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Hans Pfitzner
Wagner
Interpreting Race and Difference in the Operas of Richard Strauss By
Honorary Members, Rings of Honour, the Nicolai Medal and the “Yellow” List)
Music on the Eve of the Third Reich
Pfitzner Palestrina
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New on Naxos | October 2013
Proquest Dissertations
“Die Heimat Meiner Seele”: the Significance of Pfitzner's Palestrina
CHRISTIAN THIELEMAN PFITZNER and BRUCKNER
Conversations with the Past: Hans Pfitzner's" Palestrina" As a Neo
Kaim-Chor) 30.12.96 Te Deum Meta Hieber (S), Elisabeth Exter (A), U
Boston Symphony Orchestra Concert Programs, Season 74, 1954-1955, Subscription
Opera by the Book: Defining Music Theater in the Third Reich
Hans Pfitzner 1 Hans Pfitzner
Music Reception in the Völkischer Beobachter,” Paper for the “Music, Politics, and the State” Session
Influence of German Literature Upon Modern Music Since 1850
Accepted Manuscript
Top View
Framing Pfitzner, Strauss, Schreker, and Schoenberg Cinematically
King's Research Portal
Heinz-Ingenstau-Straße Datum Der Benennung
Hans PFITZNER
Carnegie Hall Rental 10/7/16 10:48 AM Page 1
Song Inventory ‐ Alphabetical by Title Title Item # Genre Contributors Asset Date Description (Excerpt) Scherzo "Octette" (Op
The Reconstruction of Post-War West German New Music During the Early Allied Occupation
Song Inventory
Young Stars of Classical Music Johannes Moser
In June 1917, During the First World War, Thomas Mann Attended The
Musicians in Nazi Germany Thomas G
Research Chronicle Is Published by the Royal Musical Association
2011 / 12 Semper! Magazin Oper, Ballett, Staatskapelle, Junge Szene
Intimacy, Madness and the Music of Robert Schumann
Werner Egk and Joan Von Zarissa: Music As Politics and Propaganda Under National Socialism Jason P