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Chromaticism

  • Computational Methods for Tonality-Based Style Analysis of Classical Music Audio Recordings

    Computational Methods for Tonality-Based Style Analysis of Classical Music Audio Recordings

  • Out of Death and Despair: Elements of Chromaticism in the Songs of Edvard Grieg

    Out of Death and Despair: Elements of Chromaticism in the Songs of Edvard Grieg

  • Kostka, Stefan

    Kostka, Stefan

  • MTO 18.4: Chenette, Hearing Counterpoint Within Chromaticism

    MTO 18.4: Chenette, Hearing Counterpoint Within Chromaticism

  • Chromatic Sequences

    Chromatic Sequences

  • Mystic Chord Harmonic and Light Transformations In

    Mystic Chord Harmonic and Light Transformations In

  • Secondary Dominant Chords.Mus

    Secondary Dominant Chords.Mus

  • Transfer Theory Placement Exam Guide (Pdf)

    Transfer Theory Placement Exam Guide (Pdf)

  • MUTH M202 Theory

    MUTH M202 Theory

  • Class Notes for Counterpoint

    Class Notes for Counterpoint

  • Theory IV – Study Guide Dr. Amy Dunker Clarke College Dubuque, IA 52001 Classical Serialism Arnold Schoenb

    Theory IV – Study Guide Dr. Amy Dunker Clarke College Dubuque, IA 52001 Classical Serialism Arnold Schoenb

  • The Consecutive-Semitone Constraint on Scalar Structure: a Link Between Impressionism and Jazz1

    The Consecutive-Semitone Constraint on Scalar Structure: a Link Between Impressionism and Jazz1

  • The Interval Dissonance Rate in Chopin's Études Op. 10, Nos

    The Interval Dissonance Rate in Chopin's Études Op. 10, Nos

  • Expanded Tonality: the Rt Eatment of Upper and Lower Leading Tones As Evidenced in Sonata

    Expanded Tonality: the Rt Eatment of Upper and Lower Leading Tones As Evidenced in Sonata "Undine,” IV by Carl Reinecke Joshua Blizzard University of South Florida

  • Changd75304.Pdf

    Changd75304.Pdf

  • The Death and Resurrection of Function

    The Death and Resurrection of Function

  • Henry Burnett & Roy Nitzberg, Composition, Chromaticism and The

    Henry Burnett & Roy Nitzberg, Composition, Chromaticism and The

  • MTO 9.1: Hussey, Triadic Post-Tonality and Linear Chromaticism

    MTO 9.1: Hussey, Triadic Post-Tonality and Linear Chromaticism

Top View
  • ONLINE CHAPTER 2 CHROMATIC CHORDS FUNCTIONING AS the PREDOMINANT Artist in Residence: Jacqueline Du Pré
  • Progressive Chromatic Processes in Rachmaninoff's ÛTude-Tableau Op
  • Diatonic Seventh Chords
  • THE EVOLUTION of WHOLE-TONE SOUND in LISZT's ORIGINAL PIANO WORKS. the Louisiana State University and Agricultural and Mechanical College, Ph.D., 1974 Music
  • COMPUTATIONAL ANALYSIS of QUARTER-TONE COMPOSITIONS by CHARLES IVES and IVAN WYSCHNEGRADSKY a Thesis Submitted to the College Of
  • Diatonicism and Chromaticism in Richard Strauss' Tone
  • Theory of Music-Introduction to Chromaticism
  • The Interval Dissonance Rate: an Analytical Look Into Chromaticism of Chopin’S Op
  • Compositional Craft and Theory Across Tonal Languages
  • Mathematical Harmony Analysis on Measuring the Structure, Properties and Consonance of Harmonies, Chords and Melodies
  • Kallis, Principles of Pitch Organization in Scriabin's Early Post-Tonal Period
  • Introduction to Secondary Functions
  • Copyright by Yu-Hsuan Liao 2007
  • Scale Networks and Debussy
  • Bartók's Polymodality
  • TONAL AMBIGUITY in DEBUSSY's PIANO WORKS by RIKA UCHIDA A
  • A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers
  • Other Uses of Secondary Dominants


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