Mediatalk: the Bright Appeal of M&A
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Bab Ii Tinjauan Pustaka
BAB II TINJAUAN PUSTAKA A. DESKRIPSI SUBYEK PENELITIAN 1. SISTAR Sistar merupakan girlband yang berada di bawah naungan Starship Entertainment. Girlband yang debut pada tanggal 3 Juni 2010 ini beranggotakan Hyorin, Soyu, Bora, dan Dasom. Teaser debut Sistar yang berjudul Push Push rilis pada tanggal 1 Juni 2010, dan melakukan debut stage pertama kali di acara Music Bank (salah satu acara musik Korea Selatan) tanggal 4 Juni 2010 (http://www.starship- ent.com/index.php?mid=sistaralbum&page=2&document_srl=373, diakses pada 26 oktober 2017 pukul 11.30 WIB). Gambar 2.1 Foto teaser debut Sistar berjudul Push Push Di tahun yang sama, tepatnya tanggal 25 Agustus, Sistar kembali mempromosikan single debut berjudul Shady Girl. Single ini semakin membuat nama Sistar dikenal oleh khalayak, dan menempati chart tinggi dibeberapa situs musik Korea Selatan. Tanggal 23 13 14 November, Sistar merilis Teaser MV untuk single baru berjudul How Dare You. Namun karena permasalahan perebutan perbatasan antara Korea Utara dan Korea Selatan, membuat MV untuk Single How Dare You sedikit terlambat dipublikasikan. Tepat seminggu, akhirnya pada tanggal 2 Desember MV tersebut rilis dan berhasil menempati urutan teratas di beberapa chart music seperti Melon, Mnet, Soribada, Bugs, Monkey3, dan Daum Musik. Dalam Melon Chart bulan Desember tahun 2010, Sistar menempati urutan ke empat dalam Top 100 (http://www.melon.com/chart/search/index.htm, diakses pada 26 oktober 2017 pukul 12.25 WIB). Sistar - Single How Dare You Gambar 2.2 Melon Chart Desember 2010 Untuk tahun 2011, Sistar kembali melebarkan sayapnya di dunia musik dengan membentuk sub-unit yang beranggotakan Hyorin dan Bora. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Netease Cloud Music Enters Into Strategic Partnership with CUBE Entertainment
NetEase Cloud Music Enters into Strategic Partnership with CUBE Entertainment January 2, 2019 HANGZHOU, China, Jan. 2, 2019 /PRNewswire/ -- NetEase Cloud Music, one of China's leading music streaming platforms owned by leading Chinese internet company NetEase, Inc. (NASDAQ: NTES), today announced that it has entered into a strategic partnership with CUBE Entertainment, one of the largest entertainment companies in South Korea. Under the partnership agreement, NetEase Cloud Music has been granted access to CUBE Entertainment's complete music catalog, including sought-after albums and tracks from popular performers such as BTOB, CLC, PENTAGON, Yoo Seon-Ho and (G)I-DLE. The strategic alliance with CUBE Entertainment further expands NetEase Cloud Music's Korean music library, in an effort to promote Korean music in China. NetEase Cloud Music has already partnered with several prominent industry leaders and major Korean music award events to increase brand awareness, with the goal of establishing itself as the go-to destination for Chinese fans of Korean music and entertainment. CUBE Entertainment chose NetEase Cloud Music as its strategic partner because of the proven copyright management capabilities and the consumption potential of the large, demographically young user base. Launched in April 2013, NetEase Cloud Music has grown to become one of the most widely recognized and most popular music platforms in China, especially among the younger demographic segments, with more than 600 million registered users. Focusing on delivering a differentiated and premium user experience, NetEase Cloud Music is known for providing its personalized recommendations, distinctive song lists, reviews and social interaction. With a strong track record in copyright management of digital content, the platform encourages users to protect original music and has been expanding its licensing relationships with other leading Korean-focused firms including SM Entertainment, JYP Entertainment, Big Hit Entertainment and Loen Entertainment. -
An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California
UCLA UCLA Entertainment Law Review Title Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Talent Agencies Act of California Permalink https://escholarship.org/uc/item/88z2z7wm Journal UCLA Entertainment Law Review, 20(2) ISSN 1073-2896 Author Tsai, Patricia Publication Date 2013 DOI 10.5070/LR8202027172 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Discovering the Full Potential of the 360 Deal: An Analysis of the Korean Pop Industry, Seven-Year Statute, and Tal- ent Agencies Act of California Patricia Tsai* The 360 deal has been an attractive option for music labels in the United States to gain traction in the faltering music industry, but po- tential legal obstacles may hinder the incentive to enter into the deals both for the label andfor the artist. Labels entering into 360 deals may find themselves liablefor violating the Seven-Year Statute or the Talent Agencies Act (TAA). With 360 agreements becoming more popular, labels should turn to an existing music industry that has dealt with the potentiallegal problems of 360 dealsfor years. The Korean pop industry, commonly called "K-pop, " has taken advantage of a 360-deal-like model for many years, and as a conse- quence, many Korean labels have experienced the potential legal prob- lems that American labels may face. Particularly,the legal problems faced by S.M Entertainment, a talent agency and music label giant in South Korea, as a result of their contract with TVXQ, a popular and hugely successful boy band,reveal exactly the type ofpotential liability faced by American music labels. -
A Feminist Political Economy of the Korean Popular Music Industry
A Feminist Political Economy of the Korean Popular Music Industry by Hyejin Jo M.A., Hankuk University of Foreign Studies, 2016 B.A., Hankuk University of Foreign Studies, 2013 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication Faculty of Communication, Art and Technology © Hyejin Jo 2019 SIMON FRASER UNIVERSITY Summer 2019 Copyright in this work rests with the author. Please ensure that any reproduction or re-use is done in accordance with the relevant national copyright legislation. Approval Name: Hyejin Jo Degree: Master of Arts Title: A Feminist Political Economy of the Korean Popular Music Industry Examining Committee: Chair: Daniel Ahadi Lecturer Dal Yong Jin Senior Supervisor Professor Martin Laba Supervisor Associate Professor Ju Oak Kim External Examiner Assistant Professor Department of Psychology and Communication College of Arts and Sciences at Texas A&M International University Date Defended/Approved: July 12, 2019 ii Abstract Gender disparity is an emerging issue in contemporary South Korea. Despite the significant increase in gendered concerns, there has been a lack of discussion on gender inequality problems in the Korean popular music industry. For this reason, this thesis aims to investigate gender inequalities and power relations embedded in the male-dominated Korean popular music industry by analyzing the texts, images and music of Korean girl groups through the lens of a feminist political economy. In doing so, this study utilizes textual analysis in order to examine how gendered hierarchy and patriarchal power, acting as industrial practices, exploit Korean girl groups in the Korean popular music industry. -
K-Pop): a Register Analysis
SURAKARTA ENGLISH AND LITERATURE JOURNAL Vol 3 No 2 AUGUST 2020 Publisher Language and Literature Faculty, University of Surakarta ISSN Print: 2621-9077 ISSN Online: 2621-9085 THE FUNCTIONS OF ENGLISH TERMS IN KOREAN POPULAR MUSIC (K-POP): A REGISTER ANALYSIS Asfi Aniuranti English Language Teaching Department, Nahdlatul Ulama University of Purwokerto. [email protected] ABSTRACT This study is a part of register research aimed at investigating the functions of English terms in Korean Popular Music (K-Pop). There are many English terms used in K-Pop, and those terms are assumed to have some purposes. The researcher completed this study through several phases called data gathering, data analysis, and data presentation. The present study reveals that there are at least eleven functions of English terms in K-Pop. The terms are utilized for promoting the singers’ music projects, showing self as something different from the others, communicating briefly, praising the singers’ physical appearances, appreciating the singers’ achievements, giving comment on the singers’ attitudes, commenting on the singers’ fashions, joking, giving appreciation to the music agencies, appreciating the fans, and showing hatred toward the singers. Keywords: Register, English Terms, K-Pop, Term Functions. ABSTRAK Penelitian ini merupakan bagian dari kajian register yang bertujuan untuk meneliti fungsi istilah bahasa Inggris dalam Korean Popular Music (K-Pop). Terdapat banyak istilah bahasa Inggris yang digunakan dalam K-Pop dan istilah tersebut diasumsikan memiliki beberapa tujuan tertentu. Peneliti menyelsaikan penelitian ini melalui beberapa tahapan, yaitu pengumpulan data, analisis data, dan penyajian hasil analisis. Penelitian ini menunjukkan bahwa setidaknya ada sebelas fungsi dari istilah-istilah bahasa Inggris dalam K-Pop. -
Pawprint Jr. Dec. 2019 Edition
Maple Hill Jr. PawPrint Issue 2 December 2019 Martin Luther King, Jr. Exhibitions Fiona Gokey entered the Siena College and the New York State Martin Luther King, Jr., Exhibitions. This is her artist’s statement about how she created the art piece. “I used an Anime artist app, it’s called IBS Paint X. I do make other art, but it’s just for recreation. Before I get into how I made my art, I just wanted to talk about what genre it is. I noticed how many trending topics of art are about a style called pop art. Pop Art is super funky and hip, you draw an image and lay a new layer of colors or different images. When I was making my art, I first found a picture of MLK. Then, I hand-drew it and took my own picture of my drawing. I copied it on to IBS Paint X and colored it. That sounds way more complicated than it actually was.” Best of luck to Fiona as her work is displayed in the community! HOLLAND By: Bridget Soden, Editor Go Tae Seob also known as his stage name HOLLAND, is a South Korean solo artist under his own company Holland Entertainment. He made his debut in January 2018, with the release of single “Neverland.” Holland’s music video reached over 1 million views in 20 hours. He returned in June with his second single “I’m Not Afraid” then in July he released his third single “I’m So Afraid.” On March 31, 2019, Hollan released his first self-titled mini-album titled, Holland, and tacks “Nar_C” and “Up.” He then later released his newest single “Loved You Better” on December 11, 2019. -
Fnc Villain Gg
1 / 4 FNC VILLAIN GG ... for Seven Days” (2017). Born: Jul 26, 1980 (age 40); Blood Type: A; Star Sign: Leo; Height: 184 cm; Weight: 65 kg; Talent Agency. FNC Entertainment (Korea).. Jan 15, 2019 — Skyler you may remember from his appearance on an episode of WWE Monday Night RAW last year where he portrayed the character Ricky .... Former AOA Member Mina calls out FNC and AOA's Jimin. Episode ... Girls' Generation Reveals New Unit “Oh!GG” ... Lee Jong Suk As A Villain In The Movie.. Mar 12, 2020 — PVMAN = NOT GG widepeepoHappy. permalink; report ... Its bad to dwell on stereotypes but he is almost like a movie character. Goes abroad.. Not enough Ranked data in last three patches to display LP graph. Match History. All Matches.. These levels will continue to increase with each character level you get up to 30 and each ... Jun 01 2021 LEC MSF vs FNC March 12 2021 1 0. ... the same time with all of the challenges open on weekends. gg As you can see the numbers are .... FNC Nisqy, Yassuo & Sanchovies (C9 vs TL) | IWD LCS Co-Stream MP3 & MP4 ... https://bit.ly/2CwVEvl Cloud9 Links: Store: http://c9.gg/store Website: ... TFT Stats for FNC Crossroads (EUW). Learn Summoners strategies ... FNC Crossroads. #EUW ... guardian-angel ionic-spark villains-bramble-vest. Morgana.. GG: newer, smarter, and more up-to-date runes and mythic item builds than ... even though it's relaxed the 140-character limit a little bit, there's still not a ton of ... of Jensen Nov 05, 2017 · FNC Rekkles Noway4u & PowerOfEvil Gameplay | Pro ... -
How Women Are Portrayed in K-Pop Music Videos: an Example of How Gender Is Constructed in Media
How women are portrayed in K-pop music videos: an example of how gender is constructed in media Isabelle Paanalahti Abrahamsson Department of för Asian, Middle Eastern and Turkish Studies B.A. Thesis 15 hp Korean Spring term 2018 Supervisor: Sonja Häussler ABSTRACT: The purpose of this thesis is to show how women are portrayed in Korean entertainment media, in order to give an example of how gender is constructed in media. To answer these questions the 10 most viewed music videos of the 5 most popular groups in South Korea have been analysed. The analysis of the material has been made with a conventional content analysis and Judith Butler’s theory in Gender Trouble. The result shows that in the examined music videos the way women are behaving is limited to either “sexy” or “cute” acting, and the topic of the women’s songs are about men or their own appearance. The thesis draws the conclusion that with a very limited way of acting the entertainment industry is actively creating and supporting narrow gender roles, which in turn can influence women and their belief of how they are supposed to be. SAMMANFATTNING: Syftet med denna uppsats är att visa hur kvinnor porträtteras i koreansk underhållningsmedia. Detta för att ge ett exempel på hur genus skapas i media. För att svara på dessa frågor har de 10 mest visade musikvideorna av de 5 populäraste grupperna i Sydkorea analyserats. Materialet har analyserats med en konventionell innehållsanalys och Judith Butlers teori i Gender Trouble. Resultatet visar att kvinnorna i de valda musikvideorna är begränsade till att uppträda “sexigt” eller “sött”, och de ämnen kvinnorna sjunger om handlar antingen om män eller deras egna utseende. -
Achievement in the South Korean Music Industry Björn Boman1
6 International Journal of Music Business Research, October 2019, vol. 8 no. 2 Achievement in the South Korean music industry Björn Boman1 Abstract South Korean Pop music, commonly referred to as K-pop, emerged in the 1990s and reached regional and global recognition in the early 2000s, with a peak in 2018 with the two groups BTS and BLACKPINK. Their relative global success is explained in this article as an interplay of a G-L-G (Global-Local-Global) business model, beauty, ar- tistic and personality skills at the individual level, and idiosyncratic factors, such as particular songwriting capabilities and hit songs. This interplay was designed for market penetration in the US and UK. Keywords: K-pop, Hallyu, South Korea, Korean wave, BTS, BLACKPINK 1 Introduction Many might associate contemporary South Korea with high Programme for International Student Assessment (PISA) results, as well as rapid technological and economic development since the 1980s. Another ele- ment which is linked to modern South Korea is its pop cultural industry, especially K-pop, an umbrella term for South Korean popular music. The appeal of K-pop has been ascribed to physically attractive group mem- bers, globally fashionable pop music, and synchronized dance perfor- mances (Oh 2013). While several K-pop acts such as Big Bang, TVXQ, Girls' Generation, Super Junior, and EXO have reached local (South Ko- rea) and regional (East Asia) success (Lie 2013; Lie 2014; Oh 2013), these acts have failed to penetrate the major music markets of the US and UK. An attempt was made in the US by Girls' Generation with the single and music video "The Boys" in 2011, which was launched in an English ver- sion. -
Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung
Vassar College Digital Window @ Vassar Senior Capstone Projects 2012 Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Part of the Film and Media Studies Commons Recommended Citation Leung, Sarah, "Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music" (2012). Senior Capstone Projects. 149. http://digitalwindow.vassar.edu/senior_capstone/149 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Catching the K-Pop Wave: Globality in the Production, Distribution, and Consumption of South Korean Popular Music Sarah Leung Media Studies Senior Thesis Thesis Adviser: Tarik Elseewi April 20, 2012 Chapter List: I. Going with the Flow: K-Pop and the Hallyu Wave…….…………………………………2 1. Introduction…………………………………………………..……………………2 2. So What is K-Pop? Local vs. Global Identities……………...…………….…….10 II. Making the Band: K-Pop Production………………….…….…….….….………………25 1. The Importance of Image……………………………………………..………….25 2. Idol Recruitment, Training, and Maintenance………………………….…..……28 III. Around the World: Patterns of K-Pop Consumption…………….….….…….………….34 1. Where is K-Pop being Consumed? …………………….….…………………….34 2. Interculture, Transnational Identity, and Resistance……...……………….……..42 IV. Crazed! The “Pop” in K-Pop………………………………………………………….…48 1. H.O.T.? Issues of Gender and Sexuality in K-Pop’s Appeal……..…..………….48 2. Fan Culture and Media Convergence………………...……………………….…69 V. Conclusions……………………………………………..………………………….…….77 Bibliography…………………………………………………………………………………85 Leung 1 I. -
Purchasing Behavior of K-Pop Idol Goods Consumers in Korea 3 Tunes, Family-Friendly Lyrics and Fiendishly Catchy Hooks” 1996)
Journal of Fashion Business Vol.22, No.6 Purchasing Behavior of K-pop Idol Goods — ISSN 1229-3350(Print) Consumers in Korea ISSN 2288-1867(Online) — J. fash. bus. Vol. 22, No. 6:1-13, December. 2018 https://doi.org/ Yu Jin Kim* ‧ Jieun Lee** ‧ MiYoung Lee† 10.12940/jfb.2018.22.6.1 *CHIPS inc., Production Development, Korea **UBASE International, Overseas Sales, Korea Dept. of Fashion Design & Textiles, Inha University, Korea Corresponding author — MiYoung Lee Tel : +82-32-360-8137 Fax.: +82-32-865-8130 E-mail : [email protected] Keywords Abstract K-pop idol, Idol goods, Idol goods refer to products such as cups and towels, or mementos or fandom, Idol identification, souvenirs that are manufactured to gratify the desires of fandom and may purchase intention include the facial images of a star. The objective of this research was to explore the purchase behaviors of K-pop idol goods. Two hundred and sixty female idol goods purchasers in their twenties participated in an online survey. Cheering tools were the most often purchased idol goods, followed by idol slogans and dolls. To investigate the difference in idol goods’ attributes they considered when shopping, respondents were divided into three purchase groups based on their annual total expense for purchasing idol goods. There were significant differences among light, medium and heavy purchasers in terms of goods’ price, practical features, and scarcity. The light shopper group was majorly guided by price and practical features as compared to the other two groups, and heavy shopper group was majorly guided by scarcity attribute than in the other two shopper groups.