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Cosima Wagner
The Bayreuth Festspielhaus: the Metaphysical Manifestation of Wagner's Der Ring Des Nibelungen Matthew Timmermans University of Ottawa
From Page to Stage: Wagner As Regisseur
From Humanism to Nazism: Antiquity in the Work of Houston Stewart Chamberlain
Wagner Ouvertüren & Vorspiele Hiroshi Wakasugi · Staatskapelle Dresden Original Master Tape Wagner’S Miraculous Overtures
Degenerate Religion and Masculinity in Parsifal Reception
Introduction
Press Release
Cosima Wagner, Brustbild Von Unbekanntem Fotograf, O
PROGRAM NOTES Richard Wagner
Liszt and Mahler in the Postmodern Filmic Visions of Ken Russell
Houston Stewart Chamberlain
Richard Wagner's Jesus Von Nazareth
1703 Dm 1496 Wagner Vier W
Siegfried Idyll
Wagner's Great Transition? from 'Lohengrin' to 'Das Rheingold' Author(S): Arnold Whittall Source: Music Analysis, Vol
Complexity and Duality in the Hero of Wagner's "Ring"
Tristan and Isolde Music and Words by Richard Wagner Prelude to Act 1 Act 2 Esa-Pekka Salonen Conductor Isolde
[Quote by Brünnehilde from Act III of Götterdämmerung]
Top View
Encore University
The Structure of the "Ring" and Its Evolution by Robert Bailey
Two Symphonies Overture to ‘Rienzi’
Bayreuth After Wagner: Psychosocial Perspectives on Cosima Wagner, Winifred Wagner, and Houston Stewart Chamberlain
Wagner and Paris: the Case of Rienzi (1869)*
Richter's Wagner: a New Source for Tempi in Das Rheingold
Early in November of 1852 Richard Wagner Finished a Versified
Gelegenheitswerk Mit Ambitionen Richard Wagners Kaisermarsch
Tristan Und Isolde
The Inventory of the Eva Wagner Chamberlain Collection #913
Liszt and Wagner. Foreword Nicolas Dufetel
System Analysis As Text Analysis. Richard Wagner Viewed from Cosima Wagner´S Diaries Análisis De Sistemas Como Análisis De Textos