DOCSLIB.ORG

Pjvc2 (Read Free) Mumu Online

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Pjvc2 (Read Free) Mumu Online pJVC2 (Read free) Mumu Online [pJVC2.ebook] Mumu Pdf Free Ivan Sergeyevich Turgenev ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #1628360 in Books 2016-05-08Original language:English 9.00 x .8 x 6.00l, .13 #File Name: 153314587332 pages | File size: 42.Mb Ivan Sergeyevich Turgenev : Mumu before purchasing it in order to gage whether or not it would be worth my time, and all praised Mumu: 0 of 0 people found the following review helpful. Timeless greatness - but you may weepBy Anne De Bourg"Mymy", an intensely moving tale, is one of the greatest short stories ever written. And it is written by one of the world's greatest short-story writers. If you have never read it, you must, or there will be forever a hole in your knowledge and a lack in your understanding. Mymy is part of the world's cultural heritage. Few fiction writers can create fully three- dimensional credible human beings with words, or evoke a time and place as vividly and truthfully, as Anton Chechov can. To read this little book is to live, experience, and feel in another dimension.0 of 0 people found the following review helpful. Capolavoro!By ConnoisseurOne of the GREATEST masterpieces of the Russian literature!3 of 4 people found the following review helpful. A Deeply Moving Experience: Turgenev's 'Mumu' read by Max PollingerBy Grady HarpMax Bollinger continues to bring to our attention works of Russian literature (Bollinger was born in Russia but now lives and works in England). His previous audio books of stories by Chekhov has a growing listening public, so much of the flavor of the works as read by Bollinger is essentially Russian, that together with Bollinger's training in acting makes him the perfect narrator. Now here is a new release of the story Mumu by Ivan Turgenev, a story not many of us may know, but in this reading Bollinger makes it come alive. The first section sets the mood of the story reading a fine translation by Constance Garnett, describing the owner of an aging mansion and her porter Gerasim.The story has been described as follows: 'A terrible story that, better than any manifesto, indicted the absolute tyrannical cruelty of pre-revolutionary landowners in Russia. Gerasim is a deaf and dumb peasant, brought from the country to serve his mistress (modeled on Turgenev's monstrous mother) as caretaker of her city property on the outskirts of Moscow. He doesn't like his new life, but gets used to it, especially after he rescues a little puppy with black and white spots from the riverbank. Having this dog, Mumu, he finally has love in his bitter and otherwise loveless life, and the dog worships him. But one day the mistress calls for Mumu to be brought into her presence; when it was shy of her and bared its teeth at her approach, the mistress was stung to a fury, implacably ordering, "see that she isn't here today--do you hear?" Her butler Gavrilo tries to sell Mumu, but she finds her way back. Gerasim hides the dog, but the mistress gets wise when Mumu's guard dog instincts make her bark at an intruder. This time the writing is on the wall: Gerasim is ordered to hand Mumu over--to be destroyed. The mistress will NOT have that ungrateful dog disturbing her rest.'To share more will take away from the enchanting manner in which Bollinger reads this fascinating tale of Russian realism. Once again, Max Bolinger adds to the popularity of Russian literature, opening windows into a country too often clouded in controversy but at the same time so very rich in art in all forms. Grady Harp, December 10 Ivan Sergeyevich Turgenev was a Russian novelist, short story writer, and playwright. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian Realism, and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction. An absolute classic, Mumu gives a wonderfully vivid picture of life for the poor in Russia, can't be faulted. It is great to have an audio book version, which really brought the story to life. I really enjoyed listening to this, but the real star is Turgenev's writing. Nikki Pierce (UK) Mumu by Ivan Tergenev is a brilliant story superbly narrated by Max Bollinger. By turns tragic and comic the story concerns a deaf mute serf whose love for a laundress is unrequited and who instead befriends a dog, the Mumu of the title. Alan Moreton (UK) It is a poignant story which brought me close to tears. But it made me think as well. The narrator has done a very good job with his choice of translation and his slight accent adds to the story. Not having read the original story I cannot comment on his adaptation, but this edition has whet my appetite for Turgenev on the page. Joseph Belliveau (Canada) --interactive.eu.comGerasim is a deaf mute servant in the household of a cantankerous old widow outside Moscow. He finds comfort in his isolated life of arduous work in his beloved dog, Mimi, but the widow orders the animal's destruction. A harrowing short story published in 1854, its vivid portrayal of callous cruelty towards serfs is believed to have influenced opinion in favour of the abolition of serfdom seven years later. The narration is Russian accented English communicates all of Turgenev's favour. --Rachel Redford, The Observer (UK) interactive.eu.comAn absolute classic, Mumu gives a wonderfully vivid picture of life for the poor in Russia, can't be faulted. It is great to have an audio book version, which really brought the story to life. I really enjoyed listening to this, but the real star is Turgenev's writing. --Nikki Pierce (UK) interactive.eu.comAbout the AuthorIvan Sergeyevich Turgenev 1818-1883, a Russian novelist, short story writer, and playwright. His short story collection entitled The Hunting Sketches, is a milestone of Russian Realism, and his novel Fathers and Sons is regarded as one of the major works of 19th-century fiction. Turgenev studied literature, philosophy and philology at the Universities of Moscow, St Petersburg and Berlin and in 1879 received honorary doctorate from the University of Oxford. Turgenev's artistic purity made him a favourite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad. [pJVC2.ebook] Mumu By Ivan Sergeyevich Turgenev PDF [pJVC2.ebook] Mumu By Ivan Sergeyevich Turgenev Epub [pJVC2.ebook] Mumu By Ivan Sergeyevich Turgenev Ebook [pJVC2.ebook] Mumu By Ivan Sergeyevich Turgenev Rar [pJVC2.ebook] Mumu By Ivan Sergeyevich Turgenev Zip [pJVC2.ebook] Mumu By Ivan Sergeyevich Turgenev Read Online.
Load more

Recommended publications
  • The Superfluous Man in Nineteenth-Century Russian Literature
    Hamren 1 The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kelly Hamren 4 May 2011 Hamren 2 Liberty University School of Communication Master of Arts in English Dr. Carl Curtis ____________________________________________________________________ Thesis Chair Date Dr. Emily Heady ____________________________________________________________________ First Reader Date Dr. Thomas Metallo ____________________________________________________________________ Second Reader Date Hamren 3 Acknowledgements I would like to thank those who have seen me through this project and, through support for my academic endeavors, have made it possible for me to come this far: to Dr. Carl Curtis, for his insight into Russian literature in general and Dostoevsky in particular; to Dr. Emily Heady, for always pushing me to think more deeply about things than I ever thought I could; to Dr. Thomas Metallo, for his enthusiastic support and wisdom in sharing scholarly resources; to my husband Jarl, for endless patience and sacrifices through two long years of graduate school; to the family and friends who never stopped encouraging me to persevere—David and Kathy Hicks, Karrie Faidley, Jennifer Hughes, Jessica Shallenberger, and Ramona Myers. Hamren 4 Table of Contents: Chapter 1: Introduction………………………………………………………………………...….5 Chapter 2: Epiphany and Alienation...................................……………………………………...26 Chapter 3: “Yes—Feeling Early Cooled within Him”……………………………..……………42 Chapter 4: A Soul not Dead but Dying…………………………………………………………..67 Chapter 5: Where There’s a Will………………………………………………………………...96 Chapter 6: Conclusion…………………………………………………………………………..130 Works Cited…………………………………………………………………………………….134 Hamren 5 Introduction The superfluous man is one of the most important developments in the Golden Age of Russian literature—the period beginning in the 1820s and climaxing in the great novels of Dostoevsky and Tolstoy.
    [Show full text]
  • The Art World Through the Eyes of I. S. Turgenev Anton Repoň Matej Bel
    European Journal of Social and Human Sciences, 2014, Vol.(2), № 2 The art World Through the Eyes of I. S. Turgenev Anton Repoň Matej Bel University, Slovakia 974 01 Banská Bystrica, Tajovského 40 Faculty of Arts, Department of Slavic Languages Doctor of Filology E-mail: [email protected] Abstract. The article deals with the creative work of I. S. Turgenev, which is one of the prominent representatives of Russian critical realism of the second half of the 19th century. Turgenev´s books are very popular as the birthplace of writer and abroad. The writer has seen heavy side of human existence, so he could not ignore the social antithesis, individual and collective tragedy and disaster. His knowledge of real life has given rise to a direct criticism of society, but conciliatory melancholy position. The main ethical principle of acceptance of reality for Turgenev was the need of harmony and beauty in the world and the people; the desire to understand and be understood by all. Turgenev took from romantic lyrical element as the voice of the author. Keywords: I.S. Turgenev; critical realism; Russian nature; theme of love; narrator; a typology of fictional characters. Introduction Ivan Sergeevich Turgenev is one of the main representative of Russian realism who enriched European literature by strong analysis of smart problems of his time. In his works he shows a wide picture of Russian life in 1840s - 1870s. Turgenev´s works became very successful at home as well as abroad. He belongs among the writers of 19 century, whose works are more than one hundred and twenty years issued, translated and enjoy reading a lasting popularity.
    [Show full text]
  • Of Fathers and Sons
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Of fathers and sons: generational conflicts and literary lineage--the case of Ernest Hemingway and Ernest Gaines Wolfgang Lepschy Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Lepschy, Wolfgang, "Of fathers and sons: generational conflicts and literary lineage--the case of Ernest Hemingway and Ernest Gaines" (2003). LSU Doctoral Dissertations. 2589. https://digitalcommons.lsu.edu/gradschool_dissertations/2589 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OF FATHERS AND SONS: GENERATIONAL CONFLICTS AND LITERARY LINEAGE— THE CASE OF ERNEST HEMINGWAY AND ERNEST GAINES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Wolfgang Lepschy M.A., Augsburg University, 1997 December 2003 My father, a wise and grave man, gave me serious and excellent counsel against what he foresaw was my design. He ask’d me what reasons more than a meer wandring inclination I had for leaving my father’s house and my native country, where I might be well introduced, and had a prospect of raising my fortunes by application and industry, with a life of ease and pleasure.
    [Show full text]
  • Ivan Sergeyevich Turgenev-Fathers and Sons.Pdf
    Fathers and Sons Turgenev, Ivan Sergeyevich (Translator: Richard Hare) Published: 1862 Categorie(s): Fiction Source: http://ebooks.adelaide.edu.au 1 About Turgenev: Ivan Sergeyevich Turgenev (November 9 [O.S. October 28] 1818 – September 3 [O.S. August 22] 1883) was a major Russi- an novelist and playwright. His novel Fathers and Sons is re- garded as a major work of 19th-century fiction. Source: Wikipedia Also available on Feedbooks for Turgenev: • First Love (1860) • The Torrents Of Spring (1872) • Home of the Gentry (1859) • Virgin Soil (1877) • Rudin (1857) • On the Eve (1860) • Mumu (1879) • The Diary Of A Superfluous Man and Other Stories (1899) • A Sportman's Sketches (1852) Note: This book is brought to you by Feedbooks http://www.feedbooks.com Strictly for personal use, do not use this file for commercial purposes. 2 Electronic License This work is licensed under a Creative Commons Licence (available at http://creativecommons.org/licenses/by-nc-sa/ 2.1/au/). You are free: to copy, distribute, display, and perform the work, and to make derivative works under the following condi- tions: you must attribute the work in the manner specified by the licensor; you may not use this work for commercial pur- poses; if you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. For any reuse or distribution, you must make clear to others the license terms of this work. Any of these conditions can be waived if you get permission from the licensor. Your fair use and other rights are in no way affected by the above.
    [Show full text]
  • The Debate Around Nihilism in 1860S Russian Literature
    SLOVO, VOL. 28, NO. 2(SPRING 2016), 48-68. DOI: 10.14324/111. 0954-6839.045 The Debate around Nihilism in 1860s Russian Literature SASHA ST JOHN MURPHY School of Slavonic and East European Studies, University College London The city of St. Petersburg erupted in flames in the spring and summer of 1862.1 Students of St. Petersburg and Moscow Universities, acting on an upsurge of revolutionary activism, had begun demonstrating their frustrations. Fyodor Dostoevsky blamed Nikolai Chernyshevsky, who at the time was a radical writer. The tale goes that Dostoevsky went to the home of Chernyshevsky to plead to him to stop fuelling the fires. While Chernyshevsky was no arsonist, this story is symptomatic of the 1860s atmosphere. This period was a time of great social and economic upheaval within Russia and nowhere were these issues so passionately argued as in the novels of the country’s leading writers.2 Fourteen years after the 1848 Revolutions spread across Europe, Russia was facing its own internal problems. The work of authors and critics during this period all demonstrate their desire for progress within Russian society, but reflects their uncertainty on how to go about realizing it. This period saw a new generation of literary critics who criticised the process of reform and raised a series of “accursed questions” about Russian life more generally.3 The literary establishment was frantically looking for “intellectual” solutions to “political” problems. The works of literature I have selected are as follows: Ivan Turgenev’s Fathers and Sons, Fyodor Dostoevsky’s Notes from the Underground and Nikolai Chernyshevsky’s What is to be Done? I have not attempted to cover all of Russian literature, or read the extensive criticism available as there is such an abundance.
    [Show full text]
  • Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877
    Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 by Jennifer Jean Flaherty A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Irina Paperno, Chair Professor Luba Golburt Professor Victoria Frede Spring 2019 Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 © 2019 By Jennifer Jean Flaherty Abstract Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 by Jennifer Jean Flaherty Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair At the center of this dissertation’s inquiry is Russian realism’s construction of what I call “the form of the peasant.” Created by writers, this mythic image emerged in tandem with the movement’s signature formal innovations in narrative perspective, poetic voice, and descriptive style. It also gave shape to the very ideas of history, national identity, subjectivity, and language which defined Russian realism as a literary movement. The three chapters approach several major texts – Ivan Turgenev’s Zapiski okhotnika [Notes from a Hunter] (1847-1852), Lev Tolstoy’s “Utro pomeshchika” (1852-1856) and Anna Karenina (1874-1877), and Nikolai Nekrasov’s Komu na Rusi zhit’ khorosho [Who in Russia Can Live well] (1866-1877) – from a historical and formalist perspective, offering a history of realist forms in the social and intellectual context from which they emerge and to which they contribute. Close readings of narrative and poetic teXts are performed alongside analyses of a range of theoretical texts that are central to Russian social thought in the mid-nineteenth century, including works by Vissarion Belinsky, Nikolai Chernyshevsky, Nikolai Dobroliubov, Alexander Potebnia, and G.
    [Show full text]
  • Fathers and Sons: Ivan Turgenev Semester
    Fathers and Sons: Ivan Turgenev Semester: III Paper X (i): Nineteenth-Century European Realism(i) Lesson:Fathers and Sons: Ivan Turgenev Lesson Developer: Shivani Jha College/Department: Bharati College, University of Delhi Institute of Lifelong Learning, University of Delhi Fathers and Sons: Ivan Turgenev TABLE OF CONTENTS • Biographical Note • Literary Output • Historical Background • Fathers and Sons • Realism • Nihilism • Turgenev’s letters • Glossary • Works Cited Institute of Lifelong Learning, University of Delhi Fathers and Sons: Ivan Turgenev Ivan Turgenev (October 28, 1818 – September 3, 1883),Painting by Ilya Repin (Image from www.belygorod.ru), https://commons.wikimedia.org/wiki/File:Turgenev_by_Repin.jpg Institute of Lifelong Learning, University of Delhi Fathers and Sons: Ivan Turgenev Biography Ivan Sergeyevich Turgenev was the second son of a retired cavalry officer, Sergey Turgenev and Varvara Petrovna. Turgenev’s mother, Varvara Petrovna was her uncle's only heir and ruled over her vast estates and five thousand serfs with an iron hand. A Lutovin, an obscure family to have recently acquired enormous wealth, three years after coming into her inheritance she married Sergey Nikolayevich Turgenev, a retired colonel. Though the roots of the Turgenev family ran back to a Tartar prince of the 15th century, Turgenev's father married for securing financial stability for his family. It was a far from happy marriage with the handsome colonel having many mistresses and Petrovna running her family in as strict a manner as she did her estate. For Turgenev the Spasskoye- Lutovinovo, his mother’s estate provided a glimpse into the isolated group of gentry civilization in rural Russia and the injustice inherent in the servile state of the peasantry.
    [Show full text]
  • Strike Out, Right and Left!
    http://www.diva-portal.org This is the published version of a paper published in Studies in East European thought. Citation for the original published paper (version of record): Petrov, K. (2019) ‘Strike out, right and left!’: a conceptual-historical analysis of 1860s Russian nihilism and its notion of negation Studies in East European thought https://doi.org/10.1007/s11212-019-09319-4 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. This article is distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons license, and indicate if changes were made. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-71746 Studies in East European Thought https://doi.org/10.1007/s11212-019-09319-4 ‘Strike out, right and left!’: a conceptual‑historical analysis of 1860s Russian nihilism and its notion of negation Kristian Petrov1 © The Author(s) 2019 Abstract The aim of this essay is to synthesize as well as to analyze the conceptual evolu- tion of 1860s Russian nihilism in general and its notion of negation in particular. The fctitious characters that traditionally have been informing the popular notion of “Russian nihilism” mainly refer to an antinihilistic genre. By analyzing nihilism also on the basis of primary sources, the antinihilistic notion of nihilism is nuanced, ena- bling a more comprehensive analysis of the movement’s diferent aspects.
    [Show full text]
  • Questioning Romanticism in Turgenev's Bazarov And
    Journal of Siberian Federal University. Humanities & Social Sciences 9 (2015 8) 1792-1802 ~ ~ ~ УДК 82.091:72.035 Two Hamlets: Questioning Romanticism in Turgenev’s Bazarov and Sleptsov’s Riazanov William C. Brumfield* Tulane University New Orleans, Louisiana, USA Received 18.04.2015, received in revised form 22.06.2015, accepted 30.08.2015 The article examines the presentation of the protagonist as alienated radical activist in the novels Отцы и дети (Fathers and Sons) and Трудное время (Hard Times). Both Turgenev and Sleptsov draw on ideological and social questions of the day, yet each also creates a protagonist situated within a literary context. The Romantic hero, particularly as defined by Byron, is the major paradigm for Turgenev, while Sleptsov adopts a more skeptical approach. At the same time both protagonists are also imbued with the 19th-century Russia interpretation of Hamlet as a study in social frustration. Keywords: Ivan Turgenev, Vasilii Sleptsov, Romanticism, Byron, Hamlet, radicalism, Dmitrii Pisarev, Nikolai Strakhov. DOI: 10.17516/1997-1370-2015-8-9-1792-1802. Research area: culture studies. In his essay “Bazarov Again” (“Eshche Whether or not young Russians after 1862 raz Bazarov,” 1862), Alexander Herzen writes: were “almost all out of What is to be Done? with “This mutual interaction of people and books the addition of a few of Barazov’s traits,” such is a strange thing. A book takes its shape from was frequently assumed to be the case, as the the society that spawns it, then generalizes statements of critics and
    [Show full text]
  • When Fathers Murder Sons: Male Melancholy in Dostoevsky, Mailer and Murakami
    When Fathers Murder Sons: Male Melancholy in Dostoevsky, Mailer and Murakami by LeslLH Hartley BEd; BLitt (Hons); MEd Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy Deakin University October, 2014 Abstract This thesis strives to identify what is unique and specific about male melancholia. It asks: Can one identify causes, and can one see in selected literary texts presentations of melancholia that embody not only its expression but suggests its causes? Taking a Freudian perspective, this thesis has upheld the view that novelists across time have implicated childhood experience as a determinant in adult behaviour. This work argues that male melancholia is written into Western civilisation and sustained as a necessity for social order, and that it involves male violence towards its male offspring by the father. When Freud spoke of civilisation causing neurosis, in that it repressed man’s libido, he also had the insight that it would be at a huge cost. One of the ramifications has been an intergeneration of fathers at best withholding approval from their sons, and at worst destroying their psychological well being – indeed creating the deepest and darkest of depressions. Whether this is an experiential, factual state of affairs in our lives may be debatable. This thesis, however, analyses literary texts by Dostoyevsky, Mailer and Murakami from three different times and places that argue that it is so. i Introduction..........................................................................................................1
    [Show full text]
  • Opinions of Film Critics and Viewers
    Alexander Fedorov 100 most popular Soviet television movies and TV series: opinions of film critics and viewers Moscow, 2021 Fedorov A.V. 100 most popular Soviet television movies and TV series: opinions of film critics and viewers. Moscow: "Information for all", 2021. 144 p. What does the list of the hundred most popular Soviet television films and TV series look like? How did the press and viewers evaluate and rate these films? In this monograph, for the first time, an attempt is made to give a panorama of the hundred most popular Soviet television films and serials in the mirror of the opinions of film critics, film critics and viewers. The monograph is intended for high school teachers, students, graduate students, researchers, film critics, film experts, journalists, as well as for a circle of readers who are interested in the problems of cinema, film criticism and film sociology. Reviewer: Professor M.P. Thselyh. © Alexander Fedorov, 2021. 2 TABLE OF CONTENTS Introduction ………………………………….................................................................................... 4 100 most popular Soviet television movies and TV series: opinions of film critics and viewers ……………………………........................................................................................... 5 Interview on the release of the book "One Thousand and One Highest Grossing Soviet Movie: Opinions of Film Critics and Viewers"…………………………………………………………….. 119 List of "100 most popular Soviet television films and TV series.......................................... 125 About
    [Show full text]
  • Ivan Turgenev's Bazarov Roots in Byronism Daniel L. Hocutt English
    Ivan Turgenev’s Bazarov Roots in Byronism Daniel L. Hocutt English 414 Special Topics in Romanticism: The Byronic Hero Dr. Terryl Givens 9 December 1996 Daniel L. Hocutt 2 The socially unsettled and peasant-filled1 Russian countryside of 1862 was far from the politics of Victorian England at the height of its Empire and the literary and philosophical realism of European writers of the same period. As English romantic idealism faded with Napoleon’s defeat and English Romanticism “died” with Sir Walter Scott, late-blooming Byronic Romanticism began to impress its influence through war-ravished France and on to an isolated Russia wracked by revolutionary elements of its own. Byron’s influence as individual and author seemed always to have greater impact outside of England than within his prudish homeland. While imitators and admirers of Byron the individual and author could be found throughout Greece, Spain, France, Italy, Turkey, and Russia, little more than harsh criticism for his works and exile for his lifestyle emanated from his sometimes beloved, sometimes criticized native Britain, even after his death. Other nations were left to bear Byron’s legacy through the future, a responsibility eagerly attempted by an emerging array of Russian Romanticists in the 1830s through the middle 1840s. Voraciously reading Byron’s poetry and prose in the original, in translation, and in loose interpretation, these Russian writers dedicated themselves for over a decade to write as Byron wrote and to live as Byron lived. Although short-lived, this worship
    [Show full text]