The Himalayan Bard a Collection of Poems from Nepal
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EBHR 39 Autumn-Winter 2011
3 EBHR 39 Autumn-Winter 2011 ARTICLES An Unpublished Account of Kinnauri Folklore 9 Sur Das, introduced by Arik Moran Keeping the Hill Tribes at Bay: A critique from India’s Northeast 41 of James C. Scott’s paradigm of state evasion Jelle Wouters Shaping Secularism in Nepal 66 Chiara Letizia LECTURE Time, Identity and Historical Change in the Hills of Nepal 106 (Ninth Annual Lecture of the Britain-Nepal Academic Council) Anne de Sales REPORT The Catalogue of the Hodgson Collection in the British Library 128 John Whelpton and Michael Hutt INTERVIEW Women, Law and Democracy in Nepal: An interview with 146 Sapana Pradhan-Malla Gérard Toffin and Shova Shakya OBITUARIES Richard Keith Sprigg (1922-2011) 164 Heleen Plaisier Michel Georges Francois Peissel (1937-2011) 167 Roger Croston BOOK REVIEWS Daniele Berti and Gilles Tarabout (eds): Territory, Soil and 174 Society in South Asia David N. Gellner 4 EBHR-39 Hermann Kreutzmann (ed): Karakoram in Transition: Culture, 178 development and ecology in the Hunza valley Davide Torri Marie Lecomte-Tilouine (ed.): Nature, Culture and 181 Religion at the Crossroads of Asia Nayanika Mathur Martin Moir: Not Exactly Shangri-la 183 Michael Hutt Nishchal Nath Pandey: New Nepal: The Fault Lines 185 Milly Joshi Devendra Raj Pandey: Looking at Development and 190 Donors: Essays from Nepal Jeevan Raj Sharma Gérard Toffin: La Fête Spectacle. Théâtre et rite au Népal 193 Arik Moran Mark Turin and Bettina Zeisler (eds.): Himalayan Languages and 198 Linguistics: Studies in phonology, semantics, morphology and syntax Nathan Hill ENDPIECE Me at the Beginning of Life 206 Jhamak Ghimire 5 EDITORIAL The work involved in producing a scholarly journal is, more often than not, a labour of love. -
Thesis Full Version (1.534Mb)
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2019 Birds with Wolf Hearts, a Collection of Poetry, with an Analysis of Contemporary Nepalese Women's Poetry Walsh, Eleanor http://hdl.handle.net/10026.1/14293 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. BIRDS WITH WOLF HEARTS, A COLLECTION OF POETRY, WITH AN ANALYSIS OF CONTEMPORARY NEPALESE WOMEN’S POETRY by ELEANOR WALSH A thesis submitted to the University of Plymouth in partial fulfilment for the degree of DOCTOR OF PHILOSOPHY School of Humanities and Performing Arts March 2019 Acknowledgements I would first like to thank my supervisors Anthony Caleshu, Min Wild and Mandy Bloomfield, for their tireless effort with this project, as well as great ideas, feedback, and guidance. The research for this thesis was supported by the Roland Levinsky Scholarship fund and the Santander Scholarship Program. I’m so grateful for their assistance, without which such extensive fieldwork could never have taken place. -
Language Politics and State Policy in Nepal: a Newar Perspective
Language Politics and State Policy in Nepal: A Newar Perspective A Dissertation Submitted to the University of Tsukuba In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in International Public Policy Suwarn VAJRACHARYA 2014 To my mother, who taught me the value in a mother tongue and my father, who shared the virtue of empathy. ii Map-1: Original Nepal (Constituted of 12 districts) and Present Nepal iii Map-2: Nepal Mandala (Original Nepal demarcated by Mandalas) iv Map-3: Gorkha Nepal Expansion (1795-1816) v Map-4: Present Nepal by Ecological Zones (Mountain, Hill and Tarai zones) vi Map-5: Nepal by Language Families vii TABLE OF CONTENTS Table of Contents viii List of Maps and Tables xiv Acknowledgements xv Acronyms and Abbreviations xix INTRODUCTION Research Objectives 1 Research Background 2 Research Questions 5 Research Methodology 5 Significance of the Study 6 Organization of Study 7 PART I NATIONALISM AND LANGUAGE POLITICS: VICTIMS OF HISTORY 10 CHAPTER ONE NEPAL: A REFLECTION OF UNITY IN DIVERSITY 1.1. Topography: A Unique Variety 11 1.2. Cultural Pluralism 13 1.3. Religiousness of People and the State 16 1.4. Linguistic Reality, ‘Official’ and ‘National’ Languages 17 CHAPTER TWO THE NEWAR: AN ACCOUNT OF AUTHORS & VICTIMS OF THEIR HISTORY 2.1. The Newar as Authors of their history 24 2.1.1. Definition of Nepal and Newar 25 2.1.2. Nepal Mandala and Nepal 27 Territory of Nepal Mandala 28 viii 2.1.3. The Newar as a Nation: Conglomeration of Diverse People 29 2.1.4. -
Everything I Learned About Nepali Literature Is Wrong | 217
(ALMOST) EVERYTHING I LEARNED ABOUT NEPALI LITERATURE IS WRONG | 217 Chautari Foundation Lecture 2018 (ALMOST) EVERYTHING I LEARNED ABOUT NEPALI LITERATURE IS WRONG Manjushree Thapa I’ve been rethinking my sense of Nepali literature, and am pleased to have a chance to share my thoughts at Martin Chautari, an organization that I played a very small role in founding back in the 1990s, when it was an informal discussion group among “development” workers.1 Most of us, at the time, were foreign-educated, or actual foreigners. We were well meaning, but we were seeking an intellectual life without any links to Nepal’s own intellectual traditions in the political parties, the universities, the writers and activists. It was particularly under Pratyoush Onta’s leadership that Martin Chautari developed these links and became a site where foreign-educated Nepalis, foreigners, and Nepal’s own intellectual traditions could meet for open debate. Knowledge-generation is a collective enterprise. It is not an endeavor a person undertakes in isolation. I’ve written and spoken before on the thoughts I’ll share here, first in the introduction (Thapa 2017a) to La.Lit, A Literary Magazine Volume 8 (Special issue: Translations from the Margins), which I edited (Thapa 2017b), and then at two talks for the Himalayan Studies Conference at the University of Colorado, in Boulder, in September 2017, and for the Nepal Studies Initiative at the University of Washington, in Seattle, in April 2018. This lecture is a crystallizing of those thoughts, which are still in formation. One caveat: I am not a scholar, but a writer; I am engaged in what Gayatri Chakravorty Spivak calls the “wild practice” (2012: 394). -
Chemjong Cornellgrad 0058F
“LIMBUWAN IS OUR HOME-LAND, NEPAL IS OUR COUNTRY”: HISTORY, TERRITORY, AND IDENTITY IN LIMBUWAN’S MOVEMENT A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Dambar Dhoj Chemjong December 2017 © 2017 Dambar Dhoj Chemjong “LIMBUWAN IS OUR HOME, NEPAL IS OUR COUNTRY”: HISTORY, TERRITORY, AND IDENTITY IN LIMBUWAN’S MOVEMENT Dambar Dhoj Chemjong, Ph. D. Cornell University 2017 This dissertation investigates identity politics in Nepal and collective identities by studying the ancestral history, territory, and place-naming of Limbus in east Nepal. This dissertation juxtaposes political movements waged by Limbu indigenous people with the Nepali state makers, especially aryan Hindu ruling caste groups. This study examines the indigenous people’s history, particularly the history of war against conquerors, as a resource for political movements today, thereby illustrating the link between ancestral pasts and present day political relationships. Ethnographically, this dissertation highlights the resurrection of ancestral war heroes and invokes war scenes from the past as sources of inspiration for people living today, thereby demonstrating that people make their own history under given circumstances. On the basis of ethnographic examples that speak about the Limbus’ imagination and political movements vis-à-vis the Limbuwan’s history, it is argued in this dissertation that there can not be a singular history of Nepal. Rather there are multiple histories in Nepal, given that the people themselves are producers of their own history. Based on ethnographic data, this dissertation also aims to debunk the received understanding across Nepal that the history of Nepal was built by Kings. -
Gender, Disability, and Literature in the Global South: Nepali Writers Jhamak Ghimire and Bishnu Kumari Waiwa (Parijat)
GENDER, DISABILITY, AND LITERATURE IN THE GLOBAL SOUTH: NEPALI WRITERS JHAMAK GHIMIRE AND BISHNU KUMARI WAIWA (PARIJAT) by Tulasi Acharya A Thesis Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Master of Arts Florida Atlantic University Boca Raton, FL August 2012 Copyright by Tulasi Acharya 2012 ii ABSTRACT Author: Tulasi Acharya Title: Gender, Disability, and Literature in the Global South: Nepali Writers Jhamak Ghimire and Bishnu Kumari Waiwa, Parijat Institution: Florida Atlantic University Thesis Advisor: Dr. Mary Cameron Degree: Master of Arts Year: 2012 This thesis explores gender, disability and literature in the Global South through an examination of the writings of two physically disabled contemporary women writers from Nepal, Bishnu Kumari Waiwa and Jhamak Ghimire. I show how these renowned contemporary writers challenge stigmas of the disabled body by deconstructing the “ideology of ability” through their poetry, fiction, and autobiographical narratives. Religious and cultural values disable women’s autonomy in general, and create even greater disadvantages for women who are physically disabled. Challenging these cultural stigmas, Waiwa and Ghimire celebrate sexuality and disability as sources of creativity, agency, and identity in narratives that deconstruct cultural or social models of sexuality, motherhood, and beauty. In this thesis feminist disability and feminist theory guide an analysis of Waiwa and Ghimire’s writing to advance -
1 I. a Nexus Between Nepali Nationalism and Ethnic Mode Of
1 I. A Nexus between Nepali Nationalism and Ethnic Mode of Expression “A nation is not some geographical entity, it is a place which is loved and liked by the people” (B.P. Koirala, Atmabrittanta, 289) The discourse of nationalism is often associated with collective identity of people. It is a tie that binds people with a nation. Nationalism is a mode of defining, expressing and recognizing oneself in relation to the state. It is constructed along with formation of nation state and incorporates several elements like people, language, culture, religion, history, social structures, and political conditions. On the other hand, ethnicity is related with particular social group that shares common cultural, lingual, religious, historical and national experiences. It is a communal identity that is based on specific value systems, rituals, customs, festivals, myths and symbols. As nationalism is not a mere political construct or pervasive integration of people in certain physical boundary, it should reflect memories, aspirations, and imaginations of the people living in particular place. Literature, like other modes of cultural production reflects the specific socio- historical dimensions of its creation. It manifests the society and culture in which it is composed. As the socio-economic materiality is the base for the articulation and production of any literary texts, literature is usually shaped by the politics or power dynamisms. In this connection, Nepali poetry can also be studied and analyzed by contextualizing it to the historical development of the nation-state or nationalism. This dissertation thus, is an attempt to study the relation between ethnicity and nationalism by foregrounding the nexus between literature and the state. -
Himalayan Voices VOICES from ASIA 1
Himalayan Voices VOICES FROM ASIA 1. Of Women, Outcastes, Peasants, and Rebels: A Selection of Bengali Short Stories. Translated and edited by Kalpana Bardhan. 2. Himalayan Voices: An Introduction to Modern Nepali Literature. Translated and edited by Michael James Hutt. Himalayan Voices An Introduction to Modern Nepali Literature TRANSLATED AND EDITED BY Michael James Hutt UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles Oxford This book is a print-on-demand volume. It is manufac- tured using toner in place of ink. Type and images may be less sharp than the same material seen in traditionally printed University of California Press editions. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. Oxford, England © 1991 by The Regents of the University of California Library of Congress Cataloging-in-Publication Data Himalayan voices : an introduction to modern Nepali literature / translated and edited by Michael James Mutt, p. cm. — (Voices from Asia ; 2) Translated from Nepali. Includes bibliographical references (p. ) and index. ISBN 0-520-07046-1 (cloth). — ISBN 0-5204)7048-8 (paper) 1. Nepali poetry—20th century—Translations into Knglish. 2. English poetry—Translations from Nepali. 3. Short stories, Nepali—Translations into English. 4. Short stories, English— Translations from Nepali. 5. Authors, Nepali—20th century— Biography. 1. Mutt, Michael. II. Series. PK2598./95E5 1990 891'.49—dc:20 90-11145 CIP Printed in the United States of America The paper used in this publication meets the -
3-50 Page.Indd
MAY 2011 / Rs. 100 www.ecs.com.np ISSN 1729-2751 Art sincethetimeofArniko / Mud, sweat and madness on the mountain / There’s something about Kiwi /Mud,sweatandmadnessonthemountainThere’ssomethingaboutKiwi Art since the time of ww.ecs.com.np MAY 2011 www.ecs.com.np ARNIKO ARNIKOThe history of Nepali art is one that has seen times, both good and bad. However, its essence has remained preserved by dedicated masters. SUBSCRIBER COPY 117 AN EVENING WITH MUSIC MUSEUM OF NEPAL TRIALS AND TRAVAILS 64 KIRAN MANANDHAR 74 A group of music enthusiasts have 10 4 ON THE TRAIL The prolific artist goes candid ensured that Nepali history is documented Reaching Everest Base Camp without a guide about artists and art in Nepal. through musical instruments. and porter provides an altogether different high. Subscribe to Healthy Life For 1 Year (12( Issues) @ Rs. 600 & Pleasure Your Senses with Rs. 1000 worth of Spa Treatment at Chaitanya Spa, Bakhundole, Sanepa To subscribe sms HL at 9851047233 Choose any one of the following six packages Refl exology (Foot massage) & Head & Shoulder Massage Manicure & Steam Spa (Steam, Sauna, Jacuzzi Area Vertebral Message with Doctor Dry Massage-Shiatsu (60min) Sauna (60 min) with Sauna (60 min) Manicure is a spa beauty treatment Usage) (60 min) Consultati on (60 min) Shiatsu is a traditi onal Japanese Refl exology is a method of applying Head and shoulder massage for the fi ngernails and hands which These are forms of hydro- Applying deep pressure of the healing method which works on pressure to the feet and hand with includes massage of head and improves and increases the blood therapy. -
Modernism and Modern Nepali Poetry – Dr
Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editing Advisors Dr. Govinda Raj Bhattarai Rajeshwor Karki Proposer Dr. Laxman Prasad Gautam Editor Momila Translator & Language Editor Mahesh Paudyal Publisher Nepali Kalasahitya Dot Com Pratishthan [Nepali Art & Literature Dot Com Foundation] (Under the project of Nepal Academy) Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editor : Momila Translator & Language Editor : Mahesh Paudyal Publisher : Nepali Kalasahitya Dot Com Pratishthan (Nepali Art & Literature Dot Com Foundation) ©:Publisher Edition : First, 2011 Copies : 1001 Cover Design : Graphic Workshop Layout : Jeevan Nepal Printer : Modern Printing Press Kantipath, Kathmandu, Phone: 4253195 Price : NRs. 1,200.00 IRs. 1,000.00 US$ 25.00 Euro 20.00 ISBN: 978-9937-2-3657-7 DANCING SOUL OF MOUNT EVEREST (an anthology of selected modern Nepali poems) Editorial Context Heart-Transfer/Moksha Esteemed Readers! Here in editorial context, I extend words of gratitude that express themselves, though they might have remained apparently unexpressed. All of your accepted / unaccepted self-reflections shall become collages on the canvas of the history assimilated in this anthology. Dear Feelers! Wherever and whenever questions evolve, the existential consciousness of man keeps exploring the horizon of possibilities for the right answer even without the ultimate support to fall back upon. Existential revelations clearly dwell on the borderline, though it might be in a clash. In the present contexts, at places, questions of Nepali identity, modernity, representativeness, poetic quality, mainstream or periphery, temporal boundaries and limitations of number evolve – wanted or unwanted. Amidst the multitude of these questions, Dancing Soul of Mount Everest has assumed this accomplished form in its attempt to pervade the entirety as far as possible. -
A Phonological Study of Tilung: an Endangered
Nepalese Linguistics Volume 27 November 2012 Chief Editor Dr. Dan Raj Regmi Editors Dr. Balaram Prasain Mr. Ramesh Khatri Office Bearers for 2012-2014 President Krishna Prasad Parajuli Vice-President Bhim Lal Gautam General Secretary Kamal Poudel Secretary (Office) Bhim Narayan Regmi Secretary (General) Kedar Bilash Nagila Treasurer Krishna Prasad Chalise Member Dev Narayan Yadav Member Netra Mani Dumi Rai Member Karnakhar Khatiwada Member Ambika Regmi Member Suren Sapkota Editorial Board Chief Editor Dr. Dan Raj Regmi Editors Dr. Balaram Prasain Ramesh Khatri Nepalese Linguistics is a journal published by Linguistic Society of Nepal. It publishes articles related to the scientific study of languages, especially from Nepal. The views expressed therein are not necessary shared by the committee on publications. Published by: Linguistic Society of Nepal Kirtipur, Kathmandu Nepal Copies: 500 © Linguistic Society of Nepal ISSN -0259-1006 Price: NC 400/- (Nepali) IC 350/-(India) USD 10 Life membership fees include subscription for the journal. SPECIAL THANKS to Nepal Academy Kamaladi, Kathmandu, Nepal Nepal Academy (Nepal Pragya Pratisthan) was founded in June 22, 1957 by the then His Late Majesty King Mahendra as Nepal Sahitya Kala Academy. It was later renamed Nepal Rajkiya Pragya Pratisthan and now it is named as Nepal Pragya Prastisthan. This prestigious national academic institution is committed to enhancing the language, cult ure, philosophy and social sciences in Nepal. The major objectives of Nepal Academy include (a) to focus on the -
Sagarmathako(English)… Final
Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editing Advisors Dr. Govinda Raj Bhattarai Rajeshwor Karki Proposer Dr. Laxman Prasad Gautam Editor Momila Translator & Language Editor Mahesh Paudyal Publisher Nepali Kalasahitya Dot Com Pratishthan [Nepali Art & Literature Dot Com Foundation] (Under the project of Nepal Academy) Dancing Soul of Mount Everest Creator & Creation (Selected Modern Nepali Poems) Editor : Momila Translator & Language Editor : Mahesh Paudyal Publisher : Nepali Kalasahitya Dot Com Pratishthan (Nepali Art & Literature Dot Com Foundation) ©:Publisher Edition : First, 2011 Copies : 1001 Cover Design : Graphic Workshop Layout : Jeevan Nepal Printer : Modern Printing Press Kantipath, Kathmandu, Phone: 4253195 Price : NRs. 1,200.00 IRs. 1,000.00 US$ 25.00 Euro 20.00 ISBN: 978-9937-2-3657-7 DANCING SOUL OF MOUNT EVEREST (an anthology of selected modern Nepali poems) Editorial Context Heart-Transfer/Moksha Esteemed Readers! Here in editorial context, I extend words of gratitude that express themselves, though they might have remained apparently unexpressed. All of your accepted / unaccepted self-reflections shall become collages on the canvas of the history assimilated in this anthology. Dear Feelers! Wherever and whenever questions evolve, the existential consciousness of man keeps exploring the horizon of possibilities for the right answer even without the ultimate support to fall back upon. Existential revelations clearly dwell on the borderline, though it might be in a clash. In the present contexts, at places, questions of Nepali identity, modernity, representativeness, poetic quality, mainstream or periphery, temporal boundaries and limitations of number evolve – wanted or unwanted. Amidst the multitude of these questions, Dancing Soul of Mount Everest has assumed this accomplished form in its attempt to pervade the entirety as far as possible.