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Current Status and Competitiveness of K-Pop Korean Wave on the Southeast Asia
Current status and competitiveness of K-pop Korean Wave on the Southeast Asia Quoc Trung Pham1, Jong Won Yun2 1 HCMC University of Technology (VNU-HCM), Vietnam 2 Changwon National University, Korea 2020 K-WCEB International Symposium (“Building Business Relationships between World Chinese Entrepreneurs and Korea”) 13-14/11/2020 - Online Conference - Changwon National University Studio Contents 1. Introduction 2. Current status of K-pop on the Southeast Asia 3. Competitiveness of Korean wave in Vietnam 4. Future trends & Suggestion 5. Conclusion 1. Introduction In digital society, entertainment and creative industry becomes one of the most important sectors of any country. Since 2000s, the Korean Wave or K-pop evolved into a global phenomenon, carried by the Internet and entertainment technologies. The Korean wave has spread the influence of aspects of Korean culture including fashion, music, TV programs, cosmetics, games, cuisine, web-toon and beauty. K-pop or Korean wave could be used as a strategy of Korea to improve its national brand and to support cultural products exportation. Some challenges for K-pop development in the future include: The competition with J-pop, Western music and other cultural trends The impact of Covid-19 pandemic A change in policy of South Korea Government toward the Indochina Peninsula A need to review the current status and the competitiveness of K-pop in the Southeast Asia region A suitable policy to raise the impact of Korean wave in this region and to support the further development of Korean and regional economy. 2. Current status of K-pop on the ASEAN (1) Top 5 countries spending most time for K-pop idols in 2020 include: 1/ Indonesia, 2/ Thailand, 3/ Vietnam, 4/ Malaysia, 5/ Brazil (Yan.vn, 2020) Singapore There is a thriving K-pop fan-base in Singapore, where idol groups, such as 2NE1, BTS, Girls' Generation, Got7 and Exo, often hold concert tour dates.
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FINAL YHIS Newspaper September 2018
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Gangnam Style’
POLITICS, PARODIES, AND THE PARADOX OF PSY’S ‘GANGNAM STYLE’ KEITH HOWARD∗ ABSTRACT In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia. Today, Psy, the singer of ‘Gangnam Style’, is regularly talked about as having brought K-pop to the world beyond East and Southeast Asia, and Korean tourism chiefs are actively planning a Korean Wave street in Gangnam, the district of Seoul lampooned by the song. But, ‘Gangnam Style’ has proved challenging to K-pop fans, who have resisted its gender stereotyping, its comic framing, and its simple dance moves that subsume the aesthetics of movement under a sequence of locations and action vignettes. At the same time, foreign success has given the song, and its singer, legitimacy in Korea so much so that, despite lyrics and video images that critique modern urban life and caricature the misogynistic failures of its protagonist, Psy headlined the inauguration celebrations of Korea’s incoming president, Park Geun-hye, in February 2013. This paper explores the song, its reception and critique by fans and others, and notes how, in an ultimate paradox that reflects the age of social media and the individualization of consumerism, the parodies the song spawned across the globe enabled Koreans to celebrate its success while ignoring its message. Keywords: Korean Wave, K-pop, popular music, parody, mimesis, consumerism, social media, Gangnam Style, Psy. INTRODUCTION In 2012, ‘Gangnam Style’ occasioned large flash mobs, three of the early ones taking place in Pasadena, Times Square in New York, and Sydney, Australia.
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ISSN: 2635-6619 (Online) Journal homepage: https://culturenempathy.org/ K-Pop as a Means to an End among Thai Youth: Korean Wave as Costume, Food, and Image Keith Howard and Great Lekakul, SOAS, University of London To cite this article: Keith Howard and Great Lekakul, “K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image.” Culture and Empathy 1(1-4): 18-33, DOI: 10.32860/26356619/2018/1.1234.0003. To link to this article: https://doi.org/10.32860/26356619/2018/1.1234.0003 Published online: 8 Oct 2018. Submit your article to this journal Full Terms & Conditions of access and use can be found at https://culturenempathy.org/terms-and-conditions CULTURE AND EMPATHY Vol. 1, No. 1-4, pp. 18-33 https://doi.org/10.32860/26356619/2018/1.1234.0003 K-Pop as a Means to an End among Thai youth: Korean Wave as Costume, Food, and Image Keith HOWARD, SOAS, University of London Great LEKAKUL, SOAS, University of London Abstract Assessments of the impact of K-pop beyond Korea, and of other aspects within the broader Korean Wave, often focus on groups of fans. The research reported here began from an intention to move beyond fandom, encouraged by a challenge to demonstrate that ARTICLE HISTORY members of the British Thai community, aware of their heritage in Received 10 August 2018 Southeast Asia but growing up in the eclectic cultural mix of Revised 24 September 2018 Accepted 30 September 2018 contemporary Britain, were interested in K-pop.
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