizations, new landscapes, new seas, new traditions, new experiences... In YUCATAN we offer the possibility of communion by virtue of our extraordinary heritage, where we have the opportunity to learn, preserve, share and enjoy the cultural, natural and tourist wealth that we possess. At the start of a new Baktun, or long-count cycle in the Maya calendar, we offer a myriad of options for recreation, leisure, knowledge, reflection, peace, health, adventure, andcoexistence throughout the length and width of the Yucatan... YUCATAN is land of origins: It is a land where everything begins anew. It is a prodigious land within the reach of travelers from the world over who seek to know and live among a culture that is more live than ever: The Maya Culture. We are heirs of this great wealth, which we should, want and wish to share with all of you and future generations. WELCOME TO YUCATAN Rolando Rodrigo Zapata Bello Governor of the State of Yucatan MAYAN MUSEUM OF MERIDA 2 Tourism YUCATAN | 3 CREDITS Rolando Zapata Bello Governor of the State of Yucatan Saul M.