DOCSLIB.ORG

Featured Writer... Fafara Concludes, "These Five Souls Make This Band What It Is

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Featured Writer... Fafara Concludes, 3rd Quarter • 2012 They'll lay on their laurels and stick to what they've done on the next album. We're not look- ing at what anyone around us is doing. Since we're not paying attention to any of that, we were able to find unique music within ourselves. We tried to break some boundaries and stretch the genre open. We keep redefining ourselves." The musical prowess of the band members is becoming more evident beyond the metal world, as Spreitzer and Kendrick released signature ESP guitars. Boecklin has also been prominently featured in all drum magazines, namely Modern Drummer and DRUM!, as his kit work continues to turn heads. Featured Writer... Fafara concludes, "These five souls make this band what it is. It lies in the salt and pepper from everyone. What's most important is our fans get delivered the kind of music, stage show and energy that they're expecting from us. Because DevilDriver are preparing to release the of all the time and personal sacrifice, we are a band's sixth album, which is an exorcism of Beast. The pleasure is that we're all together as animalistic, primal hooks, thunderous percus- friends still. Nothing can stop DevilDriver." sion and propulsive thrashing. While many This Beast is alive and won't ever die. You have bands in the modern era are already wither- been warned… ing away by their second album and have shriveled up and died by their third, Devil- Look for DevilDriver's new album in 2013 on Driver have proven to mutate, growing stron- Napalm Records. ger, deadlier and more immortal with each successive release. NEW SIGNINGS DevilDriver—Dez Fafara (Vocals), John Boecklin (Drums), Jeff Kendrick (Guitar), The Royalty Network has signed a new Administration deal with rapper/producer Mike Spreitzer (Guitar)—have awakened Christopher “Spitfiya” Lanier. Christopher hails from Compton, CA. and his something dark, deadly and dangerous. It's credits so far include Flo Rida, B.O.B., Big Kuntry, 50 Cent, etc with more to been a constant uptick for the Southern Cali- come. His catalog will be administered through his company Bullets Production fornia quintet since they first blasted a hole Team Publishing (ASCAP). through the zeitgeist in 2003 with their piv- otal self-titled debut. RoyNet would like to welcome new Administration client Billeegee Productions & recording artist EMII (http://emii.net/). Emii a Los Angeles, CA native has already released a 5 song EP titled “Magic” on iTunes & a follow up single “Mr. DevilDriver continue breaking the mold and Romeo” feat Snoop Dogg (in 2011 the video gained over 1,000,000 views busting heads in the studio and on stage. during its YouTube debut). Currently EMII’s new single “Stiletto’s is heating up on Who can forget their now legendary appear- the radio gaining more spins each week & has been added to Sirius ’20 on 20’. ance at Download 2007, which arguably gen- We are happy to welcome EMII to The Royalty Network. erated the biggest circle pit in history? Or any other live show they've played for that We would like to announce our new Co-Publishing client ‘Bombay Dub matter? Or any of the explosive anthems Orchestra’ (http://www.bombaydub.com/). The Bombay Dub Orchestra (BDO) they've released to radio or video? is an electronica/orchestral project of composers Garry Hughes and Andrew T. Mackay. Their albums have reached the #1 spot on iTunes World Music charts around the globe as well as on leading US radio station KCRW. BDO will release a new album later this year. NEW YORK: 224 West 30th Street, Suite 1007, New York, NY 10001 • Tel: 212-967-4300 • Fax: 212-967-3477 LOS ANGELES: 12650 Riverside Drive, Suite 203, Valley Village, CA 91607 • Tel: 818-762-0775 • Fax 818-762-1652 We are happy to announce that Roynet has signed a 3 year Extension deal with Indian record company Magnasound. Magnasound was founded in 1989 and specializes in Indian classical & Indi pop music. The deal will continue until 2015. New Signings Producer/Pianist/keyboardist Jay Oliver has renewed his Administration deal with The Royalty Network, Inc. Jay who is from Los Angeles, CA has worked extensively in music production since Producer Christopher Birch (http://www.birchillmusic.com/) has signed a new Administration 1990 from jazz to jazz fusion to soundtracks to world music projects to session work of all kinds. He deal with The Royalty Network, Inc. Christopher has produced music for Shaggy, Jill Scott, has worked with the likes of Frank Gambali, Steve Smith, Dave Weckl, Sheryl Crow, Celine Sizzla, I-Octane & Morgan Heritage just to name a few. Birch is part of the Big Yard / Scikron Dion, Jimmy Buffett, Wynona Judd & many others. The Royalty Network is happy with this Music family (Robert Livingston). The Royalty Network is happy to announce this new continued partnership. partnership. The Royalty Network has signed a new Administration deal with Steven Victor who is also a manager & publisher. Steven is known for his music arrangements with producers. Some of his work Allen McGrier & his company McNella Music (ASCAP) have signed a new Administration deal includes- Nicki Minaj – “Roman Reloaded” – OUT NOW, Pusha T – 4 forthcoming songs & Jadakiss with The Royalty Network. RoyNet will handle 3 important songs in the McNella Music catalog- – 2 forthcoming songs. Just to name a few. Steven's catalog will be administered through our Roynet Teena Marie’s “Ooh La La” (#3 Billboard R&B Single in 1988), Teena Marie’s “Call Me (I Got Music (Ascap) and Tenyor Music (BMI) accounts. Your Number) & The Fugees “Fugee La” (Top 30 Billboard Single in 1995). We are happy to Mike McGregor has signed a new Administration Agreement with the Royalty Network; Inc. Mike have Allen McGrier & McNella Music on board as a new client. specializes in writing lyrics and doing vocal production & has worked with some great artist so far The Royalty Network has signed a new Administration deal with producer/guitarist Brandon such as- Usher, Jason Derulo, Akon, Justin Bieber, Cody Simpson & Meek Mills. McGregor’s Hollemon, who is based in Texas. Since the age of fifteen, Hollemon played in various bands work will be handled through his ASCAP company, 100 Miles N Runnin. and is an alumnus of Berklee College of Music in Boston, Massachusetts. He later moved to New Administration client Chris Eminizer (http://www.chriseminizer.com/Home_Page.html) of Mind Miami, FL in 2000 to start off his music career, which has blossomed into something great. So far Of His Own Music (ASCAP) has signed a deal with the Royalty Network. Chris has a musical career Brandon has worked with Flo-Rida, Nicki Minaj, Mims, Pitbull & countless others. His spanning over thirty years & has performed or recorded with Janet Jackson, Gladys Knight, Ron catalog will be administered through his company Mean Stringz Publishing (BMI). Catrter, and countless others. Chris also specializes in composing for Film and television. We are happy to have him as a new client. Kendred Smith aka Jimi Kendrix has renewed his Administration deal with the Royalty We are happy to announce our new deal with Nicholas Sainato drummer of The Strange Familiar. Network; Inc until 2015. The Queens, NY producer has worked with everyone from Patti Nick co-wrote the song, “Redemption” on the new ‘Chasing Shadows’ album & he is currently writing Labelle to Jay-Z. We are happy to have great talent as his on our roster. new songs with the group. His works are administered through his Nicholas Sainato Publishing (Ascap) account. FILM / GAME SYNCH New film ‘Pitch Perfect’ will feature “Titanium”… TV SYNCHS “Titanium” (Furler/Guetta/Tuinfort/Van de Wall) by David Guetta feat. TBS show ‘The Wedding Band’ to use “Give Me Everything”… Sia. We Sub Publish this song on behalf of Talpa Music. ‘Mira Quien Baila’ has requested use of “Bebe Bonita”… “Bebe Bonita” (Donatti/Perez/Sean) by Jay Sean. We administer this song on behalf of David Platz Music Film ‘The Client List’ to use “Home”… (BMI). “Home” (Harris/Allen Rose) by Foxes. We administer this song on behalf ‘The Moment’ to use “Speaking Japanese”… of David Platz Music (BMI). The USA network show will feature “Speaking Japanese” (Dawson/Faye/Johannson/Petree) by Shiny Toy Guns. We administer this song on behalf of McJames Music (BMI). Zumba requested use of… ‘Playoke’ to use…. “Boombastic” (ORVILLE BURRELL/ROBERT LIVINGSTON / KING FLOYD) by Shaggy. We administer this song “The Soul of Cairo” (Dr. Ahmad Gibaly) by Ahmad Gibaly. We administer on behalf of Livingsting Music (ASCAP) this song on behalf of Kousan Music Publishing (BMI). “Saher Al Sharq Etneen” (Admed Gebaly) by Al Ahram Orchestra. We New program ‘Off Beat’ requested use of “Down”… “Down” (Carter/Cotter/Skaller/Larow) by Jay Sean. administer this song on behalf of Kousan Music Publishing (BMI). We administer this song on behalf of David Platz Music (BMI). Show ‘Premios Juventud’ to use… New Game ‘Lets Sing’ to use “Boombastic”… “Bebe Bonita” (Donatti/Perez/Sean) by Jay Sean. We administer this song on behalf of David Platz Music “Boombastic” (ORVILLE BURRELL/ROBERT LIVINGSTON / KING FLOYD) (BMI). by Shaggy. We administer these songs on behalf of Livingsting Music ‘Off Beat’ to use “Titanium”… (ASCAP) “Titanium” (Furler/Guetta/Tuinfort/Van de Wall) by David Guetta feat. Sia. We Sub Publish this song on behalf of Talpa Music. ‘Zumba Fitness 2012’ requested use of… ’The Voice’ season 3 requested use of “212”… “Balans” (Beharry/La Croes/Zimmerman) by K-liber4life. We administer “212” (Banks/ Martins) by Azealia Banks. We Sub-Publish this song on behalf of Talpa Music (BUMA).
Load more

Recommended publications
  • The Clique Song List 2000
    The Clique Song List 2000 ­ Now Ain’t It Fun (​Paramore) All About That Bass (​Meghan Trainor) American Boy (​Estelle & Kanye West) Applause (​Lady Gaga) Before He Cheats (​Carrie Underwood) Billionaire ​(​Travie McCoy & Bruno Mars) Birthday (​Katy Perry) Blurred Lines (​Robin Thicke) Can’t Get You Out Of My Head (​Kylie Minogue) Can’t Hold Us (​Macklemore & Ryan Lewis) Clarity (​Zedd) Counting Stars (​OneRepublic) Crazy (​Gnarls Barkley) Dark Horse (​Katy Perry) Dance Again (​Jennifer Lopez) Déjà vu ​(​Beyoncé) Diamonds (​Rihanna) DJ Got Us Falling In Love (​Usher & Pitbull) Don’t Stop The Party (​The Black Eyed Peas) Don’t You Worry Child (​Swedish House Mafia) Dynamite (​Taio Cruz) Fancy (​Iggy Azalea) Feel This Moment (​Pitbull & Christina Aguilera) Feel So Close (​Calvin Harris) Find Your Love (​Drake) Fireball (​Pitbull) Get Lucky (​Daft Punk & Pharrell) Give Me Everything (Tonight) (​Pitbull & Ne­Yo) Glad You Came (​The Wanted) Happy (​Pahrrell) Hey Brother (​Avicii) Hideaway (​Kiesza) Hips Don’t Lie (​Shakira) I Got A Feeling (​The Black Eyed Peas) I Know You Want Me (Calle Ocho) (​Pitbull) I Like It (​Enrique Iglesias & Pitbull) I Love It (​Icona Pop) I’m In Miami Trick (​LMFAO) I Need Your Love (​Calvin Harris & Ellie Goulding) Lady (Hear Me Tonight) (​Modjo) Latch (​Disclosure & Sam Smith) Let’s Get It Started (​The Black Eyed Peas) Live For The Night (​Krewella) Loca (​Shakira) Locked Out Of Heaven (​Bruno Mars) More (​Usher) Moves Like Jagger (​Maroon 5 & Christina Aguliera) Naughty Girl (​Beyoncé) On The Floor (​Jennifer
    [Show full text]
  • Chart: Top50 AUDIO URBAN
    Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr.
    [Show full text]
  • Mick Evans Song List 1
    MICK EVANS SONG LIST 1. 1927 If I could 2. 3 Doors Down Kryptonite Here Without You 3. 4 Non Blondes What’s Going On 4. Abba Dancing Queen 5. AC/DC Shook Me All Night Long Highway to Hell 6. Adel Find Another You 7. Allan Jackson Little Bitty Remember When 8. America Horse with No Name Sister Golden Hair 9. Australian Crawl Boys Light Up Reckless Oh No Not You Again 10. Angels She Keeps No Secrets from You MICK EVANS SONG LIST Am I Ever Gonna See Your Face Again 11. Avicii Hey Brother 12. Barenaked Ladies It’s All Been Done 13. Beatles Saw Her Standing There Hey Jude 14. Ben Harper Steam My Kisses 15. Bernard Fanning Song Bird 16. Billy Idol Rebel Yell 17. Billy Joel Piano Man 18. Blink 182 Small Things 19. Bob Dylan How Does It Feel 20. Bon Jovi Living on a Prayer Wanted Dead or Alive Always Bead of Roses Blaze of Glory Saturday Night MICK EVANS SONG LIST 21. Bruce Springsteen Dancing in the dark I’m on Fire My Home town The River Streets of Philadelphia 22. Bryan Adams Summer of 69 Heaven Run to You Cuts Like A Knife When You’re Gone 23. Bush Glycerine 24. Carly Simon Your So Vein 25. Cheap Trick The Flame 26. Choir Boys Run to Paradise 27. Cold Chisel Bow River Khe Sanh When the War is Over My Baby Flame Trees MICK EVANS SONG LIST 28. Cold Play Yellow 29. Collective Soul The World I know 30. Concrete Blonde Joey 31.
    [Show full text]
  • A Discography of Robert Burns 1948 to 2002 Thomas Keith
    Studies in Scottish Literature Volume 33 | Issue 1 Article 30 2004 A Discography of Robert Burns 1948 to 2002 Thomas Keith Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Keith, Thomas (2004) "A Discography of Robert Burns 1948 to 2002," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/30 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Thomas Keith A Discography of Robert Bums 1948 to 2002 After Sir Walter Scott published his edition of border ballads he came to be chastised by the mother of James Hogg, one Margaret Laidlaw, who told him: "There was never ane 0 my sangs prentit till ye prentit them yoursel, and ye hae spoilt them awthegither. They were made for singing an no forreadin: butye hae broken the charm noo, and they'll never be sung mair.'l Mrs. Laidlaw was perhaps unaware that others had been printing Scottish songs from the oral tradition in great numbers for at least the previous hundred years in volumes such as Allan Ramsay's The Tea-Table Miscellany (1723-37), Orpheus Caledonius (1733) compiled by William Thompson, James Oswald's The Cale­ donian Pocket Companion (1743, 1759), Ancient and Modern Scottish Songs (1767, 1770) edited by David Herd, James Johnson's Scots Musical Museum (1787-1803) and A Select Collection of Original Scotish Airs (1793-1818) compiled by George Thompson-substantial contributions having been made to the latter two collections by Robert Burns.
    [Show full text]
  • The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
    The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice.
    [Show full text]
  • The Good 5 Cent Cigar (10/5/2012) University of Rhode Island
    University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 10-5-2012 The Good 5 Cent Cigar (10/5/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (10/5/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 10. http://digitalcommons.uri.edu/cigar/10http://digitalcommons.uri.edu/cigar/10 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume62 © 'Just what this country needs ' Friday · Issue 16 www.ramcigar.com . October 5, 2012 Nursing. school names interim Political science ·class puts Dean, searches for replacement focus on election campaigns BY KIMBE;RLY DELANDE Island], we're making steady said the College of Nursing News Reporter BY GILDA CENTENO exactly how the system progress," Sullivan said. has made it their initiative to Contributing News Reporter · works," Pearson ~aid . "We're responding to the not just teach students, but University of Rhode · An interestiry~ fact in the IOM' s report by looking at ensure that they are getting Political science professor speCifics . of vote'r hi'rnout, is Island nursing professor, our eurriculum and working experience out on. the field: Shanna Pearson ~ Merkowitz the' difficulties that jlre in · nurse-scientist and scholar to increase the number of Nursing students currently Mary Sullivan has been challenge to Univers·i,ty of pface when voting in ( the · nurses with bachelor degrees gain these skills by learning Rhode Island students in her Unit~d States.
    [Show full text]
  • Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
    AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black ..................................
    [Show full text]
  • Black Rob Album
    Black Rob Album Black Rob Album 1 / 2 In honor of the occasion, Flashback Friday becomes FlashBLACK Friday today. Let these albums serve as your shopping soundtrack. Blackstreet ... Find many great new & used options and get the best deals for Life Story [PA] by Black Rob (CD, May-2005, Bad Boy Entertainment) at the best online prices at ... black friday black friday, black wallpaper, black color, black ops 4, black background, black screen, black kdrama, black panther, blackpink, blackboard, black Rob's hit single "Woah" set up the release for his platinum selling album "Life Story". Since then Rob has fell on hard times with prison sentence .... But now he's back, feeding the streets' hip-hop hunger with his latest release, “The Black Rob Report” (Bad Boy/Atlantic Records). With his .... A number of songs from The Black Rob Report fell victim to sample issues and had to be replayed ... A.K.A. 'Gun Clappin', another lead-up to the second album. ... LIfe Story got 5 mics…one of my top 10 albums. is BR home?. Rob, born Robert Ross, is the Harlem-born rapper who was signed to Bad Boy and released his debut Life Story in 1999. Although the album .... The veteran rhymer just released a new single “Welcome to My Life,” off his new album, Genuine Article, which drops later this month. On “ ... black color Bad Boy Records rapper Black Rob began his recording career appearing on albums like the Cru's Da Dirty 30 and collaborating with artists like L.O.X., Busta .... His sophomore album, "The Black Rob Report, was released in October 2005 by Bad Boy/Atlantic and debuted at No.
    [Show full text]
  • Read Ebook {PDF EPUB} I Punched the Bad Boy by KMMY G "Bit a Bad Boy" Lyrics
    Read Ebook {PDF EPUB} I Punched The Bad Boy by KMMY G "Bit A Bad Boy" lyrics. Don't be late Break the weight I'm the marvelous mate Dave, that's my name Gonna go by the flow Gonna play the game Gonna roll the dice - once or twice Pushing on a feeling nice, you got me right Me and the guys, yeah - busting in time When I turned my life, to a life of rhyme Hold on tight, we need the sound to survive. If this is true, I thought then, what will I think Will I stay but rather I would get away I'm scared that I won't find a thing. And afraid that I'll turn out to be alone, but I I have to learn, have to try, have to trust. I have to cry Have to see, have to know that I can be myself. Pull up the shots So we come dancing down! Bit a bad boy, yeah! Take the good with the bad, the rough with the smooth You've got everything to gain and nothing to lose Bit a bad boy, pass the mic. Hold on tight, we need the sound to survive. I have to learn, have to try, have to trust. I have to cry Have to see, have to know that I can be myself. We never stop Gonna go by the flow We'll never get enough Gonna make you flyyyy. In fact, this tune is gonna be massive You got me right, hold on tight! Yeah! Hold on tight! Take the good with the bad, the rough with the smooth.
    [Show full text]
  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
    [Show full text]
  • Edition 9 | 2018-2019
    TABLE OF THE BUSHNELL CENTER CONTENTS for the PERFORMING ARTS TRUSTEE OFFICERS Message from the President & CEO ..................... 5 Jay S. Benet Chair Come From Away Robert E. Patricelli Co-Sponsored by Immediate Past Chair People’s United Bank and Travelers .................. 11 Thomas O. Barnes Vice Chair The Sound of Music Jeffrey N. Brown Sponsored by Vice Chair Voya Financial ................................................... 21 Jeffrey S. Hoffman Vice Chair Annual Fund Donor Honor Roll ......................... 32 David G. Nord Vice Chair An Extra Special Thank You ............................... 37 David M. Roth Vice Chair The Bushnell Services ....................................... 43 Henry M. Zachs Vice Chair Arnold C. Greenberg Treasurer Mark N. Mandell Assistant Treasurer Eric D. Daniels Secretary EXECUTIVE STAFF David R. Fay President and CEO Ronna L. Reynolds Executive Vice President Elizabeth Casasnovas Vice President, Development, and Chief Development Officer Patti Jackson Vice President, Finance, and Chief Financial Officer Yolande Spears Senior Vice President, Education and Community Initiatives Ric Waldman Vice President, Programming and Marketing The Bushnell is a 501(c)(3) not-for-profit organization that is proud to serve Connecticut and its citizens. | 3 MESSAGE FROM THE PRESIDENT & CEO A Look Ahead Spring has season next June. And as enticing as season finally arrived, and as that is, we were also able to tease the news it’s a particularly that Hamilton will return to The Bushnell in exciting time of year our 2020/2021 season. at The Bushnell. Our 2018/2019 season is If you’re a season-ticket holder, you should in full swing; we’ve got already have your renewal packet. If you’re two Broadway shows this month – current interested in becoming one, just contact our hit Come from Away, still going strong on box office and we’ll begin selling new series Broadway, and a classic audience favorite, packages this summer.
    [Show full text]
  • Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music
    Why Hip-Hop is Queer: Using Queer Theory to Examine Identity Formation in Rap Music Silvia Maria Galis-Menendez Advisor: Dr. Irene Mata Submitted in Partial Fulfillment of the Prerequisite for Honors in the Department of Women’s and Gender Studies May 2013 © Silvia Maria Galis-Menendez 2 Table of Contents Introduction 3 “These Are the Breaks:” Flow, Layering, Rupture, and the History of Hip-Hop 6 Hip-Hop Identity Interventions and My Project 12 “When Hip-Hop Lost Its Way, He Added a Fifth Element – Knowledge” 18 Chapter 1. “Baby I Ride with My Mic in My Bra:” Nicki Minaj, Azealia Banks and the Black Female Body as Resistance 23 “Super Bass:” Black Sexual Politics and Romantic Relationships in the Works of Nicki Minaj and Azealia Banks 28 “Hey, I’m the Liquorice Bitch:” Challenging Dominant Representations of the Black Female Body 39 Fierce: Affirmation and Appropriation of Queer Black and Latin@ Cultures 43 Chapter 2. “Vamo a Vence:” Las Krudas, Feminist Activism, and Hip-Hop Identities across Borders 50 El Hip-Hop Cubano 53 Las Krudas and Queer Cuban Feminist Activism 57 Chapter 3. Coming Out and Keepin’ It Real: Frank Ocean, Big Freedia, and Hip- Hop Performances 69 Big Freedia, Queen Diva: Twerking, Positionality, and Challenging the Gaze 79 Conclusion 88 Bibliography 95 3 Introduction In 1987 Onika Tanya Maraj immigrated to Queens, New York City from her native Trinidad and Tobago with her family. Maraj attended a performing arts high school in New York City and pursued an acting career. In addition to acting, Maraj had an interest in singing and rapping.
    [Show full text]