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Akiyuki Nosaka
A Comparative Study Between the Book Thief and Grave of the Fireflies from the Perspective of Trauma Narratives
Discourse on Food in World War II Japan
Japan Studies Review
Hayao Miyazaki: Estilo De Un Cineasta De Animación
Social Conformity and Nationalism in Japan
Grave of the Fireflies Hotaru No Haka, 1988, Japan
Sayuri Arai Dissertation Final Final Final
Mapping Tokyo in Fiction and Film Barbara E
Peace Education Through the Animated Film “Grave of the Fireflies” Physical, Psychological, and Structural Violence of War
Abstract Political Science Fuller, Frank R. B.A
RHR Template
Túmulo Dos Vagalumes” (Hotaru No Haka, 1988), De Isao Takahata: Objetos De Memória Que Se Atualizam – Esquecimentos Que Lampejam
Isao Takahata (1935-2018) Tze-Yue Gigi Hu
Listing by Title-Director-Cinematographer-Editor-Writer Title Director Cinematographer Editor Writer
Perubahan Pola Pikir Dan Perilaku Tokoh Anak Dalam Anime Hotaru No Haka Karya Isao Takahata
Floriane Jousseaume 1Ère S 2
GRAVE of the FIREFLIES (Lesson Plan-3 Class Periods (50 Minutes Each))
Revista Cerrados Is Licensed Under a Creative Commons Attribution 4.0 International License
Top View
August 6, 2011, Air War, Hiroshima-Nagasaki Remembrance
Hotaru No Haka
Analysis of Leading Character's Personality
China's Urbanization and Economic Documentary Film 'Ten Thousand Shovels: Rapid CC118 Development Urban Growth in China,' Produced by Karen C
Bringing Anime to Academic Libraries: a Recommended Core Collection
Osaka University Knowledge Archive : OUKA
XXV:10) Isao Takahata, HOTARU NO HAKA/GRAVE of the FIREFLIES (1988, 89 Min)
Grave of the Fireflies and Japan’S Memories of World War II
Un Centrism in Japan