Chart: Top50 AUDIO URBAN

Total Page:16

File Type:pdf, Size:1020Kb

Chart: Top50 AUDIO URBAN Chart: Top50_AUDIO_URBAN Report Date (TW): 2012-11-18 --- Previous Report Date(LW): 2012-11-11 TW LW TITLE ARTIST GENRE RECORD LABEL 1 1 Ball (clean) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 2 3 Poetic Justice (dirty) Kendrick Lamar Ft Drake Hip Hop Interscope Records 3 2 Ball (dirty) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 4 4 Ball (instrumental) T.i. Ft Lil Wayne Hip Hop Grand Hustle Records / Atlantic 5 6 Adorn (dj Tedsmooth Remix) Miguel Ft Diddy & French Montana Hip Hop RCA Records 6 5 911 (clean) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 7 7 Adorn (dj Tedsmooth Remix) (clean) Miguel Ft Puff Daddy And French Montana R&b RCA Records 8 8 Birthday Song Remix (clean) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 9 13 Poetic Justice (clean) Kendrick Lamar Ft Drake Hip Hop Interscope Records 10 15 F_ckin Problems (dirty) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 11 9 911 (dirty) Rick Ross Ft 2 Chainz Hip Hop MayBach Music 12 10 Birthday Song Remix (dirty) 2 Chainz Ft Diddy & Rick Ross Hip Hop Island Def Jam Records 13 11 Believe It (dirty) Meek Mill Ft Rick Ross Hip Hop Maybach Music Group 14 12 Dont Make Em Like You (clean) Neyo Ft Wiz Khalifa R&b Island Def Jam Records 15 17 Get Right (clean) Young Jeezy Hip Hop Island Def Jam Records 16 18 Bands A Make Her Dance (dirty) Trey Songz Hip Hop Atlantic Records 17 20 Dump Truck (clean) E 40 And Too Short Ft Travis Porter Hip Hop Sick Wit It Records 18 32 Guap (dirty) Big Sean Hip Hop island Def Jam Records 19 30 Poetic Justice (instrumental) Kendrick Lamar Ft Drake Hip Hop Interscope Records 20 22 Bandz A Make Her Dance (instrumental) Juicy J Ft Lil Wayne And 2 Chainz Hip Hop Hypnotize Minds 21 21 Compton (dirty) Kendrick Lamar Ft Dr. Dre Hip Hop Interscope Records 22 28 F_ckin Problems (clean) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 23 29 F_ckin Problems (dirty) A$ap Rocky Ft Drake, 2 Chainz, & Kendrick Lamar Hip Hop Polo Grounds Music/RCA Records 24 38 Guap (clean) Big Sean Hip Hop island Def Jam Records 25 26 White Dress (dirty) Kanye West Hip Hop Island Def Jam Records 26 16 Put It Down Remix (clean) Brandy Ft 2 Chainz & Tyga R&b RCA Records 27 35 Get Right (dirty) Young Jeezy Hip Hop Island Def Jam Records 28 25 Birthday (remix) (dirty) Rick Ross Ft Diddy Hip Hop MayBach Music 29 27 Everyday People (clean) Mary J. Blige Ft Jermaine Dupri Hip Hop Interscope Records 30 31 Back It Up (clean) Sauce Ft Travis Porter Hip Hop Independent 31 F_ckin Problems (super Clean) Asap Rocky Ft Drake, 2 Chainz And Kendrick LamarHip Hop RCA Records 32 Bout Me (dirty) Wiz Khalifa Ft Problem And Iamsu Hip Hop Atlantic Records 33 41 F_ckin Problems (clean) A$ap Rocky Ft Drake, 2 Chainz, & Kendrick Lamar Hip Hop Polo Grounds Music/RCA Records 34 40 Switch Lanes (radio Edit) Tyga Ft Game Hip Hop Cash Money Records 35 Bout Me (clean) Wiz Khalifa Ft Problem And Iamsu Hip Hop Atlantic Records 36 43 Do You (love Version) (radio Edit) Miguel R&b RCA Records 37 42 Come On A Cone (dirty) Nicki Minaj Hip Hop Cash Money Records 38 44 Mind Blown (dirty) Future Ft 2 Chainz & Waka Flocka Hip Hop Bad Boy Records 39 Who Booty Remix (intro - Clean) John Hart Ft French Montana R&b Hep Records 40 48 Tipsey Love (clean) Bobby V Ft Future R&b eOne Music 41 45 Trust And Believe Keyshia Cole R&b Interscope Records 42 Young And Gettin It (remix) (clean) Meek Mill Ft Kirko Bangz And French Montana Hip Hop Maybach Music 43 47 Don't You Quit (dirty) T-pain Hip Hop RCA Records 44 Just What I Am (clean) Kid Cudi Ft King Chip Hip Hop G.O.O.D. Music Records 45 I Need Your Love (clean) Ace Hood Ft Trey Songz Hip Hop Island Def Jam records 46 Hands Up High (clean) Young Chris Ft Problem Hip Hop Division1/Warner Bros. Records 47 Backup Plan (clean) Angie Stone R&b Concord Music Group 48 Love Sosa (clean) Chief Keef Hip Hop Interscope Records 49 Love Sosa (dirty) Chief Keef Hip Hop Interscope Records 50 Clouds (clean) Dj Drama Ft Currensy, Miguel, Pusha T And Rick RossHip Hop Atlantic Records * Moved up the chart * New this week Nov 20, 2012 8:17 AM.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • {PDF} Pain in the Sass
    PAIN IN THE SASS - ALL YOU NEED IS LOVE! (AND WI- FI) PDF, EPUB, EBOOK none | 32 pages | 13 Sep 2018 | Ravette Publishing Ltd | 9781841614069 | English | Horsham, United Kingdom Pain in the Sass - All You Need is Love! (and Wi-Fi) PDF Book The key to that is conscious relating. If you find you need more than three SSIDs, perhaps look into other ways of segregating the wireless access. Sticker Forever. Giebler and living in London when they decided to visit family in New Jersey for Christmas in Perfect for phone cases, laptops , journals, guitars, refrigerators, windows, walls, skateboards, cars , bumpers, helmets , water bottles, hydro flasks , computers, or whatever needs a dose of originality. Read on for a lovely dose of LOVE, and feel free to leave a comment with your own favorite quote about love! Tags: xxx tentacion, makeouthill, make out hill, bad vibes, badvibes, rip, love, rapper, music, musician, great, ski the slump god, bad vibes forever, bad, vibes, forever. For more details see Performance Tests: Wired Ethernet and Sell your art. Read our Privacy Policy and Terms and Conditions. Staying away from your own hard drive allows you to use software without leaving any trace of it at all on your system, as well as protecting your personal information. Allow this article to act as a great reminder to simply live in love! Select it and enter your network password to finish connecting. Devices must have wireless adapters to connect wirelessly to Wi-Fi, and most current laptops and mobile devices have these adapters built in. Tags: the originals, original, vampire, werewolf, hybrid, tribrid, always and forever, always and forever, mikaelson, tvd, klaus, niklaus, rebekah, elijah, kol, kai, parker, hope, finn, freya, esther, mikael, davina, camille, damon salvatore, stefan, salvatore, caroline, klaroline, klebekah, klelijah.
    [Show full text]
  • The Symbolic Annihilation of the Black Woman in Rap Videos: a Content Analysis
    The Symbolic Annihilation of the Black Woman in Rap Videos: A Content Analysis Item Type text; Electronic Thesis Authors Manriquez, Candace Lynn Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 03:10:19 Link to Item http://hdl.handle.net/10150/624121 THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN IN RAP VIDEOS: A CONTENT ANALYSIS by Candace L. Manriquez ____________________________ Copyright © Candace L. Manriquez 2017 A Thesis Submitted to the Faculty of the DEPARTMENT OF COMMUNICATION In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2017 Running head: THE SYMBOLIC ANNIHILATION OF THE BLACK WOMAN 2 STATEMENT BY AUTHOR The thesis titled The Symbolic Annihilation of the Black Woman: A Content Analysis prepared by Candace Manriquez has been submitted in partial fulfillment of requirements for a master’s degree at the University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that an accurate acknowledgement of the source is made. Requests for permission for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his or her judgment the proposed use of the material is in the interests of scholarship.
    [Show full text]
  • EXTENSIONS of REMARKS December 4, 1973 Port on S
    39546 EXTENSIONS OF REMARKS December 4, 1973 port on S. 1443, the foreign aid author­ ADJOURNMENT TO 11 A.M. Joseph J. Jova, of Florida, a Foreign Serv­ ization bill. ice officer of the class of career minister, to Mr. ROBERT C. BYRD. Mr. Presi­ be Ambassador Extraordinary and Plenipo­ There is a time limitaiton thereon. dent, if there be no further business to tentiary of the United States of America to There will be at least one yea-and-nay come before the Senate, I move, in ac­ Mexico. vote, I am sure, on the adoption of the cordance with the previous order, that Ralph J. McGuire, of the District of Colum. bia, a Foreign Service officer of class 1, to be conference report, and there may be the Senate stand in adjournment until Ambassador Extraordinary and Plenipoten­ other votes. the hour of 11 o'clock a.m. tomorrow. t iary cf the United States of America to the On the disposition of the conference The motion was agreed to; and at 6: 45 Republic of Mali. report on the foreign aid authorization p.m., the Senate adjourned until tomor­ Anthony D. Marshall, of New York, to be row, Wednesday, December 5, 1973, at Ambassador Extraordinary and Plenipoten­ bill, S. 1443, the Senate will take up tiary of the United States of America to the Calendar Order No. 567, S. 1283, the so­ lla.m. Republic of Kenya. called energy research and development Francis E. Meloy, Jr., of the District of bill. I am sure there will be yea and Columbia, a Foreign Service officer of the NOMINATIONS class of career minister, to be Amb1ssador nay votes on amendments thereto to­ Extraordinary and Plenipotentiary of the morrow.
    [Show full text]
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3
    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
    [Show full text]
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • The Good 5 Cent Cigar (10/5/2012) University of Rhode Island
    University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 10-5-2012 The Good 5 Cent Cigar (10/5/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (10/5/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 10. http://digitalcommons.uri.edu/cigar/10http://digitalcommons.uri.edu/cigar/10 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume62 © 'Just what this country needs ' Friday · Issue 16 www.ramcigar.com . October 5, 2012 Nursing. school names interim Political science ·class puts Dean, searches for replacement focus on election campaigns BY KIMBE;RLY DELANDE Island], we're making steady said the College of Nursing News Reporter BY GILDA CENTENO exactly how the system progress," Sullivan said. has made it their initiative to Contributing News Reporter · works," Pearson ~aid . "We're responding to the not just teach students, but University of Rhode · An interestiry~ fact in the IOM' s report by looking at ensure that they are getting Political science professor speCifics . of vote'r hi'rnout, is Island nursing professor, our eurriculum and working experience out on. the field: Shanna Pearson ~ Merkowitz the' difficulties that jlre in · nurse-scientist and scholar to increase the number of Nursing students currently Mary Sullivan has been challenge to Univers·i,ty of pface when voting in ( the · nurses with bachelor degrees gain these skills by learning Rhode Island students in her Unit~d States.
    [Show full text]
  • Music Preferences: a Gateway to Where? by Delia Regan
    Music Preferences: A Gateway to Where? Delia Regan Anna Maria College Author’s Note Delia Regan (‘21), Music Therapy Honor Student, Anna Maria College This thesis was prepared for HON 490-01 Seniors Honors Seminar under the instruction of Professor Travis Maruska, Associate Professor of Humanities, Anna Maria College. Correspondence concerning this article should be addressed by electronic mail. Contact: [email protected], [email protected] ​ ​ ​ 1 Abstract This paper discusses the impact of peer pressure on shared music preferences which was conducted through a survey and group interviews. The information on the development of music preferences provides the reader with background on how the music preference process begins. Peer pressure is also discussed from early childhood into adulthood. The solidification of music preferences happens around the same age as college-aged individuals, which overlaps with a decrease in the impact of peer pressure. The research focuses on college-aged individuals who completed a survey on their music preferences in individual and group settings, and then were put into groups to determine if a social setting would influence their responses to the same questions. Overall, a distinct relationship between peer pressure and music preference could not be made. Keywords: College-Aged, Group Cohesion, Music, Music Preference, Peer Pressure, ​ Social Consequence 2 Music Preferences What does music taste say about a person? Music is usually a part of daily life, whether people are aware of it or not. It can help people express themselves, regulate their emotions, and, when used clinically, can help a person regain the ability to walk. Music is powerful, but what draws people to it? Studies have been done to try and determine why people are attracted to music, and they have created multiple theories trying to answer this question.
    [Show full text]
  • (ASAP Rocky), Jukebox Joints (Ft. Joe Fox
    A$AP Rocky (ASAP Rocky), Jukebox Joints (ft. Joe Fox, Kanye West) [Joe Fox:] When I'm a man of my word, then I got nothing at all So tell me now does it hurt, or is it too late? I'm a man of my law I gotta keep my weight up, but who will lean if I fall? But never mind, I'm fly, you know She the type to seek love and make it everlasting I'm the type to wake up and say you never happened I mean I fucked the girl with hella passion But it's cold how we smashing Left her sleeping on a separate mattress I think her body makes for better practice Good excuse for my absence like "Flacko where your ass been?" Heard you done with fashion, now yo ass is acting I'm tripping off the acid, now yo ass is looking massive This ain't the shit equipped with columns From my reckless swagging This that dark house party with this record blasting Rolling spliffs, clique beside me, fingers Liberace When I seen this bitch in Venice Tommy and some mean Huaraches I'm all alone though, mood music makes me bop slower Trippin' on how I shifted pop culture Changed hip-hop on ya, smoking like a rasta was my pop's culture I be damned if I die sober I'll be sure to visit Pac for ya [Joe Fox:] When I'm a man of my word, then I got nothing at all So tell me now does it hurt or is it too late? I'm a man of my law I gotta keep my weight up, but who will lean if I fall? But never mind, I'm fly, you know And shout outs my pretty womens in the spot tonight Let em see them fuckin' hands And for the freaks that love the niggas with the Jeeps Lex, coupes and the Beamers and the
    [Show full text]
  • Hip Hop Club Songs
    Hip Hop Club Songs Did you Know? The credit of coining the term 'Hip-Hop' lies with Keith 'Cowboy' Wiggins, a member of Grandmaster Flash and the Furious Five. Around 1978, he used to tease his friend who was in the US Army by singing hip/hop/hip/hop. He was mimicking the cadence rhythm of the soldiers. Initially known as Disco Rap, hip-hop music is a stylized download mp3 rocket pro free 2010 rhythmic music form which contains rapping and beat boxing as its elements. This music developed as a part of the 'hip-hop culture' in New York, particularly among the African-Americans. Today, hip hop music has become extremely popular among the masses. With the commercialization of this genre of music, a new era of talent paved its path to give music a new feel and rhythm by using words in the interim as a form of expression. Artists like Snoop Dog, Eminem, Nicki Minaj, Black- Eyed Peas have popularized this particular genre even further. Certain artists, who were known for performing other genres also started experimenting with rap and hip-hop. Couple of such examples would be Beyonce and none other than the King of Pop, Michael Jackson. Another factor that has added to hip-hop's popularity is that this music is ideal for nightclubs and dance floors. So, are you arranging one such party for your friends and wondering which songs to play? Then here is a list of various hip-hop club songs that you can play. ? Baby Don't Do It - Lloyd ? Best Kept Secret - Raheem DeVaughn ? Bedroom Walkin' - Ne-Yo ? Tonight - Jason Derulo ? Almost There - Alicia Keys ? Stillettos And A Tee - Bobby Valentino ? Help Somebody - Maxwell Feat.
    [Show full text]
  • Talented ASAP Rocky Stuck in a Rut
    "ALLA" Album Review: Talented ASAP Rocky Stuck In A Rut Author : gwgras Coming out of Harlem, New York is Asap Rocky. His road to hip hop stardom isn’t anything new: from a poor family, dealt drugs, saw death at an early age–began rapping–things happened. That’s not to belittle his journey – at all, but one wouldn’t get that “defeated while coming up” tone if they listened to Rocky’s music. Some would call him more of a modern-day hippie–much like Wiz Khalifa and others. He struck a $3 million dollar deal because of his mixtape success and has capitalized releasing hits like “F’n Problems” and “Wild For the Night” from his first album “Long. Live. ASAP.” His follow up album “ALLA (At Long Last ASAP)” comes with the pressure of capitalizing off his commercial success. The album starts off perfectly with “Holy Ghost.” In terms of delivery and tone, Rocky sounds more like T.I. than anything else, but delivers some insightful lines: “Satan giving out deals, finna own these rappers / the game is full of slaves and they mostly rappers / you sold your soul first, then your homies after / Let’s show these stupid field n*****s they can own they masters.” Rocky is a young business mind and finds it weird how some who have been in the game longer than him still get screwed over with music industry politics. The laid back “Excuse Me” shows Rocky delivering a laid back flow in which he rattles off a perfect rhyme scheme.
    [Show full text]
  • Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research.
    [Show full text]