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Gangnam Style’
POLITICS, PARODIES, AND THE PARADOX OF PSY’S ‘GANGNAM STYLE’ KEITH HOWARD∗ ABSTRACT In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. Today, Psy, the singer of ‘Gangnam Style’, is regularly talked about as having brought K-pop to the world beyond East and Southeast Asia, and Korean tourism chiefs are actively planning a Korean Wave street in Gangnam, the district of Seoul lampooned by the song. But, ‘Gangnam Style’ has proved challenging to K-pop fans, who have resisted its gender stereotyping, its comic framing, and its simple dance moves that subsume the aesthetics of movement under a sequence of locations and action vignettes. At the same time, foreign success has given the song, and its singer, legitimacy in Korea so much so that, despite lyrics and video images that critique modern urban life and caricature the misogynistic failures of its protagonist, Psy headlined the inauguration celebrations of Korea’s incoming president, Park Geun-hye, in February 2013. This paper explores the song, its reception and critique by fans and others, and notes how, in an ultimate paradox that reflects the age of social media and the individualization of consumerism, the parodies the song spawned across the globe enabled Koreans to celebrate its success while ignoring its message. Keywords: Korean Wave, K-pop, popular music, parody, mimesis, consumerism, social media, Gangnam Style, Psy. INTRODUCTION In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. -
UC San Diego UC San Diego Electronic Theses and Dissertations
UC San Diego UC San Diego Electronic Theses and Dissertations Title Romancing race and gender : intermarriage and the making of a 'modern subjectivity' in colonial Korea, 1910-1945 Permalink https://escholarship.org/uc/item/9qf7j1gq Author Kim, Su Yun Publication Date 2009 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO Romancing Race and Gender: Intermarriage and the Making of a ‘Modern Subjectivity’ in Colonial Korea, 1910-1945 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Literature by Su Yun Kim Committee in charge: Professor Lisa Yoneyama, Chair Professor Takashi Fujitani Professor Jin-kyung Lee Professor Lisa Lowe Professor Yingjin Zhang 2009 Copyright Su Yun Kim, 2009 All rights reserved The Dissertation of Su Yun Kim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California, San Diego 2009 iii TABLE OF CONTENTS Signature Page…………………………………………………………………...……… iii Table of Contents………………………………………………………………………... iv List of Figures ……………………………………………….……………………...……. v List of Tables …………………………………….……………….………………...…... vi Preface …………………………………………….…………………………..……….. vii Acknowledgements …………………………….……………………………..………. viii Vita ………………………………………..……………………………………….……. xi Abstract…………………………………………………………………………………. xii INTRODUCTION: Coupling Colonizer and Colonized……………….………….…….. 1 CHAPTER 1: Promotion of -
The Rise and Fall of the Taiwan Independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010)
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 The Rise and Fall of the Taiwan independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010) Dalei Jie University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian Studies Commons, and the Political Science Commons Recommended Citation Jie, Dalei, "The Rise and Fall of the Taiwan independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010)" (2012). Publicly Accessible Penn Dissertations. 524. https://repository.upenn.edu/edissertations/524 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/524 For more information, please contact [email protected]. The Rise and Fall of the Taiwan independence Policy: Power Shift, Domestic Constraints, and Sovereignty Assertiveness (1988-2010) Abstract How to explain the rise and fall of the Taiwan independence policy? As the Taiwan Strait is still the only conceivable scenario where a major power war can break out and Taiwan's words and deeds can significantly affect the prospect of a cross-strait military conflict, ot answer this question is not just a scholarly inquiry. I define the aiwanT independence policy as internal political moves by the Taiwanese government to establish Taiwan as a separate and sovereign political entity on the world stage. Although two existing prevailing explanations--electoral politics and shifting identity--have some merits, they are inadequate to explain policy change over the past twenty years. Instead, I argue that there is strategic rationale for Taiwan to assert a separate sovereignty. Sovereignty assertions are attempts to substitute normative power--the international consensus on the sanctity of sovereignty--for a shortfall in military- economic-diplomatic assets. -
Strategies for Parenting Children with Difficult Temperament
Strategies for Parenting Children with Difficult Temperament by Karen Stephens Children are born with an inborn temperament, a preferred style of relating to people and events. Temperament is indicated by behavior that clusters into three categories: easy, slow-to-warm up, and difficult. No category makes a child good or bad. They merely describe a child’s response patterns. Some children (approximately 10-20%) are born with “difficult temperament.” Traits include: high, often impulsive activity level; extra sensitive to sensory stimulation; overwhelmed by change in routines and new experiences; intense, inflexible reactions; easily distracted or incredibly focused; adapt slowly to change, not able to calm themselves well; irregular biological rhythms, such as hunger/sleep schedules; rapid, intense, mood swings resulting in acting out or withdrawing completely. Your discipline interactions can clue you into your child’s temperament. Parents struggling with difficult temperament say they continually remind and nag; name-call, yell, bribe, plead, make empty threats; give into power-struggles; feel as if their child “calls all the shots”or “rules the roost”; over-react; argue with co-parent over discipline; or give up trying to discipline at all. None of those characteristics make life easy, for kids or parents. But children with difficult temperament can learn to cope with their sensitivities. If they don’t learn, Your they can become confused, frustrated, and hopeless. In addition, they will most likely have to endure constant negative feedback which creates a vicious cycle of discouragement. discipline Children with difficult temperament do require extra time, guidance, and patience. But all children can be raised to be well-adjusted people with positive self esteem. -
Bab Ii Tinjauan Pustaka
BAB II TINJAUAN PUSTAKA A. DESKRIPSI SUBYEK PENELITIAN 1. SISTAR Sistar merupakan girlband yang berada di bawah naungan Starship Entertainment. Girlband yang debut pada tanggal 3 Juni 2010 ini beranggotakan Hyorin, Soyu, Bora, dan Dasom. Teaser debut Sistar yang berjudul Push Push rilis pada tanggal 1 Juni 2010, dan melakukan debut stage pertama kali di acara Music Bank (salah satu acara musik Korea Selatan) tanggal 4 Juni 2010 (http://www.starship- ent.com/index.php?mid=sistaralbum&page=2&document_srl=373, diakses pada 26 oktober 2017 pukul 11.30 WIB). Gambar 2.1 Foto teaser debut Sistar berjudul Push Push Di tahun yang sama, tepatnya tanggal 25 Agustus, Sistar kembali mempromosikan single debut berjudul Shady Girl. Single ini semakin membuat nama Sistar dikenal oleh khalayak, dan menempati chart tinggi dibeberapa situs musik Korea Selatan. Tanggal 23 13 14 November, Sistar merilis Teaser MV untuk single baru berjudul How Dare You. Namun karena permasalahan perebutan perbatasan antara Korea Utara dan Korea Selatan, membuat MV untuk Single How Dare You sedikit terlambat dipublikasikan. Tepat seminggu, akhirnya pada tanggal 2 Desember MV tersebut rilis dan berhasil menempati urutan teratas di beberapa chart music seperti Melon, Mnet, Soribada, Bugs, Monkey3, dan Daum Musik. Dalam Melon Chart bulan Desember tahun 2010, Sistar menempati urutan ke empat dalam Top 100 (http://www.melon.com/chart/search/index.htm, diakses pada 26 oktober 2017 pukul 12.25 WIB). Sistar - Single How Dare You Gambar 2.2 Melon Chart Desember 2010 Untuk tahun 2011, Sistar kembali melebarkan sayapnya di dunia musik dengan membentuk sub-unit yang beranggotakan Hyorin dan Bora. -
Lanco Celebrate Romance, Bar Band Roots at Nashville Homecoming Concert
(12.9.18) - https://www.rollingstone.com/music/music-country/lanco-hallelujah-nights-tour-review-766686/ Lanco Celebrate Romance, Bar Band Roots at Nashville Homecoming Concert Brandon Lancaster and his group mix covers with hits like “Greatest Love Story” on Hallelujah Nights Tour “Greatest Love Story” hitmakers Lanco capped the opening leg of their first headlining tour at Nashville’s Cannery Ballroom Friday night, bringing a combustible mix of romance and live-for-the-moment joy to a sold- out crowd of about 1,000 hometown fans. Having spent the summer on Dierks Bentley’s Mountain High Tour and then their own Hallelujah Nights run, the five-piece band — made up of frontman Brandon Lancaster, guitarist Eric Steedly, drummer Tripp Howell, bassist Chandler Baldwin and multi-instrumentalist Jared Hampton — showed why they’ve been earning a reputation as one of country’s most potent live acts. Lanco broke out in 2017 with the Double Platinum single “Greatest Love Story,” a freewheeling epic inspired by Lancaster’s own youth in nearby Smyrna, Tennessee, and followed up in 2018 with the propulsive heartbeat of “Born to Love You” — plus a CMA Awards nod for Vocal Group of the Year. Just before Friday night’s show, Steedly shared that the band will spend this week tracking their second LP with producer Jay Joyce (Eric Church, Brothers Osborne). But at the Cannery, Lanco — one of the 2019 CRS “New Faces” class — were focused on soaking up their journey so far, not looking ahead. “The last time we played in this building, it was a few floors up, to about 15 people,” Lancaster said toward the end of their hour-long set, referencing the cozy High Watt stage on the complex’s top floor. -
Fenomén K-Pop a Jeho Sociokulturní Kontexty Phenomenon K-Pop and Its
UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Fenomén k-pop a jeho sociokulturní kontexty Phenomenon k-pop and its socio-cultural contexts Diplomová práce Autorka práce: Bc. Eliška Hlubinková Vedoucí práce: Mgr. Filip Krejčí, Ph.D. Olomouc 2020 Poděkování Upřímně děkuji vedoucímu práce Mgr. Filipu Krejčímu, Ph.D., za jeho odborné vedení při vypracovávání této diplomové práce. Dále si cením pomoci studentů Katedry asijských studií univerzity Palackého a členů české k-pop komunity, kteří mi pomohli se zpracováním tohoto tématu. Děkuji jim za jejich profesionální přístup, rady a celkovou pomoc s tímto tématem. Prohlášení Prohlašuji, že jsem diplomovou práci vypracovala samostatně s použitím uvedené literatury a dalších informačních zdrojů. V Olomouci dne Podpis Anotace Práce se zabývá hudebním žánrem k-pop, historií jeho vzniku, umělci, jejich rozvojem, a celkovým vlivem žánru na společnost. Snaží se přiblížit tento styl, který obsahuje řadu hudebních, tanečních a kulturních směrů, široké veřejnosti. Mimo samotnou podobu a historii k-popu se práce věnuje i temným stránkám tohoto fenoménu. V závislosti na dostupnosti literárních a internetových zdrojů zpracovává historii žánru od jeho vzniku až do roku 2020, spolu s tvorbou a úspěchy jihokorejských umělců. Součástí práce je i zpracování dvou dotazníků. Jeden zpracovává názor české veřejnosti na k-pop, druhý byl mířený na českou k-pop komunitu a její myšlenky ohledně tohoto žánru. Abstract This master´s thesis is describing music genre k-pop, its history, artists and their own evolution, and impact of the genre on society. It is also trying to introduce this genre, full of diverse music, dance and culture movements, to the public. -
Mediatalk: the Bright Appeal of M&A
H2: 2020 MEDIAtalk THE BRIGHT APPEAL OF M&A ii h2 2020 | mediatalk mediatalk | h2 2020 1 H2: 2020 MEDIAtalk A WORD FROM ANDY VINER GLOBAL HEAD OF MEDIA AND ENTERTAINMENT GLOBAL M&A: OVERVIEW 4 UK MEDIA M&A: OVERVIEW 10 Media in 2020 proved to be a remarkably resilient sector, buoyed in particular by increased demand for entertainment UK MEDIA M&A: HOT SECTORS 12 and related services. Globally, the value of media-related THE MEDIA PORTFOLIO 16 M&A topped USD $130 billion, a figure that underscored the market’s staying power in a remarkably difficult year. SPOTLIGHT ON THE US 20 And even though we saw a reduction in the number of deals LOOKING AHEAD TO 2021 25 announced in 2020, average deal values actually increased by around 14%. There was, of course, a significant divergence in how COVID-related restrictions affected different subsectors, with large numbers of companies directly vulnerable to lockdown policies and the newly cautious behaviour of consumers that went with them. While premiums were placed on assets and businesses with strong tech underpinnings and/or embedded data and digitalisation plans, deals targeting under-performing businesses were slower to materialise. Investors will now need to determine how to price in any necessary recovery period and the impact of corporate decisions taken to help businesses weather the storm. 2 h2 2020 | mediatalk mediatalk | h2 2020 3 A WORD FROM ANDY VINER continued That said, while revenue growth may be that. With its attractiveness to overseas slower initially through Q1, we anticipate investors and potential to bounce back, recovery to speed up over the rest of the it made up a big chunk of all deals struck year, and there could well be a shorter path through 2020, both within the UK and for M&A too. -
Netease Cloud Music Enters Into Strategic Partnership with CUBE Entertainment
NetEase Cloud Music Enters into Strategic Partnership with CUBE Entertainment January 2, 2019 HANGZHOU, China, Jan. 2, 2019 /PRNewswire/ -- NetEase Cloud Music, one of China's leading music streaming platforms owned by leading Chinese internet company NetEase, Inc. (NASDAQ: NTES), today announced that it has entered into a strategic partnership with CUBE Entertainment, one of the largest entertainment companies in South Korea. Under the partnership agreement, NetEase Cloud Music has been granted access to CUBE Entertainment's complete music catalog, including sought-after albums and tracks from popular performers such as BTOB, CLC, PENTAGON, Yoo Seon-Ho and (G)I-DLE. The strategic alliance with CUBE Entertainment further expands NetEase Cloud Music's Korean music library, in an effort to promote Korean music in China. NetEase Cloud Music has already partnered with several prominent industry leaders and major Korean music award events to increase brand awareness, with the goal of establishing itself as the go-to destination for Chinese fans of Korean music and entertainment. CUBE Entertainment chose NetEase Cloud Music as its strategic partner because of the proven copyright management capabilities and the consumption potential of the large, demographically young user base. Launched in April 2013, NetEase Cloud Music has grown to become one of the most widely recognized and most popular music platforms in China, especially among the younger demographic segments, with more than 600 million registered users. Focusing on delivering a differentiated and premium user experience, NetEase Cloud Music is known for providing its personalized recommendations, distinctive song lists, reviews and social interaction. With a strong track record in copyright management of digital content, the platform encourages users to protect original music and has been expanding its licensing relationships with other leading Korean-focused firms including SM Entertainment, JYP Entertainment, Big Hit Entertainment and Loen Entertainment. -
Conceptually Androgynous
Umeå Center for Gender Studies Conceptually androgynous The production and commodification of gender in Korean pop music Petter Almqvist-Ingersoll Master Thesis in Gender Studies Spring 2019 Thesis supervisor: Johanna Overud, Ph. D. ABSTRACT Stemming from a recent surge in articles related to Korean masculinities, and based in a feminist and queer Marxist theoretical framework, this paper asks how gender, with a specific focus on what is referred to as soft masculinity, is constructed through K-pop performances, as well as what power structures are in play. By reading studies on pan-Asian masculinities and gender performativity - taking into account such factors as talnori and kkonminam, and investigating conceptual terms flower boy, aegyo, and girl crush - it forms a baseline for a qualitative research project. By conducting qualitative interviews with Swedish K-pop fans and performing semiotic analysis of K-pop music videos, the thesis finds that although K-pop masculinities are perceived as feminine to a foreign audience, they are still heavily rooted in a heteronormative framework. Furthermore, in investigating the production of gender performativity in K-pop, it finds that neoliberal commercialism holds an assertive grip over these productions and are thus able to dictate ‘conceptualizations’ of gender and project identities that are specifically tailored to attract certain audiences. Lastly, the study shows that these practices are sold under an umbrella of ‘loyalty’ in which fans are incentivized to consume in order to show support for their idols – in which the concept of desire plays a significant role. Keywords: Gender, masculinity, commercialism, queer, Marxism Contents Acknowledgments ................................................................................................................................... 1 INTRODUCTION ................................................................................................................................. -
Old and New Version of Aim for Mac
Old And New Version Of Aim For Mac 1 / 5 Old And New Version Of Aim For Mac 2 / 5 3 / 5 Sunye transformed into a strong blonde with smoky makeup, while Yubin turned into a lovable young girl. ICQ Version 3 02 is compatible with Mac OS 8 1-8 5 and 3 2 Beta 5 is compatible with OS 8.. The band debuted in early 2007, under JYP Entertainment On January 27, 2017, it was officially announced the disband of Wonder Girls.. Wonder girls sunye yubin for mac May 25, 2016 Wonder Girls Members Profile 2018: Wonder Girls Facts, Wonder Girls Ideal Types Wonder Girls consists of 4 members.. 6 Version 3 4 23 is compatible with OS 9-X Download New Version Of AimAIM 509 - AOL Instant Messenger client. How To Transfer Money Between Accounts In Quicken For Mac 2016 Download New Version Of Aim FreeDownload New Version Of AimDownload New Version Of Aim FreeICQ Description ICQ is one of the first popular instant messaging clients for computers.. They were co-managed in the United States by Creative Artists Agency [needs update?The group began their entry into the American market in.. It was first developed by a group of Israeli developers who saw a lack for a medium to locate and connect different computer users in real time through the internet. load Djmax Trilogy Usb Key Crack Zip Starcraft 2 Download Full Game Free Mac Gratis Skin Pack Anime Windows 7 Game elements gge909 driver for mac Thank you for your question Tencolor and if you have more question to ask then please 4 / 5 don`t hesitate to ask it here and i promise you that you will get a quick response from us. -
“The Social Cut of Black and Yellow Female Hip Hop” Erick Raven
“The Social Cut of Black and Yellow Female Hip Hop” Erick Raven University of Texas at Arlington May 2020 Abstract Korean female hip hop artists are expanding the definition of femininity in South Korea through hip hop. In doing so, they are following a tradition first established by Black female musical performers in a new context. Korean artists are conceiving and expressing, through rap and dance, alternative versions of a “Korean woman,” thus challenging and attempting to add to the dominant conceptions of “woman.” This Thesis seeks to point out the ways female Korean hip hop artists are engaging dominant discourse regarding skin tone, body type, and expression of female sexuality, and creating spaces for the development of new discourses about gender in South Korean society. Contents Introduction – Into the Cut ................................................ 1 Chapter I – Yoon Mi-rae and Negotiating the West and East of Colorism ............................................................. 12 Chapter II – The Performing Black and Yellow Female Body ................................................................................ 31 Chapter III – Performing Sexuality ................................. 47 Chapter IV – Dis-Orientation .......................................... 59 Conclusion .................................................................... 67 Works Cited .................................................................... 70 Introduction – Into the Cut Identities are performed discourse; they are formed when those who identify as a particular personality perform and establish a discourse in a particular social context. As George Lipsitz states, “improvisation is a site of encounter” (61). In South Korea, female Korean hip hop is the site of a social cut in dominant culture and has become a space of improvisation where new, counter-hegemonic identities are constructed and performed. In this Thesis, I argue that Korean female hip hop artists are enacting a social rupture by performing improvised identities.