“OLMEC FRAME”: Sacred Surveying of Mesoamerican Volcanos, Pyramid

Total Page:16

File Type:pdf, Size:1020Kb

“OLMEC FRAME”: Sacred Surveying of Mesoamerican Volcanos, Pyramid DRAFT 2/16/19 DESIGNING THE “OLMEC FRAME”: sacred surveying of Mesoamerican volcanos, pyramid shaped landscape domains, major site locations, hearth maps and positioning of site features and their orientations Abstract This work rests on the assumption that prehistoric Mesoamerican societies had the technical ability to accurately survey lines across great distances of landscape. To begin to imagine what symbolic formalized patterns, possibly used ritually, might have been created, two approaches are followed, neither of which has precedence in the field of archaeology. First is “design simulation” where the architect as researcher begins with a roughly chronological list of important early Mesoamerican sites, both natural and built, as points in the landscape. The challenge is to design large scale, geometrically “systematic” patterns that connect them in a kind of evolving “Olmec Frame”. Second, using custom software, it is possible to make “probability” tests comparing numbers of the simplest of geometric patterns among existing sites, here three-point alignments, with numbers created by replacement random points in test areas of the landscape. The simulation discovers the possibility that if one records the azimuths used to locate sites in the larger landscape, this list becomes a means of discovering patterns of site design that include “pyramid landscape” and “hearth” shapes. Patterns associated with sky maps are considered as well. For a designer, the simulation process in Mesoamerica is itself compelling but does not constitute archaeological proof that any element of the frame was actually an artifact. Two results of the probability tests, however, clearly point to a strong likelihood that some large-scale patterns were not random. One involves three-point alignments of distant sites to Tikal’s Temple IV point, and the other, very surprisingly, shows that points connected by the “frame” as a system are unusually robust in creating numbers of alignments with other non-frame (Mayan) sites that dramatically exceed the random. Dennis Doxtater College of Architecture, Planning and Landscape Architecture University of Arizona 1 0.1 Introduction 0.1.1 “Orientating Bonamak” 0.1.2 Strategy of this work: design simulation and testing probabilities of alignments 1. Simulating Frame Design in the Mesoamerican Landscape 1.1 Coincidental geometric patterns among most prominent mountains and alignments with the sun 13 1.1.1 Cerro Gordo: “north” / “above” 1.1.2 Lake Atitlán: “south”/ “below” 1.1.3 Atitlán X and the great diagonal, a coincidental connection between North/Above and South/Below 1.2 Cultural extensions of coincidental natural frame elements 26 1.2.1 The Lake Atitlán landscape and Bassey-Sweet’s ideas of Mayan Hearth 1.2.2. Chocolá’s integration with the Toliman center point and San Pedro 1.2.3 Izapa: linking Tacana-Tajamulco with Atitlán and Atitlán X 1.2.4 La Venta as first defined landscape domain of an Olmec frame: a larger scale coincidental equinox base line and related meridian 1.2.5 San Lorenzo as meridian apex: a second great coincidental diagonal and new medio point 1.3 Revision of La Venta frame via unifying Atitlán Medio: homologues of pyramid and hearth landscapes/maps as urban design 46 1.3.1 Unification of the two great diagonals: La Venta, Piedras Negras, (and Monte Alban?) 1.3.2 Palenque’s site positioning and hearth identites with Piedras Negras 1.4 The coincidental alignment of El Chiflón cascades with La Venta and Atitlán X: hearth homologues at El Mirador and Tikal 63 1.4.1 La Danta / El Mirador and the site prominence of an evolved Mayan Hearth 1.4.2 Tikal’s Emulation of the Atitlán X Meridian and Addition of a New Hearth 1.5 Copán as southern hearth: linkage to Atitlán X, Tikal and Calakmul 83 1.5.1 Copán’s location as unifier of the great diagonals 1.5.2 An Extreme of Hearth Map Expression 1.5.3 Do stela/altar locations associate with azimuth patterns? 1.5.4 Calakmul as northern terminus of the Olmec Frame: alignment with Tikal and Copán 1.5.5 Calakmul’s great pyramid as hearth waterfalls? 1.6 The Architecturalization of Teotihuacan: its offspring and the absence of Mayan hearth maps 110 1.6.1 Origins of Teotihuacan’s orientation 1.6.2 Takalik Abaj and Kaminaljuyu as base vertex points for a landscape pyramid domain with Atitlán X as apex 1.7 Azimuths as calendar and relation to sky maps 121 1.7.1 How were Olmec Frame elements recorded? 1.7.2 Sky maps and time 1.7.3 Temple 22’s integration with the Copán hearth grid 2 2. Probability Exercises 2.1 Analysis of three-point alignments among 50 early Mayan sites 138 2.1.1 Background and Site selection 2.1.2 Comparing three-point alignments among existing sites with random sets 2.1.3 Using Doyle’s Middle Pre-Classic E-Group sites to test alignments 2.1.4 Alignments with Tikal and San Bartolo as focii 2.2 Testing points on the “Olmec Frame” against the first group of Mayan locations 160 2.2.1 Four categories of existing points: natural features, major sites, benchmarks and other early sites tested against random points 2.2.2 Adding tentative alignments from probability testing to the Olmec Frame record 3. Conclusive proof of large-scale surveying and a new vein of archaeological knowledge? 170 3.1 First test of simple alignments among early Mayan sites 3.2 A designer’s view of the Olmec frame 3.3 Design simulation provides an unexpected probability proof 3.4 Yaxchilan & Bonampak 3.5 The late Classic development of antagonistic Piedras Negras and Yaxchilan territories in context with Altar de Sacrificios 4. Final words 193 4.1 Chaco and Mesoamerica 4.2 Other meridians in the frame simulation 4.3 Ideas of “landscape pyramid” as first organizers of larger scale cultures 4.4 Summarizing hearth patterns and foci of Mayan sites: Bassie-Sweet’s idea expanded 4.5 Implications of social organization 4.6 What to do with this manuscript? 3 0.1 Introduction To an architect academically unfamiliar with the huge archaeological record of Mayan sites, the geometry of built form at these places is nonetheless immediately intriguing. On the one hand the complexity of design at city scales involving several hundred meters overwhelms and firmly resists any immediate intuition of unified planning. Yet within pyramids or other such obviously religious features, the evidence of carefully designed combinations of elements is unquestionable. So, from a design perspective, if the Mayans had the technical ability to formalize complex geometry of structures in plan, section and elevation--some of which individually are over a hundred meters in size--why didn’t they apply similar, formalizing design processes to the urban site as a whole? Does the answer lie in research concluding that these sites began and grew incrementally—perhaps as modest villages--without any master plan to guide the placement of successive ceremonial foci? Is the location of non-ceremonial first occupation in the larger landscape therefore incidental to the later development of sacred city? The author, an architect/social anthropologist, has studied the possibility that formalized ritual layouts used by preliterate cultures ubiquitously at small scales, could, with simple but accurate surveying techniques have been laid out at very large scales of landscape. The most transformative idea here is that small scale ritual of plazas and domestic dwelling interiors didn’t morph into monumental architecture as sites and social organization evolved. The ritual layouts of shamanistic practice, to the contrary, long before monumental ceremonial sites, developed its power through association with a real, formally structured large-scale landscape (the Warao as best example in the new world, Wilbert 1993). Then, as social organization became more sedentary, these landscape frameworks may hypothetically have provided the locations where first “architecturalized” ritual settings beyond dwelling and village scales were built. If true, requisite prehistoric surveying might likely have been experienced as part of ritual process. These ideas are now at least known and cited by Ancestral Pueblo (a.k.a. Chaco et.al.) archaeologists through a limited list of articles, and a book currently under review (Doxtater 2019a, 2007, 2003, 2002). Aspects of this work detail precedents and techniques for prehistoric surveying and are not presently repeated. The author’s primary mentor on Mayan culture, and especially spatial manifestations of such, is a long-term friend and classmate from a professional program in architecture. Falken 4 Forshaw eventually wrote a dissertation on the layout of the Caracol at Chichen Itza as part of a PhD in geography (Forshaw 1984). On multiple occasions, while doing research on large scale prehistoric space in the U.S. Southwest, Scandinavia, or on Minoan Crete, I would visit Falken at his studio. Even though he made his living practicing architecture, his studio/library is probably one of the best repositories of information about Mayan cultural space that exists as a personal office. I learned immensely about the formal geometry and layout processes of ball courts, plazas, e-groups, pyramids, observatories, and of small objects as well; most have either archaeoastronomical or purely mathematical interpretations. Despite gaining much from such a mentorship from a unique Mayan scholar, the present volume, however, only integrates tangentially with these scales of geometric design. At larger scales a certain amount of published analysis exists in this regard, illustrating how cosmology is reflected in some site assemblages (e.g. Mathews & Garber 2004, Ashmore 1991, Ashmore 2002), and how observation of astronomical phenomena often plays into formal features and layout (Sprajc, et. al. 2009, Almers & Rice 2006, Malmström 1978, Aveni et.al. 2003, Green 2014, Kelley & Kelley 2000).
Recommended publications
  • Tik 02:Tik 02
    2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R.
    [Show full text]
  • Ancient Maya Afterlife Iconography: Traveling Between Worlds
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology.
    [Show full text]
  • Cotsen Institute of Archaeology Press
    UCLA Cotsen Institute of Archaeology Press Title Rock Art of East Mexico and Central America: An Annotated Bibliography Permalink https://escholarship.org/uc/item/68r4t3dq ISBN 978-1-938770-25-8 Publication Date 1979 Data Availability The data associated with this publication are within the manuscript. Peer reviewed eScholarship.org Powered by the California Digital Library University of California Rock Art of East Mexico and Central America: An Annotated Bibliography Second, Revised Edition Matthias Strecker MONOGRAPHX Institute of Archaeology University of California, Los Angeles Rock Art of East Mexico and Central America: An Annotated Bibliography Second, Revised Edition Matthias Strecker MONOGRAPHX Institute of Archaeology University of California, Los Angeles ' eBook ISBN: 978-1-938770-25-8 TABLE OF CONTENTS PREFACE By Brian D. Dillon . 1 ACKNOWLEDGEMENTS . vi INTRODUCTION . 1 PART I: BIBLIOGRAPHY IN GEOGRAPHICAL ORDER 7 Tabasco and Chiapas . 9 Peninsula of Yucatan: C ampeche, Yucatan, Quintana Roo, Belize 11 Guatemala 13 El Salvador 15 Honduras 17 Nicaragua 19 Costa Rica 21 Panama 23 PART II: BIBLIOGRAPHY BY AUTHOR 25 NOTES 81 PREFACE Brian D. Dillon Matthias Strecker's Rock Art of East Mexico and Central America: An Annotated Bibliography originally appeared as a small edition in 1979 and quickly went out of print. Because of the volume of requests for additional copies and the influx of new or overlooked citations received since the first printing, production of a second , revised edition became necessary. More than half a hundred new ref­ erences in Spanish, English, German and French have been incorporated into this new edition and help Strecker's work to maintain its position as the most comprehen­ sive listing of rock art studies undertaken in Central America.
    [Show full text]
  • PLAYA DEL CARMEN, TULUM, COBA, CENOTE, ISLA MUJERES, CANCUN Visitando: CANCÚN, PLAYA DEL CARMEN, TULUM, COBA, CENOTE MULTUM-HA, ISLA MUJERES, XCARET, COZUMEL
    PLAYA DEL CARMEN, TULUM, COBA, CENOTE, ISLA MUJERES, CANCUN Visitando: CANCÚN, PLAYA DEL CARMEN, TULUM, COBA, CENOTE MULTUM-HA, ISLA MUJERES, XCARET, COZUMEL DÍA 1 / MEXICO – CANCUN – PLAYA DEL CARMEN Cita en el aeropuerto de la Cd. de México para abordar vuelo a con destino a Cancún, llegada y recibimiento por parte de nuestro guía, traslado a su hotel en Playa del Carmen. Alojamiento. DÍA 2 / PLAYA DEL CARMEN - TULUM - COBA – CENOTE MUTULHA – PLAYA DEL CARMEN. Desayuno en el hotel. Cita en el lobby para salir rumbo a la zona arqueológica de Tulum visita guiada posteriormente traslado a Coba tour guiado, comida buffet, traslado al cenote, nado en cenote 30 minutos aprox, regreso al hotel por la tarde. El tour incluye: transportación desde su hotel, acceso a las zonas arqueológicas, visitas guiadas, acceso al cenote, y comida buffet. Alojamiento. DÍA 3 / PLAYA DEL CARMEN – CANCUN - ISLA MUJERES – PLAYA DEL CRAMEN Desayuno en el hotel. Cita en el Lobby nos dirigiremos al muelle en Cancún para realizar la excursión iniciamos con el traslado en Yate hasta Isla mujeres, barra libre nacional abordo, y en el Club de playa snack incluido y también una comida buffet (No incluye bebidas), después de la travesía y de estar en el club de playa regreso a Cancún, daremos una vuelta por Cancún visitando el malecón, plaza la isla y la zona hotelera, traslado al hotel Alojamiento. (Pago impuesto del muelle directo en destino 100 p/persona) DÍA 4 / ESXCURSION A XCARET O COZUMEL PLAYA EL CIELO. Día libre para actividades opcionales, puede elegir entre los dos siguientes tours: 1.
    [Show full text]
  • With the Protection of the Gods: an Interpretation of the Protector Figure in Classic Maya Iconography
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2012 With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography Tiffany M. Lindley University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Lindley, Tiffany M., "With The Protection Of The Gods: An Interpretation Of The Protector Figure In Classic Maya Iconography" (2012). Electronic Theses and Dissertations, 2004-2019. 2148. https://stars.library.ucf.edu/etd/2148 WITH THE PROTECTION OF THE GODS: AN INTERPRETATION OF THE PROTECTOR FIGURE IN CLASSIC MAYA ICONOGRAPHY by TIFFANY M. LINDLEY B.A. University of Alabama, 2009 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Spring Term 2012 © 2012 Tiffany M. Lindley ii ABSTRACT Iconography encapsulates the cultural knowledge of a civilization. The ancient Maya of Mesoamerica utilized iconography to express ideological beliefs, as well as political events and histories. An ideology heavily based on the presence of an Otherworld is visible in elaborate Maya iconography. Motifs and themes can be manipulated to convey different meanings based on context.
    [Show full text]
  • Introducing Izapa
    Ancient Mesoamerica, 29 (2018), 255–264 Copyright © Cambridge University Press, 2018 doi:10.1017/S0956536118000494 INTRODUCING IZAPA Robert M. Rosenswiga and Julia Guernseyb aDepartment of Anthropology, State University of New York at Albany, Albany, New York 12222 bDepartment of Art and Art History, University of Texas, Austin, Texas 78705 Abstract This paper introduces the articles that comprise this Special Issue on Izapa. First, we review early reporting and assessments of Izapa’s monuments as well as archaeological investigations undertaken at the site during the twentieth century. Next, we describe more recent developments in interpretation and new archeological excavations and survey data collected during the past two decades. The papers in this Special Issue present new information that contribute to our evolving understanding of Izapa during the millennium that stretches from the Middle Formative period through the Middle Classic period (700 b.c.–a.d. 600). They serve as a status report on our understanding of the still largely enigmatic ancient kingdom, its regional structure, and connections to contemporaneous Isthmian sites. INTRODUCTION Blanca collapsed after a few centuries, and population declined in the immediate region. Its demise was a continuation of a millennium Izapa followed a trajectory of settled life that began at the beginning of political volatility characterized by a succession of polities coa- of the second millennium b.c. in the Soconusco region of Chiapas lescing and collapsing on the coastal plain (Love 2002b, 2007, and neighboring Guatemala (Figure 1). A series of Early Formative 2011). This rise-and-fall sequence provided the context in which (1900–1000 b.c., all dates calibrated) centers characterize the mounded architecture was adopted at Izapa sometime around 800 Mazatán zone of the Soconusco region (Clark and Pye 2000; b.c.
    [Show full text]
  • Descargar Este Artículo En Formato
    Foias, Antonia E. y Ronald L. Bishop 1994 El colapso Clásico Maya y las vajillas de Pasta Fina en la región de Petexbatun. En VII Simposio de Investigaciones Arqueológicas en Guatemala, 1993 (editado por J.P. Laporte y H. Escobedo), pp.469-489. Museo Nacional de Arqueología y Etnología, Guatemala. 42 EL COLAPSO CLÁSICO MAYA Y LAS VAJILLAS DE PASTA FINA EN LA REGIÓN DE PETEXBATUN Antonia E. Foias Ronald L. Bishop Una teoría prominente sobre el Colapso Clásico Maya de las Tierras Bajas Centrales se refiere a invasiones extranjeras de la región del río Pasión. Clave a esta hipótesis de invasiones extranjeras es un grupo de cerámica llamado vajillas de pasta fina: Gris Fino y Naranja Fino. Se propuso que estas vajillas fueron traídas del área de la Chontalpa por los invasores Putunes (Thompson 1970; Adams 1971, 1973; Sabloff 1973, 1975; Kowalski 1989; Ball y Taschek 1989; Schele y Freidel 1990). Este grupo viajó por el Usumacinta y después por el Pasión donde conquistaron los dos sitios de Ceibal y Altar de Sacrificios. La importancia de estas pastas finas queda entonces como marcador de esta invasión extranjera en las Tierras Bajas Mayas del Oeste. Seguidamente, presentamos nuevos datos sobre estas vajillas (Naranja Fino y Gris Fino) en la región de Petexbatun y discutiremos su significado dentro del problema del colapso en el drenaje del río Pasión. La región Petexbatun se localiza en el suroeste de Petén, Guatemala, entre el río Petexbatun al este, el río Pasión al norte y el río Chixoy-Salinas al oeste (Figura 1). Esta región ha sido el enfoque del Proyecto Arqueológico Regional Petexbatun de la Universidad de Vanderbilt y de la Fundación Mario Dary, bajo la dirección general de Dr.
    [Show full text]
  • “Charlie Chaplin” Figures of the Maya Lowlands
    RITUAL USE OF THE HUMAN FORM: A CONTEXTUAL ANALYSIS OF THE “CHARLIE CHAPLIN” FIGURES OF THE MAYA LOWLANDS by LISA M. LOMITOLA B.A. University of Central Florida, 2008 A thesis in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2012 ©2012 Lisa M. Lomitola ii ABSTRACT Small anthropomorphic figures, most often referred to as “Charlie Chaplins,” appear in ritual deposits throughout the ancient Maya sites of Belize during the late Preclassic and Early Classic Periods and later, throughout the Petén region of Guatemala. Often these figures appear within similar cache assemblages and are carved from “exotic” materials such as shell or jade. This thesis examines the contexts in which these figures appear and considers the wider implications for commonly held ritual practices throughout the Maya lowlands during the Classic Period and the similarities between “Charlie Chaplin” figures and anthropomorphic figures found in ritual contexts outside of the Maya area. iii Dedicated to Corbin and Maya Lomitola iv ACKNOWLEDGMENTS I would like to thank Drs. Arlen and Diane Chase for the many opportunities they have given me both in the field and within the University of Central Florida. Their encouragement and guidance made this research possible. My experiences at the site of Caracol, Belize have instilled a love for archaeology in me that will last a lifetime. Thank you Dr. Barber for the advice and continual positivity; your passion and joy of archaeology inspires me. In addition, James Crandall and Jorge Garcia, thank you for your feedback, patience, and support; your friendship and experience are invaluable.
    [Show full text]
  • Extension and Renomination of the “Ancient Maya City of Calakmul, Campeche”)
    LATIN AMERICA / CARIBBEAN ANCIENT MAYA CITY AND PROTECTED FORESTS OF CALAKMUL, CAMPECHE (Extension and renomination of the “Ancient Maya City of Calakmul, Campeche”) MEXICO Mexico – Ancient Maya City and Protected Tropical Forests of Calakmul WORLD HERITAGE NOMINATION – IUCN TECHNICAL EVALUATION ANCIENT MAYA CITY AND PROTECTED TROPICAL FORESTS OF CALAKMUL, CAMPECHE (MEXICO) – ID 1061 Bis IUCN RECOMMENDATION TO WORLD HERITAGE COMMITTEE: To defer the nomination. Key paragraphs of Operational Guidelines: Paragraph 77: Nominated property has the potential to meet World Heritage criteria. Paragraph 78: Nominated property does not meet integrity or protection and management requirements. Background note: The Ancient Maya City of Calakmul, Campeche was inscribed under cultural criteria (i), (ii), (iii), and (iv) in 2002. The cultural property is 3,000 hectares (ha) in size with a buffer zone of 147,195 ha. This is a renomination and extension of the existing Ancient Maya City as a mixed site. 1. DOCUMENTATION Biosfera de Calakmul. Contrato CONAP A-P-VO2- RBCA-FDS-11. Gobierno de México (May, 1989). a) Date nomination received by IUCN: 20 March 2013 DECRETO por el que se declara la Reserva de la biosfera Calakmul, ubicada en los Municipios de b) Additional information officially requested from Champotón y Hopelchem, Camp. Parks Watch Mexico and provided by the State Party: No supplementary (Undated). Profile: Calakmul Biosphere Reserve. information was formally requested by IUCN, however Ramón Pérez Gil Salcido, et al (2003). Evaluación the State Party submitted additional information on 26 Independiente SINAP I. Report to the Mexican Fund February 2014 following dialogue between the State for the Conservation of Nature.
    [Show full text]
  • Amaná-Folleto.Pdf
    1 2 TULUM 3 4 A paradise in the Mayan Riviera Framed by the crystal-clear turquoise waters of the Immediately enthralled by all this breathtaking Caribbean Sea, pristine white-sand beaches, lush beauty, visitors soon discover that there is a jungles that echo with the cries of tropical birds, wide variety of amenities, ranging from gourmet mirror-like, apparently bottomless, cenotes, and, of restaurants and charming boutique hotels to course, the world-famous Mayan ruins, Tulum is the yoga retreats. closest thing to paradise that you will find. TULUM 1 2 AN IDEAL LOCATION: Located just minutes away from the beach, Amaná is also a short, leisurely bike ride away from downtown Tulum and within easy reach 11 12 of a wide range of tourist attractions. 7 9 Distance to Amaná TO CANCÚN 1 Tulum ruins 4.0 km 12´ 7´ 2 Azulik 3.0 km 9´ 5´ 3 Posada Margherita 4.8 km 14´ 8´ 1 TULUM 4 Beso Tulum 4.9 km 14´ 9´ 2 5 Gitano 6.7 km 19´ 13´ 3 8 4 6 Casa Malca 8.6 km 25´ 20´ 5 6 7 Xel-ha 18.0 km 49´ 15´ 8 Kaan luum lagoon 18.3 km 54´ 28´ 10 9 Dos Ojos Cenote 21.8 km 1h 5´ 26´ 10 Muyil archaeological area 25.0 km 50´ 20´ 11 Bahia Principe Golf 26.8 km - 21´ 12 Cobá archaeological area 47.0 km - 40´ 13 Sian Ka ‘an reserve 64.8km - 1h 25´ 13 TULUM 3 4 Welcome to Amaná Amaná is a world-class residential resort that tastefully blends luxury condominiums with a retail area that offers residents, guests and visitors a choice array of services and amenities.
    [Show full text]
  • Una Revision Preliminar De La Historia De Abaj Takalik
    Popenoe de Hatch, Marion y Christa Schieber de Lavarreda 2001 Una revisión preliminar de la historia de Tak´alik Ab´aj, departamento de Retalhuleu. En XIV Simposio de Investigaciones Arqueológicas en Guatemala, 2000 (editado por J.P. Laporte, A.C. Suasnávar y B. Arroyo), pp.990-1005. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital). 77 UNA REVISIÓN PRELIMINAR DE LA HISTORIA DE TAK´ALIK AB´AJ, DEPARTAMENTO DE RETALHULEU Marion Popenoe de Hatch Christa Schieber de Lavarreda Nuestras recientes investigaciones en Tak´alik Ab´aj se han dirigido hacia resolver una serie de preguntas que nos han interesado por largo tiempo. Este año hemos dirigido nuestra atención a la pregunta más intrigante de todas. En algún momento durante la historia de Tak´alik Ab´aj ocurrió un incidente violento. Muchos de los monumentos de gran tamaño, especialmente los esculpidos en estilo Maya, fueron tirados y destruidos. ¿Quién fue responsable de la violencia en Tak´alik Ab´aj, destruyendo deliberadamente los monumentos, y cuándo ocurrió este evento? Creemos que tenemos la respuesta a esta pregunta y presentaremos el argumento en breve. Otras preguntas que hemos tenido son las siguientes: ¿Quiénes fueron los primeros habitantes de Tak´alik Ab´aj?; ¿Por qué fundaron el sitio en el lugar donde se encuentra?; ¿Cuál era la función de Tak´alik Ab´aj?; ¿Cuántos complejos cerámicos, que representan distintas poblaciones, pueden identificarse a lo largo de la historia de Tak´alik Ab´aj y qué papel jugaron?; ¿Qué cerámica está asociada con las esculturas Olmecas y cuál corresponde a las esculturas Mayas?; ¿Qué relaciones mantuvo Tak´alik Ab´aj con otras regiones a lo largo del tiempo?; ¿Cómo se manifiestan los periodos Preclásico, Clásico y Postclásico en Tak´alik Ab´aj, y cómo están relacionados? Hace un año en este Simposio (Popenoe de Hatch et al.
    [Show full text]
  • Dolores Amenaz a Po R Desliz Amiento S 590000.000000 600000.000000 610000.000000 620000.000000 630000.000000 640000.000000 89°40'W 89°30'W 89°20'W 89°10'W " "
    CO DIGO : AMENAZA POR DESLIZAMIENTOS E INUNDACIONES 1708 DEPARTAMENTO DE PETEN 8 MUNICIPIO DE DOLORES AMENAZ A PO R DESLIZ AMIENTO S 590000.000000 600000.000000 610000.000000 620000.000000 630000.000000 640000.000000 89°40'W 89°30'W 89°20'W 89°10'W " " "Sitio Arquelogico San Jose La pre d ic c ión d e e sta am e naza utiliza la m e tod ología re c onoc id a Sitio Succotz Sitio " Barrio " d e Mora-Vahrson, para e stim ar las am e nazas d e d e slizam ie ntos a Arqueologico Guacutal Arqueologico Tres Sitio " Nueva Benque Sitio La Escoba Ollas " Arquelogico Juda Viejo un nive l d e d e talle d e 1 kilóm e tro. Esta c om ple ja m od e lac ión utiliza Arquelogico " " " Sitio El Carmen 0 " Sitio " 0 0 Sitio Arqueologico 0 una c om binac ión d e d atos sobre la litología, la hum e d ad d e l sue lo, 0 " Sitio Arqueologico 0 0 Sitio Arqueologico Akalche " 0 0 Escondido " " Melchor De 0 0 Barrio 0 . " Arqueologico Arqueologico . pe nd ie nte y pronóstic os d e tie m po e n e ste c aso pre c ipitac ión 0 Mencos 0 " Suchitan 0 Yaxja Oxlaj Sitio Melchor de Mencos " 0 0 " Sitio " 0 8 Sitio 8 ac um ulad a q ue CATHALAC ge ne ra d iariam e nte a través d e l El Porvenir " " Arqueologico 8 " Sitio Arqueologico " " " 8 8 Laguneta Laguna Arqueologico MELCHO R DE MENCO S 8 Sitio " " Sitio 1 Arqueologico Topoxte " 1 m od e lo m e sosc ale PSU/NCAR, e l MM5.
    [Show full text]