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Cante jondo
Negotiating the Self Through Flamenco Dance
Andalucía Flamenca: Music, Regionalism and Identity in Southern Spain
Flamenco Articulations of Queer Spaces in Urban Andalusia
Social Meaning in the Voice of Flamenco Cantaora Carmen Linares Jonathan Shold Bowling Green State University
Divergence and Convergence in Spanish Classical and Flamenco Guitar Traditions (1850- 2016): a Dissertation Comprising 2 CD Recital Recordings and Exegesis
The Art, Language, and Culture of Flamenco
Cantes Flamencos Also by Michael Smith & Luis Ingelmo at Shearsman Books
Composition, Authorship, and Ownership in Flamenco, Past and Present
Music in World Cultures: Flamenco Unit
Flamenco Guitar: History, Style, and Context
Divergence and Convergence in Spanish Classical and Flamenco Guitar Traditions (1850- 2016): a Dissertation Comprising 2 CD Recital Recordings and Exegesis
68 El Modo Mixolidio En Los Verdiales De Los Estilos Mon- Tes Y Almogía
University of California Riverside
Análisis De La Música De Los Verdiales En El Marco De Los Fandangos Del Sur
Merging Flamenco with a Postmodern “Universe” of Meanings
Irrational and Visionary Imagery in Cante Jondo and the Neo-Popular Poetry of Federico Garcia Lorca and Rafael Alberti David A
Modernist Representations of the Guitar and the Instrument’S Classical Revival in the 1920S
La Nueva Alboreá’ Es Una Revista Gratuita Que Pretende Inmaterial De La Humanidad
Top View
Poema Del Cante Jondo Romancero Gitano Conferencias Y Poemas
Spanish Cultural Identity Examined Through the Lens of Spanish Classical Piano Music
El Cante Flamenco 10
04. Lola Fernandez Marin La Bimodalidad En Los
The Impressionistic Guitar Is There a Mutual Influence Between the Spanish Guitar and the Impressionist Masters?
Pierre LEFRANC
LIII Concurso Nacional De Cante Jondo Antonio Mairena- 2014
Cante to Soirée: Andalusian Exoticism in Debussy’S Piano Works
The Spanish Idiom in the Works of Non-Hispanic European Composers of the Late Nineteenth and Early Twentieth Centuries
Presencia De La Danza En El Teatro De Federico Garcia Lorca
Modo De Mí Y Flamenco. a Propósito De La Bimodalidad
Olé You Guys: Flamenco Influences of Chicanx Identity in New Mexico by Erica Acevedo-Ontiveros a Dissertation Presented in Part
Frederico Garcia Lorca
TOMÁS DE PERRATE “Tres Golpes” DOSSIER - SINOPSIS
The Spanish Idiom in the Works of Non-Hispanic European Composers of the Late Nineteenth and Early Twentieth Centuries
Falla and Flamenco: El Corregidor Y La Molinera—1 O P FALLA FLAMENCO Brooklynand Academy of Music Saturday,P April 17, 2010
Orígenes De Lo Flamenco Y Secreto Del Cante Jondo
A Conductor's Guide to the Poetic and Musical Style of the Cante Jondo Based on the Work of Mario Castelnuovo-Tedesco's Roma
The Reception of Federico Garcia Lorca and His Rural Trilogy in the Uk and Spain After 1975