STRASZNY DWÓR the Haunted Manor
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UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat. -
Programm Denkfabrik
Hören, wann und wo Sie wollen: als Podcast oder im Radio, über DAB+, Online-Stream oder UKW Seite 3 2019 September Programm Denkfabrik 2 Editorial Inhalt Liebe Leserinnen 2 Editorial und Leser, 3 Aktuell Viele Wege führen der klassische Radiohörer sitzt vor dem Empfangs gerät zu Deutschlandradio Von UKW bis Podcast, in Küche oder Wohnzimmer und wartet darauf, Programm Deutschlandradio/ von DAB+ bis Social Media Bettina Fürst-Fastré © serviert zu bekommen ... Sollte diese Vorstellung jemals gestimmt haben, dann gehört sie jedenfalls der Vergangenheit an. Und trifft 4 Musik schon gar nicht auf Sie zu – unsere Hörerinnen und Hörer von Deutschlandfunk, Musikfest Berlin – Zum 150. Todestag von Hector Berlioz Deutschlandfunk Kultur und Deutschlandfunk Nova. Die Welt der schweizerisch- Radio lebt schon immer auch vom Gespräch mit den Hörerinnen und albanischen Sängerin Elina Duni Hörern. Sendungen mit Hörerbeteiligung sind Klassiker und gehören fest ins 8 Literatur Programm – und das wird auch so bleiben. Längst mischen aber auch die Nut- Theodor Fontane zer in den sozialen Netzwerken mit. Die Menschen wollen immer häufiger mit ‚Lesezeit‘ mit Sibylle Lewitscharoff uns in den Dialog treten – und Antworten von uns haben. 10 Lange Nacht Ob Mail, Anruf oder Facebook-Post: Viele wollen zum Beispiel wissen, Alles nur Routinen! warum sich die Programmmacherinnen und Programmmacher für ein Thema Geschichte und Geschichten entschieden haben und für ein anderes nicht. Sie wollen wissen, wie wir arbei- der Programmiersprachen in einer ten. Und das ist gut so. Das 25-jährige Jubiläum von Deutschlandradio haben Langen Nacht wir deshalb zum Anlass genommen, unsere Funkhäuser wieder einmal zu 11 Landeskorrespondentinnen öffnen(deutschlandradio.de/25) . -
Download Booklet
557309 bk OprNext US 26/08/2004 12:30pm Page 24 bello è affrontar la morte it is good to face death gridando: libertà! crying: liberty! Amor di patria impavido Let fearless patriotic love mieta i sanguigni allori, win bloody laurels, A NIGHT AT THE OPERA poi terga i bei sudori then may mercy wipe away e i pianti la pietà. our sweat and tears. Favourite opera arias, duets and ensembles featuring RICCARDO e GIORGIO RICHARD and GEORGE Indra Thomas, Soprano • Kristine Jepson, Mezzo-Soprano All’alba! At dawn! Matthew Polenzani, Tenor • Mariusz Kwiecien, Baritone English translation by Susannah Howe and Keith Anderson (tracks 13-14) Valerian Ruminski, Bass Royal Philharmonic Orchestra • Charles Rosekrans Valerian Ruminski Charles Rosekran Photo: Harry Heleotis Photo: Erich Hartmann / Magnum Photos 8.557309 24 557309 bk OprNext US 26/08/2004 12:30pm Page 2 A Night At The Opera Basta con queste ubbie… grette e piccine! Enough of this small-minded prejudice! Firenze è come un albero fiorito Florence is like a tree in blossom, Based on Victor Hugo’s Le Roi s’amuse, Verdi’s Sextus agrees to Vitellia’s demands, to the che in piazza dei Signori ha tronco e fronde, its trunk and branches stand in the piazza dei Signori, Rigoletto centres on the curse of a father on the father of accompaniment of a basset clarinet, in the original ma le radici forze nuove apportano but its spreading roots bring new life the title, the court jester to the Duke of Mantua. The scoring, a part for the Vienna court clarinettist Anton dalle convalli limpide e feconde! from the limpid, fertile valleys! climax of the action comes in the third act. -
Moniuszko Was Poland’S Leading Nineteenth-Century Opera Composer, and Has Been Called the Man Who Bridges the Gap Between Chopin and Szymanowski
CMYK NAXOS NAXOS Stanisław Moniuszko was Poland’s leading nineteenth-century opera composer, and has been called the man who bridges the gap between Chopin and Szymanowski. In addition to operatic works he also composed purely orchestral music, and this recording reveals that his essentially lyric style could function perfectly in the non-vocal medium. There is thematically memorable music from the comic opera Hrabina (The Countess), as well as enduring Polish-flavoured dance DDD MONIUSZKO: scenes from his most popular and famous stage work, Halka. The spirited Mazurka from MONIUSZKO: Straszny Dwór (The Haunted Manor), Moniuszko’s crowning operatic achievement, draws freely 8.573610 and inventively from his national heritage. Playing Time Stanisław 78:18 MONIUSZKO 7 (1819-1872) 47313 36107 Ballet Music 1 Concert Polonaise (1866) 7:51 Ballet Music 2-5 Hrabina: Ballet Music (1859) 18:11 6 Funeral March for Antoni Orłowski (18??) 11:41 7 Civic Polonaise (post 1863) 6:07 8 Halka, Act I: Mazurka (1857) 4:06 9 Halka, Act III: Tańce góralskie 6 (Highlanders’ Dances) (1857) 4:55 www.naxos.com Made in Germany Booklet notes in English ൿ 0 The Merry Wives of Windsor: Ballet Music (c. 1849) 9:38 & Ꭿ ! Monte Christo: Mazurka (1866) 4:37 2017 Naxos Rights US, Inc. @ Jawnuta: Taniec cygański (Gypsy Dance) (1860) 4:31 # Leokadia Polka (18??) 1:44 $ Straszny Dwór (The Haunted Manor), Act IV: Mazurka (1864) 5:16 Warsaw Philharmonic Orchestra • Antoni Wit A detailed track list can be found on page 2 of the booklet. 8.573610 8.573610 Recorded at Warsaw Philharmonic Concert Hall, Poland, from 29th August to 2nd September, 2011 Produced, engineered and edited by Andrzej Sasin and Aleksandra Nagórko (CD Accord) Publisher: PWM Edition (Polskie Wydawnictwo Muzyczne), Kraków, Poland Booklet notes: Paul Conway • Cover photograph by dzalcman (iStockphoto.com). -
Opera Wrocławska ~ Instytucja Kultury Samorządu Województwa Dolno$Ląskiego
, · OPERA WROCŁAWSKA ~ INSTYTUCJA KULTURY SAMORZĄDU WOJEWÓDZTWA DOLNO$LĄSKIEGO EWA MICHNIK DYREKTOR NAUELNY I ARTYSTYUNY ROMEO I JULIA ROMEO AND JULIET SERGIEJ PROKOFIEW LIBRITTO JERZY MAKAROWSKI BALET W 2 SCENACH I BALLET IN 2 SCEN ES MUZYKA Z CD I CD MUSIC BRNO, 193B PRAPREMIERA I WORLD PREMIERE WARSZAWA, 1954 PREMIERA POLSKA! POLISH PREMIERE SPEKTAKLE PREMIEROWE I PREMIERES SO ISA 18 Xll 2010 19:00 ND I su 19 Xll 201 o 19:00 CZAS TRWANIA SPEKTAKLU I DURATI ON: 135 MIN. 1 PRZERWA J 1 INTERVAL SPEKTAK L ZREALIZOWANY W KOPRODUKCJI Z TEATREM WIELK IM W ŁODZI CO-PROD UCTIN WITH TEATR WIELKI IN ŁÓDŻ MUlYKA W WYKONANIU BOSTON SY MPHONY ORCHESTRA POD BATUTĄ SEIJl 'EGO OZAWY, SYMPHONY HALL. BOSTON 1986 ORAZ LONDON SYMPHDNY ORCHESTRA POD BATUTĄ ANDRE PREVINA, KINGSWAY HALL. LONDYN 1973 MUSIC BY BOSTON SYMPHONY ORCHESTRA CDNDUCTED BY SEUi OZAWA, SYMPHONY HALL. BOSTON 1986 AND LONDON SYMPHONY ORCHESTRA CONDUCTED BY ANDRE PREVIN, KINGSWAY HALL. LONDON 1973 SEZON JUBILEUSZOWY 65-LECIE POLSKIEJ SCENY OPEROWEJ WE WROCŁAWIU JUBILEE SEASON 65TH ANNIVERSARY OF THE POLISH OPERATIC STAGE IN WROCŁAW Ministerstwo INSTYTUCJA KULTU RY lłMl DOLNY SAMORZĄDU Kultury WOJEWÓDZTWA i Dziedzictwa ~'- OFICJALNY PARTNER ~ SLĄSK OOLNO~LĄSKIEGO wrocł~w Narodowego. !Jl' TAUR O N 65 JUBILEUSZOWEGO SEZONU OP ER Y WR OC ŁAW SKIEJ 20 16 POLSKA ENERGIA AN OfflCIAl PATRON OF OPERA 65TH JUBILEE SEASON ROMEO I JULIA i ROMEO AND JU LI ET SERGIEJ PROKOFIEW REALIZATORZY I PRODUCERS REALIZATORZY [ PRODUCERS JERZY MAKAROWSKI Inscenizacja i choreografia I Stage direction and choreography RYSZARD KAJA Dekoracj e, kostiumy, plakat I Set and costume designs, poster JERZY STACHOWIAK Realizacja światła I Lighting design BOŻENA KLIMCZAK Kierownik baletu I Ballet master AŁŁA ABESADZE Asystent choreografa I Assistant to the choreographer PIOTR OLEKSIAK Asystent choreografa I Assistant to the choreographer MACIEJ SZUMSKI Nauka szermierki I Fencing master Zdjęcia do programu dzięki uprzejmości Teatru Wielkiego w Łodzi. -
La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica Afterscènes Da La Vie De Bohème by Henri Murger
____________________ The Indiana University Opera Theater presents as its 395th production La Bohème Opera in Four Acts Music by Giacomo Puccini Italian Libretto by Giuseppe Giacosa and Luigi Illica AfterScènes da la vie de Bohème by Henri Murger David Effron,Conductor Tito Capobianco, Stage Director C. David Higgins, Set Designer Barry Steele, Lighting Designer Sondra Nottingham, Wig and Make-up Designer Vasiliki Tsuova, Chorus Master Lisa Yozviak, Children’s Chorus Master Christian Capocaccia, Italian Diction Coach Words for Music, Supertitle Provider Victor DeRenzi, Supertitle Translator _______________ Musical Arts Center Friday Evening, November Ninth Saturday Evening, November Tenth Friday Evening, November Sixteenth Saturday Evening, November Seventeenth Eight O’Clock Two Hundred Eighty-Fourth Program of the 2007-08 Season music.indiana.edu Cast (in order of appearance) The four Bohemians: Rodolfo, a poet. Brian Arreola, Jason Wickson Marcello, a painter . Justin Moore, Kenneth Pereira Colline, a philosopher . Max Wier, Miroslaw Witkowski Schaunard, a musician . Adonis Abuyen, Mark Davies Benoit, their landlord . .Joseph “Bill” Kloppenburg, Chaz Nailor Mimi, a seamstress . Joanna Ruzsała, Jung Nan Yoon Two delivery boys . Nick Palmer, Evan James Snipes Parpignol, a toy vendor . Hong-Teak Lim Musetta, friend of Marcello . Rebecca Fay, Laura Waters Alcindoro, a state councilor . Joseph “Bill” Kloppenburg, Chaz Nailor Customs Guard . Nathan Brown Sergeant . .Cody Medina People of the Latin Quarter Vendors . Korey Gonzalez, Olivia Hairston, Wayne Hu, Kimberly Izzo, David Johnson, Daniel Lentz, William Lockhart, Cody Medina, Abigail Peters, Lauren Pickett, Shelley Ploss, Jerome Sibulo, Kris Simmons Middle Class . Jacqueline Brecheen, Molly Fetherston, Lawrence Galera, Chris Gobles, Jonathan Hilber, Kira McGirr, Justin Merrick, Kevin Necciai, Naomi Ruiz, Jason Thomas Elegant Ladies . -
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021
2021 WFMT Opera Series Broadcast Schedule & Cast Information —Spring/Summer 2021 Please Note: due to production considerations, duration for each production is subject to change. Please consult associated cue sheet for final cast list, timings, and more details. Please contact [email protected] for more information. PROGRAM #: OS 21-01 RELEASE: June 12, 2021 OPERA: Handel Double-Bill: Acis and Galatea & Apollo e Dafne COMPOSER: George Frideric Handel LIBRETTO: John Gay (Acis and Galatea) G.F. Handel (Apollo e Dafne) PRESENTING COMPANY: Haymarket Opera Company CAST: Acis and Galatea Acis Michael St. Peter Galatea Kimberly Jones Polyphemus David Govertsen Damon Kaitlin Foley Chorus Kaitlin Foley, Mallory Harding, Ryan Townsend Strand, Jianghai Ho, Dorian McCall CAST: Apollo e Dafne Apollo Ryan de Ryke Dafne Erica Schuller ENSEMBLE: Haymarket Ensemble CONDUCTOR: Craig Trompeter CREATIVE DIRECTOR: Chase Hopkins FILM DIRECTOR: Garry Grasinski LIGHTING DESIGNER: Lindsey Lyddan AUDIO ENGINEER: Mary Mazurek COVID COMPLIANCE OFFICER: Kait Samuels ORIGINAL ART: Zuleyka V. Benitez Approx. Length: 2 hours, 48 minutes PROGRAM #: OS 21-02 RELEASE: June 19, 2021 OPERA: Tosca (in Italian) COMPOSER: Giacomo Puccini LIBRETTO: Luigi Illica & Giuseppe Giacosa VENUE: Royal Opera House PRESENTING COMPANY: Royal Opera CAST: Tosca Angela Gheorghiu Cavaradossi Jonas Kaufmann Scarpia Sir Bryn Terfel Spoletta Hubert Francis Angelotti Lukas Jakobski Sacristan Jeremy White Sciarrone Zheng Zhou Shepherd Boy William Payne ENSEMBLE: Orchestra of the Royal Opera House, -
Grand Finals Concert
NATIONAL COUNCIL AUDITIONS grand finals concert conductor Metropolitan Opera Carlo Rizzi National Council Auditions host Grand Finals Concert Anthony Roth Costanzo Sunday, March 31, 2019 3:00 PM guest artist Christian Van Horn Metropolitan Opera Orchestra The Metropolitan Opera National Council is grateful to the Charles H. Dyson Endowment Fund for underwriting the Council’s Auditions Program. general manager Peter Gelb jeanette lerman-neubauer music director Yannick Nézet-Séguin 2018–19 SEASON NATIONAL COUNCIL AUDITIONS grand finals concert conductor Carlo Rizzi host Anthony Roth Costanzo guest artist Christian Van Horn “Dich, teure Halle” from Tannhäuser (Wagner) Meghan Kasanders, Soprano “Fra poco a me ricovero … Tu che a Dio spiegasti l’ali” from Lucia di Lammermoor (Donizetti) Dashuai Chen, Tenor “Oh! quante volte, oh! quante” from I Capuleti e i Montecchi (Bellini) Elena Villalón, Soprano “Kuda, kuda, kuda vy udalilis” (Lenski’s Aria) from Today’s concert is Eugene Onegin (Tchaikovsky) being recorded for Miles Mykkanen, Tenor future broadcast “Addio, addio, o miei sospiri” from Orfeo ed Euridice (Gluck) over many public Michaela Wolz, Mezzo-Soprano radio stations. Please check “Seul sur la terre” from Dom Sébastien (Donizetti) local listings. Piotr Buszewski, Tenor Sunday, March 31, 2019, 3:00PM “Captain Ahab? I must speak with you” from Moby Dick (Jake Heggie) Thomas Glass, Baritone “Don Ottavio, son morta! ... Or sai chi l’onore” from Don Giovanni (Mozart) Alaysha Fox, Soprano “Sorge infausta una procella” from Orlando (Handel) -
[T] IMRE PALLÓ
VOCAL 78 rpm Discs FRANZ (FRANTISEK) PÁCAL [t]. Leitomischi, Austria, 1865-Nepomuk, Czechoslo- vakia, 1938. First an orchestral violinist, Pácal then studied voice with Gustav Walter in Vienna and sang as a chorister in Cologne, Bremen and Graz. In 1895 he became a member of the Vienna Hofoper and had a great success there in 1897 singing the small role of the Fisherman in Rossini’s William Tell. He then was promoted to leading roles and remained in Vienna through 1905. Unfor- tunately he and the Opera’s director, Gustav Mahler, didn’t get along, despite Pacal having instructed his son to kiss Mahler’s hand in public (behavior Mahler considered obsequious). Pacal stated that Mahler ruined his career, calling him “talentless” and “humiliating me in front of all the Opera personnel.” We don’t know what happened to invoke Mahler’s wrath but we do know that Pácal sent Mahler a letter in 1906, unsuccessfully begging for another chance. Leaving Vienna, Pácal then sang with the Prague National Opera, in Riga and finally in Posen. His rare records demonstate a fine voice with considerable ring in the upper register. -Internet sources 1858. 10” Blk. Wien G&T 43832 [891x-Do-2z]. FRÜHLINGSZEIT (Becker). Very tiny rim chip blank side only. Very fine copy, just about 2. $60.00. GIUSEPPE PACINI [b]. Firenze, 1862-1910. His debut was in Firenze, 1887, in Verdi’s I due Foscari. In 1895 he appeared at La Scala in the premieres of Mascagni’s Guglielmo Ratcliff and Silvano. Other engagements at La Scala followed, as well as at the Rome Costanzi, 1903 (with Caruso in Aida) and other prominent Italian houses. -
Opera Wrocławska
OPERA WROCŁAWSKA ~ INSTYTUCJA KULTURY SAMORZĄDU WOJEWÓDZTWA DOLNOSLĄSKIEGO WSPÓŁPROWADZONA PRZEZ MINISTRA KULTURY I DZIEDZICTWA NARODOWEGO EWA MICHNIK DYREKTOR NAUELNY I ARTYSTYUNY STRASZNY DWÓR THE HAUNTED MANOR STANISŁAW MONIUSZKO OPERA W 4 AKTACH I OPERA IN 4 ACTS JAN CHĘCIŃSKI LIBR ETIO WARSZAWA, 1865 PRAPREMIERA I PREVIEW SPEKTAKLE PREMIEROWE I PREMIERES 00 PT I FR 6 111 2009 I 19 SO I SA 7 Ili 2009 I 19 00 00 ND I SU 8 Ili 2009 117 CZAS TRWANIA SPEKTAKLU 180 MIN. I DURATION 180 MIN . 1 PRZERWA I 1 PAUSE SPEKTAKL WYKONYWANY JEST W JĘZYKU POLSKIM Z POLSKIMI NAPISAMI POLI SH LANGUAGE VERSION WITH SURTITLES STRASZNY DWÓR I THE HAU~TED MAl\ OR REALIZATO RZY I PRODUCERS OBSADA I CAST REALIZATORZY I PROOUCERS MIECZNIK MACIEJ TOMASZ SZREDER ZBIGNIEW KRYCZKA JAROSŁAW BODAKOWSKI KIEROWNICTWO MUZYCZNE, DYRYGENT I MUSICAL DIRECTION, CONDUCTOR BOGUSŁAW SZYNALSKI* JACEK JASKUŁA LACO ADAMIK STEFAN SKOŁUBA INSCENIZACJA I REŻYSERIA I STAGE DIRECTION RAFAŁ BARTMIŃSKI* WIKTOR GORELIKOW ARNOLD RUTKOWSKI* RADOSŁAW ŻUKOWSKI BARBARA KĘDZIERSKA ALEKSANDER ZUCHOWICZ* SCENOGRAFIA I SET & COSTUME DESIGNS DAMAZY ZBIGNIEW ANDRZEJ KALININ MAGDALENA TESŁAWSKA, PAWEŁ GRABARCZYK DAMIAN KONIECZEK KAROL KOZŁOWSKI WSPÓŁPRACA SCENOGRAFICZNA I SET & COSTUME DE SIGNS CO-OPERATION TOMASZ RUDNICKI EDWARD KULCZYK RAFAŁ MAJZNER HENRYK KONWIŃSKI HANNA CHOREOGRAFIA I CHOREOGRAPHY EWA CZERMAK STARSZA NIEWIASTA ALEKSANDRA KUBAS JOLANTA GÓRECKA MAŁGORZATA ORAWSKA JOANNA MOSKOWICZ PRZYGOTOWANIE CHÓRU I CHORUS MASTER MARTA JADWIGA URSZULA CZUPRYŃSKA BOGUMIŁ PALEWICZ ANNA BERNACKA REŻYSERIA ŚWIATEŁ I LIGHTING DESIGNS DOROT A DUTKOWSKA GRZEŚ PIOTR BUNZLER HANNA MARASZ CZEŚNIKOWA ASYSTENT REŻYS ERA I ASS ISTAN T TO THE STAGE DIRECTOR BARBARA BAGIŃSKA SOLIŚCI, ORKIESTRA, CHÓR I BALET ELŻBIETA KACZMARZYK-JANCZAK OPERY WROCŁAWSKIEJ, STATYŚCI ADAM FRONTCZAK, JULIAN ŻYCHOWICZ ALEKSANDRA LEMISZKA SOLOISTS, ORCHESTRA, CHOIR AND BALLET INSPICJENCI I SRTAGE MANAGERS OF THE WROCŁAW OPERA, SUPERNUMERARIES * gościnnie I spec1al guest Dyrekcja zastrzega sobie prawo do zmian w obsadach . -
10Intvocalc.Pdf
JOHN ALLISON EDITOR OF “OPERA MAGAZINE” PIOTR BECZAŁA TENOR MICHAEL FICHTENHOLZ DIRECTOR OF OPERA, OPERNHAUS ZÜRICH JONATHAN FRIEND ARTISTIC ADMINISTRATOR, METROPOLITAN OPERA TOBIAS HASAN COORDINATING OPERA DIRECTOR, STAATSOPER UNTER DEN LINDEN BERLIN BORIS IGNATOV CASTING DIRECTOR, STAATSOPER STUTTGART PETER MARIO KATONA DIRECTOR OF CASTING, ROYAL OPERA HOUSE – COVENT GARDEN TEATR WIELKI - POLISH NATIONAL OPERA IZABELLA KŁOSIŃSKA CASTING DIRECTOR, WARSAW, POLAND TEATR WIELKI - POLISH NATIONAL OPERA GIANLUCA MACHEDA DIRECTOR OF GM ART&MUSIC PÅL CHRISTIAN MOE CASTING CONSULTANT, BAYERISCHE STAATSOPER AND GLYNDEBOURNE FESTIVAL OPERA NICHOLAS PAYNE DIRECTOR, OPERA EUROPA INTERNATIONAL JURY CONSISTING ALAIN PERROUX OF OUTSTANDING ARTISTS, ARTISTIC ADVISOR, FESTIVAL D’AIX-EN-PROVENCE DIRECTORS OF LEADING EWA PODLEŚ OPERA HOUSES AND AGENTS CONTRALTO EVAMARIA WIESER ARTISTIC ADMINISTRATOR, SALZBURGER FESTSPIELE AND EUROPEAN CASTING CONSULTANT, LYRIC OPERA OF CHICAGO PRIZES APPLICATIONS Attractive money prizes and professional Applications open from 1 September 2018 engagements. to 15 January 2019 Application form available at MAIN PRIZES: moniuszkocompetition.pl First Prize – 15 000 € Second Prize – 11 000 € NO APPLICATION FEE Third Prize – 9 000 € Registration fee: 100 EUR or 400 PLN Fourth Prize – 7 000 € – only for candidates admitted to the Fifth Prize – 5 000 € Competition, to be paid by 6 March 2019. Sixth Prize – 4 000 € AGE LIMIT Remaining Finalists – 2 000 € each Singers born between 6 May 1986 and 6 May 2001 The Maria Fołtyn Prize -
Lato 2011Lato
cena 16 zł 16 cena ISSN 1732-6125 200 lat Szkoły Dramatycznej w Warszawie / Osterloff / Rogacki /miasto / Miłobędzki / Coldwell / Lorent (5% VAT) (5% lato2011 pismo warszawskich uczelni artystycznych Wystawa końcoworoczna w ASP w Warszawie. Fot. Magda Sykulska Na okładce: Otto Axer, szkic kostiumu dla Aleksan- dra Zelwerowicza w roli Czubukowa w Oświadczy- nach Czechowa, reż. Henryk Szletyński, Teatr pismo Wojska Polskiego w Łodzi (na drugiej scenie warszawskich TWP – Teatru Powszechnego), premiera 6 lutego 1947. Własność prywatna, reprodukcja ze zbiorów uczelni Barbary Osterloff. artystycznych lato 2011 s. 2 Barbara Osterloff s. 40 Krzysztof Szyrszeń s. 70 Czucia, pasje i namiętności... Polska – Łotwa. Streszczenia Od Państwowego Instytutu Sztuki Relacje kulturalne w dziedzinie Summaries Teatralnej do Akademii Teatralnej muzyki i teatru (część pierwsza) Feelings, Passions and Infatuations… Poland – Latvia. Intercultural Relations in the Fields From the State Institute of Theatre Arts of Music and Theatre (Part One) s. 78 to the Theatre Academy Kalendarium Chronicle of Events s. 46 Małgorzata Komorowska s. 8 Henryk Izydor Rogacki O śpiewie w Polsce dawniej i dziś Repertuar mistrza Singing in Poland, Past and Present Master’s Repertoire s. 52 Piotr Kędzierski s. 14 Uczeniu się nigdy nie ma końca... Rzeczywistość architektury. czyli o muzyce na co dzień w XIX wieku Problem miasta Learning Never Ends... Or Everyday Music in the 19th Z Maciejem Miłobędzkim, Century architektem pracowni JEMS, której dziełem jest właśnie realizowany projekt nowego kompleksu budynków s. 56 Aleksandra Grzelak ASPIRACJE lato / summer 2011 ASP w Warszawie, rozmawia David Mamet o aktorze Pismo warszawskich uczelni artystycznych Journal of Warsaw Schools of Arts Magdalena Sołtys David Mamet on the Actor Reality of Architecture.