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The Superfluous Man in Nineteenth-Century Russian Literature
Hamren 1 The Eternal Stranger: The Superfluous Man in Nineteenth-Century Russian Literature A Thesis Submitted to The Faculty of the School of Communication In Candidacy for the Degree of Master of Arts in English By Kelly Hamren 4 May 2011 Hamren 2 Liberty University School of Communication Master of Arts in English Dr. Carl Curtis ____________________________________________________________________ Thesis Chair Date Dr. Emily Heady ____________________________________________________________________ First Reader Date Dr. Thomas Metallo ____________________________________________________________________ Second Reader Date Hamren 3 Acknowledgements I would like to thank those who have seen me through this project and, through support for my academic endeavors, have made it possible for me to come this far: to Dr. Carl Curtis, for his insight into Russian literature in general and Dostoevsky in particular; to Dr. Emily Heady, for always pushing me to think more deeply about things than I ever thought I could; to Dr. Thomas Metallo, for his enthusiastic support and wisdom in sharing scholarly resources; to my husband Jarl, for endless patience and sacrifices through two long years of graduate school; to the family and friends who never stopped encouraging me to persevere—David and Kathy Hicks, Karrie Faidley, Jennifer Hughes, Jessica Shallenberger, and Ramona Myers. Hamren 4 Table of Contents: Chapter 1: Introduction………………………………………………………………………...….5 Chapter 2: Epiphany and Alienation...................................……………………………………...26 Chapter 3: “Yes—Feeling Early Cooled within Him”……………………………..……………42 Chapter 4: A Soul not Dead but Dying…………………………………………………………..67 Chapter 5: Where There’s a Will………………………………………………………………...96 Chapter 6: Conclusion…………………………………………………………………………..130 Works Cited…………………………………………………………………………………….134 Hamren 5 Introduction The superfluous man is one of the most important developments in the Golden Age of Russian literature—the period beginning in the 1820s and climaxing in the great novels of Dostoevsky and Tolstoy. -
The Project Gutenberg Ebook of the Torrents of Spring, by Ivan Turgenev
The Project Gutenberg EBook of The Torrents of Spring, by Ivan Turgenev Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Torrents of Spring Author: Ivan Turgenev Release Date: February, 2006 [EBook #9911] [This file was first posted on October 30, 2003] Edition: 10 Language: English Character set encoding: ISO-8859-1 *** START OF THE PROJECT GUTENBERG EBOOK, THE TORRENTS OF SPRING *** E-text prepared by Keren Vergon, William Flis, and the Project Gutenberg Online Distributed Proofreading Team THE TORRENTS OF SPRING BY IVAN TURGENEV Translated from the Russian BY CONSTANCE GARNETT 1897 CONTENTS THE TORRENTS OF SPRING FIRST LOVE MUMU THE TORRENTS OF SPRING 'Years of gladness, Days of joy, Like the torrents of spring They hurried away.' --_From an Old Ballad_. ... At two o'clock in the night he had gone back to his study. -
Essays on Russian Novelists
Essays on Russian Novelists William Lyon Phelps The Project Gutenberg EBook of Essays on Russian Novelists, by William Lyon Phelps Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: Essays on Russian Novelists Author: William Lyon Phelps Release Date: June, 2004 [EBook #5996] [Yes, we are more than one year ahead of schedule] [This file was first posted on October 10, 2002] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK, ESSAYS ON RUSSIAN NOVELISTS *** etext by James Rusk ([email protected]) ESSAYS ON RUSSIAN NOVELISTS By William Lyon Phelps I RUSSIAN NATIONAL CHARACTER AS SHOWN IN RUSSIAN FICTION The Japanese war pricked one of the biggest bubbles in history, and left Russia in a profoundly humiliating situation. Her navy was practically destroyed, her armies soundly beaten, her offensive power temporarily reduced to zero, her treasury exhausted, her pride laid in the dust. -
Essays on Russian Novelists
Essays On Russian Novelists William Lyon Phelps Essays On Russian Novelists Table of Contents Essays On Russian Novelists....................................................................................................................................1 William Lyon Phelps.....................................................................................................................................1 I. RUSSIAN NATIONAL CHARACTER AS SHOWN IN RUSSIAN FICTION......................................1 II. GOGOL...................................................................................................................................................11 III. TURGENEV..........................................................................................................................................18 IV. DOSTOEVSKI......................................................................................................................................37 V. TOLSTOI................................................................................................................................................48 VI. GORKI...................................................................................................................................................61 VII. CHEKHOV...........................................................................................................................................66 VIII. ARTSYBASHEV................................................................................................................................70 -
The Art World Through the Eyes of I. S. Turgenev Anton Repoň Matej Bel
European Journal of Social and Human Sciences, 2014, Vol.(2), № 2 The art World Through the Eyes of I. S. Turgenev Anton Repoň Matej Bel University, Slovakia 974 01 Banská Bystrica, Tajovského 40 Faculty of Arts, Department of Slavic Languages Doctor of Filology E-mail: [email protected] Abstract. The article deals with the creative work of I. S. Turgenev, which is one of the prominent representatives of Russian critical realism of the second half of the 19th century. Turgenev´s books are very popular as the birthplace of writer and abroad. The writer has seen heavy side of human existence, so he could not ignore the social antithesis, individual and collective tragedy and disaster. His knowledge of real life has given rise to a direct criticism of society, but conciliatory melancholy position. The main ethical principle of acceptance of reality for Turgenev was the need of harmony and beauty in the world and the people; the desire to understand and be understood by all. Turgenev took from romantic lyrical element as the voice of the author. Keywords: I.S. Turgenev; critical realism; Russian nature; theme of love; narrator; a typology of fictional characters. Introduction Ivan Sergeevich Turgenev is one of the main representative of Russian realism who enriched European literature by strong analysis of smart problems of his time. In his works he shows a wide picture of Russian life in 1840s - 1870s. Turgenev´s works became very successful at home as well as abroad. He belongs among the writers of 19 century, whose works are more than one hundred and twenty years issued, translated and enjoy reading a lasting popularity. -
Torrents of Spring
COMPLETE CLASSICS UNABRIDGED Ivan Turgenev Torrents of Spring Read by Neville Jason 1 The Torrents of Spring 6:46 2 Chapter 1 3:08 3 Chapter 2 5:26 4 Chapter 3 5:07 5 Chapter 4 4:49 6 Chapter 5 4:59 7 Chapter 6 6:56 8 Chapter 7 6:35 9 Chapter 8 4:30 10 Chapter 9 3:02 11 Chapter 10 8:16 12 Chapter 11 4:59 13 Chapter 12 3:06 14 Chapter 13 4:12 15 Chapter 14 5:06 16 Chapter 15 6:01 17 Chapter 16 7:53 18 The Coachman had at last harnessed the horses… 3:53 19 Chapter 17 9:13 20 Chapter 18 7:47 2 21 Chapter 19 6:43 22 Chapter 20 3:59 23 Chapter 21 8:20 24 Chapter 22 9:09 25 When he had exchanged bows with the officers… 6:26 26 Chapter 23 9:47 27 Chapter 24 3:58 28 He could now see her delicate profile… 8:53 29 Chapter 25 9:21 30 Chapter 26 8:03 31 Chapter 27 9:00 32 Chapter 28 9:52 33 Chapter 29 6:06 34 Chapter 30 6:14 35 Sanin felt something like a stab at his heart. 4:51 36 Chapter 31 5:30 37 Polozov led Sanin to one of the best hotels... 8:30 38 Chapter 32 6:34 39 Chapter 33 8:38 40 Chapter 34 9:14 3 41 Chapter 35 5:58 42 Maria Nikolaevna tossed her head from left to right. -
Report Title 14. Jahrhundert 15. Jahrhundert 16. Jahrhundert
Report Title - p. 1 Report Title 14. Jahrhundert 1300-1340 Kunst : Keramik und Porzellan The Fonthill Vase, also called the Gaignières-Fonthill Vase after François Roger de Gaignières and William Beckford's Fonthill Abbey, is a bluish-white Qingbai Chinese porcelain vase. It is the earliest documented Chinese porcelain object to have reached Europe. The vase was made in Jingdezhen, China. 1381 a gift from Ludwig I. von Ungarn to Karl III von Durazzo on his coronation as King of Naples. [Wik,ImpO1:S. 89] 1368-1795 Kunst : Malerei, Kalligraphie, Illustration Die Muslime verwenden in der Kalligraphie eine Kombination von Chinesisch und Arabisch. Künstler verwenden chinesische Zeichen kombiniert mit arabischen Gedichten und Sprichwörtern. [Isr] 15. Jahrhundert 1434 Kunst : Keramik und Porzellan Das älteste chinesische Stück, eine Schale aus chinesischem Seladonporzellan der Ming-Dynastie befindet sich im Hessischen Landesmuseum in Kassel. Auf der spätgotischen vergoldeten Silberfassung ist das Wappen von Graf Philipp von Catzenelnbogen. [Goe1] 1460-1470 Kunst : Keramik und Porzellan Chinese porcelain can be seen depicted in some early Italian paintings. The earliest example found is the bowl in a painting of the Virgin and child by Francesco Benaglio. [ImpO1:S. 90] 16. Jahrhundert 1506-1619 Kunst : Keramik und Porzellan Santos Palace, Lissabon, Portugal. 260 Chinese porcelain dishes and plates. The majority are Ming blue and white wares of the 16th and early 17th centuries to which are added four overglaze enamelled pièces and a few examples of late 17th century ware. Inventarliste des chinesischen Porzellans 1704. [Lion1] 1506-1619 Kunst : Keramik und Porzellan Santa Clara-a-Velha, Kloster in Coimbra, Portugal. -
Of Fathers and Sons
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Of fathers and sons: generational conflicts and literary lineage--the case of Ernest Hemingway and Ernest Gaines Wolfgang Lepschy Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Lepschy, Wolfgang, "Of fathers and sons: generational conflicts and literary lineage--the case of Ernest Hemingway and Ernest Gaines" (2003). LSU Doctoral Dissertations. 2589. https://digitalcommons.lsu.edu/gradschool_dissertations/2589 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OF FATHERS AND SONS: GENERATIONAL CONFLICTS AND LITERARY LINEAGE— THE CASE OF ERNEST HEMINGWAY AND ERNEST GAINES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of English by Wolfgang Lepschy M.A., Augsburg University, 1997 December 2003 My father, a wise and grave man, gave me serious and excellent counsel against what he foresaw was my design. He ask’d me what reasons more than a meer wandring inclination I had for leaving my father’s house and my native country, where I might be well introduced, and had a prospect of raising my fortunes by application and industry, with a life of ease and pleasure. -
The Debate Around Nihilism in 1860S Russian Literature
SLOVO, VOL. 28, NO. 2(SPRING 2016), 48-68. DOI: 10.14324/111. 0954-6839.045 The Debate around Nihilism in 1860s Russian Literature SASHA ST JOHN MURPHY School of Slavonic and East European Studies, University College London The city of St. Petersburg erupted in flames in the spring and summer of 1862.1 Students of St. Petersburg and Moscow Universities, acting on an upsurge of revolutionary activism, had begun demonstrating their frustrations. Fyodor Dostoevsky blamed Nikolai Chernyshevsky, who at the time was a radical writer. The tale goes that Dostoevsky went to the home of Chernyshevsky to plead to him to stop fuelling the fires. While Chernyshevsky was no arsonist, this story is symptomatic of the 1860s atmosphere. This period was a time of great social and economic upheaval within Russia and nowhere were these issues so passionately argued as in the novels of the country’s leading writers.2 Fourteen years after the 1848 Revolutions spread across Europe, Russia was facing its own internal problems. The work of authors and critics during this period all demonstrate their desire for progress within Russian society, but reflects their uncertainty on how to go about realizing it. This period saw a new generation of literary critics who criticised the process of reform and raised a series of “accursed questions” about Russian life more generally.3 The literary establishment was frantically looking for “intellectual” solutions to “political” problems. The works of literature I have selected are as follows: Ivan Turgenev’s Fathers and Sons, Fyodor Dostoevsky’s Notes from the Underground and Nikolai Chernyshevsky’s What is to be Done? I have not attempted to cover all of Russian literature, or read the extensive criticism available as there is such an abundance. -
Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877
Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 by Jennifer Jean Flaherty A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Irina Paperno, Chair Professor Luba Golburt Professor Victoria Frede Spring 2019 Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 © 2019 By Jennifer Jean Flaherty Abstract Forms of the Peasant: Aesthetics and Social Thought in Russian Realism, 1847-1877 by Jennifer Jean Flaherty Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Irina Paperno, Chair At the center of this dissertation’s inquiry is Russian realism’s construction of what I call “the form of the peasant.” Created by writers, this mythic image emerged in tandem with the movement’s signature formal innovations in narrative perspective, poetic voice, and descriptive style. It also gave shape to the very ideas of history, national identity, subjectivity, and language which defined Russian realism as a literary movement. The three chapters approach several major texts – Ivan Turgenev’s Zapiski okhotnika [Notes from a Hunter] (1847-1852), Lev Tolstoy’s “Utro pomeshchika” (1852-1856) and Anna Karenina (1874-1877), and Nikolai Nekrasov’s Komu na Rusi zhit’ khorosho [Who in Russia Can Live well] (1866-1877) – from a historical and formalist perspective, offering a history of realist forms in the social and intellectual context from which they emerge and to which they contribute. Close readings of narrative and poetic teXts are performed alongside analyses of a range of theoretical texts that are central to Russian social thought in the mid-nineteenth century, including works by Vissarion Belinsky, Nikolai Chernyshevsky, Nikolai Dobroliubov, Alexander Potebnia, and G. -
D Ynasty a Cademic C Ompetition Q Uestions
DA C Q August 2007 Packet 4: D ynasty A cademic C ompetition Tossups Q uestions © 2007 Dynasty Academic Competition Questions. All rights reserved. This work may not be reproduced or redistributed, in whole or in part, without express prior written permission solely by DACQ. Please note that non-authorized distribution of DACQ materials that involves no monetary exchange is in violation of this copyright. For permission, contact Chris Ray at [email protected]. 1. The equation on Boltzmann’s tombstone was actually formulated by this man, who was also the first to give a value for Boltzmann’s constant. Einstein used his work to circumvent the Ultraviolet Catastrophe, and this mentor to (*) Gustav Hertz won a Nobel in 1918. FTP, name this formulator of quantum theory famous for a namesake constant equal to 6.62 times ten to the negative 34 Joule seconds and symbolized h. ANSWER: Max Planck 2. This piece features a nearly unchanging ostinato rhythm on the drums throughout, and it was approached in a similar style as the composer’s earlier Menuet and Pavan. Originally, the composer had tried to adapt Isaac Albeniz’s (*) Iberia, but instead combined an original melody with elements of Spanish music. FTP, identify this one-movement piece of Maurice Ravel. ANSWER: Bolero 3. Key factors relating to this action included the reports of the agent “Aragon” and the location of “War Against the Bandits” participants. Operation Puma failed, and the primary action of Operation Zapata was carried out by Brigade 2506, though on (*) Soviet advice dissidents were rounded up and the assault received little popular support. -
Fathers and Sons: Ivan Turgenev Semester
Fathers and Sons: Ivan Turgenev Semester: III Paper X (i): Nineteenth-Century European Realism(i) Lesson:Fathers and Sons: Ivan Turgenev Lesson Developer: Shivani Jha College/Department: Bharati College, University of Delhi Institute of Lifelong Learning, University of Delhi Fathers and Sons: Ivan Turgenev TABLE OF CONTENTS • Biographical Note • Literary Output • Historical Background • Fathers and Sons • Realism • Nihilism • Turgenev’s letters • Glossary • Works Cited Institute of Lifelong Learning, University of Delhi Fathers and Sons: Ivan Turgenev Ivan Turgenev (October 28, 1818 – September 3, 1883),Painting by Ilya Repin (Image from www.belygorod.ru), https://commons.wikimedia.org/wiki/File:Turgenev_by_Repin.jpg Institute of Lifelong Learning, University of Delhi Fathers and Sons: Ivan Turgenev Biography Ivan Sergeyevich Turgenev was the second son of a retired cavalry officer, Sergey Turgenev and Varvara Petrovna. Turgenev’s mother, Varvara Petrovna was her uncle's only heir and ruled over her vast estates and five thousand serfs with an iron hand. A Lutovin, an obscure family to have recently acquired enormous wealth, three years after coming into her inheritance she married Sergey Nikolayevich Turgenev, a retired colonel. Though the roots of the Turgenev family ran back to a Tartar prince of the 15th century, Turgenev's father married for securing financial stability for his family. It was a far from happy marriage with the handsome colonel having many mistresses and Petrovna running her family in as strict a manner as she did her estate. For Turgenev the Spasskoye- Lutovinovo, his mother’s estate provided a glimpse into the isolated group of gentry civilization in rural Russia and the injustice inherent in the servile state of the peasantry.