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Cube Entertainment
Bab Ii Tinjauan Pustaka
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
Mediatalk: the Bright Appeal of M&A
Netease Cloud Music Enters Into Strategic Partnership with CUBE Entertainment
An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
A Feminist Political Economy of the Korean Popular Music Industry
K-Pop): a Register Analysis
Pawprint Jr. Dec. 2019 Edition
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How Women Are Portrayed in K-Pop Music Videos: an Example of How Gender Is Constructed in Media
Achievement in the South Korean Music Industry Björn Boman1
Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung
Purchasing Behavior of K-Pop Idol Goods Consumers in Korea 3 Tunes, Family-Friendly Lyrics and Fiendishly Catchy Hooks” 1996)
Korean Women, K-Pop, and Fandom a Dissertation Submitted in Partial Satisfaction
The Korean Wave
Company Introduction
Show, Don't Tell
Dampak Kasus Burning Sun Terhadap Harga Saham Perusahaan Entertainment Di Korea Selatan
Top View
Loen Entertainment (016170 KS) Loen Entertainment
Nicole Diaz Bednar S21 Music Video As
Downloaded by Users to Use As They See Fit on Any Platform
Adshare Signs CUBE Entertainment to Maximize Music Content Revenue CUBE One of South Korea's Most Recognized Record Labels
K-Pop on the Global Platform: European Audience Reception and Contexts
K-Pop Music Digital Marketing Role in Brazil Case Study: Kim Hyun Joong
Competitive Performativity Among Korean-Pop Fandoms Brittany Tinaliga
[email protected]
Lights, Camera, Action! Defining the Idol in Contemporary Asia
The Hallyu Wave and Tourism in South Korea
Chapter I Introduction
From B2C to B2B: Selling Korean Pop Music in the Age of New Social Media*
Entertainment OVERWEIGHT April 18, 2019