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Azealia Banks

  • Afrofuturism: the World of Black Sci-Fi and Fantasy Culture

    Afrofuturism: the World of Black Sci-Fi and Fantasy Culture

  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry

    Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry

  • Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music

    Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music

  • Billboard Magazine

    Billboard Magazine

  • Featured Writer... Fafara Concludes,

    Featured Writer... Fafara Concludes, "These Five Souls Make This Band What It Is

  • Picture This BANK HOLIDAY PHOTO SPECIAL 18 RYNBHB[JOFDPNTRYHBZMPOEPO Suitable Only for Persons of 18 Years and Over

    Picture This BANK HOLIDAY PHOTO SPECIAL 18 RYNBHB[JOFDPNTRYHBZMPOEPO Suitable Only for Persons of 18 Years and Over

  • Lone Pineapple Crush Sample

    Lone Pineapple Crush Sample

  • Not Black Enough: Singing Group, the Five Heartbeats, the Cost of a Static View of What It Means to Be from the 1960S to the 1990S

    Not Black Enough: Singing Group, the Five Heartbeats, the Cost of a Static View of What It Means to Be from the 1960S to the 1990S

  • Azealia Banks: ‘Chasing Time’, Erotics, and Body Politics

    Azealia Banks: ‘Chasing Time’, Erotics, and Body Politics

  • Bad Bitches, Jezebels, Hoes, Beasts, and Monsters

    Bad Bitches, Jezebels, Hoes, Beasts, and Monsters

  • Genealogies of Capture and Evasion: a Radical Black Feminist Meditation for Neoliberal Times by Lydia M. Kelow-Bennett B.A

    Genealogies of Capture and Evasion: a Radical Black Feminist Meditation for Neoliberal Times by Lydia M. Kelow-Bennett B.A

  • Iggy Azalea and the Reality Performance

    Iggy Azalea and the Reality Performance

  • Performing Manchyna: Unmapping Promissory Exaltation, Multicultural

    Performing Manchyna: Unmapping Promissory Exaltation, Multicultural

  • D Atra Hicks Divorce Court

  • Azealia Banks, Seapunk and Atlantis

    Azealia Banks, Seapunk and Atlantis

  • New York Music

    New York Music

  • ''Moments of Clarity''and Sounds of Resistance: Veiled Literary

    ''Moments of Clarity''and Sounds of Resistance: Veiled Literary

  • New York Supreme Court Appellate Division — First Department

    New York Supreme Court Appellate Division — First Department

Top View
  • A Flow for the Social Sciences and Humanities: Storying the Struggle of High-Stakes Financialization in the Academy
  • Did Ti and Tiny Get a Divorce
  • Papoose, Jeury San, , Aasim, Joey Bada$$, Kris Kasanova, Awkword, the Kid Daytona, Et +
  • Ibrahim-Mastersreport-2015
  • 25 Hip-Hop Albums by Bomb Womxn of 2018
  • Lady Gaga Autograph Request
  • Azealia Banks Vs. Cardi B
  • Aliens and American Apparel
  • Birgitta J. Johnson, Ph.D
  • ABSTRACTS Sc S a 2020
  • K. Michelle and Azealia Banks Announce North American Tour
  • Lesbian, Bisexual, and Queer Women Rappers: the Creation And
  • Linguistic Appropriation, White Privilege, and the Hip-Hop Persona of Iggy Azalea1
  • Nicki Minaj's Sampled Anaconda and the Semiotics of Contradiction
  • Gender, Genre, and Race in Post-Neo-Slave Narratives
  • Azealia Banks, Back at It Again with a Nonsensical Rant
  • Now That Lizzo Has the No. 1 Song in the Country, Will She Get the Respect She Deserves?
  • What Can We Learn from Rapper and Provocateur, Azealia Banks?


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