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Chromatic mediant
Harmonic Resources in 1980S Hard Rock and Heavy Metal Music
Music Theory Through the Lens of Film
Lecture Notes
Parallel Keys and Remote Modulation in Selected String
MTO 10.1: Bass, Review of David Kopp, Chromatic Transformations in Nineteenth-Century Music
131 with G in the Bass, Shown Below in Example 4.9. As with the G Minor
Chromatic Transfrmations in Nineteenth-Century Music
The Death and Resurrection of Function
Seth Shafer AT2.Shafer.Paper.3 Recurrence and Expectation in the First Movement of Brahms's Third Symphony According to Formal
Formal Mixture in the Sonata-Form Movements of Middle- and Late-Period Beethoven James S
Harmonic Function in the Late Nineteenth-Century Chromatic Tonality of Wagner and Strauss: a Study of Extensions to Classical Prolongational Practices
The Mediant Relations in Amy Beach's Variations On
The Sixth Organ Symphony of Louis Vierne (1870-1937)
Neo-Riemannian Theory and the Analysis of Pop-Rock Music
A Chromatic Transformation System 167
Af S/J Mo, Tsroy
A Study of Franz Liszt's Concepts of Changing Tonality
Trans-Diatonic Theory and the Harmonic Analysis of Nineteenth-Century Music De Andrade Negri, Alexandre Jorge Jr De Andrade Negri, A
Top View
A Permutational Triadic Approach to Jazz Harmony and the Chord/Scale
Challenges to Classical Foreground Structures in the Music of Gustav Mahler
Further Elements of the Harmonic Vocabulary
Notes on Harmony in Wayne Shorter's Compositions
MUSC 2232 – Music Theory IV Common Course Outline I. Reviewed: Spring 2007 II. Catalog Description: Music Theory III & I
MTO 17.3: Koozin, Guitar Voicing in Pop-Rock Music
A Model of the Tonal-Chromatic System and Its Application To
Hanenberg, Rock Modulation and Narrative
150. Chromatic Harmony
WESTERN ILLINOIS UNIVERSITY SCHOOL of MUSIC Undergraduate Theory Review Topics Key Signatures • Major and Minor Scales
Viewed Pan As a Model for When He Wanted to Escape from the Conformities of High French Society