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Tik 02:Tik 02
2 The Ceramics of Tikal T. Patrick Culbert More than 40 years of archaeological research at Tikal have pro- duced an enormous quantity of ceramics that have been studied by a variety of investigators (Coggins 1975; Culbert 1963, 1973, 1977, 1979, 1993; Fry 1969, 1979; Fry and Cox 1974; Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). It could be argued that the ceram- ics of Tikal are better known than those from any other Maya site. The contexts represented by the ceramic collections are extremely varied, as are the formation processes to which they were subjected both in Maya times and since the site was abandoned. This chapter will report primarily on the ceramics recovered by the University of Pennsylvania Tikal Project between 1956 and 1970. The information available from this analysis has been significantly clar- ified and expanded by later research, especially that of the Proyecto Nacional Tikal (Hermes 1984a; Iglesias 1987, 1988; Laporte and Fialko 1987, 1993; Laporte et al. 1992; Laporte and Iglesias 1992; Laporte, this volume). I will make reference to some of the results of these later stud- ies but will not attempt an overall synthesis—something that must await Copyrighted Material www.sarpress.org 47 T. PATRICK C ULBERT a full-scale conference involving all of those who have worked with Tikal ceramics. Primary goals of my analysis of Tikal ceramics were to develop a ceramic sequence and to provide chronological information for researchers. Although a ceramic sequence was already available from the neighboring site of Uaxactun (R. -
CURRICULUM VITAE Takeshi Inomata Address Positions
Inomata, Takeshi - page 1 CURRICULUM VITAE Takeshi Inomata Address School of Anthropology, University of Arizona 1009 E. South Campus Drive, Tucson, AZ 85721-0030 Phone: (520) 621-2961 Fax: (520) 621-2088 E-mail: [email protected] Positions Professor in Anthropology University of Arizona (2009-) Agnese Nelms Haury Chair in Environment and Social Justice University of Arizona (2014-2019) (Selected as one of the four chairs university-wide, that were created with a major donation). Associate Professor in Anthropology University of Arizona (2002-2009) Assistant Professor in Anthropology University of Arizona (2000-2002) Assistant Professor in Anthropology Yale University (1995-2000) Education Ph.D. Anthropology, Vanderbilt University (1995). Dissertation: Archaeological Investigations at the Fortified Center of Aguateca, El Petén, Guatemala: Implications for the Study of the Classic Maya Collapse. M.A. Cultural Anthropology, University of Tokyo (1988). Thesis: Spatial Analysis of Late Classic Maya Society: A Case Study of La Entrada, Honduras. B.A. Archaeology, University of Tokyo (1986). Thesis: Prehispanic Settlement Patterns in the La Entrada region, Departments of Copán and Santa Bárbara, Honduras (in Japanese). Major Fields of Interest Archaeology of Mesoamerica (particularly Maya) Politics and ideology, human-environment interaction, household archaeology, architectural analysis, performance, settlement and landscape, subsistence, warfare, social effects of climate change, LiDAR and remote sensing, ceramic studies, radiocarbon dating, and Bayesian analysis. Inomata, Takeshi - page 2 Extramural Grants - National Science Foundation, research grant, “Preceramic to Preclassic Transition in the Maya Lowlands: 1100 BC Burials from Ceibal, Guatemala,” (Takeshi Inomata, PI; Daniela Triadan, Co-PI, BCS-1950988) $298,098 (2020/6/3-8/31/2024). -
Ancient Maya Afterlife Iconography: Traveling Between Worlds
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2006 Ancient Maya Afterlife Iconography: Traveling Between Worlds Mosley Dianna Wilson University of Central Florida Part of the Anthropology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Wilson, Mosley Dianna, "Ancient Maya Afterlife Iconography: Traveling Between Worlds" (2006). Electronic Theses and Dissertations, 2004-2019. 853. https://stars.library.ucf.edu/etd/853 ANCIENT MAYA AFTERLIFE ICONOGRAPHY: TRAVELING BETWEEN WORLDS by DIANNA WILSON MOSLEY B.A. University of Central Florida, 2000 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Liberal Studies in the College of Graduate Studies at the University of Central Florida Orlando, Florida Summer Term 2006 i ABSTRACT The ancient Maya afterlife is a rich and voluminous topic. Unfortunately, much of the material currently utilized for interpretations about the ancient Maya comes from publications written after contact by the Spanish or from artifacts with no context, likely looted items. Both sources of information can be problematic and can skew interpretations. Cosmological tales documented after the Spanish invasion show evidence of the religious conversion that was underway. Noncontextual artifacts are often altered in order to make them more marketable. An example of an iconographic theme that is incorporated into the surviving media of the ancient Maya, but that is not mentioned in ethnographically-recorded myths or represented in the iconography from most noncontextual objects, are the “travelers”: a group of gods, humans, and animals who occupy a unique niche in the ancient Maya cosmology. -
Cambridge University Press 978-1-108-47899-1 — Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey Index More Information
Cambridge University Press 978-1-108-47899-1 — Human Figuration and Fragmentation in Preclassic Mesoamerica Julia Guernsey Index More Information Index Note: Page entries in italics refer to illustrations. absence, representational, 48, 66, 148–149 bench figures, 153, 154, 155, 157, 163 Monument 2, 42–43 Achaemenid palace reliefs, 158 Benjamin, Walter, 85 Monument 16, 34 adornment, personal, 49, 54, 60, 79–80, Berdan, Frances, 100 Monument 17, 33,34 127–128 Bilbao. See Cotzumalguapa Monument 21, 33, 33 Afanador-Pujol, Angélica, 62 Blackman Eddy, Belize, 56, 82 Water Dancing Group (Monuments 11, 8, Aguateca, 83 Blomster, Jeffrey, 45, 48, 52–53, 60, 65, 14, 15, 6, and 7), 32, 32,42 Ajú Álvarez, Gloria, 121 95–96, 101, 121–122 Chalchuapa, 102 Aldana, Gerardo, 130 Boggs, Stanley, 39 figurines at, 82, 121 Altar de Sacrificios, 119 Borgia Codex, 129 sculpture at, 146 Alvaro Obregón sculpture, 23–24 Borhegyi, Stephan de, 152 Monument 12, 38,39 ancestors and lineage formation, 52, 72, 137, Borić,Dušan, 77 Chapman, John, 96, 104 149–150 Bourdieu, Pierre, 16, 62, 123 Cheetham, David, 49–50, 56, 59 Angulo, Jorge, 32, 34, 43 Bove, Frederick, 119 Chesson, Meredith, 45 animal spirit companion. See human–animal Braakhuis, H. E. M., 88, 92, 128 Chiapa de Corzo, 54, 130 relationship Bradley, Richard, 129 figurines at, 57–58, 93 animals, representation of breath and vocalization Chichén Itzá, 103 birds, 30, 51, 74, 76,77 in iconography of animals, 72–74 Chilam Balam book of Maní, 89 coatimundi, 148, 152 mouths as site of, 19, 40, 62–63, 70–72, Chilam Balam of Chumayel, 88 dogs, 30, 76,77 73–74 China, 132, 134 felines, 76, 80, 81 Brittain, Marcus, 104, 106 Chinchilla, Oswaldo, 103, 110 on pedestal sculpture, 150–152, 154, 156 Bronson, Bennet, 134 Chocolá, Monument 1, 89, 91 on pottery, 77–79 Broom, Donald, 165 Christenson, Allen, 91, 100, 108, 129 serpents, 30 Brown, M. -
Introducing Izapa
Ancient Mesoamerica, 29 (2018), 255–264 Copyright © Cambridge University Press, 2018 doi:10.1017/S0956536118000494 INTRODUCING IZAPA Robert M. Rosenswiga and Julia Guernseyb aDepartment of Anthropology, State University of New York at Albany, Albany, New York 12222 bDepartment of Art and Art History, University of Texas, Austin, Texas 78705 Abstract This paper introduces the articles that comprise this Special Issue on Izapa. First, we review early reporting and assessments of Izapa’s monuments as well as archaeological investigations undertaken at the site during the twentieth century. Next, we describe more recent developments in interpretation and new archeological excavations and survey data collected during the past two decades. The papers in this Special Issue present new information that contribute to our evolving understanding of Izapa during the millennium that stretches from the Middle Formative period through the Middle Classic period (700 b.c.–a.d. 600). They serve as a status report on our understanding of the still largely enigmatic ancient kingdom, its regional structure, and connections to contemporaneous Isthmian sites. INTRODUCTION Blanca collapsed after a few centuries, and population declined in the immediate region. Its demise was a continuation of a millennium Izapa followed a trajectory of settled life that began at the beginning of political volatility characterized by a succession of polities coa- of the second millennium b.c. in the Soconusco region of Chiapas lescing and collapsing on the coastal plain (Love 2002b, 2007, and neighboring Guatemala (Figure 1). A series of Early Formative 2011). This rise-and-fall sequence provided the context in which (1900–1000 b.c., all dates calibrated) centers characterize the mounded architecture was adopted at Izapa sometime around 800 Mazatán zone of the Soconusco region (Clark and Pye 2000; b.c. -
Kahk' Uti' Chan Yopat
Glyph Dwellers Report 57 September 2017 A New Teotiwa Lord of the South: K’ahk’ Uti’ Chan Yopat (578-628 C.E.) and the Renaissance of Copan Péter Bíró Independent Scholar Classic Maya inscriptions recorded political discourse commissioned by title-holding elite, typically rulers of a given city. The subject of the inscriptions was manifold, but most of them described various period- ending ceremonies connected to the passage of time. Within this general framework, statements contained information about the most culturally significant life-events of their commissioners. This information was organized according to discursive norms involving the application of literary devices such as parallel structures, difrasismos, ellipsis, etc. Each center had its own variations and preferences in applying such norms, which changed during the six centuries of Classic Maya civilization. Epigraphers have thus far rarely investigated Classic Maya political discourse in general and its regional-, site-, and period-specific features in particular. It is possible to posit very general variations, for example the presence or absence of secondary elite inscriptions, which makes the Western Maya region different from other areas of the Maya Lowlands (Bíró 2011). There are many other discursive differences not yet thoroughly investigated. It is still debated whether these regional (and according to some) temporal discursive differences related to social phenomena or whether they strictly express literary variation (see Zender 2004). The resolution of this question has several implications for historical solutions such as the collapse of Classic Maya civilization or the hypothesis of status rivalry, war, and the role of the secondary elite. There are indications of ruler-specific textual strategies when inscriptions are relatively uniform; that is, they contain the same information, and their organization is similar. -
The Carved Human Femprs from Tomb 1, Chiapa De Corzo, Chiapas, Mexico
PAPERS of the NEW WOR LD ARCHAEOLO G ICAL FOUNDATION NUMBER SIX THE CARVED HUMAN FEMPRS FROM TOMB 1, CHIAPA DE CORZO, CHIAPAS, MEXICO by PIERRE AGRINIER PUBLICATION No. 5 NEW WORLD ARCHAEOLOGICAL FOUNDATION ORINDA, CALIFORNIA 1960 NEW WORLD ARCHAEOLOGICAL FOUNDATION 1960 OFFICERS THOMAS STUART FERGUSON, President 1 Irving Lane, Orinda, California ALFRED V. KIDDER, PH.D., First Vice-President MILTON R. HUNTER, PH.D., Vice-President ScoTT H. DUNHAM, Secretary-Treasurer J. ALDEN MASON, PH.D., Editor and Field Advisor GARETH W. LowE, Field Director, 1956-1959 FREDRICK A. PETERSON, Field Director, 1959-1960 DIRECTORS ADVISORY COMMITTEE SCOTT H. DUNHAM, C.P.A. PEDRO ARMILLAS, PH.D. THOMAS STUART FERGUSON, ESQ. GORDON F. EKHOLM, PH.D. M. WELLS JAKEMAN, PH.D. J. POULSON HUNTER, M.D. ALFRED V. KIDDER, PH.D. MILTON R. HUNTER, PH.D. ALFRED V. KIDDER, PH.D. EDITORIAL OFFICE NICHOLAS G. MORGAN, SR. ALDEN MASON LE GRAND RICHARDS J. UNIVERSITY MUSEUM ERNEST A. STRONG UNIVERSITY OF PENNSYLVANIA Philadelphia 4, Pa. J. ALDEN MASON EDITOR Orders for and correspondence regarding the publications of The New World Archaeological Foundation should be sent to SCOTT H. DUNHAM, Secretary 510 Crocker Building San Francisco 4, California Price $2.00 Printed by THE LEGAL INTELLIGENCER Philadelphia 4, Pa. PAPERS of the NEW WOR LD ARCHAEOLO G ICAL FOUNDATION NUMBER SIX THE CARVED HUMAN FEMURS FROM TOMB 1, CHIAP A DE CORZO, CHIAPAS, MEXICO by PIERRE AGRINIER PUB LICATION No. 5 NEW WoRLD ARCHAEOLOGICAL FOUNDATION ORINDA, CALIFORNIA 1960 CONTENTS PAGE INTRODUCTION 1 I. DESCRIPTION ..•...........•......................•... 2 Bone 1 .................................... 2 Bone 2 2 Bone 3 2 Bone 4 3 Technique ................................................ -
Of the Kaminaljuyu Park
42 DOWN TO THE STERILE GROUND: “X-RAYS” OF THE KAMINALJUYU PARK Matilde Ivic de Monterroso Keywords: Maya archaeology, Guatemala, Altiplano, Kaminaljuyu, excavations, stratigraphy, Early Classic period, talud-tablero mode In the 1980’s and 1990’s, several salvage excavations were conducted at the southwest of Kaminaljuyu, the most important being those carried out during Project Miraflores I, Kaminaljuyu/San Jorge (Popenoe de Hatch 1997), and Miraflores II (Valdés 1997, 1998). These projects provided information on intensive agricultural systems, residential and ritual patterns, ceramic sequences, and evidence of the possible replacement of the Preclassic population by a new group in the Guatemala Valley, who arrived and took control of Kaminaljuyú during the Early Classic period. Nevertheless, one question that remained unanswered had to do with the relationship between Kaminaljuyu and Teotihuacan, reflected in the discoveries of Mounds A and B, and in the architecture of the Acropolis at Kaminaljuyu Park. For this reason, the park was the perfect place where to investigate this issue. This paper is providing new data that allows for evaluating the question of relationships between Kaminaljuyu and Teotihuacan. PROJECT DESIGN The investigation agreement anticipated the excavation of test units at the site periphery, and of a few others in the platforms supporting the mounds. No pits were planned inside the Acropolis or specifically on the mounds. The following facts were considered at the time of designing the project’s strategy: • The availability of the site plan drawn by the Tobacco and Salt Museum Archaeological Project (Ohi 1991). However, the use we made of this plan was limited, as it was elaborated with aerial photos, thus limiting the placement of the pits. -
Una Revision Preliminar De La Historia De Abaj Takalik
Popenoe de Hatch, Marion y Christa Schieber de Lavarreda 2001 Una revisión preliminar de la historia de Tak´alik Ab´aj, departamento de Retalhuleu. En XIV Simposio de Investigaciones Arqueológicas en Guatemala, 2000 (editado por J.P. Laporte, A.C. Suasnávar y B. Arroyo), pp.990-1005. Museo Nacional de Arqueología y Etnología, Guatemala (versión digital). 77 UNA REVISIÓN PRELIMINAR DE LA HISTORIA DE TAK´ALIK AB´AJ, DEPARTAMENTO DE RETALHULEU Marion Popenoe de Hatch Christa Schieber de Lavarreda Nuestras recientes investigaciones en Tak´alik Ab´aj se han dirigido hacia resolver una serie de preguntas que nos han interesado por largo tiempo. Este año hemos dirigido nuestra atención a la pregunta más intrigante de todas. En algún momento durante la historia de Tak´alik Ab´aj ocurrió un incidente violento. Muchos de los monumentos de gran tamaño, especialmente los esculpidos en estilo Maya, fueron tirados y destruidos. ¿Quién fue responsable de la violencia en Tak´alik Ab´aj, destruyendo deliberadamente los monumentos, y cuándo ocurrió este evento? Creemos que tenemos la respuesta a esta pregunta y presentaremos el argumento en breve. Otras preguntas que hemos tenido son las siguientes: ¿Quiénes fueron los primeros habitantes de Tak´alik Ab´aj?; ¿Por qué fundaron el sitio en el lugar donde se encuentra?; ¿Cuál era la función de Tak´alik Ab´aj?; ¿Cuántos complejos cerámicos, que representan distintas poblaciones, pueden identificarse a lo largo de la historia de Tak´alik Ab´aj y qué papel jugaron?; ¿Qué cerámica está asociada con las esculturas Olmecas y cuál corresponde a las esculturas Mayas?; ¿Qué relaciones mantuvo Tak´alik Ab´aj con otras regiones a lo largo del tiempo?; ¿Cómo se manifiestan los periodos Preclásico, Clásico y Postclásico en Tak´alik Ab´aj, y cómo están relacionados? Hace un año en este Simposio (Popenoe de Hatch et al. -
A New Artistic Rendering of Izapa Stela 5: a Step Toward Improved Interpretation
Journal of Book of Mormon Studies Volume 8 Number 1 Article 6 1-31-1999 A New Artistic Rendering of Izapa Stela 5: A Step toward Improved Interpretation John E. Clark Follow this and additional works at: https://scholarsarchive.byu.edu/jbms BYU ScholarsArchive Citation Clark, John E. (1999) "A New Artistic Rendering of Izapa Stela 5: A Step toward Improved Interpretation," Journal of Book of Mormon Studies: Vol. 8 : No. 1 , Article 6. Available at: https://scholarsarchive.byu.edu/jbms/vol8/iss1/6 This Feature Article is brought to you for free and open access by the Journals at BYU ScholarsArchive. It has been accepted for inclusion in Journal of Book of Mormon Studies by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. Title A New Artistic Rendering of Izapa Stela 5: A Step toward Improved Interpretation Author(s) John E. Clark Reference Journal of Book of Mormon Studies 8/1 (1999): 22–33, 77. ISSN 1065-9366 (print), 2168-3158 (online) Abstract Aided by creative techniques, Ajáx Moreno carefully prepared more accurate, detailed renderings of the Izapa monuments, including Stela 5, with its com- plex scenes of gods and other supernatural creatures, royalty, animals invested with mythic and value symbolism, and mortals. The author raises relevant questions about reconciling Jakeman’s view with the new drawing: Are there Old World connections? Can Izapa be viewed as a Book of Mormon city? Did the Nephites know of Lehi’s dream? Are there name glyphs on the stela? The scene, if it does not depict Lehi’s dream, fits clearly in Mesoamerican art in theme, style, technical execution, and meaning. -
Adoring Our Wounds: Suicide, Prevention, and the Maya in Yucatán, México
Adoring Our Wounds: Suicide, Prevention, and the Maya in Yucatán, México By Beatriz Mireya Reyes-Cortes A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Anthropology in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Stanley Brandes, Chair Professor William F. Hanks Professor Lawrence Cohen Professor William B. Taylor Spring 2011 Adoring our Wounds: Suicide, Prevention, and the Maya in Yucatán, México Copyright 2011 by Beatriz Mireya Reyes-Cortes Abstract Adoring Our Wounds: Suicide, Prevention, and the Maya in Yucatán, México By Beatriz Mireya Reyes-Cortes Doctor of Philosophy in Anthropology University of California, Berkeley Professor Stanley S. Brandes The first decade of the 21st century has seen a transformation in national and regional Mexican politics and society. In the state of Yucatán, this transformation has taken the shape of a newfound interest in indigenous Maya culture coupled with increasing involvement by the state in public health efforts. Suicide, which in Yucatán more than doubles the national average, has captured the attention of local newspaper media, public health authorities, and the general public; it has become a symbol of indigenous Maya culture due to an often cited association with Ixtab, an ancient Maya ―suicide goddess‖. My thesis investigates suicide as a socially produced cultural artifact. It is a study of how suicide is understood by many social actors and institutions and of how upon a close examination, suicide can be seen as a trope that illuminates the complexity of class, ethnicity, and inequality in Yucatán. In particular, my dissertation –based on extensive ethnographic and archival research in Valladolid and Mérida, Yucatán, México— is a study of both suicide and suicide prevention efforts. -
By ROBERT L. RANDS
SMITHSONIAN INSTITUTION Bureau of American Ethnology BuUetin 157 Anthropological Papers, No. 48 Some ManifestatioDs of Water in Mesoamerican Art By ROBERT L. RANDS 265 1 CONTENTS PAGE Introduction 27 The better established occurrences of water 273 Types of associations 273 The Maya codices 277 The Mexican codices 280 Aztec and Teotihuacdn murals, sculptures, and ceramics 285 Summary 291 The proposed identifications of water 292 Artistic approach to the identifications 292 Non-Maya murals, sculptures, and ceramics 293 Maya murals, sculptures, and ceramics 298 General considerations 298 Highest probability (A) 302 Probability B : paraphernalia and secondary associations 315 Probability B : fang, tongue, or water (?) 320 Artistic typology and miscellany 322 Water and the water lily 330 Conclusions 333 Appendix A. Nonartistic data and current reconstructions 342 Direct water associations : physiological data 342 Water from container 344 Water from mouth 348 Water from eye 348 Water from breast 350 Water from between legs 350 Water from body (pores ?) 350 Water from hand 352 Water from other object held in hand 354 Waterlike design from head 355 Glyph in water 365 Object in water 359 Tlaloc 359 Anthropomorphic Long-nosed God 359 Female water deity 369 Black god (M, B) 360 Miscellaneous anthropomorphic figures 360 Frog 360 Serpent 361 Jaguar (ocelot) 361 Bird 363 Miscellaneous animal 363 Serpentine-saurian monster 364 Detached rear head of monster 364 Other grotesque head, face 365 267 268 BUREAU OF AMERICAN ETHNOLOGY [Bull. 157 Appendix A. Nonartistic data and current reconstructions—Con. page Death, misfortune, destruction _. 365 Water descending on surface water 365 Water descending on figure 366 The bending-over rainmaker 366 The sky monster and its affiliates 366 Balanced water and vegetation 367 Summary 367 Appendix B.