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Capt Marty's Outer Banks Fishing Guide
2008 TIDE CHART & FISHING REGULATIONS OUTEROUTER BANKSBANKS FFISHINGISHING GUIDEGUIDE Presented by your friends: Cover Photo Credit © Jenny Lippincott Regardless of the mood you’re trying to create in your home, you’ll find the perfect colors at Ace. From clean crisp whites to rich robust deep tones, you’re certain to find just the right Colors for Your Life. Colors for Your Life ™ Your Personality.Your Style.Your Color. casual modern timeless STOP IN AND SEE US! Manteo • Elizabeth City • Avon Corolla • Nags Head • Kitty Hawk WELCOME TO OUR SECOND ANNUAL FISHING GUIDE Welcome to the Outer Banks first vacation guide totally devoted to fishing! The idea of this guide has been kicking around in my head for a few years now. Capt. Marty and I have talked about it off and on too and we both saw the need for this type of publication. Our great staff at Max Radio of the Carolinas got busy putting the word out about the possibility of this guide and the response was overwhelming. It seems many others saw the need for such a guide and all agreed that Capt. Marty was the perfect man for the job. This is one guide that is great for both vacationers and locals. So many people come to the Outer Banks to fish. But many others are drawn to fishing after they get here and see how much fun everyone is having. Whether you fish the surf, the sound, from the pier, in-shore, near-shore or off-shore, I hope you find the Capt. Marty’s Fishing guide useful and enjoyable. -
Boxoffice Records: Season 1937-1938 (1938)
' zm. v<W SELZNICK INTERNATIONAL JANET DOUGLAS PAULETTE GAYNOR FAIRBANKS, JR. GODDARD in "THE YOUNG IN HEART” with Roland Young ' Billie Burke and introducing Richard Carlson and Minnie Dupree Screen Play by Paul Osborn Adaptation by Charles Bennett Directed by Richard Wallace CAROLE LOMBARD and JAMES STEWART in "MADE FOR EACH OTHER ” Story and Screen Play by Jo Swerling Directed by John Cromwell IN PREPARATION: “GONE WITH THE WIND ” Screen Play by Sidney Howard Director, George Cukor Producer DAVID O. SELZNICK /x/HAT price personality? That question is everlastingly applied in the evaluation of the prime fac- tors in the making of motion pictures. It is applied to the star, the producer, the director, the writer and the other human ingredients that combine in the production of a motion picture. • And for all alike there is a common denominator—the boxoffice. • It has often been stated that each per- sonality is as good as his or her last picture. But it is unfair to make an evaluation on such a basis. The average for a season, based on intakes at the boxoffices throughout the land, is the more reliable measuring stick. • To render a service heretofore lacking, the publishers of BOXOFFICE have surveyed the field of the motion picture theatre and herein present BOXOFFICE RECORDS that tell their own important story. BEN SHLYEN, Publisher MAURICE KANN, Editor Records is published annually by Associated Publica- tions at Ninth and Van Brunt, Kansas City, Mo. PRICE TWO DOLLARS Hollywood Office: 6404 Hollywood Blvd., Ivan Spear, Manager. New York Office: 9 Rockefeller Plaza, J. -
Moorefield Examiner Hardy County Health Department Ad- There Are Nine Active Cases, but Nobody in Pandemic Seriously
Wednesday, October 14, 2020 • VOLUME 129 • NUMBER 42 ONE SECTION • 14 PAGES • $1.25 Residents Uncooperative With COVID-19 Construction Work to Begin Contact Tracing as County Nears 100 Cases On Main St., By Jean A. Flanagan been and who they’ve been in contact with.” “To date, there are 95 cases and one death. people in Hardy County are not taking the Moorefield Examiner Hardy County Health Department Ad- There are nine active cases, but nobody in pandemic seriously. Winchester ministrator William Ours updated the Har- the hospital.” “People in Mathias won’t quarantine,” he “The whole Moorefield High School dy County Commission on the status of the The 95 cases are a cumulative number, said. “I can understand adults that say they Ave. in situation could have been avoided if some- county’s COVID-19 cases at the Commis- reflecting the total number of positive test can’t afford to miss work, but they won’t one had told us the truth. Contact tracing sion meeting held Tuesday, Oct. 6. results since March. tell the truth about where they’ve been and Moorefield is hard. People won’t tell us where they’ve “COVID activity has picked up,” he said. Ours repeated his primary concern, that Continued on page 8 The West Virginia Division of Highways advises motorists of upcoming delays on US 220 in Moorefield, beginning as early as School System and Monday, October 19. Work will begin at the rail- Health Department road crossing on US 220 South, near Southern States and Food Lion Grocery, and will end at the Work Together to junction of US 220 and old West Virginia 55, at the traffic light on Main Street and Winchester Av- Combat COVID Spread enue. -
A Comparative Study Between the Book Thief and Grave of the Fireflies from the Perspective of Trauma Narratives
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 10, No. 7, pp. 785-790, July 2020 DOI: http://dx.doi.org/10.17507/tpls.1007.09 Who has Stolen Their Childhood?—A Comparative Study Between The Book Thief and Grave of the Fireflies from the Perspective of Trauma Narratives Manli Peng University of Shanghai for Science and Technology, Shanghai, China Yan Hua University of Shanghai for Science and Technology, Shanghai, China Abstract—Literature from the perspective of perpetrators receives less attention due to history and ethical problems, but it is our duty to view history as a whole. By comparing and analyzing The Book Thief and Grave of the Fireflies, this study claims that war and blind patriotism have stolen the childhood from the war-stricken children and that love, care, company and chances to speak out the pain can be the treatments. In the study, traumatic narratives, traumatic elements and treatments in both books are discussed comparatively and respectively. Index Terms—The Book Thief, Grave of the Fireflies, traumatic narratives, traumatic elements, treatments I. INTRODUCTION Markus Zusak's novel The Book Thief relates how Liesel Meminger, a little German girl, lost her beloved ones during the Second World War and how she overcame her miseries with love, friendship and the power of words. But The Book Thief is not just a Bildungsroman. According to Zusak, the inspiration of the book came from his parents, who witnessed a collection of Jews on their way to the death camps and the streetscape of Hamburg after the firebombing. The story “depicts the traumatic life experience of the German civilians and the hiding life of a Jew in the harsh situation of racial discrimination”(Chen, 2016, p. -
My Town: Writers on American Cities
MY TOW N WRITERS ON AMERICAN CITIES MY TOWN WRITERS ON AMERICAN CITIES CONTENTS INTRODUCTION by Claire Messud .......................................... 2 THE POETRY OF BRIDGES by David Bottoms ........................... 7 GOOD OLD BALTIMORE by Jonathan Yardley .......................... 13 GHOSTS by Carlo Rotella ...................................................... 19 CHICAGO AQUAMARINE by Stuart Dybek ............................. 25 HOUSTON: EXPERIMENTAL CITY by Fritz Lanham .................. 31 DREAMLAND by Jonathan Kellerman ...................................... 37 SLEEPWALKING IN MEMPHIS by Steve Stern ......................... 45 MIAMI, HOME AT LAST by Edna Buchanan ............................ 51 SEEING NEW ORLEANS by Richard Ford and Kristina Ford ......... 59 SON OF BROOKLYN by Pete Hamill ....................................... 65 IN SEATTLE, A NORTHWEST PASSAGE by Charles Johnson ..... 73 A WRITER’S CAPITAL by Thomas Mallon ................................ 79 INTRODUCTION by Claire Messud ore than three-quarters of Americans live in cities. In our globalized era, it is tempting to imagine that urban experiences have a quality of sameness: skyscrapers, subways and chain stores; a density of bricks and humanity; a sense of urgency and striving. The essays in Mthis collection make clear how wrong that assumption would be: from the dreamland of Jonathan Kellerman’s Los Angeles to the vibrant awakening of Edna Buchanan’s Miami; from the mid-century tenements of Pete Hamill’s beloved Brooklyn to the haunted viaducts of Stuart Dybek’s Pilsen neighborhood in Chicago; from the natural beauty and human diversity of Charles Johnson’s Seattle to the past and present myths of Richard Ford’s New Orleans, these reminiscences and musings conjure for us the richness and strangeness of any individual’s urban life, the way that our Claire Messud is the author of three imaginations and identities and literary histories are intertwined in a novels and a book of novellas. -
The Medical, Social, and Political Effects of the Yellow Fever Epidemic of 1853 in New Orleans
Voces Novae Volume 4 Article 7 2018 Hard Times in the Big Easy: The edicM al, Social, and Political Effects of the Yellow Fever Epidemic of 1853 in New Orleans Molly Iker Chapman University Follow this and additional works at: https://digitalcommons.chapman.edu/vocesnovae Recommended Citation Iker, Molly (2018) "Hard Times in the Big Easy: The eM dical, Social, and Political Effects of the Yellow Fever Epidemic of 1853 in New Orleans," Voces Novae: Vol. 4 , Article 7. Available at: https://digitalcommons.chapman.edu/vocesnovae/vol4/iss1/7 This Article is brought to you for free and open access by Chapman University Digital Commons. It has been accepted for inclusion in Voces Novae by an authorized editor of Chapman University Digital Commons. For more information, please contact [email protected]. Iker: Hard Times in the Big Easy: The Medical, Social, and Political Ef Hard Times in the Big Easy Voces Novae: Chapman University Historical Review, Vol 3, No 1 (2012) HOME ABOUT USER HOME SEARCH CURRENT ARCHIVES PHI ALPHA THETA Home > Vol 3, No 1 (2012) > Iker Hard Times in the Big Easy: The Medical, Social, and Political Effects of the Yellow Fever Epidemic of 1853 in New Orleans Molly Iker From May to October 1853, the city of New Orleans, Louisiana, battled a terrifying yellow fever epidemic. During this outbreak, the city watched as over 8,000 people succumbed to the disease. The scourge incited panic among residents and caused many to flee from the city as the summer drew near. The yellow fever epidemic of 1853 in New Orleans was one of the worst epidemics in the history of the United States of America, and it inspired important changes in the city's medical, social, and political practices, both locally and nationally. -
Discourse on Food in World War II Japan
ISSN: 1500-0713 ______________________________________________________________ Article Title: Discourse on Food in World War II Japan Author(s): Junko Baba Source: Japanese Studies Review, Vol. XXI (2017), pp. 131-153 Stable URL: https://asian.fiu.edu/projects-and-grants/japan- studies-review/journal-archive/volume-xxi-2017/baba-junko- revision-710-corrections-added.pdf ______________________________________________________________ DISCOURSE ON FOOD IN WORLD WAR II JAPAN Junko Baba University of South Carolina Between a high, solid wall and an egg that breaks against it, I will always stand on the side of the egg. The eggs are the unarmed civilians who are crushed and burned and shot by them… And each of us, to a greater or lesser degree, is confronting a high, solid wall. The wall has a name: It is The System. The System is supposed to protect us, but sometimes it takes on a life of its own and then it begins to kill us and cause us to kill others - coldly, efficiently, systematically. – Haruki Murakami Food consumption during wartime is not only the usual fundamental source of energy, especially for soldiers in combat; it is also “an important home-front weapon essential for preserving order and productivity” of the citizens.1 This study analyzes the sociopolitical and cultural meaning of food in Japan during World War II by examining social commentary and criticism implied in selected post-war literature about the war by popular writers, when the role of food during wartime in the lives of ordinary citizens could be depicted without censorship. These literary works offer insight into the inner lives and conflicts of ordinary Japanese citizens, including civilians and conscripted soldiers, under the fascist military regime during the war. -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Twenty-One 2017 Interdisciplinary Studies of Modern Japan Steven Heine Editor Editorial Board Matthew Marr, Florida International University Amy Bliss Marshall, Florida International University John A. Tucker, East Carolina University Ann Wehmeyer, University of Florida Hitomi Yoshio, Waseda University Copy and Production María Sol Echarren Michaela Prostak Ashley R. Webb JAPAN STUDIES REVIEW VOLUME TWENTY-ONE 2017 A publication of Florida International University and the Southern Japan Seminar CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions, and Comments ii ARTICLES Portraying Zen Buddhism in the Twentieth Century: Encounter Dialogues as Frame-Stories in Daisetz Suzuki’s Introduction to Zen Buddhism and Janwillem Van de Wetering’s The Empty Mirror Ben Van Overmeire 3 Society’s Influence on Women’s Childbearing Decision in Contemporary Japan Rebecca Richko 25 Employment Challenges in Japan: Age and Gender Dimensions Shiho Futagami and Marilyn M. Helms 51 Government Intervention versus the Market System: The United States-Japan Automobile Trade Crisis of the 1980s Revisited Bernice J. deGannes Scott 69 SPECIAL SECTION: BIBLIOGRAPHICAL ESSAY Outside of a Small Circle: Sōtō Zen Commentaries on Dōgen’s Shōbōgenzō and the Formation of the 95-Fascicle Honzan (Main Temple) Edition Steven Heine with Katrina Ankrum 85 ESSAYS Discourse on Food in World War II Japan Junko Baba 131 “Put it Back in the Ocean. Don’t You Realize It’ll Cause a Tsunami?”: The Power of Wata No Hara (The Ocean Plain) in Gake No Ue No Ponyo Cassandra Atherton 155 BOOK REVIEWS Daughters of the Samurai: A Journey from East to West and Back By Janice P. -
Hayao Miyazaki: Estilo De Un Cineasta De Animación
Universidad Católica del Uruguay Facultad de Ciencias Humanas Licenciatura en Comunicación Social Memoria de Grado HAYAO MIYAZAKI: ESTILO DE UN CINEASTA DE ANIMACIÓN María José Murialdo Tutor: Miguel Ángel Dobrich Seminario: Cine de Animación Montevideo, 2 de julio de 2012 Los autores de la memoria de grado son los únicos responsables por los contenidos de este trabajo y por las opiniones expresadas que no necesariamente son compartidas por la Universidad Católica del Uruguay. En consecuencia, serán los únicos responsables frente a eventuales reclamaciones de terceros (personas físicas o jurídicas) que refieran a la autoría de la obra y aspectos vinculados a la misma. Resumen de la Memoria de Grado La Memoria de Grado analizará las nueve películas escritas y dirigidas por Hayao Miyazaki, director de cine de animación japonés contemporáneo, para determinar si existe un estilo particular y reconocible que impregne sus obras. Para ello se hará un breve recorrido por la historia de Japón, al igual que por la historia del cine de animación, haciendo foco en el anime. También se incluirá la biografía del director y se hará un breve recorrido por la historia y las obras de Studio Ghibli desde sus comienzos, estudio de cine de animación creado en 1985 por Hayao Miyazaki e Isao Takahata –director de cine de animación nipón–. Para concluir si existe definitivamente un estilo Miyazaki se analizarán sus obras en base a los siguientes ejes de investigación: el argumento en sus películas, los recursos estilísticos empleados, y los temas y conceptos principales y recurrentes. Descriptores Miyazaki, Hayao; animé; cine animado; Japón; cine japonés. -
A Film-Study Firm Indiana Univ., Bloomington. Audio-Visual Center. Audiovisual Ai
DOCUMENT RESUME ED 111 332 IR 002 321 TITLE From "A" to "Yellow Jack"; A Film-Study Firm ColleciiOn. INSTITUTION Indiana Univ., Bloomington. Audio-VisualCenter. PUB DATE 75 NOTE 88p. EDRS PRICE MF-$0.36 HC-$4.43 Plus Postage DESCRIPTORS Audiovisual Aids; *Catalogs; Film Libraries; Film Production; *Film Production Specialists; *Films; *Film Study; Glossaries; *InstructionalMaterials Cente'r-s; Video Tape Recorddn-gs IDENTIFIERS _ *Indiana University Audio Visual Center ABSTRACT Illustrative material in the area of filmstudy available from the Indiana University Audio-VisualCenter is listed and described. Over 250 selected filmsare included, representing experimental films, film classics, historicallyinteresting films, works of recognized directors, and films whichare models of film techniques. Recent film acquisitionsare also described, including featurefilm excerpts from the Teaching FilmCustodians collection .representing the work of recognized Hollywooddirectors. Each entry is summarized and its significance in filmstudy explained; length, color and rental price are given. Entriesare also indexed by subject and by director. A glossary of film terms isappended. (SK) *********************************************************************** Documents acquired by ERIC include many informal unpublished * materials not available from othersources. ERIC makes every effort * * to obtain the best copy available. nevertheless,items of marginal * * reproducibility are often encountered and thisaffects the quality * * of the microfiche and hardcopy reproductionsERIC makes available * * via the ERIC Document Reproduction Service (EDRS).EDRS is not * responsible for the quality of the original document.Reproductions * * supplied by EDRS are the best that can be madefrom the original. *****,o**************************************************************** lac "stbos or\ II 1 o Go\\eck\ \0 Genkei Ftoo" I\'A\0-Sod`iP,Nolo.\1\svet.\ \30ve(s\y ioac\a, 1 rOor ,ygg* ,oete II_ PP- .411111.- . -
Social Conformity and Nationalism in Japan
SOCIAL CONFORMITY AND NATIONALISM IN JAPAN by Chie Muroga Jex B.A., The University of West Florida, 2005 A thesis submitted to the Department of Anthropology College of Arts and Sciences The University of West Florida In partial fulfillment of the requirements for the degree of Master of Anthropology 2009 The thesis of Chie Muroga Jex is approved: ____________________________________________ _________________ Rosalind A. Fisher, M.A., Committee Member Date ____________________________________________ _________________ Terry J. Prewitt, Ph.D., Committee Member Date ____________________________________________ _________________ Robert C. Philen, Ph.D., Committee Chair Date Accepted for the Department/Division: ____________________________________________ _________________ John R. Bratten, Ph.D., Chair Date Accepted for the University: ____________________________________________ _________________ Richard S. Podemski, Ph.D., Dean of Graduate Studies Date ACKNOWLEDGMENTS I would like to express my deep appreciation to Dr. Terry J. Prewitt, Dr. Robert Philen, and Ms. Rosalind Fisher for their willingness to be my thesis committee members. My fellow anthropology graduate student, Trey Bond, also gave me many helpful suggestions. They have inspired and sustained me with insightful comments, patience and encouragement. I also wish to especially thank my bilingual husband, Timothy T. Jex for always taking time, and patiently proofreading and correcting my English grammar despite his busy schedule. Without these professional and generous supporters, -
DT Filmography
Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill,