Museums of Rome
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Antikenrezeption Im Hochbarock
Antikenrezeption im Hochbarock Herausgegeben van Herbert Beck und Sabine Schulze GEBR. MANN VERLAG· BERLIN lRVTNG LAVIN Bernini and Antiquity - The Baroque Paradox A Poetical View* My chief purpose in this paper is to bring together and consider under one heading two papers by earlier scholars on apparently quite different subjects that are fundamcntnl to some of our current views on the relationship of Baroque art to antiquity. In a brief note entitled ··Rhetoric and Baroque Art". published in 1955 . Giulio Carlo Argan for the first time offered what has since become perhaps the prevalent interpretation of Ba roque art. base d on the classical tradition of rhetoric'. The primary source book on the subject. Arist0tle's treatise on rhetoric. became available in Italian translation in 1570. The wide influence of Argan ·s essay was very salubrious. suggesting as it did that Baroque style. often regarded as a decadent superabundance of ornament and conceit. could better be under stood positively as a deliberate and sophisticated technique of persuasion. T he second paper. published by RudolfWiukower in 1963, compared the use ofanciem models by Poussin. the arch classicist of France. and Bernini, the outstanding representative of Italian Baroque 2 exuberance . With great perspicuity Wittkower showed from preparatory studies how classical sources functioned in diametrically opposite ways in the development of their works. Poussin would typicall y start with a dynamic. ··Baroque" design. into which ancient models would then intervene to produce a restrained. classicizing final version: Bernini. on the other hand. would often start with a classical prototype. which he would then transform into a free and volatile ·'Baroque'· solution. -
An Art Lover's
INSIGHT DELICIOUSLY TRAVEL AND SMALLER SEAMLESS, EXPERIENCES AUTHENTIC STAY IN STYLE GROUP STRESS-FREE DINING CAMARADERIE TRAVEL AN ART LOVER’S TASTE OF EUROPE 15 DAYS | Departing 26 September 2021 A cultural journey, visiting some of the best art galleries and museums in Europe while enjoying the sights and tastes of a selection of Europe’s most loved cities. INSIGHTVACATIONS.COM #INSIGHTMOMENTS An Art Lover’s Taste of EuropeThe Louvre, Paris Itinerary DAY 1: ARRIVAL ROME DAY 3: GALLERIA BORGHESE DAY 5: RENAISSANCE FLORENCE Welcome to Rome! On arrival AND FREE TIME With a Local Expert, visit the Uffizi Gallery, complimentary transfers are provided to A highlight for art lovers today, a visit one of the oldest and most famous art your hotel, departing the airport at 09.30, to the Galleria Borghese, which houses museums in Europe. Admire works by 12.30 and 15.30hrs. Later, meet your a substantial part of the Borghese Michelangelo, Botticelli and Raphael Travel Director for a Welcome Dinner in a collection of paintings, sculptures and amongst other masterpieces. Then local restaurant. (DW) antiquities, begun by Cardinal Scipione embark on a sightseeing trip to see the Hotel: Kolbe, Rome – 3 nights Borghese, the nephew of Pope Paul V who multi coloured marble cathedral, bell reigned from 1605 to 1621. The rest of the tower and baptistry, adorned by Ghiberti’s “Gate of Paradise”. This evening is yours DAY 2: ROME SIGHTSEEING day is yours to explore before joining for dinner at a local restaurant this evening. to enjoy the ambience of this timeless The day is devoted to the Eternal City. -
Rome: Portrait of a City 2019
Rome: Portrait of a City 2019 28 OCT – 9 NOV 2019 Code: 21941 Tour Leaders Em. Prof. Bernard Hoffert Physical Ratings Explore the treasures of the Eternal City, from the Etruscans through to the 21st century, with art history expert Emeritus Professor Bernard Hoffert. Overview Join Emeritus Professor Bernard Hoffert in Rome on a program that explores the enduring yet ever- changing nature of this extraordinary city. In Tarquinia, north of Rome, discover the exquisite beauty of Etruscan wall painting at the UNESCO site of the Necropoli dei Monterozzi and view fine Etruscan sculpture at the Villa Giulia. Marvel at the extraordinary ancient Roman architectural and engineering feats like the Pantheon and the revolutionary Roman documentary realism in the sculpture of Augustus’ Ara Pacis Augustae. Admire the glistening Early Christian and medieval mosaics that convey a sense of a transcendent world in churches such as Santa Prassede, Santa Maria Maggiore, San Clemente and Santa Maria in Trastevere. View Michelangelo’s awesome God of Creation on the Sistine Ceiling and his terrifying Just Christ of the Last Judgement, as well as Raphael’s superb frescoes in the Vatican Stanze and the Villa Farnesina. Outside Rome, wander through the exquisite pentagonal Villa Farnese at Caprarola with its extensive park adorned with fountains, walled gardens and a casino; and explore the garden masterpiece of the Renaissance, Vignola’s Villa Lante at Bagnaia. Contemplate Caravaggio’s portrayal of deep spiritual awakening in his St Matthew cycle in the church of San Luigi dei Francesi, and his Crucifixion of Saint Peter and Conversion of St Paul at Santa Maria del Popolo, and witness the revolutionary illusionism and high drama of Gian Lorenzo Bernini’s sculptures at the Villa Borghese. -
The Porta Del Popolo, Rome Pen and Brown Ink on Buff Paper
Muirhead BONE (Glasgow 1876 - Oxford 1953) The Porta del Popolo, Rome Pen and brown ink on buff paper. Signed Muirhead Bone at the lower right. 222 x 170 mm. (8 3/4 x 6 5/8 in.) One of the first trips that Muirhead Bone made outside Britain was a long stay of two years - from October 1910 to October 1912 – in central and northern Italy, accompanied by his wife Gertrude and their children. After spending several weeks in Florence, the Bone family settled in Rome in the early months of 1911, and from October 1911 lived in a flat overlooking the Piazza del Popolo. During his time in Italy Bone produced thirty-two copper plates and numerous fine drawings, several of which were sent from Italy to London and Glasgow to be sold by his dealers. A number of Bone’s drawings of Italy were exhibited at the Colnaghi and Obach gallery in London in 1914, to very positive reviews. The present sheet depicts part of the outer façade of the city gate known as the Porta del Popolo, a section part of the Aurelian Walls encircling the city of Rome. The gate was the main entrance to Rome from the Via Flaminia and the north, and was used by most travellers arriving into the city for the first time. Built by Pope Sixtus IV for the Jubilee year of 1475, the Porta del Popolo was remodelled in the 16th century under Pope Pius IV. The Pope had asked Michelangelo to design the new outer façade of the Porta, but the elderly artist passed the commission on to the architect Nanni di Baccio Bigio, who completed the work between 1562 and 1565. -
Royal Cooking Events a Sicilian Experience September 1 – 7, 2013
Royal Cooking Events A Sicilian Experience September 1 – 7, 2013 Live a week like a King and a Queen in the best Royal sites of Western Sicily. Eat what they were eating and learn to cook it! This cooking cxperience will take us back to 1860 when Don Fabrizio Corbera, Prince of Salina, lived a troubled time foreseeing the decline of the “Reign of the Two Sicilies” and the forming of the new nation: ITALY! (One of the most famous Italian novel “The Leopard” written by Prince Giuseppe Tomasi di Lampedusa) Welcome in Sicily: Land of sun, sea, history, tradition and… good food! First Day We will stay at the Centrale Palace Hotel, a magnificent aristocratic residence from the 19th century, with original frescos and statues that recreate a magical atmosphere straight out of the novel “The Leopard”. Lunch at Trattoria San Francesco, established in 1834 to taste the “street food”. A 10 minute walk will take us to Teatro Massimo, the second theater in Europe after L’Opera of Paris. Our first cooking class will take place at “La Casa del Brodo” 120 years and five generations’ experience. Second Day A visit to St. Rosalie, Patron Saint of Palermo is a most. The church is on the top of Mount Pellegrino and is in a cave. The church and the view is breathtaking. We will then go to Torre di Scrigno, a tower inside the Palazzo Conte Federico (1194), were Chef Peppe Giuffrè will demonstrate the some of the dishes that will be served during the Gala Night. Chef Peppe has cooked for Pope John Paul II, the President of Italy, Robert De Niro and Sting. -
Falda's Map As a Work Of
The Art Bulletin ISSN: 0004-3079 (Print) 1559-6478 (Online) Journal homepage: https://www.tandfonline.com/loi/rcab20 Falda’s Map as a Work of Art Sarah McPhee To cite this article: Sarah McPhee (2019) Falda’s Map as a Work of Art, The Art Bulletin, 101:2, 7-28, DOI: 10.1080/00043079.2019.1527632 To link to this article: https://doi.org/10.1080/00043079.2019.1527632 Published online: 20 May 2019. Submit your article to this journal Article views: 79 View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rcab20 Falda’s Map as a Work of Art sarah mcphee In The Anatomy of Melancholy, first published in the 1620s, the Oxford don Robert Burton remarks on the pleasure of maps: Methinks it would please any man to look upon a geographical map, . to behold, as it were, all the remote provinces, towns, cities of the world, and never to go forth of the limits of his study, to measure by the scale and compass their extent, distance, examine their site. .1 In the seventeenth century large and elaborate ornamental maps adorned the walls of country houses, princely galleries, and scholars’ studies. Burton’s words invoke the gallery of maps Pope Alexander VII assembled in Castel Gandolfo outside Rome in 1665 and animate Sutton Nicholls’s ink-and-wash drawing of Samuel Pepys’s library in London in 1693 (Fig. 1).2 There, in a room lined with bookcases and portraits, a map stands out, mounted on canvas and sus- pended from two cords; it is Giovanni Battista Falda’s view of Rome, published in 1676. -
Ist. Arts & Culture Festival First Global Edition Kicks
IST. ARTS & CULTURE FESTIVAL FIRST GLOBAL EDITION KICKS OFF IN ROME, ITALY ON MAY 31 ISTANBUL ’74 C o - Founders Demet Muftuoglu Eseli & Alphan Esel i to Co - curate IST.FEST.ROME With Delfina Delettrez Fendi and Nico Vascellari Demet Muftuoglu Eseli & Alphan Eseli , Co - Founders of ISTANBUL’74 launch the first global edition of IST. Arts & Culture Festival i n the city of Rome , the artistic an d cultural center of the world that has played host to some of the most impressive art and architecture achieved by human civilization , on May 31 st - June 2 nd 2019. Co - c urated by Demet Muftuoglu Eseli, Alphan Eseli, with Delfina Delettrez Fendi and Nico Vascellari , the IST.FEST. ROME will bring together some of the world’s most talented and creative minds , and leading cultural figures around an inspiring program of panels, talks, exhibitions, performances, screenings and workshops while maintaining its admission - free format. IST. FEST. ROME will focus on the theme: “Self - Expression in the Post - Truth World.” This edition of IST. F estival sets out to explore the ways in which constant changes in our surrounding habitats affect crea tive minds and artistic output. The core mission of the theme is to invoke lively debate around the struggle between reality and make - believe while acknow ledging digital technology and its undeniable power and vast reach as the ultimate tool for self - expression. IST.FEST.ROME will be presented in collaboration with MAXXI, the National Museum of 21st Century Arts , the first Italian national institution dev oted to contemporary creativity designed by the acclaimed architect Zaha Hadid , and Galleria Borghese , one the most respected museums over the world with masterpieces by Bernini and Caravaggio in its collection. -
The Role of Prints in the Bernini's Anima Beata and Anima Damnata
Originalveröffentlichung in: Print quarterly, 33 (2016), Nr. 2, S. 135-146 The Role of Prints in the Artistic Genealogy of Bernini’s Anima beata and Anima damnata Eckhard Leuschner The two marble busts by Gianlorenzo Bernini resentations of the Quattuor Novissima from the late fif (1598-1680) known as the Blessed Soul (Anima Beata or teenth century including, among others, works by Salvata) and the Damned Soul (Anima Damnata) are today Hieronymus Bosch, Maerten van Heemskerck and in the Spanish Embassy to the Holy See in Rome (figs. Hendrick Goltzius.5 102 and 103). They feature prominendy in all mono Most art historians identify the patron of Bernini’s graphs on the artist.' In addition, they are discussed in Blessed Soul and Damned Soul as the Spanish cleric Pedro books and articles dealing with images related to the de Foix Montoya (1556-1630), in whose possession, ac so-called Quattuor Novissima (Four Last Things).2 cording to Irving Lavin, the two works might have been The genre of written meditations on the Quattuor No as early as 1619 when ‘dos medios cuerpos de piedra de vissima- Death, the Last Judgment, Hell, Heaven/Par- statuas’ (two half-length [!] bodies of stone, sculptures) adise or, in a later grouping, Death, Purgatory, Hell, were listed among his belongings.6 In 1632 the busts Heaven/Paradise - was inaugurated in the early fif were placed in the sacristy of S. Giacomo degli Spagnoli teenth century by Gerard van Vliederhoven’s Cor diale and have belonged to Spanish institutions in Rome ever quattuor novissimis, although Purgatory was still miss- since. -
Villa Borghese
Piazza del Campidoglio 5 Centro Storico 6 Gianicolo - Trastevere - Villa Pamphili 19 Villa Borghese - Flaminio Nomentana - San Basilio 21 Polo museale “Sapienza” 26 Testaccio - Ostiense - Garbatella 28 Eur - Ostia - Fiumicino 30 Appia - Casilina 31 Cassia - Flaminia 32 Prenestina - Pigneto 32 Ingresso libero fino Ingresso contingentato ad esaurimento posti Prenotazione consigliata Ingresso a pagamento Dove non espressamente o obbligatoria indicato l’iniziativa è gratuita. Il programma può subire variazioni. Programma aggiornato all’11 maggio 2012 Info 060608 www.museiincomuneroma.it Piazza del Campidoglio sulla piazza Ore 21.00-22.30 “Meno male che c’è Radio 2” Il programma di Radio 2 in diretta, presentato da Simone Cristicchi e Nino Frassica, con vari ospiti e musicisti. Musei Capitolini Orario 20.00-02.00 (ultimo ingresso ore 01.00) Il Museo pubblico più antico del mondo, fondato nel 1471 da Sisto IV con la donazione al popolo romano dei grandi bronzi lateranensi, si articola nei due edifici che insieme al Palazzo Senatorio delimitano la piazza del Campidoglio. Il Gioco del Lotto offrirà mediatori storici dell’arte a disposizione del pubblico per rispondere alle domande sulle opere esposte. MOSTRA Lux in Arcana - L’Archivio Segreto Vaticano si rivela Ore 20.30 Premio Strega. Incontro con l’autore Gianrico Carofiglio Il silenzio dell'onda (Rizzoli) Presenta Franco Scaglia, Presidente del Teatro di Roma. Ore 21.30, 22.45 e 24.15 Le Romane La canzone romana è il luogo d’incontro di questa formazione acustica tutta al femminile, dove la serenata ed il canto della popolana si mescolano ai versi di grandi autori come Pasolini e Strehler e alle musiche di Rota, Umiliani, Carpi, Rustichelli, Trovajoli, Balzani; dal linguaggio prezioso delle parole di Gadda, Giuliani, Fabrizi, Belli, Trilussa, tornano alla mente immagini forti piene di ironia e passione. -
Extraordinary Jubilee of Mercy 2015-2016
EEXXTTRRAAOORRDDIINNAARRYY JJUUBBIILLEEEE ooff MMEERRCCYY The Extraordinary Jubilee of Mercy 2015-2016 Pope Francis, who is moved by the human, social and cultural issues of our times, wished to give the City of Rome and the Universal Church a special and extraordinary Holy Year of Grace, Mercy and Peace. The “Misericordiae VulTus” Bull of indicTion The Apostolic Exhortation Evangelii Gaudium, which continues to be the programmatic outline for the pontificate of Pope Francis, offers a meaningful expression of the very essence of the Extraordinary Jubilee which was announced on 11 April 2015: “The Church has an endless desire to show mercy, the fruit of its own experience of the power of the Father’s infinite mercy” (EG 24). It is with this desire in mind that we should re-read the Bull of Indiction of the Jubilee, Misericordiae Vultus, in which Pope Fran- cis details the aims of the Holy Year. As we know, the two dates already marked out are 8 December 2015, the Solemnity of the Immaculate Conception, the day of the opening of the Holy Door of St. Peter’s Basilica, and 20 November 2016, the Solemnity of Our Lord Jesus Christ, King of the Universe, which will conclude the Holy Year. Between these two dates a calendar of celebrations will see many different events take place. The Pope wants this Jubilee to be experienced in Rome as well as in local Churches; this brings partic- ular attention to the life of the individual Churches and their needs, so that initiatives are not just additions to the calendar but rather complementary. -
Scultore Emiliano Emilia (Italy) Last Decades of 18Th Century Saint Anthony the Abbot Sant’Antonio Abate
2 Caiati & Gallo 4 Caiati & Gallo Caiati & Gallo Milan, Via Gesù, 17 9 October - 8 November 2014 Monday - Saturday 10 am / 1 pm - 2 / 7 pm Contributions by: Alicia Adamczak Charles Avery Andrea Bacchi Sandro Bellesi Giorgio Bonsanti Marcello De Grassi Léon Lock Silvia Massari Fernando Mazzocca Susanna Zanuso Aknowledgements: Accademia di Belle Arti di Bologna, Associazione Antiquari d’Italia, Axa Arte - Italia, Carina Branzei, Francesco Calandra, Italo Carli, Arturo De Angeli, Alessandro Della Latta, Paolo Frassetto, F.C. studio Perotti, Milano, Saverio Fontini, Graziano Gallo, Jutta Kappel, Massimo Listri, Chiara Piani, Dagmar Preising, Arturo Sansoni, Frits Scholten, Christian Theuerkauff, Matthias Weniger Translations: Christian Bayliss, Serenella Castri e William George Glandon Exhibition Design Maestro Antonio Mastromattei Design and printing: Saverio Fontini - [email protected] © Partial or total reproduction for collective use of the present publication is strictly forbidden without the publisher’s specific authorization. Printed in Florence - Italy, September 2014 © Edizione Scribo srl - Firenze © Caiati & Gallo ISBN: 9788890652929 Caiati & Gallo Old Masters and Works of Art The Sparkling Soul of Terracotta Exhibition project devised from an idea of Roberto R.Caiati and Giorgio Gallo edited by Serenella Castri Via Gesù, 17 20121 Milan - Italy +39 02 794866 - +39 02 783863 www.caiatigallo.com - [email protected] Antonio Begarelli Modena, 1499 - 1565 Saint with book (St. Justine?) Santa con libro (santa Giustina?) Terracotta h. 96 cm (37 13/16 in.) Provenance Padua, private collection Antonio Begarelli, plasticatore in terracotta nel Cinquecento Antonio Begarelli, a terracotta sculptor in the sixteenth emiliano, nacque a Modena probabilmente nel 1499, figlio di century in Emilia, was born in Modena probably around un Giuliano “fornaciaio”. -
Borromini and the Cultural Context of Kepler's Harmonices Mundi
Borromini and the Dr Valerie Shrimplin cultural context of [email protected] Kepler’sHarmonices om Mundi • • • • Francesco Borromini, S Carlo alle Quattro Fontane Rome (dome) Harmonices Mundi, Bk II, p. 64 Facsimile, Carnegie-Mellon University Francesco Borromini, S Ivo alla Sapienza Rome (dome) Harmonices Mundi, Bk IV, p. 137 • Vitruvius • Scriptures – cosmology and The Genesis, Isaiah, Psalms) cosmological • Early Christian - dome of heaven view of the • Byzantine - domed architecture universe and • Renaissance revival – religious art/architecture symbolism of centrally planned churches • Baroque (17th century) non-circular domes as related to Kepler’s views* *INSAP II, Malta 1999 Cosmas Indicopleustes, Universe 6th cent Last Judgment 6th century (VatGr699) Celestial domes Monastery at Daphne (Δάφνη) 11th century S Sophia, Constantinople (built 532-37) ‘hanging architecture’ Galla Placidia, 425 St Mark’s Venice, late 11th century Evidence of Michelangelo interests in Art and Cosmology (Last Judgment); Music/proportion and Mathematics Giacomo Vignola (1507-73) St Andrea in Via Flaminia 1550-1553 Church of San Giacomo in Augusta, in Rome, Italy, completed by Carlo Maderno 1600 [painting is 19th century] Sant'Anna dei Palafrenieri, 1620’s (Borromini with Maderno) Leonardo da Vinci, Notebooks (318r Codex Atlanticus c 1510) Amboise Bachot, 1598 Following p. 52 Astronomia Nova Link between architecture and cosmology (as above) Ovals used as standard ellipse approximation Significant change/increase Revival of neoplatonic terms, geometrical bases in early 17th (ellipse, oval, equilateral triangle) century Fundamental in Harmonices Mundi where orbit of every planet is ellipse with sun at one of foci Borromini combined practical skills with scientific learning and culture • Formative years in Milan (stonemason) • ‘Artistic anarchist’ – innovation and disorder.