Titans OLYMPIC GODS Pleiades

Total Page:16

File Type:pdf, Size:1020Kb

Titans OLYMPIC GODS Pleiades OCEANOS TETHYS COIOS PHOEBE I HYPERION I THEIA CRONOS CRIOS RHEA IAPETOS Titans ARTEMIS HEPHAISTOS POSEIDON DIONYSOS HADES ; AIDES ; OLYMPIC DIONYSOS HERA ZEUS ZEUS HESTIA I AIDONEUS DEMETER HERMES GODS APOLLO Pleiades MEROPE I CELAINO II STEROPE II TAYGETE M A I A ELECTRA II ALCYONE II EROS I LOVE CHAOS LIMNADES OREADS DRYADS HAMADRYADS OURANOS OURANOS PORPHYRION MNEMOSYNE THEMIS E N C E F L A D O S I ZEUS HESPEROS TITYOS I COIOS PHOEBE I HYPERION I THEIA HESPERIDES III T Y P H O N I I E R AT O I I LYRIC POETRY НИКТЕ EREBOS MUSES D A M A S T O R I CLEIO E U N O M I A C L O T H O I I GAIA SORROW HISTORY ORDER SPINNER ERIS I DESTINY OLD AGE DISCORD HEMERA FATES PONTOS GRIEF DAY E C H I O N I D I C E L A C H E S I S I I HUNGER M E L P O M E N E JUSTICE DESTINY AITHER II HUNGER TRAGEDY SEASONS(HORAI) HESPERIDES III THANATOS I ANTAIOS FORGOTTEN DEATH SIRENS E I R E N E AT R O PA I I AITHER I THANATOS II BATTLE IAPETOS CLYMENE I O U R A N I A I I PEACE UNAVOIDABLE CURETES DEATH SLEEP WORDS ASTRONOMY MOMOS CERES DISSOLUTENESS SCOFFER INIQUITY A L C Y O N E U S CALLIOPE A U X O TARTAROS ERIS II LABOR DECEIT INCREASER STRIFE EPIC POETRY NINOS SEMIRAMIS BATTLE LACHESIS I HESPERIS EURYDICE I ORPHEUS DESTINY MURDER NEMESIS I E U R Y T O S I ATLANTIS T H A L L O ECHIDNA CRONOS APATE II HYPNOS I STRIFE DISPENSER OF DUES TERPISCHORE THE ONE WHO BRINGS PYTHON I DECEIT DANCE BLOSSOMS ACTAIOS FIGHT MORPHEUS HYMENAIOS CLOTHO I LITIGATION HYADES HYAS P Y T H O N I I CER F AT E S SPINNER APOLLO C A R P O TYPHON I DEATH CHARON ATE P O LY H Y M N I A THE ONE WHO BRINGS FOOD MURDER LINOS I HYMNS AGRAULOS I CECROPS I PHANTASOS PROMETHEUS PLEIONE EURYMEDON I B R O N T E S ATROPA I LABOR CHIMAERA SPHINX HYPNOS II UNAVOIDABLE MOROS T H A L E I A I I CENTAUR SLEEP INIQUITY COMEDY PHOBETOR СКОРБИ MENOITIOS I S A R P E D O N I S T E R O P E S ORCUS A I G L E CORYBANTESACASTOS CERBEROS ORTHOS EVERES I CHARICLO CHEIRON APATE I HUSBAND’S CYCLOPES EUTERPE MURDER ZEUS ELECTRA II SONG T I T Y O S I I A R G E S PANDROSOS HESPERIDES APOLLO RHEA EPIMETHEUS PANDORA ERYTHEIA GIANTS NEMEAN LION CYCNOS I TEIRESIAS RHESOS II C LY T I O S I HERSE II MELISSEUS PYRRHA DEUCALION H E S T I A I I CROMMIAN SOW MANTO HESTIA I POLYBOTES ADRASTEIA ZEUS A R E T H O U S A ERYSICHTHON LERNAEAN HYDRA DEMETER POSEIDON M O P S O S H I P P O LY T O S I B R I A R E U S CYMOPOLEIA IDA DIONYSOS THE CAUCASIAN EAGLE ZAGREUS METANEIRA CELEOS PLOUTOS AGRAULOS II ARES G R AT I O N C O T T O S IACCHOS APOLLO SERPENT GUARDED THE APPLES ARION TRIPTOLEMOS CARME CINYRAS I SMYRNA A G R I O S I HECATONCHEIRES NEMESIS II GYES ALCIPPE I SABAZIOS POSEIDON EURYBIA I CRIOS DISPENSER OF DUES DEMOPHON I HADES; AIDES; HELEN I ZEUS BRITOMARTIS IDAIA I T H O O N AIDONEUS PERSEPHONE ADONIS I APHRODITE II HERA M I M A S OCEANOS TETHYS M A I A SCAMANDER HEPHAISTOS TEUCROS II CYBELE IASION PA L L A S I SCAMANDRIOS ERYX CORYBANTESACASTOS DARDANOS BATEIA II A S T E R I O S PHILYRA HEBE O T O S I MELIA I E P H I A LT E S I INACHOS NILE TELCHINES ASTERIA A L E C T O STRYMON STELLAR PERSES I LAODICE TELEDICE I SIRENS ELECTRA NEAIRA I STRYMON TISIPHONE I ERINYES CAR NIOBE I ZEUS EILEITHUIA M E G A I R A LAMPETIA PHORONEUS APIS ARGOS SPERCHEIOS PHAETHOUSA EVADNE I CHTHONIA I BASILEIA MACAROS PEIRAS CLYMENE I HELIOS CLYMENOS MYRTILOS H. CHTHONIC PERIOD. ROOTS. NYMPHS NYMPHS NYMPHS ECBASOS S I B Y L MENESTHIOS MELIADS MELIADS MELIADS ELECTRA I THAUMAS PHAETHON I EPIDAUROS AGENOR I AIGIALEUS I IRIS CRIASOS POLYDORA II DRYOPS I T. TITANIC PERIOD. BODY APHRODITE I HELIADES HIRMINE PERSE II PHEMONOE PHORCYS HECATE ARGOS ANDRAIMON RHUSA T1. TITANS DRIOPE LEUCOTHEA EROS II PSYCHE AUGEIAS CETO SCYLLA I TELEGONOS I IO ZEUS PHYLEUS PHYLAS I ACTOR II PEITHO PAN ECHO PLEASURE, HARPIES T2. HELIOS HEDONE PEPHREDO POLYMELE I ECHECLOS O C Y P E T E I MYLIOS I AGAMEDE EPAPHOS MEMPHIS I IYNX IAMBOS PURPOSEFUL AMPHISSOS EUDOROS C E L A I N O I D E I N O GLOOMY MOLIONE T3. ACHILLES ACTOR I LYSIANASSA II ANTIANEIRA E N Y O A E L L O GRAIAI STORM BOUSIRIS I EURYTOS IV CTEATOS T4. APOLLO, CADMON HERMES EURYTOS II HAIRON A E L L O P O S WHIRL THOOSA AMPHIDAMAS I DAPHNIS POSEIDON PYRENE I DAIDALION POLYPHEMOS I ECHION III LADON I C A D M O N T5. APOLLO, ALOADS LIBYA (LIBYE) DRYAS CYCNOS II ABDEROS M E D U S A I MISTRESS CHIONE II PROTEUS I OTRERE HIPPOLYTE B R A N C H O S O1. IO E U R YA L E I POLYGONOS APOLLO GLIBLY ARES O1.1. GREECE, EGYPT PENTHESILEIA MELANIPPE I ARGIOPE II PHILAMMON S T H E N O EOS ASTRAIOS TELEGONOS II POWERFUL PHTHIA I GORGONS DEMONICE HERSE I MELIA II SEILENOS THAMYRIS P O D A R G E DOROS II O1.2. BELOS FLEET-FOOTED ZEPHYROS WEST WIND APHRODITE II PHOLOS CHLORIS I LAODOCOS I CALLIRRHOE CHRYSAOR PEGASOS CEPHALOS I EOS CENTAUR XANTHOS EUROS EASTERN WIND HERMAPHRODITOS SALMACIS POLYPOITES I O1.3. ARCAS GERYON CARPOS RHOIO BALIOS NOTOS BELOS ANCHINOE ECHIDNA SOUTH WIND TYPHON III SELENE ANIOS O2. PERSEUS METIS LETO O2.1. LACEDAIMON ATHENA PHAETHON II PALLADA ELAIS CLEOCHOS BOREAS TYRIA MEMPHIS II NORTH WIND DIONE CLEITOS CLEITE ASTYNOOS AREIA PERSES II SPERMO O2.2. PERSEUS APHRODITE II STHENELOS I STHENELE I MEGASSARES CLEOPATRA I CHRYSIPPOS I CHRYSIPPE OINO ZEUS PHOSPHOROS SANDOCOS PHARNACE MILETOS CARRIER OF LIGHTS EURYNOME AIGYPTOS ARABIAN ATLANTEIA DANAOS O3. HERACLES ISTROS II HIPPODAMEIA V AGLAIE I CAUNOS O3.1. DAUGHTERS OF TESPIOS SPLENDOR CALAIS CHALCODON RHODIA II PYGMALION E U P H R O S Y N E AGENOR III CLEOPATRA II METHARME CINYRAS III MERRIMENT BOUTES I BIBLIS CHARITES O3.2. OFFSPRINGS FROM OTHER WIVES CHAITOS ASTERIA II OXYPOROS T H A L E I A I BLOOMING LYCOURGOS I PHOEBE III CIRCE DIOCORYSTES HIPPODAMEIA VI ADONIS II ZETES ALCEIDES GLAUCE II O3.3. HERACLIDS ORSEDICE ALCMENOR HIPPOMEDOUSA HIPPOTHOOS I GORGE PLEIONE LAOGORE AUTOLYCOS O4. DEUCALION’S FLOOD EUCHENOR IPHIMEDOUSA O4.1. HELENOS I BRAISIA HIPPOLYTOS III RHODE II STYX PALLAS II CALIADNE POLYXO I NICE I EURYLOCHOS AUTONOE II O4.2. SISYPHUS VICTORY HALIA ASTYOCHE I PHANTES THEANO ZELOS ENVY RHODE I ASCALAPHOS PERISTHENES ELECTRA III O4.3. IASON CRATOS PASIPHAE HERMOS II CLEOPATRA STRENGTH ARES IALMENOS POSEIDON CHIONE I DRYAS EURYDICE II BIA SANGUINE MINOTAUR AMPHITRITE POTAMON GLAUCIPPE O4.4. AMYTHAON CYRENE OINOMAOS II STEROPE APOLLO CISSEUS I ANTHELEIA TEGYRIOS BENTHESICYME ENDIOS LYCOS IV CLEODORE O4.5. ALCESTIS LEUCIPPOS I IMBROS EVIPPE II EUMOLPOS BROMIOS ERATO III DIOMEDES II ISMAROS I POLYCTOR STYGNE O5. ASCLEPIUS EIDUIA AIETES CHTONIOS III BRYCE PHOENICIAN ETHIOPIAN TRITON AGAPTOLEMOS PYRENE II O6. ATHENS ADMETE I APSYRTOS O6.1. ERICHTONIOS RHODE III CERCETES DORION EURYDAMAS PHARTIS ASIA AIGIOS MNESTRA MYNES DEIMOS O6.2. THESEUS ARGIOS EVIPPE I PENEIOS III ACASTE PEDIAS CRANAOS PHOBOS ARCHELAOS I ANAXIBIA III C R A N A E MENEMACHOS NELO AMPHIRO ANTEROS DAPHNE II O7. CRETE ERICHTONIOS I PRAXITHEA I ARGYPHIA EUROPA III CRANAICHME APOLLO BOUSIRIS II AUTOMATE STYLBE GALAXAURE EROS III O8. THEBES ENCELADOS II AMYMONE ATTHIS PANDION I O8.1. CADMOS LYCOS V AGAVE II LAPHITES I ORSINOME HIPPO I PROCNE DAIPHRON I SCAIE ITYS O8.2. OEDIPUS GORGO PIERIA PHORBAS II PERIPHAS ACTAIA II AMPHICTYON I OINEUS I PODARCE ARES TEREUS PHILOMELA II O8.3. SEVEN AGAINST THEBES AIGYPTOS DIOXIPPE TRIOPS II LORDS OF ATHENS ZEUXIPPE MENALCES ADITE O9. MYKONOS, SPARTA CEPHISOS II LAMPOS I OCYPETE II O9.1. PELOPS IDMON PYLARGE DORIS I NEREUS DIOGENEIA PHRASIMOS HEPHAISTINE HERSE III TAYGETE ZEUS CLEOCHAREIA LELEX PERIDIA AUTONOE I NAUSITHOE PRAXITHEA II IDAS III HIPPODICE EUROPA I ERECHTHEUS O9.2. ATREIDS DAIPHRON II ADIANTE AGAVE I NEMERTES TELEDICE II ZEUXO CRINO ACTAIA I NEOMERIS PANDION IV CALLIDICE CLEITOS EUROTAS THERAPNE O10. HELEN II NEREIDS ARBELOS OIME PYRRHA DEUCALION O10.1. LEDA IANEIRA AMPHITRITE NESAIE LACEDAIMON SPARTA HYPERBIOS CELAINO CHTHONIA II BOUTES III POLYCAON MESSENE GALATEIA NESO I AMPHICTYON II HIPPOCORYSTES I HYPERIPPE IANTHE AGENOR II TELEPHASSA O10.2. MELEAGROS ARGYPHIA ELEPHANTIS GALENE PANOPE ORSEIS HELENOS I CALYPSO PROTEUS II GORGOPHONE I HALIMEDE PARTHENOPE I CADMOS HARMONIA O11. TROY MELANTHO LYNCEUS I HYPERMNESTRA I CAUPE II HALIA PASITHEE II POSEIDON O11.1. ILOS ORETHUIA PROTOGENEIA I CILIX AUTONOE III ARISTAIOS GLAUCE I PONTOPOREIA CERCEIS METION ALCIPPE II PHOENIX ACTAION O11.2. PRIAM GLAUCONOME CLYTIA EUPALAMOS MEROPE II THASOS HIPPOTHOE I PROTOMEDEIA ILLYRIOS O12. ODYSSEUS XOUTHOS CREOUSA I XANTHE HIPPONOE PRONOE I PHINEUS I IDAIA II O12.1. HERMES ION POLYMEDE ORYITHOS LAPHITES II THYNOS DIONE PROTO DOROS I HOPLES I LEUCIPPE I BIAS II ACHAIOS PANDOROS CRAMBIS AMYCLAS I DIOMEDE MARIANDYNOS DERO PSAMATHE I GELEON O12.2.
Recommended publications
  • The Herodotos Project (OSU-Ugent): Studies in Ancient Ethnography
    Faculty of Literature and Philosophy Julie Boeten The Herodotos Project (OSU-UGent): Studies in Ancient Ethnography Barbarians in Strabo’s ‘Geography’ (Abii-Ionians) With a case-study: the Cappadocians Master thesis submitted in fulfilment of the requirements for the degree of Master in Linguistics and Literature, Greek and Latin. 2015 Promotor: Prof. Dr. Mark Janse UGent Department of Greek Linguistics Co-Promotores: Prof. Brian Joseph Ohio State University Dr. Christopher Brown Ohio State University ACKNOWLEDGMENT In this acknowledgment I would like to thank everybody who has in some way been a part of this master thesis. First and foremost I want to thank my promotor Prof. Janse for giving me the opportunity to write my thesis in the context of the Herodotos Project, and for giving me suggestions and answering my questions. I am also grateful to Prof. Joseph and Dr. Brown, who have given Anke and me the chance to be a part of the Herodotos Project and who have consented into being our co- promotores. On a whole other level I wish to express my thanks to my parents, without whom I would not have been able to study at all. They have also supported me throughout the writing process and have read parts of the draft. Finally, I would also like to thank Kenneth, for being there for me and for correcting some passages of the thesis. Julie Boeten NEDERLANDSE SAMENVATTING Deze scriptie is geschreven in het kader van het Herodotos Project, een onderneming van de Ohio State University in samenwerking met UGent. De doelstelling van het project is het aanleggen van een databank met alle volkeren die gekend waren in de oudheid.
    [Show full text]
  • Naming the Extrasolar Planets
    Naming the extrasolar planets W. Lyra Max Planck Institute for Astronomy, K¨onigstuhl 17, 69177, Heidelberg, Germany [email protected] Abstract and OGLE-TR-182 b, which does not help educators convey the message that these planets are quite similar to Jupiter. Extrasolar planets are not named and are referred to only In stark contrast, the sentence“planet Apollo is a gas giant by their assigned scientific designation. The reason given like Jupiter” is heavily - yet invisibly - coated with Coper- by the IAU to not name the planets is that it is consid- nicanism. ered impractical as planets are expected to be common. I One reason given by the IAU for not considering naming advance some reasons as to why this logic is flawed, and sug- the extrasolar planets is that it is a task deemed impractical. gest names for the 403 extrasolar planet candidates known One source is quoted as having said “if planets are found to as of Oct 2009. The names follow a scheme of association occur very frequently in the Universe, a system of individual with the constellation that the host star pertains to, and names for planets might well rapidly be found equally im- therefore are mostly drawn from Roman-Greek mythology. practicable as it is for stars, as planet discoveries progress.” Other mythologies may also be used given that a suitable 1. This leads to a second argument. It is indeed impractical association is established. to name all stars. But some stars are named nonetheless. In fact, all other classes of astronomical bodies are named.
    [Show full text]
  • Excerpts from Iliad Six (Hector Is the Oldest Son of Troy's King Priam, And
    EXCERPTS FROM HOMER Excerpts from Iliad Six (Hector is the oldest son of Troy’s King Priam, and the chief defender of the city. He leaves battle temporarily to return to the city.) Focus questions: 1. What are the main roles of women in this section – i.e., what are the actions of the Trojan women, Theano, Hecuba (the queen, Hector’s mother) and Andromache? 2. How do women’s roles support the survival of the city – or do they? 3. In what ways do women contribute to or detract from a man’s honor? 4. Hector and Andromache’s relationship is perfect in Greek terms – how do they relate to one another? What is the balance of “power”? What roles does each play in the family? Now when Hector reached the Scaean gates and the oak tree, the wives and daughters of the Trojans came running towards him to ask after their sons, brothers, kinsmen, and husbands: he told them to set about praying to the gods, and many were made sorrowful as they heard him. Presently he reached the splendid palace of King Priam, adorned with colonnades of hewn stone. In it there were fifty bedchambers- all of hewn stone- built near one another, where the sons of Priam slept, each with his wedded wife. Opposite these, on the other side the courtyard, there were twelve upper rooms also of hewn stone for Priam's daughters, built near one another, where his sons-in-law slept with their wives. When Hector got there, his fond mother came up to him with Laodice the fairest of her daughters.
    [Show full text]
  • Wonder, Space, and Place in Pausanias' Periegesis
    Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados by Jody Ellyn Cundy A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Classics University of Toronto © Copyright by Jody Ellyn Cundy 2016 Axion Theas: Wonder, Space, and Place in Pausanias’ Periegesis Hellados Jody Ellyn Cundy Doctor of Philosophy Department of Classics University of Toronto 2016 Abstract The Periegesis Hellados presents a description of the sites and sights of Roman Greece in ten carefully constructed books. These books present the fruits of author’s extensive travels and careful textual research over the course of several decades (between the 130’s and ca. AD 175-80) and compiled into a unified composite itinerary. There is no doubt that Pausanias travels through an “already written landscape,” and his travel experience is necessarily informed by and sometimes clearly motivated by his literary encounters. This project investigates Pausanias’ engagement with literary antecedents, with a particular focus on the antiquarian impulse to excerpt and compile anecdotes in thematic catalogues, which broadly resemble wonder-texts (paradoxographies). The organizing principle of these thematic catalogues contrasts with the topographical (spatial) structure of the frame narrative of the Periegesis. In part, this study aims to resolve the perceived tension between the travel account and the antiquarian mode in Pausanias’ project in order to show that they serve complementary rather than competing ends. Resolution of these competing paradigms allows in turn for a more coherent understanding of the Periegesis as unified subject. This study argues that wonder (thauma) is a unifying theme ii of Periegesis Hellados.
    [Show full text]
  • Notes Du Mont Royal ←
    Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Google Livres ÏHISTORIÆ» ’*POETICÆ,H ’SCRIPTORES ANTIQJLW ’APOLLODORUS Atbmimfis. PTOLEMÆUS mm. 1v. 1c o N o N Grammaticm. PARTHMEN IUs mima; ANTON INUS immuns. Græcè 8c Latine. Jccgfi’è’re hem: Nm é Milice: mafia; la PARISIIIS. Typis F. u c u E T. Profiant apud R. S c o T "r, ü Bibliopolam Londinenfem. v MDCLxxm I - fluerez I L L u s (R0TIR 1’ D.JOSEPHO WILLIAMSON; 22141111 Lamina, SERENISSIMOMCAROLOIL - MAG. 31m: .FRANC. ET Hua. REGI - ’ A CONSILus InNTERIORIBuS, ETA SECRETIS STATus. , Xfiant’ in me , ".V I R "7CLARIS promerità 1m SIME) , magna diuturna. ,Sponte tuâ; nullo meo merito, defcendifli etiam- ad maclé benewolentiâ, qué Genti: a bnju: Epifiola Dcdicatoria: ’ buju: (9* (thorium ,literato: homi- ne: compleâîerù. Necfpem, nec cogitotionem guidon: foui, dignum aliquz’d tonifiât benefic’iis, unqmm reponencli ; aequo ’èm’mpotiebatur id ont fortune TUÆ magnitudo, ont ’mèæ agami; Non Âceflb interim juflâ debitâq; prodicatione ubiq; t’efl’ari toutim: Tibi dobere me, quantum firme? homo bomini poteflfiugi hâcÇnullâ’aliânzle wifi) gratit’udifii: mm fighificonclæ’curâ adduôîm,Nomini T110 ho: li- bella: infrrz’pfi. Molui Forum mo- j dellw boom, quÆm-mz’nù: group. Quanquam ’confllz’o huic meolz’lluçl jetiompotracinaritpoflîtguàd non in: l’pridem (quetzal al? lau’mqriz’tizofiu- diorum meOrüm’rationemTc ex- ,peétare * ’ Epiflola. Dedicatoria.’ wpeâare dicerer. Obtempero mi: 5 etiam ad exiflimotionù mon: periculnm. Ha: tomèn qua- liocnnque flint, non profil: , mi fiera, npnd TE wilefcent.
    [Show full text]
  • Treasury of Olympus
    IONIA Treasury of Olympus A Supplement for ZENOBIA by Günter D'Hoogh Written by Günter D'Hoogh © 2004 Additional material and assistance from Paul Elliott. Illustrations by Paul Elliott Acknowledgements It was a pleasure working on this project, being a history teacher it’s a fantastic feeling that it’s quite well possible to merge history and roleplaying together. I hope that the reader as much enjoys playing it as I enjoyed writing this little “Campaign Guide”. I especially want to thank Paul Elliott, the creator of the wonderful ZENOBIA. He has been my mentor, my great help and especially a very good friend who encouraged me when the spirit was low. Thanks Paul for letting me take part in your great adventure, for the editting work, for the maps and drawings, and for the fine articles you wrote in this book! I really hope we’ll see each other someday face-to-face my friend! Günter D’Hoogh 2 THE CONTENTS I INTRODUCTION II THE WORLD OF IONIA III CHARACTER CREATION IV GODS OF OLYMPUS V THE THESSALIAN WITCH VI MONSTERS & WILD ANIMALS VII PHILOSOPHY VIII TREASURES IX LABYRINTHS OF IONIA 3 I INTRODUCTION Ionia is a sleepy mountainous land steeped in history, a land of ancient cities that are home to philosophers, academics, poets and playwrights. Lost and forgotten beneath Ionia are the artefacts and treasures of the Olympian gods, harkening back to the Age of Heroes when Zeus, Ares and Athena walked the earth in disguise, when heroes like Achilles fought with magical invulnerability, when witches like Medea ruled secret enchanted islands.
    [Show full text]
  • A HISTORY of the PELASGIAN THEORY. FEW Peoples Of
    A HISTORY OF THE PELASGIAN THEORY. FEW peoples of the ancient world have given rise to so much controversy as the Pelasgians; and of few, after some centuries of discussion, is so little clearly established. Like the Phoenicians, the Celts, and of recent years the Teutons, they have been a peg upon which to hang all sorts of speculation ; and whenever an inconvenient circumstance has deranged the symmetry of a theory, it has been safe to ' call it Pelasgian and pass on.' One main reason for this ill-repute, into which the Pelasgian name has fallen, has been the very uncritical fashion in which the ancient statements about the Pelasgians have commonly been mishandled. It has been the custom to treat passages from Homer, from Herodotus, from Ephorus, and from Pausanias, as if they were so many interchangeable bricks to build up the speculative edifice; as if it needed no proof that genealogies found sum- marized in Pausanias or Apollodorus ' were taken by them from poems of the same class with the Theogony, or from ancient treatises, or from prevalent opinions ;' as if, further, ' if we find them mentioning the Pelasgian nation, they do at all events belong to an age when that name and people had nothing of the mystery which they bore to the eyes of the later Greeks, for instance of Strabo;' and as though (in the same passage) a statement of Stephanus of Byzantium about Pelasgians in Italy ' were evidence to the same effect, perfectly unexceptionable and as strictly historical as the case will admit of 1 No one doubts, of course, either that popular tradition may transmit, or that late writers may transcribe, statements which come from very early, and even from contemporary sources.
    [Show full text]
  • University Microfilms, Inc., Ann Arbor, Michigan LINDA JANE PIPER 1967
    This dissertation has been microfilmed exactly as received 66-15,122 PIPER, Linda Jane, 1935- A HISTORY OF SPARTA: 323-146 B.C. The Ohio State University, Ph.D., 1966 History, ancient University Microfilms, Inc., Ann Arbor, Michigan LINDA JANE PIPER 1967 All Rights Reserved A HISTORY OF SPARTA: 323-1^6 B.C. DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Linda Jane Piper, A.B., M.A. The Ohio State University 1966 Approved by Adviser Department of History PREFACE The history of Sparta from the death of Alexander in 323 B.C; to the destruction of Corinth in 1^6 B.C. is the history of social revolution and Sparta's second rise to military promi­ nence in the Peloponnesus; the history of kings and tyrants; the history of Sparta's struggle to remain autonomous in a period of amalgamation. It is also a period in Sparta's history too often neglected by historians both past and present. There is no monograph directly concerned with Hellenistic Sparta. For the most part, this period is briefly and only inci­ dentally covered in works dealing either with the whole history of ancient Sparta, or simply as a part of Hellenic or Hellenistic 1 2 history in toto. Both Pierre Roussel and Eug&ne Cavaignac, in their respective surveys of Spartan history, have written clear and concise chapters on the Hellenistic period. Because of the scope of their subject, however, they were forced to limit them­ selves to only the most important events and people of this time, and great gaps are left in between.
    [Show full text]
  • A Dictionary of Mythology —
    Ex-libris Ernest Rudge 22500629148 CASSELL’S POCKET REFERENCE LIBRARY A Dictionary of Mythology — Cassell’s Pocket Reference Library The first Six Volumes are : English Dictionary Poetical Quotations Proverbs and Maxims Dictionary of Mythology Gazetteer of the British Isles The Pocket Doctor Others are in active preparation In two Bindings—Cloth and Leather A DICTIONARY MYTHOLOGYOF BEING A CONCISE GUIDE TO THE MYTHS OF GREECE AND ROME, BABYLONIA, EGYPT, AMERICA, SCANDINAVIA, & GREAT BRITAIN BY LEWIS SPENCE, M.A. Author of “ The Mythologies of Ancient Mexico and Peru,” etc. i CASSELL AND COMPANY, LTD. London, New York, Toronto and Melbourne 1910 ca') zz-^y . a k. WELLCOME INS77Tint \ LIBRARY Coll. W^iMOmeo Coll. No. _Zv_^ _ii ALL RIGHTS RESERVED INTRODUCTION Our grandfathers regarded the study of mythology as a necessary adjunct to a polite education, without a knowledge of which neither the classical nor the more modem poets could be read with understanding. But it is now recognised that upon mythology and folklore rests the basis of the new science of Comparative Religion. The evolution of religion from mythology has now been made plain. It is a law of evolution that, though the parent types which precede certain forms are doomed to perish, they yet bequeath to their descendants certain of their characteristics ; and although mythology has perished (in the civilised world, at least), it has left an indelible stamp not only upon modem religions, but also upon local and national custom. The work of Fruger, Lang, Immerwahr, and others has revolutionised mythology, and has evolved from the unexplained mass of tales of forty years ago a definite and systematic science.
    [Show full text]
  • Pausanias: Travel and Memory in Roman Greece
    Pausanias: Travel and Memory in Roman Greece SUSAN E. ALOCOCK JOHN F. CHERRY JAS ELSNER, Editors OXFORD UNIVERSITY PRESS Pausanias pausanias Travel and Memory in Roman Greece Edited by Susan E. Alcock, John F. Cherry, & Jas´Elsner 3 2001 1 Oxford New York Athens Auckland Bangkok Bogota´ Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris Saˆo Paulo Shanghai Singapore Taipei Tokyo Warsaw and associated companies in Berlin Ibadan Copyright ᭧ 2001 by Oxford University Press Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Pausanias : travel and memory in Roman Greece / edited by S.E. Alcock, J.F. Cherry & J. Elsner. p. cm. Includes bibliographical references and index. ISBN 0-19-512816-8 (cloth) 1. Pausanias. Description of Greece. 2. Greece—Description and travel—Early works to 1800. 3. Greece—Antiquities. 4. Greece—Historiography. I. Alcock, Susan E. II. Cherry, John F. III. Elsner, Jas´. DF27.P383 P38 2000 938'.09—dc21 00-022461 Frontispiece: Location of principal places mentioned in the book. 987654321 Printed in the United States of America on acid-free paper For Silvia, Britten, and Bax This page intentionally left blank Preface This volume is dedicated to the principle that Pausanias deserves more—and more ambitious—treatment than he tends to receive.
    [Show full text]
  • Notes Du Mont Royal ←
    Notes du mont Royal www.notesdumontroyal.com 쐰 Cette œuvre est hébergée sur « No- tes du mont Royal » dans le cadre d’un exposé gratuit sur la littérature. SOURCE DES IMAGES Google Livres FRAGMENTA HISTOBICORUM GRÆCORUM. ème PARISIIS- - EXCUDEBANT FlllIlN DIDOT runes, VIA JAÇOB , 50. --oaœeao---- FRAGMENTA HISTORIGORUM GRÆCORUM HECATÆI I ANTIOCHIN! CLITODEMI 3S9 CHARONIS 32 PHILISTI lisî PHANODEMI 9:66 XANTHI 3c, - TIMÆI 193 ANDROTIONIS 2:7! HELLANICI 45’ EPHORI 234 DEMONIS’57-6 PHERECY DIS 7 0 THEOPOMPI’27 PHlLOCHORI 3t517 ACUSILAI un) PHYLARCHIggzIë ISTRI 4) L6 . APOLLODORI BIBLIOTHECA [oit CUM FRAGMENTIS. AUXERUNT. nous ET PROLEGOMENIS ILLUSTRARUNT, INDICE PLENISSIMO INSTRUXERUNT CAB. ET THIÏJOD. MULLEBI. ACCEDUNT MARMORA PARIUM ET ROSETTANUM, , uoc cul amoura, aux) ou. c. natrum communs. ü. MS W4!lehon *un à» SOCIALES w UNIVERSITÉ PARISIIS, EDlTORE AMBROSIO FlRMlN DIDOT, INSTITUT! REG]! FEANCIÆ TYPOGBAPHO. M DCCC XLI. N4 il s PRÆFATIO. Sortis nescio qua iniquitate accidit, ut, si exceperis quæ Hem. dotus, Thucydides, Xenophon commentariis suis tradiderunt, uberior antiquioris Græcorum historiæ expositio omnis fare nabis haurienda sit ex serioris demum ætalis scriptoribus. Qui quoniam ex aliorum libris sua hauserunt tantum non omnia auctoritas eorum in plerisque pendet ex diligentia, quam ad fontes conquirendos attulerunt, et ex eorum quos duces sequereno tur delectu. Jam vero quamvis diligentia plurimorum animique sincera voluntas laudandæ sint, atque nefas habeam temerarie velle insolenterque meritis eorum detrahere; faiendum tamen
    [Show full text]
  • Constellation Legends
    Constellation Legends by Norm McCarter Naturalist and Astronomy Intern SCICON Andromeda – The Chained Lady Cassiopeia, Andromeda’s mother, boasted that she was the most beautiful woman in the world, even more beautiful than the gods. Poseidon, the brother of Zeus and the god of the seas, took great offense at this statement, for he had created the most beautiful beings ever in the form of his sea nymphs. In his anger, he created a great sea monster, Cetus (pictured as a whale) to ravage the seas and sea coast. Since Cassiopeia would not recant her claim of beauty, it was decreed that she must sacrifice her only daughter, the beautiful Andromeda, to this sea monster. So Andromeda was chained to a large rock projecting out into the sea and was left there to await the arrival of the great sea monster Cetus. As Cetus approached Andromeda, Perseus arrived (some say on the winged sandals given to him by Hermes). He had just killed the gorgon Medusa and was carrying her severed head in a special bag. When Perseus saw the beautiful maiden in distress, like a true champion he went to her aid. Facing the terrible sea monster, he drew the head of Medusa from the bag and held it so that the sea monster would see it. Immediately, the sea monster turned to stone. Perseus then freed the beautiful Andromeda and, claiming her as his bride, took her home with him as his queen to rule. Aquarius – The Water Bearer The name most often associated with the constellation Aquarius is that of Ganymede, son of Tros, King of Troy.
    [Show full text]