Christian Kracht
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3. IRAN Christian Kracht, 1979 (2001) Popkultur Und Fundamentalismus I
3. IRAN Christian Kracht, 1979 (2001) Popkultur und Fundamentalismus I Den Titel seines Romans hat Christian Kracht gut gewählt. Das Jahr 1979 mar- kiert einen Umschwung in der Wahrnehmung des Orients durch den Westen. Zafer Şenocak, ein Grenzgänger zwischen den Kulturen, schreibt dazu: Bis 1979 – dem Jahr der islamischen Revolution im Iran – spielte der Islam auf der Weltbühne keine politisch herausragende Rolle. Er war bestenfalls tiefenpsycholo- gisch wirksam, als hemmender Faktor bei Modernisierungsbestrebungen in den muslimischen Ländern, im Zuge der Säkularisierung der Gesellschaft, beiseite ge- schoben von der westlich orientierten Elite dieser Länder. In Europa wurden die Gesichter des Islam zu Ornamenten einer sich nach Abwechslung und Fremde seh- nenden Zivilisation. Das Fremde im Islam war Identitätsspender, Kulminations- punkt von Distanzierung und Anziehung zugleich.1 Im Iran kündigten sich 1975 die ersten Unruhen an, als Schah Pahlavi das beste- hende Zweiparteiensystem auflöste und nur noch seine sogenannte Erneuerungs- partei zuließ.2 Oppositionsgruppen gab es aber nach wie vor, und die andauernde 01Zafer Şenocak, War Hitler Araber? IrreFührungen an den Rand Europas (Berlin: Babel, 1994). Die fiktionale Literatur, die sich aus iranischer Sicht mit der Revolution von 1979 und ihren Folgen beschäftigt, ist umfangreich. Zwei Titel seien genannt, weil sie von iranischen Autorinnen stam- men, die für ein westliches Publikum schreiben. Beide lehren inzwischen in den USA als Hoch- schulprofessorinnen: Azar Nafisi, Reading Lolita in Tehran: A Memoir in Books (New York: Ran- dom House, 2003) und Fatemeh Keshavarz, Jasmine and Stars: Reading More than Lolita in Tehran (Chapel Hill: University of North Carolina Press, 2007). Letzteres Buch versteht sich als Kritik an ersterem: Keshavarz wirft Nafisi eine Simplifizierung im Sinne des Opfer-Täter- Schemas und Reduktionismus vor. -
KNIGHT Wake Forest University
Forbidden Fruit Civil Savagery in Christian Kracht’s Imperium “Ich war ein guter Gefangener. Ich habe nie Menschenfleisch gegessen.” I was a good prisoner. I never ate human flesh. These final words of Christian Kracht’s second novel, 1979, represent the last shred of dignity retained by the German protagonist, who is starving to death in a Chinese prison camp in the title year. Over and over, Kracht shows us a snapshot of what happens to the over-civilized individual when civilization breaks down. Faserland’s nameless narrator stands at the water’s edge, preparing to drown rather than live with his guilt and frustration; even the portrait of Kracht on the cover of his edited volume Mesopotamia depicts Kracht himself in a darkened wilderness, wearing a polo shirt and carrying an AK-47. In each of these moments, raw nature inspires the human capacity for violence and self-destruction as a sort of ironic antidote to the decadence and vacuity of a society in decline. Kracht’s latest novel, Imperium, further explicates this moment of annihilation. The story follows the fin-de-siècle adventures of real-life eccentric August Engelhardt, a Nuremberger who wears his hair long, promotes nudism, and sets off for the German colony of New Guinea in hopes of founding a cult of sun-worshippers and cocovores (i.e., people who subsist primarily on coconuts). Engelhardt establishes a coconut plantation near the small town of Herbertshöhe, where he attempts to practice his beliefs in the company of a series of companions of varying worth and, finally, in complete solitude. -
German Studies Association Newsletter ______
______________________________________________________________________________ German Studies Association Newsletter __________________________________________________________________ Volume XLIV Number 1 Spring 2019 German Studies Association Newsletter Volume XLIV Number 1 Spring 2019 __________________________________________________________________________ Table of Contents Letter from the President ............................................................................................................... 2 Letter from the Executive Director ................................................................................................. 5 Conference Details .......................................................................................................................... 8 Conference Highlights ..................................................................................................................... 9 Election Results Announced ......................................................................................................... 14 A List of Dissertations in German Studies, 2017-19 ..................................................................... 16 Letter from the President Dear members and friends of the GSA, To many of us, “the GSA” refers principally to a conference that convenes annually in late September or early October in one city or another, and which provides opportunities to share ongoing work, to network with old and new friends and colleagues. And it is all of that, for sure: a forum for -
MODERN ANTISEMITISM in the VISEGRÁD COUNTRIES Edited By: Ildikó Barna and Anikó Félix
MODERN ANTISEMITISM IN THE VISEGRÁD COUNTRIES Edited by: Ildikó Barna and Anikó Félix First published 2017 By the Tom Lantos Institute 1016 Budapest, Bérc utca 13-15. Supported by 2017 Tom Lantos Institute All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or any information storage or retrieval system, without permission in writing from the publishers. ISBN 978-615-80159-4-3 Peer reviewed by Mark Weitzman Copy edited by Daniel Stephens Printed by Firefly Outdoor Media Kft. The text does not necessarily represent in every detail the collective view of the Tom Lantos Institute. CONTENTS 01 02 Ildikó Barna and Anikó Félix CONTRIBUTORS 6 INTRODUCTION 9 03 Veronika Šternová 04 Ildikó Barna THE CZECH REPUBLIC 19 HUNGARY 47 I. BACKGROUND 20 I. BACKGROUND 48 II. ANTISEMITISM: II. ANTISEMITISM: ACTORS AND MANIFESTATIONS 27 ACTORS AND MANIFESTATIONS 57 III. CONCLUSIONS 43 III. CONCLUSIONS 74 05 Rafal Pankowski 06 Grigorij Mesežnikov POLAND 79 SLOVAKIA 105 I. BACKGROUND 80 I. BACKGROUND 106 II. ANTISEMITISM: II. ANTISEMITISM: ACTORS AND MANIFESTATIONS 88 ACTORS AND MANIFESTATIONS 111 III. CONCLUSIONS 102 III. CONCLUSIONS 126 The Tom Lantos Institute (TLI) is its transmission to younger gener- an independent human and minori- ations. Working with local commu- ty rights organization with a par- nities to explore and educate Jewish ticular focus on Jewish and Roma histories contributes to countering communities, Hungarian minori- antisemitism. The research of con- ties, and other ethnic or national, temporary forms of antisemitism is linguistic and religious minori- a flagship project of the Institute. -
Melting Ice and the Paradoxes of Zeno: Didactic Impulses and Aesthetic Distanciation in German Climate Change Fiction
Author: Goodbody, Axel H.; Title: Melting Ice and the Paradoxes of Zeno: Didactic Impulses and Aesthetic Distanciation in German Climate Change Fiction Melting Ice and the Paradoxes of Zeno: Didactic Impulses and Aesthetic Distanciation in German Climate Change Fiction Axel H. Goodbody University of Bath Abstract Although global warming has been a topic of American and British popular fiction since the 1980s, its literary representation has only recently become an object of academic enquiry. Perhaps a score of German novels on the subject have also appeared, and critical analysis of these is now called for. Following a general outline of the socio-political, philosophical, and ethical issues which climate change raises, and of the particular aesthetic challenges which writing about global warming poses, Ilija Trojanow’s EisTau (Melting Ice, 2011) serves as a basis for discussion of the tensions between confessional and didactic impulses on the one hand, and recognition of the need for an aesthetic facilitating detachment on the other. Keywords: climate change, German literature, Ilija Trojanow, EisTau Resumen Aunque el calentamiento global ha aparecido en la literatura popular americana y británica desde los años 80, su representación literaria no se ha converitdo en objeto de investigación académica hasta recientemente. Quizá una veintena de novelas alemanas sobre el tema también han aparecido, requiriendo así un análisis critico. Siguiendo un resumen general de los asuntos socio- políticos, filosóficos y éticos que el cambio climático ha planteado, y de los desafíos estéticos particulares que surgen al escribir sobre el calentamiento global, la novela EisTau (Melting Ice, 2011) de Ilija Trojanow sirve como base para debatir las tensiones entre los impulsos confesionales y didácticos, por un lado, y sobre el reconocimiento de la necesidad de una estética que facilite el desapego, por otro. -
Literaturwissenschaft)
Technische Universität Braunschweig Seminar für deutsche Sprache und Literatur BA Germanistik Leseliste (Literaturwissenschaft) I. Deutsche Literatur vom Mittelalter bis zum Barock 1. Hildebrandslied 2. Pfaffe Konrad: Rolandslied 3. Heinrich von Morungen: Minnesang 4. Hartmann von Aue: Erec 5. Hartmann von Aue: Iwein 6. Nibelungenlied 7. Wolfram von Eschenbach: Parzival 8. Gottfried von Straßburg: Tristan 9. Walther von der Vogelweide: Minnesang 10. Walther von der Vogelweide: Politische Spruchdichtung 11. Neidhart: Minnesang 12. Johannes von Tepl: Der Ackermann aus Böhmen 13. Sebastian Brant: Das Narrenschiff 14. Thüring von Ringoltingen: Melusine 15. Hermann Bote: Till Eulenspiegel 16. Hans Sachs: Meisterlieder 17. Hans Sachs: Fastnachtspiele 18. Martin Luther: Von der Freiheit eines Christenmenschen 19. Faustbuch 20. Grimmelshausen: Der abentheuerliche Simplicissimus Teutsch 21. Volker Meid (Hg.): Lyrik des Barock 22. Andreas Gryphius: Papinian II. Deutsche Literatur von der Aufklärung bis zur Klassik 23. Johann Gottfried Schnabel: Die Insel Felsenburg 24. Christian Fürchtegott Gellert: Leben der Schwedischen Gräfin von G. 25. Friedrich Gottlieb Klopstock: Oden 26. Christoph Martin Wieland: Geschichte des Agathon 27. Gotthold Ephraim Lessing: Minna von Barnhelm 28. Gotthold Ephraim Lessing: Emilia Galotti 29. Gotthold Ephraim Lessing: Nathan der Weise 30. Gotthold Ephraim Lessing: Hamburgische Dramaturgie 31. Johann Joachim Winckelmann: Gedanken über die Nachahmung der griechischen Original-Werke 32. Johann Gottfried Herder: Kritische Wälder 33. Johann Gottfried Herder: Journal meiner Reise 1769 34. Jakob Michael Reinhold Lenz: Der Hofmeister 35. Jakob Michael Reinhold Lenz: Die Soldaten 36. Karl Philipp Moritz: Anton Reiser 37. Johann Wolfgang Goethe: Die Leiden des jungen Werthers 38. Johann Wolfgang Goethe: Götz von Berlichingen 39. Johann Wolfgang Goethe: Wilhelm Meisters Lehrjahre 40. -
Racial Ideology Between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43
Marquette University e-Publications@Marquette History Faculty Research and Publications History, Department of 7-1-2020 Racial Ideology between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43 Peter Staudenmaier Follow this and additional works at: https://epublications.marquette.edu/hist_fac Part of the History Commons Marquette University e-Publications@Marquette History Faculty Research and Publications/College of Arts and Sciences This paper is NOT THE PUBLISHED VERSION. Access the published version via the link in the citation below. Journal of Contemporary History, Vol. 55, No. 3 (July 1, 2020): 473-491. DOI. This article is © SAGE Publications and permission has been granted for this version to appear in e-Publications@Marquette. SAGE Publications does not grant permission for this article to be further copied/distributed or hosted elsewhere without express permission from SAGE Publications. Racial Ideology between Fascist Italy and Nazi Germany: Julius Evola and the Aryan Myth, 1933–43 Peter Staudenmaier Marquette University, Milwaukee, WI Abstract One of the troublesome factors in the Rome–Berlin Axis before and during the Second World War centered on disagreements over racial ideology and corresponding antisemitic policies. A common image sees Fascist Italy as a reluctant partner on racial matters, largely dominated by its more powerful Nazi ally. This article offers a contrasting assessment, tracing the efforts by Italian theorist Julius Evola to cultivate a closer rapport between Italian and German variants of racism as part of a campaign by committed antisemites to strengthen the bonds uniting the fascist and Nazi cause. Evola's spiritual form of racism, based on a distinctive interpretation of the Aryan myth, generated considerable controversy among fascist and Nazi officials alike. -
Melbourne Journal of International Law [Vol 19(1)
Advance Copy ‘IMPERIUM IN IMPERIO’: SUB-IMPERIALISM AND THE FORMATION OF AUSTRALIA AS A SUBJECT OF INTERNATIONAL LAW Australia as a Subject of International Law CAIT STORR* This article retraces the role of sub-imperialism in the formation of the Australian state as a subject of international law. The discourse of sub-imperialism developed in the late nineteenth and early twentieth centuries as a means of characterising the British self-governing Dominions’ uncertain status in the international order, and drew explicitly on the United States Monroe Doctrine. The article revisits the significance of sub-imperialist posturing at two critical junctures in the historical formation of the Commonwealth of Australia. The first is the formalisation in the early 1880s of the movement toward federation of the Australasian colonies as a response to perceived British acquiescence to German imperialism in the Western Pacific. The second is the Commonwealth government’s attempt during the Versailles negotiations of 1919 to annex to its territory the occupied German Pacific territories of New Guinea and Nauru. The principal argument made in this article is that attempts to establish an Australian sub- empire in the Western Pacific were fundamental both to the federation movement and the recognition of Australian sovereignty in international law. The article concludes that Australian sub-imperialism warrants greater attention both in accounts of the history of Australia’s transition from self-governing Dominion to sovereign status in international law, and in accounts of contemporary Australian foreign policy in the Pacific region. CONTENTS I Introduction ........................................................................................................... 336 II Federation of the Australian Colonies and Imperial Competition in the Pacific ........................................................................................................ -
Contemporary German Crime Fiction the Children of Marx and Coca-Cola – Fifty Years 1968 Dr
Juergen Boos in Conversation with Helge Malchow and Kerstin Gleba Dark Nights – Contemporary German Crime Fiction The Children of Marx and Coca-Cola – Fifty Years 1968 Dr. Heimat – What I Always Wanted to Say about Germany the frankfurt magazine Books and the book trade in figures Books and the book trade in figures EDITORIAL In the sea of books A pile of all the new books published in A2016 pile of would all the rise new to books some published 2,180 metres in 2016In data for the Germany, change sea compared toof previous yearbooks in brackets 2016 would rise to some 2,180 metres Book consumption: Dear readers, 2016 data for Germany, change compared to previous year in brackets Who reads how often? New releases Book consumption: Who reads how often? Book market sales New releases Old habits die hard, and breaking them sometimes We look at a social phenomenon that forms the by distribution channel First edition Book market sales Daily / several takes time. You now hold in your hands the result focus of myriad new publications: it’s now 50 years Total Firstbook edition production by Salesdistribution in euros channel times a week Total72,820 book production(-4.9%) Daily / several of one such radical break: the frankfurt magazine, since students in Germany and elsewhere took to Sales in euros Online book Other times a week 72,820 (-4.9%) 42% 25% published by the Frankfurter Buchmesse. A liter- the streets in 1968 to call for radical change. We Onlinemarket book salesOther points 1.69 billion (+5.3%) 4,966 (+14.1%) 42% 25% ary magazine whose -
Sympathy for the Devil: Volatile Masculinities in Recent German and American Literatures
Sympathy for the Devil: Volatile Masculinities in Recent German and American Literatures by Mary L. Knight Department of German Duke University Date:_____March 1, 2011______ Approved: ___________________________ William Collins Donahue, Supervisor ___________________________ Matthew Cohen ___________________________ Jochen Vogt ___________________________ Jakob Norberg Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of German in the Graduate School of Duke University 2011 ABSTRACT Sympathy for the Devil: Volatile Masculinities in Recent German and American Literatures by Mary L. Knight Department of German Duke University Date:_____March 1, 2011_______ Approved: ___________________________ William Collins Donahue, Supervisor ___________________________ Matthew Cohen ___________________________ Jochen Vogt ___________________________ Jakob Norberg An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of German in the Graduate School of Duke University 2011 Copyright by Mary L. Knight 2011 Abstract This study investigates how an ambivalence surrounding men and masculinity has been expressed and exploited in Pop literature since the late 1980s, focusing on works by German-speaking authors Christian Kracht and Benjamin Lebert and American author Bret Easton Ellis. I compare works from the United States with German and Swiss novels in an attempt to reveal the scope – as well as the national particularities – of these troubled gender identities and what it means in the context of recent debates about a “crisis” in masculinity in Western societies. My comparative work will also highlight the ways in which these particular literatures and cultures intersect, invade, and influence each other. In this examination, I demonstrate the complexity and success of the critical projects subsumed in the works of three authors too often underestimated by intellectual communities. -
Lob Des Schattens“
„Lob des Schattens“ Azusa TAKATA „LOB DES SCHATTENS“ CHRISTIAN KRACHTS „JAPANISCHE“ ÄSTHETIK IN DIE TOTEN1 1. KRACHT UND JAPAN In den Texten von Christian Kracht kommt Japan oftmals vor. Das ist schon in seinem Debütroman, Faserland (1995), festzustellen: Im Schlusskapitel, in dem der namenlose Ich-Erzähler nach seiner durch zahlreiche Partys, Drogenkon- sum und Kommerz geprägten Deutschlandsreise der 1990er Jahre schließlich seinen Endpunkt in Zürich findet, wird Japan kurz erwähnt: „sie [die Frauen] tragen alle Kleidung, die japanisch aussieht“.2 In 1979 (2001) werden die euro- päisch aussehenden Räume der prächtigen Villa in Teheran als „das Gegenteil Japans“3 geschildert, und in Ich werde hier sein im Sonnenschein und im Schatten (2008) wird der aus dem Buddismus stammende japanische Begriff „Satori“ oftmals aufgegriffen.4 Kracht wählte daran anschließend in seinem vierten Roman Imperium (2012) als Schauplatz die damalige deutsche Kolonie in Pa- pua-Neuginea, wo das japanische Militär im Zweiten Weltkrieg eine blutige Schlacht erlebte. Bemerkenswert ist, dass Japan in diesem Werk nur einmal explizit vorkommt, und zwar ganz am Ende des Romans, als Andeutung auf 5 seinen fünften Roman, Die Toten (2016), der die japanische Filmindustrie in 1 Dem vorliegenden Beitrag liegt mein Vortrag auf der internationalen Tagung „Christian Krachts Ästhetik“ zugrunde, die mit der Frankfurter Poetikvorlesung von Christian Kracht 2018 verbundenen war. Der Vortragstext wird unter dem gleichen Titel in den Sam- melband der Tagung, der im Herbst 2019 erscheinen wird, aufgenommen. Die vorliegende Fassung geht als Aufsatz in den Kapiteln 2 bis 4 über die Vortragsfassung weit hinaus. 2 Christian Kracht: Faserland. Ein Roman. Köln (Kiepenheuer & Witsch) 1995, S. -
Bibliographie Zu Christian Kracht
Bibliographie zu Christian Kracht 2011: Ächtler, Norman: Die »Abtreibung« der Popliteratur: Kracht, Krieg, Kulturkritik. In: Kriegsdiskurse in Literatur und Medien nach 1989. Hg. v. Carsten Gansel u. Heinrich Kaulen. Göttingen: V&R uni press 2011, S. 379-401. Bartels, Klaus: Trockenlegung von Feuchtgebieten. Christian Krachts Dandy-Trilogie. In: Poetik der Oberfläche. Die deutschsprachige Popliteratur der 1990er Jahre. Hg. v. Olaf Grabienski, Till Huber u. Jan-Noël Thon. Berlin: de Gruyter 2011, S. 207-226. Birgfeld, Johannes / Conter, Claude D.: Vorbemerkung. In: Christian Kracht / David Woodard: Five Years. Briefwechsel 2004-2009. Vol. 1: 2004-2007. Hg. v. Johannes Birgfeld u. Claude D. Conter. Hannover: Wehrhahn 2011, S. V-XV. Hermes, Stefan: Tristesse globale. Intra- und interkulturelle Fremdheit in den Romanen Christian Krachts. In: Poetik der Oberfläche. Die deutschsprachige Popliteratur der 1990er Jahre. Hg. v. Olaf Grabienski, Till Huber u. Jan-Noël Thon. Berlin: de Gruyter 2011, S. 187-206. Krüger, Brigitte: Intensitätsräume. Die Kartierung des Raumes im utopischen Diskurs der Postmoderne: Christian Krachts Ich werde hier sein im Sonnenschein und im Schatten. In: Raum und Gefühl. Der Spatial Turn und die neue Emotionsforschung. Hg. v. Gertrud Lehnert. Bielefeld: Transcript-Verlag 2011, S. 259-275. Niermann, Ingo: Oberfläche. In: Poetik der Oberfläche. Die deutschsprachige Popliteratur der 1990er Jahre. Hg. v. Olaf Grabienski, Till Huber u. Jan-Noël Thon. Berlin: de Gruyter 2011, S. 227-230. Preece, Julian: Christian Kracht’s Faserland (Frayed-Land). In: The Novel in German since 1990. Hg. v. Stuart Taberner. Cambridge: Cambridge University Press 2011, S. ###-###. Seelig, Arnim: Irony and Narrative Subtext in the Novel 1979 by Christian Kracht.