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John Harbison's Songs for Baritone: a Performer's Guide
John Harbison‘s Songs for Baritone: A Performer‘s Guide A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Peter C. Keates B.M.A., University of Oklahoma, 2004 M.M., University of Cincinnati, CCM, 2006 Abstract This document is a performance guide for Words from Paterson and Flashes and Illuminations, John Harbison‘s song cycles for baritone. It confronts the issues of text interpretation and musical style one must address in order to give the most informed performance of these songs. It provides a synthesis of information about the poems and readings of the poetry Harbison set to music, offers insight into Harbison‘s interpretations of the text, and demonstrates how Harbison‘s atonal style and unique compositional techniques provide a successful musical setting for the chosen texts. The guide also discusses performance issues based on personal experience as well as the experience of the composer and other performers. The poetic style of William Carlos Williams, Michael Fried, Czeslaw Milosz, Elizabeth Bishop, and Eugenio Montale are examined. A transcription of an interview with John Harbison is also included. Table of Contents Introduction .......................................................................................................................................... 1 I. Paterson ............................................................................................................................................... -
"A Multi-Stemmed Flower": Reading Sandro Penna in Search of Modernity Livio Loi University of Wollongong, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Research Online University of Wollongong Research Online Faculty of Law, Humanities and the Arts - Papers Faculty of Law, Humanities and the Arts 2015 "A multi-stemmed flower": reading Sandro Penna in search of modernity Livio Loi University of Wollongong, [email protected] Publication Details Loi, L. ""A multi-stemmed flower": reading Sandro Penna in search of modernity." Italica 92 .4 (2015): 836-856. Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] "A multi-stemmed flower": reading Sandro Penna in search of modernity Abstract Sandro Penna's poetry (1906-1977), is a delicate combination of melancholy and exhilaration, and shows innovation and modernity inside the Italian lyrical tradition. Critically stereotyping Penna's poetry as a flower with no evident stem, meaning no external influences, narrows the depth of his literary corpus. In his notes Penna reveals himself as a voracious reader of modern international literature and critics Roberto Deidier and Pierfranco Bruni pointed out that his evident European influences completely lack investigation. Most criticism though do not seem to acknowledge how close Penna's poetry is to the ideas of "modern" and "new" as fostered by Modernists and Imagists. This essay challenges the literary commonplace that Penna is a miracle out of history and time and, investigating Penna's archives and poems, discloses connections, references and similarities between his poetry and the major movements - French Symbolism, Modernism, Imagism - and literary personalities of the twentieth century. -
Être Hors De La Littérature Conduit, Parfois, À Mieux Y Entrer › Patrick Kéchichian
LIVRES Être hors de la littérature conduit, parfois, à mieux y entrer › Patrick Kéchichian n livre qui n’a l’air de rien, ne ressemble à rien, ne pèse presque rien. Un auteur qui a pris la déci- U sion, sa vie durant, de ne pas écrire, ou plus pré- cisément de ne pas faire, comme on dit, œuvre. Des pages blanches ? Non, pas vraiment. Alors, surtout, ne passez pas votre chemin. Apprenez à connaître, ou à entrevoir, à deviner ce qui anime l’auteur en question, Roberto Bazlen (1902-1965), à partir de quelques rares fragments publiés après sa mort, dont ces surprenantes Lettres éditoriales (1). Peu de choses à dire sur Bazlen, et cela est heureux, conforme à sa figure, neutre, toujours en voie d’effacement… Il était de Trieste, où il ne vécut pas toute sa vie, et fréquentait les milieux littéraires et éditoriaux. Il était proche d’Italo Svevo, d’Umberto Saba, d’Eugenio Montale, de Virgilio Giotti (2)… Daniele Del Giudice en fit le personnage, ou plutôt le sujet, le point de fuite, de son roman le Stade de Wimbledon (3). Très logiquement, William Marx, dans l’Adieu à la littérature, consacre quelques pages au Triestin, en qui il voit l’« incarnation du dernier écrivain, celui en qui la littérature trouve sa fin » (4). Pour des amis éditeurs chez Bompiani ou Einaudi, Baz- len rédigea quelques notes de lecture, en vue d’éventuelles traductions et éditions d’œuvres. Ces fragments furent ras- semblés en 1968 et traduits en 1999 au Passeur. Ils sont ici repris, avec, en préface, un texte du magnifique Roberto Calasso, qui avait déjà servi dans l’édition d’une autre tra- duction de pages de Bobi, comme on le nommait – même 160 JUILLET-AOÛT 2018 JUILLET-AOÛT 2018 critiques si un paragraphe reste obscur (5). -
By Seamus Heaney
Irish Human Rights Commission Writer & Righter By Seamus Heaney Fourth IHRC Annual Human Rights Lecture, 9 December 2009 First published June 2010 By Irish Human Rights Commission 4th Floor, Jervis House Jervis Street Dublin 1 Copyright © of text of Writer & Righter is the sole property of Seamus Heaney Copyright © of publication belongs to the Irish Human Rights Commission ISBN 978-0-9558048-4-7 The Irish Human Rights Commission (IHRC) was established, under statute in 2000, to promote and protect human rights in Ireland. The human rights that the IHRC protects are the rights, liberties and freedoms guaranteed under the Irish Constitution and the international agreements, treaties and conventions to which Ireland is a party. All human beings are born free & equal in dignity and rights. They are endowed with reason & conscience & should act towards one another in a spirit of brotherhood. www.ihrc.ie 2 & 3 Preface As one of Ireland’s most distinguished poets and prominent advocates for human rights, we invited Seamus Heaney to give our fourth Annual Human Rights Lecture. We considered it an honour when he accepted our invitation. The theme Seamus Heaney chose was the relevance of poetry in times of societal upheaval and unrest. Was it ethical to create poetry when a country or people were in turmoil? Was it ‘right on’ to ‘write on’? He particularly highlighted the differences between the sedentary w-r-i-t-e-r-s and the pro-active r-i-g-h-t-e-r-s, the former whose job it is to reflect and the latter whose role it is to take action. -
Roberto Calasso - Deconstructing Mythology
Lara Fiorani University College London Roberto Calasso - Deconstructing mythology A reading of Le nozze di Cadmo e Armonia I, Lara Fiorani, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ---------------------------- Lara Fiorani 2 ABSTRACT This thesis reviews Roberto Calasso’s Le nozze di Cadmo e Armonia (1988) and demonstrates that thematic and formal elements of this text allow us to to cast a post- modern and poststructuralist light on his theorization of ‘absolute literature’ – a declaration of faith in the power of literature which may appear to clash with the late twentieth century postmodern and poststructuralist climate responsible for concepts such as la mort de l’auteur. The importance of these findings lies in their going against Calasso’s claim that he never needed to use the word ‘postmodern’ and his complete silence on contemporary literary criticism, as well as on most contemporary authors. Calasso’s self-representation (interviews, criticism and the themes of the part-fictional work-in-progress) acknowledges as influences ancient Greek authors, both canonical and marginal; French décadence; the finis Austriae; Marxism; Nietzsche; Hindu mythology and Aby Warburg. These influences are certainly at work in Le nozze, however they may be employed to subvert Calasso’s self-presentation. I have explored in detail the representations of literature emerging from Le nozze, and shown that they allow the identification in Calasso’s texts of elements confirming his fascination with poststructuralism, in particular with the thought of Jacques Derrida, despite the complete silence on this philosopher throughout Calasso’s work. -
La Poesa Intertextual De Jos Ngel Valente
LA ESPIRAL ONTOLÓGICA E INTERTEXTUAL EN LA POESÍA DE JOSÉ ÁNGEL VALENTE: CREACIÓN POÉTICA Y BÚSQUEDA ÍNTIMO-MÍSTICA EN LOS ALBORES DE LA PREMODERNIDAD DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Jorge Machín-Lucas ***** The Ohio State University 2005 Dissertation Committee: Professor Stephen J. Summerhill, Adviser Approved by Professor Salvador García Castañeda ______________________________ Adviser Professor Donald R. Larson Graduate program in Spanish and Portuguese ABSTRACT This dissertation proposes a new approach to the poetics of the late Spanish poet José Ángel Valente (1929-2000), a member of the “Generation of the 50’s”. Its purpose is to evaluate mystical influences as a projection of an ontological state, a necessity of being to explore its own immanence. The historical context is the divide between modernity and postmodernity in a movement toward an ideal notion of premodernity. Valente develops an immanent and transcendent inner voyage which is not just a reaction against the age of mechanical or technological reproduction, but a way of establishing a new epistemological analysis in order to examine more effectively the traditional notion of “reality”. His is an antirationalist thought that seeks to fill in the gaps in the traditional rationalistic and positivistic modes of analysis. Thus, his attitude is the same as the one practiced by mystics of all eras, who have always tried to avoid established ways of thought, whether religious, social or linguistic. All of Valente’s essays, critical works and books of poetry are permeated by mystical intertextualities and by the literary and philosophical commentaries of three mystical traditions which have been deeply rooted in Spain: the Jewish Cabala (Abraham Abulafia, Moses de León, Moses Cordovero…), Muslim Sufism (Ibn ‘Arabī, the Avicena brothers…), and the Christian Catholics (San Juan de la Cruz, Santa Teresa de Jesús, ii Miguel de Molinos…). -
Imprima Este Artículo
RESENAS IANNE GABRIELE RECK. Horacio Quiroga, biografia y critica. Colecci6n Studium, 57. M6xico: Ediciones de Andrea, 1966. Hanne Gabriele Reck es oriunda de Munich, Alemania. Ha estudiado letras hispinicas en las Universidades de Heidelberg y de Santander. Se doctor6 en la de Columbia, Nueva York. Con posterioridad, ha sido profesora en la Univer- sidad de Puerto Rico. Fascinada por la narrativa de Horacio Quiroga, se ha especializado en la vida y obra del gran cuentista uruguayo. No s6lo investig6 su producci6n lite- raria, sino que tambi6n visit6 la regi6n de las Misiones argentinas, sus hombres y sus animales, para lograr el mas cabal conocimiento de su expresi6n artistica. El libro puede dividirse en tres partes: primero, la autora narra la vida de Quiroga; segundo, comenta y analiza su obra literaria; y, tercero, da una bibliografia extensa. La profesora Reck relata c6mo la vida de Horacio Quiroga fue marcada por muertes violentas -Ila de su padre, la de su padrastro, la de un amigo, la de su primera esposa, y, finalmente, la suya propia. Quiroga termin6 su vida envenenindose. Su estancia en Paris, cuando era joven, parece haberle influido en ciertos aspectos negativos. Sufri6 apuros econ6micos en la capital francesa que le lleva- ron a odiar la ciudad. La autora cree que si no fuera por su visita a Paris, con la consiguiente desilusi6n, es posible que Quiroga hubiese continuado con el estilo decadente, de influencia parisiense, que se nota en sus primeros escritos, en vez de descubrir su verdadera meta en la literatura de la selva: "es muy posible que la miseria sufrida por Quiroga en Paris al mismo tiempo le haya impedido sucumbir a las tentaciones de aquella metr6poli y perderse alli, apre- surando su regreso a su pais nativo y el encuentro con el nundo salvaje ameri- cano cuyo gran narrador habria de ser". -
Indice Del Volume
Santagata7_00_romane_00 04/02/12 17.15 Pagina III INDICE DEL VOLUME Dal secondo dopoguerra agli inizi degli anni Sessanta 1 Le coordinate storiche, culturali e letterarie 2 Le coordinate storiche l1 La situazione internazionale tra il 1945 e i primi anni Sessanta 3 D1 Il rapporto segreto di Kruscev sul “culto della personalità” di Stalin [Adriano Guerra, Il giorno che Kruscev parlò: dal XX congresso alla rivoluzione ungherese] 5 D2 La missione degli Stati Uniti [John F. Kennedy, Obiettivo mondo nuovo] 6 l2 La situazione in Italia dopo il 1945 6 Le coordinate culturali l3 La cultura nel secondo dopoguerra 8 FOCUS La riflessione sulla guerra e sulle sue conseguenze 8 FOCUSCINEMA I modelli dello starsystem 10 l4 La nascita dello strutturalismo 11 FOCUSARTE La pittura italiana tra Neorealismo e protesta 12 Le coordinate letterarie l5 Le arti e la letteratura tra Realismo e Neorealismo 13 FOCUSARTE L’architettura del “Movimento Moderno” statunitense 14 FOCUS Impegno 15 Sintesi, p. 17 • Bibliografia, p. 17 2 Le letterature straniere 18 l1 Le tendenze della poesia sino agli inizi degli anni Sessanta 19 FOCUS Il beat e il ribelle 20 l2 La narrativa sino agli anni Sessanta 21 l3 La narrativa in Francia 22 ANTOLOGIA Albert Camus 24 T1 Un dramma senza drammaticità [Lo straniero, Parte I, cap. 6; Parte II, cap. 1] 25 Lettura guidata, p. 28 • Esercizi, p. 29 l4 La narrativa in Germania e in Unione Sovietica 29 ANTOLOGIA Günter Grass 30 T2 Scegliere di non crescere [Il tamburo di latta] 31 Lettura guidata, p. 34 • Esercizi, p. 35 l5 La narrativa negli Stati Uniti 36 l6 La narrativa sudamericana. -
Informe Final
Universidad de San Carlos de Guatemala (USAC) Dirección General de Investigación (DIGI) Programa Universitario de Investigación en Cultura, Pensamiento e Identidad de la Sociedad Guatemalteca INFORME FINAL ESTUDIO CRÍTICO DE LA OBRA DEL ESCRITOR DANTE LIANO, PREMIO NACIONAL DE LITERATURA “MIGUEL ÁNGEL ASTURIAS” 1991 Equipo de Investigación Nancy Noemí Maldonado Enríquez de Masaya - Coordinadora Blanca Lilia Mendoza Hidalgo - Investigadora Gladys Tobar Aguilar - Investigadora Asociada 2008 Estudio crítico de la obra del escritor Dante Liano, Premio Nacional de Literatura “Miguel Ángel Asturias” 1991 Universidad de San Carlos de Guatemala (USAC) Dirección General de Investigación (DIGI) Programa Universitario de Investigación en Cultura, Pensamiento e Identidad de la Sociedad Guatemalteca INFORME FINAL Programa Universitario de investigación: Estudio crítico de la obra del escritor Dante Liano, Premio Nacional de Literatura: “Miguel Ángel Asturias” 1998. Producto final de la investigación del proyecto: • Documental artístico-educativo Dante Liano: Visión de dos mundos • Informe final de la investigación, el cual podría ser editado para su publicación posterior • Afiche promocional • Bifoliar informativo Nombre de los integrantes del equipo de investigación: Licda. Nancy Noemí Maldonado Enríquez de Masaya – Coordinadora Dra. Blanca Lilia Mendoza Hidalgo – Investigadora Dra. Gladys Tobar Aguilar – Investigadora asociada Fecha de la presentación del informe escrito: Guatemala, 26 de noviembre de 2008. Instituciones participantes: Facultad -
Nobel Prize in Literature Winning Authors 2020
NOBEL PRIZE IN LITERATURE WINNING AUTHORS 2020 – Louise Gluck Title: MEADOWLANDS Original Date: 1996 DB 43058 Title: POEMS 1962-2012 Original Date: 2012 DB 79850 Title: TRIUMPH OF ACHILLES Original Date: 1985 BR 06473 Title: WILD IRIS Original Date: 1992 DB 37600 2019 – Olga Tokarczuk Title: DRIVE YOUR PLOW OVER THE BONES OF THE DEAD Original Date: 2009 DB 96156 Title: FLIGHTS Original Date: 2017 DB 92242 2019 – Peter Handke English Titles Title: A sorrow beyond dreams: a life story Original Date: 1975 BRJ 00848 (Request via ILL) German Titles Title: Der kurze Brief zum langen Abschied 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Original Date: 1972 BRF 00716 (Request from foreign language collection) 2018 – No prize awarded 2017 – Kazuo Ishiguro Title: BURIED GIANT Original Date: 2015 BR 20746 /DB 80886 Title: NEVER LET ME GO Original Date: 2005 BR 21107 / DB 59667 Title: NOCTURNES: FIVE STORIES OF MUSIC AND NIGHTFALL Original Date: 2009 DB 71863 Title: REMAINS OF THE DAY Original Date: 1989 BR 20842 / DB 30751 Title: UNCONSOLED Original Date: 1995 DB 41420 BARD Title: WHEN WE WERE ORPHANS Original Date: 2000 DB 50876 2016 – Bob Dylan Title: CHRONICLES, VOLUME 1 Original Date: 2004 BR 15792 / DB 59429 BARD 10/2017 NOBEL PRIZE IN LITERATURE WINNING AUTHORS Title: LYRICS, 1962-2001 Original Date: 2004 BR 15916 /DB 60150 BARD 2015 – Svetlana Alexievich (no books in the collection by this author) 2014 – Patrick Modiano Title: DORA BRUDER Original Date: 1999 DB 80920 Title: SUSPENDED SENTENCES: THREE NOVELLAS Original Date: 2014 BR 20705 -
Medieval Literature
CMLT-C 523 (23233) mistaken assumptions—though advanced students are welcome. Our initial aim will be Medieval Literature: intimate acquaintance with the complexities of the texts--both Hebrew Bible and (to a lesser Constructions of the Other extent) New Testament— including the ideas behind them and the ideas they have inspired; | R. McGerr| TR 1:00 pm – but we shall be concerned too with more general issues of authority and originality, metaphor 2:15 pm | Meets with and enigma, interpretative license and the status of the author—issues that biblical criticism MEST M-502 | 4 cr raises in their acutest form. Secondary reading will include ancient Near Eastern and Mediterranean parallels, literary retellings, and classic works of biblical interpretation, ancient Negotiating differences between and modern, religious and secular. people plays an important role in developing individual self- No special preparation or knowledge is required, but students with Hebrew (or for the New consciousness, as well as in Testament Greek) will be encouraged to work with the original. As a base text, I would building communities. At the recommend the old (1952) Revised Standard Version (RSV)—better in most respects than the same time, unexamined assumptions about the significance of differences can be destructive to NRSV—though we shall be looking at multiple versions, including the KJV and the Buber- individuals and communities: constructing the Other in order to suggest the superiority of the Rosenzweig “Verdeutschung” with its English and French imitations by Fox and Chouraqui. Self often involves the demonization or dehumanization of people, which one group can use to Due to a nasty campaign by the National Council of the Churches of Christ (comparable to justify destruction or exploitation of these “inferior” Others. -
“Volti E Momenti Di Una Vita”
“Volti e momenti di una vita” Un’analisi politestuale della raccolta Un po’ di febbre (1973) di Sandro Penna Sander Wille Stamnummer: 01301757 Promotor: Prof. Dr. Mara Santi Masterproef voorgelegd voor het behalen van de graad Master in de Taal-en Letterkunde: afstudeerrichting Frans-Italiaans Academiejaar 2016-2017 2 “Volti e momenti di una vita” Un’analisi politestuale della raccolta Un po’ di febbre (1973) di Sandro Penna Sander Wille Stamnummer: 01301757 Promotor: Prof. Dr. Mara Santi Masterproef voorgelegd voor het behalen van de graad Master in de Taal-en Letterkunde: afstudeerrichting Frans-Italiaans Academiejaar 2016-2017 3 Ô saisons, ô châteaux, Quelle âme est sans défauts ? Ô saisons, ô châteaux, J’ai fait la magique étude Du Bonheur, que nul n’élude. Ô vive lui, chaque fois Que chante son coq gaulois. Mais ! je n’aurais plus d’envie, Il s’est chargé de ma vie. Ce charme ! il prit âme et corps, Et dispersa tous efforts. Que comprendre à ma parole ? Il fait qu’elle fuit et vole ! Ô saisons, ô châteaux ! - Arthur Rimbaud - 4 Indice Abstract ............................................................................................................................................ 7 Ringraziamenti ................................................................................................................................. 8 Introduzione .................................................................................................................................... 9 Capitolo 1: Status Quaestionis .....................................................................................................